What:Portrayal of Guilt w/Street Sects, EUTH and Cau5er When: Thursday, 1.23, 8 p.m. Where: Hi-Dive Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.
Street Sects 10pm
Portrayal of Guilt 11pm
What:Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man When: Thursday, 1.23, 8 p.m. Where: Mutiny Information Café Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.
7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
What:Use the Sun (Reunion), Old Sport and American Grandma When: Saturday, 1.25, 7 p.m. Where: Seventh Circle Music Collective Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.
What:Neil Haverstick When: Saturday, 1.25, 7 p.m. Where: Swallow Hill Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.
What:Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers When: Sunday, 1.26, 7 p.m. Where: Mutiny Information Cafe Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.
Tuesday | January 28
What:GosT w/Church Fire and Elay Arson When: Tuesday, 1.28, 7 p.m. Where: Larimer Lounge Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.
What:Poppy w/VOWWS When: Tuesday, 1.28, 7 p.m. Where: Gothic Theatre Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.
What:Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands When: Thursday, 10.17, 7:30 p.m. Where: Glitter City Studio Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.
What:Temples w/Honey Harper When: Friday, 10.18, 8 p.m. Where: Gothic Theatre Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.
What:Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra When: Friday, 10.18, 7 p.m. Where: Paramount Theatre Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.
What:Aldous Harding w/Hand Habits (solo) When: Saturday, 10.19, 8 p.m. Where: Larimer Lounge Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.
What:Guerilla Toss w/cindygod and Corner Girls When: Saturday, 10.19, 8 p.m. Where: Hi-Dive Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do?released October 18 and this is more or less the band’s tour kickoff show.
What:Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers When: Saturday, 10.19, 8:30 p.m. Where: The People’s Building Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.
What:The Distillers w/Death Valley Girls When: Saturday, 10.19, 7 p.m. Where: Ogden Theatre Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.
What:Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue When: Saturday, 10.19, 9 p.m. Where: Rhinoceropolis Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.
What:Jonathan Richman w/Tommy Larkins When: Saturday, 10.19, 7 p.m. Where: Daniels Hall at Swallow Hill Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.
Sunday | October 21
What:All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ) When: Sunday, 10.20, 8 p.m. Where: The Zodiac (Colorado Springs) Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.
What:All Your Sisters w/Echo Beds, Midwife and B|_ank When: Monday, 10.21, 9 p.m. Where: Rhinoceropolis Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.
What:Whitney w/Lala Lala When: Monday, 10.21, 7 p.m. Where: Ogden Theatre Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.
What:Chelsea Wolfe w/Ioanna Gika When: Tuesday, 10.22, 8 p.m. Where: Stanley Hotel Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.
What:The KVB w/Numb.er and Eventually It Will Kill You When: Tuesday, 10.22, 8 p.m. Where: Larimer Lounge Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.
What:Shovels & Rope w/John Paul White (of The Civil Wars) When: Tuesday, 10.22, 7 p.m. Where: Ogden Theatre Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.
What:mxmtoon w/Alexander 23 When: Wednesday, 10.23, 7 p.m. Where: Larimer Lounge Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.
What:Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs When: Wednesday, 10.23, 9 p.m. Where: Rhinoceropolis Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.
What:Curse w/Echo Beds, Church Fire and Gruesome Relics When: Thursday, 10.03, 9 p.m. Where: Rhinoceropolis Why: Baltimore’s Curse has been touring the US for the past eight years playing its alchemical mix of doom, darkwave analog synth pop, electro-acoustic industrial beats and hardcore. Its commanding and spirited performances and DIY ethos has earned the band a fanbase in the American underground where its gritty, emotionally charged and dream-like music needn’t appeal to a narrow spectrum of musical tastes. Also on the bill are like-minded Denver locals. Echo Beds and Church Fire both bridge the worlds of hardcore, industrial and darkwave with both groups incorporating live drums and physical sound generation with an electronic music aesthetic.
What:Bleached w/Dude York and Pout House When: Thursday, 10.03, 7 p.m. Where: Globe Hall Why: Seattle’s Dude York recently released its new album Falling out on Hardly Art. The band’s been writing fun, thoughtful music since its inception but on the new record the songwriting seems somehow fuller and the tone nostalgic like the members of the band have reached a point in their life that everyone gets to where you can embrace the music of your youth that maybe in your late teens or twenties you rejected a bit because you outgrew it. Except that you can appreciate it on your terms as someone who has some life experience and has more insight as to why you you can either still love that music or aspects of it or appreciate how it made you feel even if that music doesn’t have that level of impact on you now. The problem with a lot of rock music is that it gets emotionally stuck in a rut of stunted adolescence. Falling sounds like a band that acknowledges the importance on a deeply personal level of not letting your heart fully harden to weather the blows of life with a shield of knowing jadedness when some sensitivity and openness would be a better way to navigate the world with curiosity and humanity intact. Bleached not so long ago went through its own transformation after some years of exploring what it wanted to sound like, even as the songwriting was always strong, to get into a groove of gritty, atmospheric pop that grew out of the Clavin sisters’ past in noise punk band Mika Miko and the garage surf sound of the early 2010s.
What:Half Moon Run w/Tim Baker (former Hey Rosetta!) When: Friday, 10.04, 8 p.m. Where: Bluebird Theater Why: Tim Baker the charismatic singer for Hey Rosetta! released his debut solo album Forever Overhead. When the band went on indefinite hiatus in October 2017 Baker went on tour as a solo artist playing the unconventional types of venues he had probably when he was coming with the songs that were the backbone of the early era of his Hey Rosetta!. The songs are the warm, introspective but yearning, anthemic pieces that garnered the band a wide audience from early on. The album seems to sketch a journey of personal rediscovery and reconnecting with the everyday experiences and epiphanies that make for vivid lyrics that resonate with feelings we’ve all had.
What:Ride w/The Spirit of the Beehive and One Flew West When: Friday, 10.04, 7:30 p.m. Where: Boulder Theater Why: Ride was one of the earliest of the UK shoegaze bands. Its sound was aswirl with elements of a colossal neo-psychedelia but rocked with a momentous drive. Currently the group is touring in support of its 2019 album This is Not a Safe Place.
What:Pythian Whispers album release w/RAREBYRD$, SOMNILOQUIST and nervesandgel When: Saturday, 10.05, 8 p.m. Where: Rhinoceropolis Why: SOMNILOQUIST is an ambient/drone artist from Albuquerque whose 2019 album Perpetual Fall is a collection of vivid sonic sketches of a scene, a sensation, a mood captured by the song titles including the humorously titled “How Long Are You Going to Leave Those Jack-o-Lanterns on Your Porch?” Majestic, enigmatic, impressionistic, introspective but always conveying the emotional experiences behind them eloquently. Nervesandgel hasn’t performed a show in over six years but the Denver-based experimental electronic artist has a vast back catalog that explores depths of experimenting with the form of ambient music and psychedelia beyond the tropes implied by the latter designation. He, Johnny Wohlfahrt, has releases on various imprints including a record out on indie pop label Best Friends Records but most of his work is self-released including the darkly moving Cometcrash and the more than three hour long epic 333. He may make ambient music but his performances are always richly emotional. R A R E B Y R D $ took the root of underground hip-hop and imbued it with personal mythology and a willingness to push the weird end of electronic beat-making to craft some of the most entrancing and evocative, sometimes inspirationally brash, sometimes cathartically heartbreaking happening in the world right now. Pythian Whispers is a Denver-based ambient band that Queen City Sounds and Art editor and writer Tom Murphy started as a solo project in 2009 but which became a band in 2011 when David Britton joined followed by various other long term and short term collaborators including renowned photographer/film-maker Charles DeGraaf, Titwrench MC Piper Rose, former Dangerous Nonsense bassist and current Umbras Animas member Harmony Fredere, Brad Schumacher of Night Grinder, Melissa Bell formerly of Rasputina and Howling Hex, Victoria Lundy of The Inactivists, Darren Kulback formerly of Hot White now Quits and The Lifers, former Action Friend drummer Paul Alexander, Misun Oh formerly of French Chemists, Tripp Wallin of The Lifers, comic artist Sara Century, photographer Joel Dallenbach and likely more. The band’s new album Lullabies For the Way of St. James is its first full length album since 2012’s The Dark Edge of Hippie Life. The band will have enamel band logo pins for sale for $12 that come with a download or a bundle with a forthcoming cassette with extra tracks for maybe $20.
What:Franksgiving: Church Fire, Little Fyodor, Ralph Gean and Gort Vs. Goom When: Saturday, 10.05, 9 p.m. Where: Lion’s Lair Why: Franklin Bell is a local character and weird music afficionado who DJs many events featuring gloriously odd music. This is his yearly benefit for the Crohn’s Foundation of America. It features some of Denver’s best including tribal industrial dance phenoms Church Fire, punker than your average fashion victim punk band Little Fyodor & Babushka Band, Denver’s OG rock and roll hero Ralph Gean and irreverent bass thrash post-punkers Gort Vs. Goom.
What:Sam Fender w/Noel Wells When: Sunday, 10.06, 7 p.m. Where: Globe Hall Why: You may not know who Sam Fender is now but the singer/songwriter from the UK has had his musical star on the ascent for several years now and his new album Hypersonic Missiles hit the number one sport on the UK Albums Chart last month. His earnest songwriting and candid portraits of working class life, the struggles, the aspirations, the frustrations and the triumphs, elevate his upbeat and anthemic songwriting to something more ambitious and meaningful than much of what is passing for pop and rock music in the mainstream these days.
What:Dave Bixby w/Midwife and Scott Seskind — canceled When: Sunday, 10.06, 7 p.m. Where: Rhinoceropolis Why: In 1969 Dave Bixby released his debut Ode to Quetzalcoatl, inspired by a spiritual revelation after wrecking his mind with drugs and transcending that experience. His second album, Second Coming, commissioned by a cult called The Movement, was released in 1970 and he subsequently disappeared from the world of music until 2011. This is a rare chance to catch this legend of psychedelic folk. [This show was canceled due to Dave’s gear being stolen. Possible reschedule at some point]
What:Emotional Oranges w/Chiiild When: Monday, 10.07, 7:30 p.m. Where: Fox Theatre Why: Chiiild is the kind of R&B we need now that is identifiable as such but which has absorbed modern music and while maintaining an appreciation for the eccentric sound and musical ideas from yesteryear with no prejudice toward where it belongs in conventional notion of genre. The group’s songs sound like they were written without notions of musical tradition weighing it down, only the pressure of writing meaningful and transporting music the way its obvious influences weren’t aiming to borrow so heavily from an earlier era either.
What:Tame Impala w/Altin Gün When: Monday, 10.07, 7 p.m. Where: Mission Ballroom Why: Tame Impala could have done fine for itself basically soundtracking modern yacht rock for young people and had a commercially successful music career. But Kevin Parker’s songwriting reveals some more imaginative combinations of sounds and moods layered into the music so that even if sometimes a song will remind those in the know of a later era Supertramp track with more luxuriant synth work it’s an example of Parker’s penchant for weaving together modern sensibilities and pop songcraft from previous or current times with equal aplomb.
What:Stereolab w/Wand When: Monday, 10.07, 7 p.m. Where: Ogden Theatre Why: Stereolab took French pop, Krautrock, avant-garde synth music, dub and psychedelia and infused it with the radical left politics to make some of the most compelling yet accessible music of the 1990s and 2000s. Reunited after a decade apart “The Groop” will not fail to dazzle.
What:Tyler, The Creator w/Blood Orange and Goldlink When: Monday, 10.07, 6 p.m. Where: Red Rocks Why: Tyler the Creator made a name for himself crafting experimental hip-hop as a member of Odd Future and under his own creative moniker. But in recent years, particularly with his 2019 album Igor, he’s been writing works that explore themes of identity and a deep examination of what drives our desires. While nothing new per se, for this record Tyler has dispensed with the aggressive character that was a manifestation of his anxieties and insecurities writ larger than life in favor of a compelling vulnerability with production that complements that unmasked sensitivity perfectly. Also on the tour is Blood Orange whose own experimental beat-crafting and creative approaches to cultural narratives reached a peak thus far with 2018’s Negro Swan with its lush jazz and downtempo sound and lyrics that took an honest yet nuanced look into the way society and conventional mores impact racial, gender and sexual identity. Heavy stuff for a show at Red Rocks and yet both artists make these subjects accessible and fun without downplaying their seriousness.
What:Claudio Simonetti’s Goblin performs Deep Red for movie screening When: Monday, 10.07, 7 p.m. Where: Oriental Theater Why: Claudio Simonetti is a founding member of Italian progressive rock band Goblin and for this show he and his band will perform a live soundtrack to the 1975 Dario Argento splatter horror thrill Deep Red.
What:Jakob Ogawa w/Niña When: Wednesday, 10.09, 7 p.m. Where: Larimer Lounge Why: Swedish singer-songwriter Jakob Ogawa’s songwriting seems steeped in jazz-inflected pop but there’s something unusual about the angle with which he approaches the music. Almost like it incorporates elements of childhood music and fairy tales into the mix. For instance the music video for his single “April” features a sasquatch type figure who wakes up one morning and has some adventures including trying out surfing and night driving. Some fishing, visiting the graves of pets. Hanging out in a hammock. It’s subtle but it really does tell you Ogawa’s gift for chill synth pop and his own idiosyncratic vocals is coming from a place of individual imagination that immediately sets him apart from the rest of the modern crop of indie pop artists.
Who:The Crystal Method w/Yoko b2b iAM_Jacko and Skeena When: Friday, 01.18, 8:30 p.m. Where: The Fox Theatre Why: In the 90s The Crystal Method blurred any boundaries that may have existed between various subgenres of electronic music of the time. Rather than specialists, The Crystal Method freely experimented with forms, styles and genres yet crafted a sound of their own with an emphasis on strong beats and a grittily otherworldly, moody atmospherics. The duo’s 2018 record The Trip Home is proof that it hasn’t spent the past two decades insisting its initial vision should dictate the rest of its music while also borrowing heavily from methods and sounds from the past and during the intervening years. If a big beat industrial synth pop album was a thing, The Crystal Method made one.
Who:Hot Rize & Friends w/Michael Cleveland, Red Knuckles & The Trailblazers When: Friday, 01.18, 7 p.m. Where: Boulder Theater Why: Hot Rize, the Colorado-based bluegrass band, is celebrating four decades together with a pair of shows at The Boulder Theater. Its members were hanging out and working at the Denver Folklore Center in the 1970s and learning the craft and methods of that music before essentially popularizing bluegrass to an ever widening audience from the 1980s onward. Depending on your perspective, for better or worse, Hot Rize’s aesthetic of what Nick Forster called “human sized music” impacted the aesthetic of the music on A Prairie Home Companion—old timey music for an era where bigger, louder, better, less elegant seemed to be the order of the day beyond even music. Even if bluegrass isn’t your thing, Hot Rize is an especially compelling live band whose good humor and sheer charisma always makes for an enjoyable performance.
Who:Cursive w/Summer Cannibals and Campdogzz When: Friday, 01.18, 8 p.m. Where: The Bluebird Theater Why: Cursive is one of the bands that put Omaha, Nebraska on the musical map as a place from which noteworthy music was being made. By the time the group garnered more than underground and regional prominence it had evolved its sound out of its early post-hardcore roots and incorporated a diverse set of musical ideas and sounds that proved influential on 2000s indie rock with raw emotions placed in the context of vibrant, atmospheric sounds and textures to give the band’s songs an immersive, even cinematic feel. The quartet’s latest, Vitriola, is vintage Cursive in all its haunted, orchestral, emotionally heightened glory. Summer Cannibals from Portland, Oregon is one of the few newer bands making rock music that’s difficult to pigeonhole to a specific subgenre bandwagoned in the past five to seven years as its not garage rock, not surf rock, not neo-grunge and not psychedelia. And all the better for it. Fuzzy, lively pop songs.
Who:Magic City Hippies w/Future Generations When: Friday, 01.18, 8 p.m. Where: Larimer Lounge Why: Magic City Hippies at least have a name that gives a clue what you’re in for. Its posi-hip-hop-inflected funk and downtempo pop is what you would hope New Age-esque hippies might glom onto after getting tired of de-fanged EDM and jamtronica. Opening act, Future Generations, came to their lush and layered songwriting through the production angle early on when singer/programmer Eddie Gore was making beats for friends and his own early experiments in music. As the band came together and brought in ideas and instruments the fledgling band was able to build and learn together without the overt influence of previous bands. Thus its pop songcraft while accessible is clearly coming from a direction where the band is consistently absorbing new sounds and methods so that the band’s creative evolution is part of its act of writing songs. The Future Generations 2018 album Landscape may sound like a solid, buoyant pop album, because it is, but there are plenty of sonic Easter eggs in there for discerning listeners.
Who:City Hunter release of Deep Blood w/Death Scenes and DJ Dead Body and Yung Sherm When: Saturday, 01.19, 8 p.m. Where: Syntax Physic Opera Why: Horror-themed, costumed hardcore band City Hunter will play one of its rare shows in support of the release of its 2018 LP Deep Blood on Youth Attack Records. Expect some serious hijinks on the performance side with what will also be a short set because the band’s longest songs are under three minutes with many under a minute. Fitting for a band whose lead singer looks like the masked killer from an early 80s slasher film. Opening is Death Scenes which is Scream Screen’s Theresa Mercado who will show morgue slides accompanied by music from Kevin Wesley of noise project Prison Glue.
Who:Ball of Light, Toboggan, Quits and Landgrabbers When: Wednesday, 01.23, 8 p.m. Where: Mutiny Information Café Why: Cincinnati’s Ball of Light just released its new album Flux on January 10, 2019. It’s ten tracks of urgent, feral, noisy post-hardcore sounds like what a hybrid of Neurosis and Season To Risk might sound like. Toboggan, not the Spanish band, is a bit like late 90s emo with hooks and coherent lyrics but not short on raw emotion. Quits is the noise rock band from Denver starring Doug “Fucking” Mioducki who used to be in early indie pop band Felt Pilotes before going on to way less melodic but no less emotionally charged bands like Koala, Sparkles, Witch Doctor and CP-208. His bandmates are also noteworthy musicians from other great Denver bands but you can do some homework if you feel like it.
Who:Frankie Cosmos w/Lomelda and Ashley Koett When: Thursday, 04.05, 8:30 p.m. Where: The Fox Theatre Why: Frankie Cosmos released its third album Vessel on March 30, 2018. Like it’s predecessors there’s a tender sensibility to the songwriting that recalls the lo-fi introspection of Exile In Guyville period Liz Phair and the peek-into-a-strikingly-insightful diary quality of Casiotone for the Painfully Alone. Sure, Kline had famous parents (Kevin Kline and Phoebe Cates) and was once a member of Porches. But Frankie Cosmos doesn’t sound like it’s resting on any of those laurels. Kline uses everyday details as a vehicle for exploring feelings and thoughts long hidden. The results are a refreshing frankness and intimacy even in the context of a pop song without the overpolishing and overproduction that the musical form often gets.
Who:Glasss Presents the Speakeasy Series 2: Brother Saturn and Vahco When: Thursday, 04.05, 7 p.m. Where: Hooked On Colfax Why: This edition of the new season of the Speakeasy Series (all in the basement of Hooked on Colfax) includes some of the most mind-calming artists of the entire programme. Brother Saturn’s dreamlike soundscapes are an entrancing synthesis of ambient and dream pop. Vahco is the solo project of Vahco Before Horses from Demoncassettecult and Gold Trash. Whereas those other two are more in the realm of noise and experimental electronic music, Vahco is more in the realm of pop music with soulful vocals.
Who:Liza Anne w/Valley Queen and Down Time When: Thursday, 04.05, 7 p.m. Where: Globe Hall Why: Liza Anne’s 2018 album Fine But Dying may sound upbeat and bright and, well, like a conventionally commercial pop record I some ways. But not at all beneath the surface of the music is the fact that, according to a recent interview with Billboard, Anne just laid out her struggles with “panic disorder and depression,” articulating them in a way that could be relatable to almost anyone and hopefully at least putting to rest some of her own anxiety and shame regarding those issues. In putting the struggle in very specific personal terms without sensationalizing it or making it seem like a special taboo subject, Anne brilliantly makes it all seem like something anyone might experience without judgment. Joining Anne for this tour is Los Angeles’ Valley Queen who take a folk/acoustic music foundation to songwriting and make it warm and energetic. There’s plenty of post-neo-Laurel Canyon stuff around in the world today but Valley Queen frontwoman Natalie Carol doesn’t sound like she’s copping someone else’s vibe. Rather, her voice, sometimes quavering from the well of emotion, provides a compelling narrative and vivid imagery. One might compare her in that regard to Esmé Patterson’s own knack for creative storytelling that aims at bigger issues through the language of personal experience.
Who: Ty Segall w/Dirty Few ogdentheatre.com/events/detail/347251
When: Thursday, 04.05, 8 p.m.
Where: The Ogden Theatre
Why: Probably anyone that’s been paying attention to modern rock music knows who Ty Segall at this point. If not, pick up pretty much any of his records (they’re all worth listening to) and you’ll get an idea of what music Segall makes but keep in mind that he is clearly a songwriter who wants to explore a wide variety of tones, moods, dynamics and songwriting styles. On his 2018 album, Freedom’s Goblin, Segall explores a more lush songwriting style without waxing into the fake soul and ersatz R&B that is being peddled a little too much of late. Covering Hot Chocolate’s 1978 hit “Every 1’s a Winner” was an interesting choice for the record but it all fits in with an album that sounds like Segall is trying to create for himself an emotionally comfortable space in which to express feelings that are out of step with some of the more hard-edged rock and roll that some may have come to expect from Segall who is too much of a creative chameleon to ever fully embody, all the better for fans of musicians who evolve whether their fans are ready for the changes or not. People have been trying to pigeonhole Denver’s Dirty Few for any manner of reasons for years as just rock and roll hooligans. And they are that but bottom line, the band actually writes solid, surprisingly thoughtful, songs that fit in the context of a rowdy live show.
Who:Kitty Crimes album release w/GVgrace When: Thursday, 04.05, 8 p.m. Where: Hi-Dive Why: Maria Kohler has been performing as Kitty Crimes for several years now and it seems as though many of her fans never really knew her as a talented musician and singer in various past bands including Houses, Science Partner and Mercuria and the Gem Stars. Kitty Crimes sometimes seemed like a goof and a gimmick. The whole white-presenting woman doing “dirty” rap thing. But Kohler isn’t someone easily clowned and she turned an interesting project into something powerful and well-composed beyond the obvious appeal. Her new record, Crimes of the Kitty, Volume 2 has soul, the expected deft wordplay, personal insight and lush production. For fans of K’Valentine and Kari Faux.
Who:Entrancer, Cities of Earth, Staggered Hooks, Glissline When: Thursday, 04.05, 8 p.m. Where: Syntax Physic Opera Why: This fundraiser for Project Worthmore, an organization dedicated to aiding the refugee community, is also a great chance to catch some of Denver’s most interesting experimental electronic projects. Entrancer’s music is grounded in the production and sensibility of 90s hip-hop and Detroit techno as well as the full breadth and depth of synthesizer music as someone who has more than a passing experience with modular synths. Cities of Earth’s Tangerine Dream-esque IDM sounds like what should be on the soundtrack to a documentary about Warp Records. At least if his 2017 EP Tangra is any indication. Staggered Hooks is probably the latest project from Dean Inman whose up-to-now-most-recent project, Dream Hike, was responsible for some of the most beautifully hypnotic deep house/ambient going. Glissline is the name Tommy Metz (formerly under his given name as well as Iuengliss) is using for his music these days. Metz has a gift for melodies that soothe the mind and his beats seem to employ the interval that releases endorphins. But whatever his music really does, fans of Aphex Twin and Clark should make an effort to see Glissline sometime if not tonight.
Who:Built to Spill w/Rituals of Mine, Black Belt Eagle Scout When: Thursday, 04.05, 7 p.m. Where: Gothic Theatre Why: Coming out of post-punk/post-hardcore band Treepeople, Doug Martsch put together a band that could synthesize his musical interests and a path of sonic curiosity that wouldn’t fully congeal in underground culture in quite the same way until the late 90s/early 2000s. He cited Caustic Resin as an influence and brought that band’s brilliant guitar player into the new band, Built to Spill, on bass as well as Ralf Youtz on drums. The group’s 1993 debut album Ultimate Alternative Wavers was an oblique thumbing of the nose at how their music culture had been co-opted and marketed as product rather than a culture parallel to the mainstream. The music sounded like a blend of Neil Young, Dinosaur Jr (a band clearly influenced by Young) and underground Pacific Northwest rock. But inside all of that, Martsch had found a way to bring in extended guitar jams that were emotionally charged and expressive rather than purely self-indulgent and wanky. The development of that sound and dynamic perhaps reached its apex on Built To Spill’s 1997 masterpiece, Perfect From Now On and the 1999 follow-up, Keep It Like A Secret. Along with the visionary indie pop of the Elephant 6 collective, the bands on Merge Records, K and Kill Rock Stars, and unlikely “alternative rock” star bands post-alternative collapse like Pavement, Built To Spill helped to shape indie rock in the first decade of the 2000s by offering yet another alternative vision to what was being pumped by large commercial outlets for music.
Seeing Built To Spill in 2018 is a bit like a glimpse back to a time when it was more easily possible to have a viable career in music without having to get commercially huge or over compromise or have to fit in with a trendy subgenre of the moment and ride that wave. Sure, BTS has been on Warner Brothers since Perfect From Now On but if they’re being encouraged to get more commercial you sure can’t tell from even its most recent record, 2015’s Untethered Moon. If the group’s showing at Treefort Music Fest 2018 is any indication, the trio is still capable of weaving its gritty, hypnotic magic today. And its sonic DNA is in music of most modern indie rock bands whether those bands know it or not.
Friday | April 6, 2018
What:Immediate Music Festival When: Friday, 04.06, 7 p.m. Where: Metropolitan State University of Denver Why: The Immediate Music Festival celebrates collaborative improvisation. Throughout the day (for more information click here) there will be workshops on group improvisation, soundpainting, noteworthy avant-garde musician Pauline Oliveros’ presentation Deep Listening. That night, at the King Center, there will be a concert from the avant-garde-improv band Sone which includes some of the local luminaries of that world with Jane Rigler, Janet Feder, Evan Mazunik, Gil Selinger and Mark Harris as well as a performance from Grammy-nominated jazz drummer extraordinaire Matt Wilson.
Who:Steve Gordon Art Show When: Friday, 04.06, 6-9 p.m. Where: Vertigo Gallery 960 Santa Fe Why: Master sculptor, painter and drawing artist Steve Gordon is having what may be one of his last art shows into the foreseeable future. Gordon is also a significant artist in Denver’s experimental music world mostly notably with improvisational composition band Animal / object, which often includes Violent Femmes frontman Gordon Gano.
Who:Doug Spencer: Cave Lovers When: Friday, 04.06, 6-11 p.m. Where: Dateline Gallery 3004 Larimer St. Why: This is the latest art show from painter Doug Spencer whose creative use of texture and lighting has made his work desired by connoisseurs of the artform wherein Spencer combines 2D design with 3D, sculptural/diorama elements to create truly unique works. Some may know Spencer as the imaginative guitarist in notable Denver and Fort Collins rock bands Snake Rattle Rattle Snake, Monofog and Sweet Tooth Meat Tooth.
Who:Nocturnal Presents: Exos w/Talien and Alex Whittier When: Friday, 04.06, 11 p.m. – 5 a.m. Where:TBA Why: Nocturnal is a long-running event that puts together deep house/experimental electronic dance events akin to a classic rave. So there will be long sets with the artists listed above going from late night until the early morning.
Who:Slugger, Henry and the Kissingers, Galleries, Pelvis Presley When: Friday, 04.06, 9 p.m. Where: Mutiny Information Cafe Why: After too many bands embraced the less interesting aspects of 60s and 70s rock a little too much a group of bands were bound to come along that embraced the more interesting aspects of that music including original songwriting that isn’t so obviously beholden to an earlier band. This is a show that includes a handful of those groups on the local level including Slugger, the band fronted by former Silver Tone songwriter/guitarist Gabriel Albelo.
Saturday | April 7, 2018
Who:Cut Chemist w/El Dusty and Chris Karns (Pretty Lights Live Band) When: Saturday, 04.07, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Cut Chemist is perhaps best known for his long term stint as a DJ/turntablist in Jurassic 5 and his involvement in the early era of Ozomatli. His tasteful breaks and ear for unusual and evocative samples brought a an uncommon elegance and depth to Jurassic 5’s beats. But the call to do something outside the context of the influential hip-hop group drew Cut Chemist to a solo career in 2004. His 2006 debut album under his own name was an eclectic and borderline world music and downtempo record called The Audience’s Listening. Since then the turntablist has served as a producer on numerous records, performed live DJ sets including opening for Shakira on her 2007 tour, collaborated with DJ Shadow and, in 2017, started doing a bi-weekly radio show, A Stable Sound, on dublab / 99.1 FM KZUT. In March 2018, Cut Chemist released his second solo album, Die Cut. The record continues Cut Chemist’s masterful treatment of samples into songs with a Dilla-esque use of motes of white noise in the mix, samples processed to sound like you’re getting intermittent transmissions of old radio programs, vintage television shows and commercials and ambient IDM glitch-hop.
Who:Nina Storey w/Michael and Sarah Hornbuckle When: Saturday, 04.07, 7 p.m. Where: Soiled Dove Underground Why: Nina Storey spent years cultivating her sound, songwriting and live show in Denver before relocating to Los Angeles in the 2000s. If you caught Storey in the 90s you probably got to see a singer whose voice was perfectly suited to the bluesy rock music she was writing then. Also, that her powerful voice seemed unlikely coming from someone with such a relatively small frame. Since then (and likely even at that time), Storey has explored the range of her voice and where it fit in and discovered it was well-suited to jazz and R&B as well. On her most recent full-length album, 2013’s Think Twice, Storey blended all her musical impulses into well-crafted modern pop songs. These days Storey still comes through Denver and on this date she is joined by local luminaries in the Denver blues world, Michael and Sarah Hornbuckle.
Who:Suss Law, Rotstrotter, Sentry Dogs, Berated and Florida Man When: Saturday, 04.07, 8 p.m. Where: Bar Bar / Carioca Café Why: Portland, Oregon’s Suss Law could be where power violence, noise and grindcore meet. Its recently released seven inch is a chaotic and relentless assault on the senses with few concessions to accessibility. If you go to this show you can also catch local grind/hardcore luminaries like Rotstrotter and Sentry Dogs. And given the set times of most of these groups, who don’t waste our time by dragging things out, the show may be over by midnight even with five bands.
Monday | April 9, 2018
Who:Acid Mothers Temple w/Yoo Doo Right and Emerald Siam When: Monday, 04.09, 7 p.m. Where: Larimer Lounge Why: Acid Mothers Temple in its Melting Paraiso U.F.O. incarnation is now on the Electric Dream Ecstasy Tour. The long-running Japanese psychedelic rock band manages to continuously bring a unique show every tour because its roots can be traced back mainly back to fairly experimental western music whether rock or avant-garde (i.e. Can, Karlheinz Stockhausen and King Crimson) but members of the band past and present have been instrumental, literally and figuratively, in comprising and shaping underground music and noise in Japan. The composition of the band’s songs is influenced more by concept than technique. It is bombastic and wild and simultaneously as gorgeous and as mysterious as an other-dimensional spirit incarnate. A list of the band members and their official role and their real title clues you into the fact that leader Kawabata Makoto has a sense of humor to match his imagination and technical prowess as a musician.
Kawabata Makoto : guitar, voice, synth, voice, speed guru
Higashi Hiroshi : synthesizer, harp, noodle god
Jyonson Tsu : vocal, guitar, bouzouki, electronics, midnight whistler
Satoshima Nani : drums, another dimension
Wolf : bass, space & time
Prepare to be taken to otherworldly emotional spaces during the show if you surrender to the music some. Also on the bill is Denver’s Emerald Siam which has become refreshingly difficult to pigeonhole. Ever since singer/guitarist Kurt Ottaway and the rest of the band has seemingly tapped deeper into a creative muse, the songs have gotten darker yet more open and spacious. Expect a full-length release in 2018.
Who: Primitive Man, Spectral Voice, Prison Glue and Cadaver Dog When: Monday, 04.09, 9 p.m. Where: Syntax Physic Opera Why: Primitive Man is celebrating its return from a long tour with this show at Syntax with like-minded death/doom/grind band Spectra Voice. Joining both bands will be hardcore band Cadaver Dog as well as noise/performance artist Prison Glue.
Tuesday | April 10, 2018
Who:Luna w/Flaural When: Tuesday, 04.10, 8 p.m. Where: Fox Theatre Why: Luna split for around ten years after its 2005 tour. The disappointment and despair and reality of the music industry at that time is documented in the 2006 film Tell Me Do You Miss Me. If you got to see Luna on that until now final tour, those feelings radiated from singer/guitarist Dean Wareham’s eyes when he looked out into the crowd. And not just because the late-night-hours lush pop that has been Luna’s hallmark ever since Wareham left influential dream pop band Galaxie 500 (which also never got its due during its time together or much since except by aficionados of deeply evocative, melancholy and ethereal gorgeous guitar rock). Wareham genuinely seemed like he was looking out on the last days of his career with plenty of life left to lead knowing he’d created some great music that would only be appreciated in the past tense. You couldn’t help but feel for him unless you’re one of those people for whom music is merely entertainment made not by humans but by functionaries of some kind of Distraction Industrial Complex.
But Wareham didn’t give up. He wrote music with then bandmate now wife Britta Phillips as well as noteworthy solo albums. He also wrote one of the best and most well-written and thoughtful rock autobiographies of all time with 2008’s Black Postcards. The book reads like all the music Wareham has been a part of making, warm and not detached but able to examine one’s feelings and intimate thoughts and express them in a way that is immediate relatable with a passionate yet gentle spirit even when the music is in moments of high feeling. Luna reconvened in 2015 and in 2017 released an album of interesting and not predictable covers called A Sentimental Education as well as an EP of originals, A Place of Greater Safety. That latter being some of the best music Luna has yet released so this would be a tour on which to catch one of the great rock bands of the last 27 years.
Who:Animal / object live on KGNU Radio Kabaret: Kurt Bauer, Steven Gordon, George Figgs and Karen Sheridan When: Tuesday, 04.10, 7-8 p.m. Where: Streaming on KGNU.org and broadcast on radio Why: Animal / object is Denver’s premiere avant-garde acoustic instrument band. For the last several years the group around the current core of Kurt Bauer, Steven Gordon has had a prolific and varied recorded output captured with various other noteworthy collaborators including the likes of Gordon Gano of the Violent Femmes, Gordon Pryor, Paul Mimlitsch and for this show, Karen Sheridan formerly of all-female deathrock band 1980s Denver band Your Funeral, experimental rock band Corpses as Bedmates and R.O.C., a kind of deconstructionist pop band that incorporates elements of electronic industrial music and sampling. Over the weekend Sheridan did vocals for an incantation at Steven Gordon’s art show at Vertigo Gallery. So tune in to KGNU for this special performance from one of Denver’s great experimental bands.
Who:Lo Moon w/Kraus When: Tuesday, 04.10, 8 p.m. Where: Hi-Dive Why: Lo Moon spent a great deal of time developing and percolating its sound and then waiting for the right opportunity and format to even let out its September 2016 single “Loveless.” A little under a year and a half later, the full-length self-titled album comes out on on Sony. The single came out at a time when many of the dream pop and neo-shoegaze bands were not drawing on the same inspirations as Lo Moon so it seemed especially sophisticated and sonically and emotionally deep by comparison. The full-length album including “Loveless” doesn’t capitalize on the promise of the single so much as showcase a sound the band had cultivated and perfected in this first stage of its development as a band. The record didn’t exactly blow the minds of critics but it was interesting to see a band not succumb to the pressure of putting out its music as quickly as possible, given the avenues in which to do so, before developing that music to the point it needed to be and without fully submitting to the de-mystifying tendency of the social media game most bands use to garner any excitement for its new material these days. Lo Moon distinguished itself playing larger venues when it toured with Ride in 2017 and getting to see a band with this large a sound on the small stage now would be a great time to see a group that may not be regularly playing such small clubs in the future.
Who:Timber Timbre w/Thor & Friends When: Tuesday, 04.10, 7 p.m. Where: Globe Hall Why: Timber Timbre has been described as psychedelic folk. But if that’s the case then its 2017 album, Sincerely, Future Pollution is more brooding and darker than that designation would suggest. More akin to Midlake’s artistically ambitious compositions or those of Six Organs of Admittance than Vetiver and early Animal Collective. Thor & Friends is a band lead by Thor Harris who some may know from his stints in Shearwater, Swans and Bill Callahan. Though largely known for his skills with a broad spectrum of percussion instruments, Harris is a multifaceted artist and multi-instrumentalist and this band displays that especially well with creative use of marimba prominent in the mix of percussion heavy, yet gently beautiful and atmospheric music.
Wednesday | April 11, 2018
Who:Wake, Vermin Womb, Call of the Void and Full Bore When: Wednesday, 04.11, 8 p.m. Where: Hi-Dive Why: Wake is a deathgrind band from Calgary, Canada. Currently on tour in support of its towering, brutal 2018 album Misery Rites, Wake is joined on this Denver date by like-minded locals. Vermin Womb is a band that includes Ethan McCarthy from Primitive Man as well as former Clinging to the Trees of a Forest Fire drummer J.P. Damron. Call of the Void took the blunt, abrupt, savage dynamic of deathgrind to another level of creative sonic violence.
Who:Black Rebel Motorcycle Club w/Night Beats When: Thursday, 02.15, 7 p.m. Where: The Ogden Theatre Why: B.R.M.C. has tried out different sounds and ideas across its career. From its 2001 post-punk/shoegaze debut album, to the bluesy 2005 record Howl and now the refined, gritty depth of sound field of 2018’s Wrong Creatures. What is most noteworthy with the album is that the band has managed to make a rock and roll record without obviously ripping off some worn out classic rock tropes. The trio also incorporated industrial soundscaping and noise without ever sounding like one of those forgettable 90s industrial rock bands. An achievement in itself. Opening is Seattle’s mutant psychedelic rock quartet Night Beats. On its latest album, 2016’s Who Sold My Generation, it sounded like the band had shed the garage rock elements of its earlier sound in favor of noisier, stranger music like guys had gone on a spiritual journey into the wilds of the Cascades accompanied by the music of Chrome, Spacemen 3 and Silver Apples and come back into the welcoming arms of 13th Floor Elevators before writing their new material. When a lot of modern rock bands are playing it safe at least it seems as though B.R.M.C. And Night Beats don’t want to bore themselves or us.
Who:Eventually It Will Kill You Vol. III: Many Blessings cassette release w/Natural Violence, Prison Glue and Law of the Night When: Thursday, 02.15, 9 p.m. Where: The Meadowlark Bar Why: If you’re just dropping into the Meadowlark after your rigorous parkour and yoga workout tonight, just go elsewhere. This is a noise show and a celebration of the release of the latest Many Blessings tape, Ripe Earth. The album, released on Brian Castillo’s new Kill You Club imprint, is nearly seventy minutes of deep cavern soundscapes that sometimes come off like the decayed transmissions of a broken broadcasting A.I. of the future that generates otherworldly true crime style fiction, the likes of which regular humans would never come up with on our own. Prison Glue is Kevin Wesley, formerly of local noise rock legends Hot White, and every set is different but always some interesting noise experiment and never quite in the same format. Also on the bill is Natural Violence, a project of Homebody’s Michael Stein. Not really noise per se and more like a synth-driven soundtrack to a crime drama written by Paul Reubens. The 2017 EP Synthetic Peace was one of the more interesting releases of last year.
Who:Voight, Breakdancing Ronald Reagan, Anime Love Hotel and Dream Hike When: Thursday, 02.15, 8 p.m. Where: Syntax Physic Opera Why: A different kind of noise show tonight at Syntax. Voight isn’t a noise band though both Nick Salmon and Adam Rojo both more than merely dabble in their solo npose projects, Stye and Diffuser respectively. Its own noisy post-punk songs are somehow both moody and confrontational, haunting yet visceral. Breakdancing Ronald Reagan put out the Harsh Noise cassette on Self Sabotage Records at the end of January, a collection of pieces that live up to the name of the album but also proof that even harsh noise can have nuance, composition and musicality even if it’s put together to push buttons, assault the ears and otherwise transform expectations of experience for something coming out of a P.A. anywhere. Dream, Hike is more in the world of experimental, electronic dance music but Dean Inman is no stranger to his chosen format of expression with sound to challenge what purpose the music serves as something to experience by making beats that aren’t purely for people to chill out and passively dance. Not that there’s anything wrong with that, just that Dream Hike is more than the times when he makes music designed for that sort of thing as well.
Friday | February 16, 2018
Who:Atomga Aga EP release w/The Dendrites and Jericho Son of None When: Friday, 02.16, 8 p.m. Where: Ophelia’s Electric Soap Box Why: Atomga is one of a few Afrobeat artists in Denver with the sprawling lineup to manifest the mixture of jazz, funk, Ghanaian highlight the polyrhythmic music of West Africa that was pioneered by composer/musician and political figure Fela Kuti in the 60s and 70s. The band’s new EP Aga is four songs and it sounds like the band has delved into more Middle Eastern musical ideas. In the live setting, Atomga has a forceful and celebratory presence. Also on the bill, one of the few great Denver ska bands, The Dendrites. Great because they don’t sound third wave or overly two-tone revival or trying to be some other band. There’s a lot of imitation in ska but The Dendrites are originals.
Who:Hands of Midnight, Roger Green and Church Fire When: Friday, 02.16, 8 p.m. Where: BarFly Why: Hands of Midnight is an electronic project that seems to be operating at the intersection of dub, psychedelia and deep house. Half of the group is Bill Murphy, former guitarist with the late, great Denver post-punk band The Swayback. Roger Green has been all over the place musically having perhaps first come to prominence in Denver with space rock/pop band Idle Mind. Though likely more well-known for having been a member of dream pop band The Czars, Roger Green’s avant-garde and experimental music like his typewriter orchestra is some of the most interesting sonic art the guy has been up to. He has also written some fine singer-songwriter music and a long-time lecturer on the psychedelic experience and the associated music. For this bill, who knows? Maybe Green has a secret electronic dance music set up his sleeve. Whatever it is, it’ll be worth witnessing. To call Church Fire an intense electronic dance/dream pop band would be like saying Alejandro Jodorowsky made the original midnight movie.
Who:Murs w/Stay Tuned, ItsEvi and ROOKE5 When: Friday, 02.16, 8 p.m. Where: Cervantes’ Other Side Why: Murs more or less got his big break, if such can be said without overstating the point, as a member of influential underground hip-hop collective Living Legends. But since then he has more than made a name for himself as a solo artist for his literate, perceptive and vibrantly emotional lyrics. These days, as back in his early days, Murs’ voice is refreshingly out of step with hip-hop trends. He raps and speaks his words while rendering his vocals musical without singing. It’s a bit of an older approach but one that Murs has successfully creatively evolved across his long career. His new album, A Strange Journey Into The Unimaginable on March 16, 2018. One of the opening acts for this bill is Stay Tuned which includes one of Denver’s best producers, DJ Awhat, and two of its most charismatic MCs, Ichiban and Mane Rok. Their shows are an audio-visual experience that puts a clever and incisive spin on personal experiences as well as some of the most on point social commentary out of Denver.
Who:Zavala, Mux Mool, Big J. Beats When: Friday, 02.16, 8 p.m. Where: Fort Greene Why: Zavala is a Chicago-based artist whose beats and modular synths puts him in league with the better IDM and dub techno artists. His latest album is Fantasmas. Mux Mool is originally from Minneapolis but he’s been working with Michael Menert of Pretty Lights on Club Scout and has relocated to Denver. His brand of IDM is a kind of brighter and more playful hip-hop beat making. Big J. Beats may be known locally as a hip-hop artist but his beats are in the realm of 90s and 2000s alternative hip-hop with his creative use of noise, sounds and atmosphere, like he’s crafting soundtracks to chill, fantastical realms you’d really want to visit.
Who:Judge w/faim, Screwtape and Fortune’s Fool When: Friday, 02.16, 7 p.m. Where: The Marquis Theater Why: Judge formed in 1987 as hardcore was well on its way to splintering as a subculture. But in presenting a more militant than ever straight edge image and adopting a harder sound, Judge had the kind of desperation, immediacy and pointedly political messaging of the newly grindcore Napalm Death whose own 1987 album created a blueprint for a different style of extreme music. So it only seems fitting that local heavy hitters in the hardcore realm, faim and Screwtape, are two of the opening bands because both bands are pushing hardcore into interesting directions at a time when that music could really use some innovation that doesn’t water down its essential appeal.
Saturday | February 17, 2008
Who:The Hits album release show w/Love Stallion, Hot Apostles, Sharone & The Wind When: Saturday, 02.17, 7 p.m. Where: The Marquis Theater Why: Denver’s The Hits is releasing its second full-length album BreakThrough tonight. The album is fourteen tracks of gritty, melodic rock songs that balance energetic drive with an unpretentious poetic sensibility. Yes, the songs are about love, life’s frustrations and conflicted emotions. But the latter is what gives the band’s songs a subtle complexity that far too many rock bands either try to avoid or are incapable of in the first place. Hot Apostles is a like-minded band but with more of a bluesy, hard rock flavor. And, again, Hot Apostles bring to the songwriting not just the passion but a mature person’s perspective on relationships and life in general. Likely opening the show is Sharone & The Wind. Since the band’s inception in the Spring and Summer of 2016 it has quickly evolved from a piano-centered hard rock band to a darker, more metallic without being metal, project with a surprising level of emotional intensity coursing through the music. The band has gone through a significant lineup change since the release of 2017’s excellent Storm and apparently we’ll see another record from the band this year.
Who:Real Estate w/Bedouine When: Sunday, 02.18, 8:30 p.m. Where: Fox Theatre Why: The first three Real Estate albums garnered a sizeable fan base and critical acclaim for its tasty jangle rock riffs and spare but evocative lyrics. But something about it felt a bit one dimensional and, well, tame yet promising. Seven years after forming, in 2016, long time friend of the band Julian Lynch steps in to replace Matthew Mondanile. Rather than merely stepping in as a lead guitarist to play like Mondanile, Lynch was encouraged to bring his innovative, much more experimental, guitar style to the next record, 2017’s In Mind. The well composed songwriting is still in place but there’s an added dimension to the songs that give space for experiments in atmosphere and texture. It’s rarely overt and obvious, which makes it all the more interesting an intentional choice than if the band had scrapped it’s older sound completely. At times the songs are reminiscent of Paracosm-period Washed Out or The War on Drugs, but the intersection of gently rippling rhythm and Courtney’s sparkly, melodic guitar and Lynch’s expansive sensibilities instantly made Real Estate an interesting band rather than one merely noteworthy because it touched many people’s nostalgia centers.
Monday | February 19, 2018
Who:Bahamas and The Weather Station When: Monday, 02.19, 7 p.m. Where: Bluebird Theater Why: Afie Jurvanen is the main force behind Toronto’s Bahamas. Though designated as folk, if you listen to Jurvanen’s records his compositions may have that kind of simple, immediately accessible structure and his presentation of the music has the feel of being included in an intimate performance, but his layering of sounds combines a full sound like a chamber pop band with a stripped down quality. It’s not for everyone but it does set him apart from many other indie folksters. The Weather Station got started around the same time as Bahamas, also in and around Toronto, with similar roots in folk music. But Tamara Lindeman’s vibrant voice is reminiscent of Joni Mitchell and Chrissie Hynde. A similar cadence and tonality. Lindeman’s guitar style is composed almost as sketches of the scenes and experiences she describes in her vivid lyrics. The nuanced thinking and penetrating observational quality of Lindeman’s words matched with her moody and warm compositions, smoothly yet evocatively dynamic, make for some compelling listening. The latest release from The Weather Station is the band’s self-titled 2017 album.
Tuesday | February 20, 2018
Who:Walk the Moon w/Company of Thieves When: Tuesday, 02.20, 7 p.m. Where: Ogden Theatre Why: If you look at Company of Thieves’ discography it’s not sprawling with artifacts of their development as a band. If you got to see the band come up in its hometown of Chicago maybe you got a hold of some tracks, homemade CDs and cassettes. As many bands have done since Company of Thieves got going in 2007. With, according to singer Genevieve Schatz, eight line-up changes (all including band co-founder Marc Walloch) that one might expect in a band that has been around that long without breakthrough commercial success. And Company of Thieves itself went on hiatus for a for a few years during which Schatz released a solo EP and Walloch played bass in AWOLNATION. But in 2017 the band announced it was back together with a short batch of songs ready to release in the new year with lead single, “Treasure.” Though obviously a pop band, with “Treasure,” COT includes political samples as one might expect to hear in an industrial or hip-hop song and uses the sample as a jumping off point to say something when it would be easier to just have written an incredibly catchy song.
Who:Mac Sabbath w/Galactic Empire When: Tuesday, 02.20, 7 p.m. Where: The Marquis Theater Why: Yes, it is indeed that terrifying, McDonald’s-themed heavy metal band. The show is surreal and yet disturbing as only truly committed performance artists can be while putting on a show that can still be appropriate for an all-ages audience.
Wednesday | February 21, 2018
Who:Snarky Puppy w/Sirintip When: Wednesday, 02.21, 7 p.m. Where: Ogden Theatre Why: Snarky Puppy managed to bring together jazz fusion, funk, jam band free flowing, spontaneous songwriting and non-Western music without it coming off like they’re trying too hard. There is a clarity to its maximalist compositions and Bernie Worrell-esque keyboard work that suggest more than one person in the band studied pop music without being chained to its sometimes limiting conventions. Jazz may be the root but Snarky Puppy has thankfully abandoned the ossified instincts of much modern jazz as well. The band is sprawling in membership, totally coincidentally perhaps with it being from Denton from which hail The Polyphonic Spree, but the music has a coherence and focus that you’d expect from a chamber orchestra. The project’s latest record is 2016’s Grammy winning Culcha Vulcha but it looks like there’s a new record in the works with a tentative 2018 release.