What:PUP w/Screaming Females, The Drew Thompson Foundation When: Thursday, 3.5, 7 p.m. Where: Ogden Theatre Why: PUP started out as one of the new wave of pop punk bands but the inherent psychological insight of its early albums blossomed most fully on its unusually thought-provoking 2019 album Morbid Stuff.
What:Paul DeHaven album release Echoes and Overtones w/Lake Mary/Chaz Prymek When: Thursday, 3.5, 8 p.m. Where: Ubisubibi Room Why: Paul DeHaven (formerly of Paper Bird) is releasing his latest album Echoes and Overtones tonight at an intimate show at Ubisububi Room in the basement of The Thin Man. Time time out DeHaven assembled songs from a large batch of material and found a tonal and thematic resonance among his more mellow compositions and brought in old live favorites “Souvenir American Gun” and “I Love You Love Me” to round out an album of pastoral, vivid stories tied to specific times, seasons and places in DeHaven’s life.
Friday | March 6
Down Time, photo by Tom Murphy
What:Lower Dens w/:3LON When: Friday, 3.6, 8 p.m. Where: Globe Hall Why: Lower Dens once again gave us a vibrant, evocative electronic art pop album with 2019’s The Competition in which the band uses creativity as a vehicle for exploring the pain and confusion of the current era of history with human civilization at a perilous crossroads between environmental apocalypse and fascism and a path toward a more compassionate and sane future.
What:Down Time – Hurts Being Alive release w/Bluebook and Bellhoss When: Friday, 3.6, 8 p.m. Where: Lost Lake Why: A sonically diverse billing with three of the best bands out of Denver’s indie rock underground will perform this night with Down Time releasing its latest album Hurts Being Alive.
What:Day of Jubilee: Marcus Church and Sliver When: Friday, 3.6, 5 p.m. Where: The People’s Building Why: Rescheduled from February – Marcus Church is a Denver-based power pop trio. Its gently jangle-y and fuzzy melodies sound like singer/guitarist Dustin Habel spent a whole lot of time obsessively listening to only records produced by Mitch Easter and the complete discographies of Teenage Fanclub and Big Star. That also means there’s a tender earnestness to the songwriting imbued with an uncommon tenderness and humanity. Sliver bypassed the 90s grunge nostalgia wave of recent years by making no bones about its musical roots in its hard driving, explosively emotional guitar rock. Mudhoney influence aside, its aesthetic is most informed by both the self-effacing, sensitive, introspective side of Pacific Northwest noise punk and the wiry, politically conscious end of DC hardcore.
What:Best Coast w/Mannequin Pussy When: Saturday, 3.7, 8 p.m. Where: Ogden Theatre Why: Best Coast is touring in support of its 2020 album Always Tomorrow, its first in five years following a period in which singer Bethany Cosentino felt creatively tapped out and the record is about coming back from that space of feeling trapped inside your own anxieties and emotional exhaustion.
What:Freq Boutique 36 featuring Victoria Lundy When: Monday, 3.9, 8 p.m. Where: Fort Greene Why: This is the three year anniversary of synthesizer showcase Freq Boutique that includes good food and drink as well as a synth open mic. This edition will include a performance from Theremin and synth artist Victoria Lundy whose own compositions are steeped in pop and the classical avant-garde. She has performed in various Denver bands including The Inactivists, The Goofus Device and Carbon Dioxide Orchestra.
Wednesday | March 11
Plague Garden, photo by Tom Murphy
What:Gene Loves Jezebel w/Red Wing Black Bird and Plague Garden When: Wednesday, 3.11, 7 p.m. Where: Ophelia’s Electric Soap Box Why: This is the Michael Aston version of Gene Loves Jezebel, the influential 80s post-punk/new wave band whose eclectic aesthetic and lush melodies influenced a segment of what became alternative rock in the 1990s. Opening is darkwave/shoegaze one-man act Red Wing Black Bird whose 2019 album Too Klaus For Comfort was a unique fusion of synth pop and industrial post-punk and swirling guitar. Plague Garden’s flavor of modern death rock seemingly draws inspiration from the early Cure records and Valor Kand-era Christian Death. The duo recently released the haunting and harrowing LEFT IN THE GRAVE.
Stephen Steinbrink circa October 2009, photo by Tom Murphy
What:Frankie Cosmos w/Stephen Steinbrink and Ashley Koett When: Thursday, 11.7, 7 p.m. Where: Bluebird Theater Why: The latest Frankie Cosmos album is called Close It Quietly (out on Sub Pop) which is a title reflecting the tender, sensitive and utterly sincere quality of Greta Kline’s songwriting and psychologically insightful lyrics. Stephen Steinbrink’s golden voice and talent for inventive soundscapes in his pop songs has been brewing for more than a decade while he toured regularly in the DIY world. His 2018 album Utopia Teased is a pinnacle of his recorded output with a diverse array of moods and textures.
What:Houndmouth w/Kyle Emerson When: Friday, 11.8, 8 p.m. Where: Bluebird Theater Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. For this set of shows he’s opening for bluesy indie rock band Houndmouth from Indiana.
FILTH circa 2017, photo by Tom Murphy
What:Ultra Metal 2 Night 1 When: Friday, 11.8, 5 p.m. Where: Rhinoceropolis Why: Since Denver Noise Fest isn’t happening this year, Johnathan Cash of Sunk Cost is picking up that slack again with the biggest noise festival in Colorado across two nights at Rhinoceropolis bringing together a wide range of artists from Colorado and well beyond. Go expecting the broad spectrum of noise from the presumed harsh noise, to prepared environment soundscaping, ambient, beat-driven industrial drone, noisy post-punk, glitch, weirdo techno, post-metal, organic sound composition, sound collage, field recording processing and more. Honestly, greater diversity here in purely sonic terms than any other festival in Colorado since the last Ultra Metal. See the schedule below.
5pm – doors open
5:40pm – J. Westerman
6pm – Blarney Mumble
6:20pm – Harms
6:40pm – Kid Mask
7pm – Dragging
7:20pm – Voight
7:40pm – Pat Hopewell
8pm – Genital Stigmata
8:20pm – Culled
8:40pm – John Ingram
9pm – Sounding
9:20pm – Ritual Chair
9:40pm – Developer
10pm – Kiran Arora
10:20pm – Xome
10:40pm – Conscious Summary
11pm – Baby Daddy
11:20pm – PCRV
11:40pm – Scathing
12am – VX Bliss
12:20am – GNO
12:40am – FILTH
1am – H Lite x Techno Allah
1:20am – Clutch Plague
1:40am – J. Hamilton Isaacs
What:Clan of Xymox w/The Bellweather Syndicate and The Siren Project When: Friday, 11.8, 7 p.m. Where: Oriental Theater
Why: Clan of Xymox is a Dutch post-punk band that influenced a generation of second wave Goth bands with its imaginative and bracing sounds and imagery. Adam Wingard featured Xymox tracks in his 2014 action thriller The Guest.
Pedestrian Deposit circa 2012, photo by Tom Murphy
What:Ultra Metal 2 Night 2 When: Saturday, 11.9, 5 p.m. Where: Rhinoceropolis Why: See above regarding Ultra Metal. Schedule for night 2 below.
5pm – doors open
5:40pm – ilind
6pm – French Kettle Station
6:20pm – Goo Age
6:40pm – Earth Control Pill
7pm – Pet Sounds
7:20pm – Rush Falknor
7:40pm – Illicit Relationship
8pm – Sunk Cost
8:20pm – A Fail Association
8:40pm – Primordial Wound
9pm – T.E.F.
9:20pm – Sects
9:40pm – Jackson Pratt
10pm – Sissisters
10:20pm – Blind Date
10:40pm – Circuit Wound
11pm – Ancient, INC.
11:20pm – Tralphaz
11:40pm – Pedestrian Deposit
12am – Dromez
12:20am – Purism
12:40am – Blank Hellscape
1am – Total Mom
1:20am – Many Blessings
1:40am – Page 27
Necropanther, photo courtesy the artists
What:Necropanther w/Methane, Incarnit, Draghoria When: Saturday, 11.9, 8 p.m. Where: Hi-Dive Why: Death/thrash metal band Necropanther from Denver is celebrating the release of its latest album The Doomed City although it has those great, distorted vocals that you’d expect from a black metal outfit there’s always been something tuneful and catchy about the band’s output.
What:Pile w/Slow Code and Moon Pussy When: Sunday, 11.10, 8:30 p.m. Where: Fox Theatre Why: Pile formed in 2007, the same year as the Canadian band Women, and has exerted a similarly strong influence on underground guitar rock by going off the map of conventional structure, dynamics and tone. Its new album Green and Gray has all of its signature contorted and noisy angularity. Opening is Denver noise rock Moon Pussy whose Big Black-esque bluster is a revelation.
What:Vincent Comparetto Going Away Party When: Sunday, 11.10, 7 p.m. Where: Hi-Dive Why: Vincent Comparetto has been calling Denver home for over 20 years and is now moving to New York City. He got involved in the skating community in the 90s and discovered the local world’s punk and post-punk communities and has been avidly documenting the music scene and the cityscape for years as can be found in his ‘zines Follow Focus, particulary #2 in which he shared several of his shots of shows and the arts world in Denver. Here’s a public chance to say farewell to one of local cultures most cordial and thoughtful preservers of what has been and advocates for what is going on.
What:Hippo Campus w/The Greeting Committee When: Monday, 11.11, 7:30 p.m. Where: Boulder Theater Why: Hippo Campus released two albums in 2019 as Demos I and Demos II. While they sound a bit like the titles suggest and recorded between 2017 and 2018, the spare, raw quality of the recordings actually serve to highlight the band’s songwriting further. Its 2018 album Bambi showcased its knack for expertly produced pop songs while the new batch of material is almost the polar opposite like the experiments Magnetic Fields have engaged in over the years with its creative and varied use of technology in songwriting and processing sounds. But whatever its approach, Hippo Campus has proven its mastery of dynamics and tone.
Aquabats, photo courtesy the artists
What:The Aquabats When: Monday, 11.11, 7 p.m. Where: Gothic Theatre Why: It’s odd to think that The Aquabats has been around for over twenty-five years now. Hailing from Huntington Beach, California, the quintet’s mixture of ska, punk and pop is as surreal as it is playful. Its singer The MC Bat Commander (aka Christian Jacobs) is better known for his involvement with the kids’ show Yo Gabba Gabba! these days but The Aquabats was a good natured send-up of the Orange County punk scene as the opposite of a macho, violent band. Instead The Aquabats have assumed the personae of super heroes and its multi-media presentation through its own TV shows and sillymusic videos has allowed the band to transcend not just genre appeal but appeal beyond the realm of punk and ska, which the group has long since left behind in favor of greater musical diversity in its songwriting. Go expecting more than just a musical performance, expect the full integration of that with theater and comedy routines and special guest performers along with its usual incorporation of the audience into the proceedings as well.
What:Elephant Stone w/Frankie and the Witch Fingers and Emerald Siam When: Tuesday, 11.12, 7 p.m. Where: Hi-Dive Why: Elephant Stone’s psychedelic pop songs have weathered the glut of wannabe psychedelic rock of the past several years by going beyond the tropes and creating transcendent melodies incorporating traditional Indian musical styles and methods for a sound that seems to drift in from some brighter realm than our own. Frankie and the Witch Fingers is a little more traditionally garage psyche but the sheer momentum of its performances elevates it beyond the languid pace and laid back style we’ve come to expect all while maintaining a delicacy of feeling. Emerald Siam from Denver has some of that psychedelic garage rock in its musical DNA but is more like a moody, dark, post-punk band that discovered that musical catharsis comes from overcoming one’s personal momentum rather than sinking deeper into it.
What:FKA Twigs When: Tuesday, 11.12, 7 p.m. Where: Mission Ballroom Why: FKA Twigs brilliantly fuses downtempo with experimental electronic music. Her new album Magdalene is basically an environmental noise record with elements of R&B and soul in a pop format in the foreground.
What:Big Freedia w/Low Cut Connie When: Tuesday, 11.12, 7 p.m. Where: Gothic Theatre Why: Big Freedia’s “sissy bounce” is like some hip-hop performance art spell-casting that is disorienting yet utterly riveting.
What: At the Heart of the World w/Lowfaith and Polyurethane When: Tuesday, 11.12, 7 p.m. Where: Rhinoceropolis
Wednesday | November 13
The Coathangers, photo by Jeff Forney
What:The Coathangers w/Control Top and Rocket Dust When: Wednesday, 11.13, 7 p.m. Where: Lost Lake Why: The Coathangers have evolved a lot since the incendiary and thrilling chaos of their earlier punk rock without losing any of that raw power. Now touring for The Devil You Know, The Coathangers have completely integrated its instinct for tearing down convention with sharply focused songwriting.
What:Sun Seeker w/Duncan Fellows When: Wednesday, 11.13, 7 p.m. Where: Larimer Lounge Why: Duncan Fellows from Austin unexpectedly makes a blend of Americana, psychedelic pop and 2000s indie rock work through creative layering of instrumentation and vocals giving its songs great dynamic range and an element of unpredictability. There’s a lot of imitation in music at the moment and while Duncan Fellows may not strike some as incredibly original, give them a good listen and it becomes obvious they’re at least following their musical instincts where the mood flows rather than where pre-existing style suggests. In that way the group is a bit like Foxygen and Unknown Mortal Orchestra without sounding like either. Its use of synths as a full compositional element sets it apart from most of its peers as well as heard put to full effect on the group’s latest release the Eyelids Shut EP.
Queen City Sounds and Art 
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