What:Portrayal of Guilt w/Street Sects, EUTH and Cau5er When: Thursday, 1.23, 8 p.m. Where: Hi-Dive Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.
Street Sects 10pm
Portrayal of Guilt 11pm
What:Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man When: Thursday, 1.23, 8 p.m. Where: Mutiny Information Café Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.
7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
What:Use the Sun (Reunion), Old Sport and American Grandma When: Saturday, 1.25, 7 p.m. Where: Seventh Circle Music Collective Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.
What:Neil Haverstick When: Saturday, 1.25, 7 p.m. Where: Swallow Hill Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.
What:Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers When: Sunday, 1.26, 7 p.m. Where: Mutiny Information Cafe Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.
Tuesday | January 28
What:GosT w/Church Fire and Elay Arson When: Tuesday, 1.28, 7 p.m. Where: Larimer Lounge Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.
What:Poppy w/VOWWS When: Tuesday, 1.28, 7 p.m. Where: Gothic Theatre Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.
What:Hot Snakes w/SPELLS When: Thursday, 09.05, 7:30 p.m. Where: Oriental Theater Why: It would be too facile to cite biographical information about Hot Snakes at this point. Influential noise rock band from San Diego comprised of former/current members of Drive Like Jehu, Rocket From the Crypt, Pitchfork and Obits. Its shows are incendiary, its songs imbued with a dark yet dry sense of humor and its angular guitar rock also not short on dynamic grooves that seem too confrontational to work as unconventional dance music but don’t tell that to John Reis. The group is currently re-touring in support of its monumental 2018 album Jericho Sirens. If you go early to catch SPELLS, just think of them as an 80% version of Hot Snakes because that’s good enough. And other inside jokes that don’t work on the internet.
What:The 220.127.116.11s w/The Ghoulies and The Vanilla Milkshakes When: Thursday, 09.05, 8 p.m. Where: Streets Denver Why: The 18.104.22.168s are a lively surf rock and rockabilly band from Japan who came to a larger public consciousness in the West after appearing in Kill Bill Vol. 1. The Ghoulies are a similarly-minded sorta rockabilly garage punk band and The Vanilla Milkshakes will make all the awkward jokes that desperately need to be made and break up the evening some with its well-crafted, outsider pop punk.
What:The Funs, Sweetness Itself, American Culture, Natural Violence When: Thursday, 09.05, 8 p.m. Where: Rhinoceropolis Why: The Funs is a band from Illinois that combines a twee indie pop sensibility with a dream pop sound palette. Think Black Tambourine post-shoegaze. American Culture took the Dinosaur Jr and Meat Puppets thing and put it through an indie pop lens and listened to a bunch of Cure records and came up with something different but bearing the fingerprints of all of that in its sound and ethos. Natural Violence is Michael Stein’s (Homebody, School Knights) latest project. A kind of spindly, super refined post-punk pop band.
What:Mystic Wool, Arc Sol and Total Trash When: Thursday, 09.05, 9:30 p.m. Where: Mercury Café Why: Arc Sol is former Silverface guitarist Michael Thompsons’s new band that somehow welds Neil Young-esque rock wih psychedelia without really sounding like he’s trying to be in the same lineage as any of that in the past decade and that’s impressive on its own. Total Trash is a Denver indie rock supergroup including former and current members of Fingers of the Sun, Fissure Mystic, Lil’ Slugger, Quantum Creep and Eyebeams. Mystic Wool’s synth compositions sound as though someone had to go on some prolonged retreat with no access to the internet and just a music player that had the Deerhunter discography, early Air albums, Candy Claws and Harmonia albums.
Saturday | September 7
What:TEARS to LI6HT, Hate Minor and Claudzilla When: Saturday, 09.07, 7 p.m. Where: Seventh Circle Music Collective Why: This show is a fundraiser for ProgressNow Colorado’s Keep Abortion Safe initiative and it will include sets from experimental electronic artist TEARS to LI6HT, experimental noise rock duo Hate Minor and Claudzilla’s melodica Goth strangeness.
What:Mannequin Pussy w/Destroy Boys and Ellis When: Saturday, 09.07, 8 p.m. Where: Larimer Lounge Why: Mannequin Pussy’s melodic punk is anthemic, emotionally raw and affecting. Like some sort of power pop band from the 80s with the expansive songwriting style and inventive dynamics but whose lyrics are soul searching and pointed but never cruel. The group’s 2016 album Romantic was full of joyful chaos exorcising trauma and sadness with bursts of sound and energy. The new record, 2019’s Patience, is more introspective but no less imbued with the radical vulnerability and personal insight that has made its music worth a deep listen from the beginning.
What:Audio Dream Sister, Whiskey Orphans, Austin Sterling When: Saturday, 09.07, 9 p.m. Where: 3 Kings Tavern Why: Audio Dream Sister hasn’t played in a million years. Meaning maybe in half a decade or more or so it seams. The sludge rock band from Denver was a staple of the heavy rock and punk scene for years and its adept songwriting and psychedelic sensibilities set it apart from the “stoner rock” set of the day.
What:De La Soul w/DJ Mick When: Saturday, 09.07, 8 p.m. Where: Ogden Theatre Why: De La Soul brought something a little strange to hip-hop when it came onto the scene in the 80s blending psychedelic rock aesthetics with weirdo funk and rap. It also used that perspective to examine social issues from a different angle and in its own way had as incisive a social critique as contemporaries like Public Enemy and The Disposable Heroes of Hiphoprisy.
Sunday | September 8
What:King Crimson When: Sunday, 09.08, 6:30 p.m. Where: Paramount Theatre Why: King Crimson was one of the earliest of the progressive/art rock bands to have emerged in the late 60s, incorporating classical music concepts and a sense of dramatic orchestration into ambitous rock songs. Its 1969 debut In the Court of the Crimson King set a creative high water mark for the progressive rock genre with imaginative lyrics and songwriting that employed musical chops with real creativity to write emotionally arresting songs like the title track and “21st Century Schizoid Man.” While guitarist Robert Fripp is the sole remaining original member he has been the musician in the band that has steered the ship consistently from the beginning through its various phases from the early sort of amalgam of folk, rock, jazz, classical and psychedelia through the experimental hard rock phase of the 2000s through to today.
What:King of Heck (NV), Endless, Nameless, Old Sport and Zephyr When: Sunday, 09.08, 8 p.m. Where: Rhinoceropolis Why: King of Heck from Nevada is a “desert rock” band that sounds like it came up on a lot of Gravity Records bands, Fugazi, melodic post-hardcore and modern underground emo. Old Sport from Denver is a great blending of post-hardcore and noisy proto-alternative rock like Dinosaur Jr.
Monday | September 10
What:Voight, Dancing Plague (OR), French Kettle Station and Luxury Hearse When: Monday, 09.09, 7 p.m. Where: Seventh Circle Music Collective Why: A darkwave show at Seventh Circle with Denver’s shoegaze/post-punk/industrial synthesists Voight, EBM/dance Goth group Dancing Plague from Oregon, French Kettle Station and his animated 80s adult contemporary/avant-garde/New Wave music and Luxury Hearse’s beat driven ambient pop.
What:Hazel English w/Modern Leisure When: Monday, 09.09, 7 p.m. Where: Larimer Lounge Why: Hazel English is oft compared to another Oakland, California artist Day Wave. But one might just as well compare her hazy, bright dream pop to the work of Alvvays because it has a similarly wistful and expansive quality that gives one a sense of introspective yearning. Joining her on the bill is Denver indie pop group Modern Leisure. Singer Casey Banker has been crafting some of the more thoughtful and impassioned pop songs out of Denver for more than a decade and Modern Leisure is the continuation of his legacy.
Tuesday | September 10
What:Kristin Hersh (electric trio) w/Fred Abong When: Tuesday, 09.10, 7 p.m. Where: Hi-Dive Why: Kristin Hersh formed post-punk band Throwing Muses with Tanya Donelly in 1981 when both were fourteen years old. But that band went on to be one of the early alternative rock bands that helped to define the aesthetic of the UK record label 4AD with its emotionally powerful music and inventive songwriting. In that band and as a solo artist Hersh has used mythology and culture and her own struggles with mental illness to produce a body of work that is both startlingly intimate and imaginatively far reaching in scope. Her latest record, 2018’s Possible Dust Clouds draws on specific mythologies and personal history to deliver a set of songs that strikes deep emotional chords expressed with Hersh’s signature, textural voice and warmth as well as unconventional rhythms and guitar voicing. Somehow Hersh’s songs seem like manifestations of archetype and the forces of nature cooperating to speak eternal yet personal truth through her.
What:Silence in the Snow, Echo Beds, Blood Loss and Causer When: Tuesday, 09.10, 8:30 p.m. Where: Rhinoceropolis Why: Oakland’s Silence in the Snow sometimes comes off like a neo-darkwave band because it is but its root is an urgent post-punk akin to the likes of Red Lorry, Yellow Lorry and Xmal Deutschland. Its new record Levitation Chamber finds the band mixing ethereal guitar with high emotive vocals and deep, irresistible rhythms.
Due to technical difficulties, it wasn’t possible to write up the first two dates of this show list in even remotely a timely manner. For now we present to you the rest of the week’s picks as we’re able to complete the writing.
Saturday | October 20, 2018
Who:MC 50 with Starcrawler and The Yawpers When: Saturday, 10.20, 8 p.m. Where: The Gothic Theatre Why: Influential, even foundational, early punk band MC 5 is now on tour celebrating its fiftieth anniversary as MC 50 playing from the band’s respectable catalog that not only injected radical politics into rock music in an overt way but put an indelible stamp on the rawest version of the music post-1960s. The lineup for this tour will include original guitarist Wayne Kramer, former Soundgarden guitarist Kim Thayil, Fugazi drummer Brendan Canty, Faith No More bassist Billy Gould and Zen Guerilla frontman Marcus Durant.
Who:Dark Descent Records Ninth Anniversary When: Saturday, 10.20, 6 p.m. Where: Hi-Dive Why: Dark Descent Records celebrates nearly a decade of unleashing extreme metal from its headquarters in Colorado. For this edition of its annual showcase you can see Cianide, Krypts, Adversarial, Sempiternal Dusk, Spectral Voice and Blood Incantation
Who:Four Fists (P.O.S. + Astronautilus) w/Angel Davanport and Boss Eagle When: Saturday, 10.20, 8 p.m. Where: Marquis Theater Why: After guesting on each other’s albums for years, P.O.S. and Astronautilus finally teamed up for a collaborative project yielding the album 6666. It’s what you might expect when two titans of alternative hip-hop that know each other’s work and processes well put their heads and hearts together. Poignant social commentary and, refreshingly, a perspective that points to ways that people might take on social injustice and the world’s ills that they can handle. All while giving us tautly composed and imaginative beats that sound like a sampling of all modern electronic music going back to the 8-bit video game aesthetic the 80s as perhaps an abstract display of how culture is a continuum that can’t be truly broken by even influential bad actors. And if you’re not into the heady content aspect, the debut album from Four Fists is a collection of bangers.
Who:Mothers w/Megabog and Down Time When: Sunday, 10.21, 7 p.m. Where: Larimer Lounge Why: Kristine Leschper of Mothers and Erin Bergy of Megabog don’t fit in any easy, pat category as both have used elements of rock and folk in making their respective, boundary pushing pop music. Leschper and Bergy also both masterfully walk that line between accessibility, challenging their respective audiences and freely experimenting with sounds and song format.
Who:MAX w/Nina Nesbitt and EZI When: Saturday, 10.20, 8 p.m. Where: The Bluebird Theater Why: Max Schneider, aka MAX, has had a career in film, television and modeling but along the way he also established himself as an up-and-coming soul pop vocalist. Nina Nesbitt is a Scottish singer-songwriter/multi-instrumentalist who got a big break opening for Ed Sheeran on the European leg of his 2012 tour. In 2018 Nesbitt is set to release her sophomore album and there’s a good chance that you’ll get to see some of that material live for this tour. If you show up early you can catch EZI, aka Esther Zyskind who has roots in the singer-songwriter realm but these days, makes lush, moody, synth-driven pop songs.
Who:Blerd #2 When: Saturday, 10.20, 8 p.m. Where: Mutiny Information Café Why: This event says how Afro Punk is never coming to Denver and it, thus, shines a light on the most interesting and forward-thinking Denver artists of color. Tonight’s showcase includes two of the mightiest Denver musical acts with the otherworldly tones and transcendent hip-hop of R A R E B Y R D $ and The Maybe Sos, an experimental hip-hop duo comprised of notable Denver poets and musicians Bianca Mikahn and Jenee Elise Donelson. Also on the bill are Toluwa and Obi.
Sunday | October 21, 2018
Who:UK Subs w/Agent Orange, Guttermouth and No Takers When: Sunday, 10.21, 7 p.m. Where: The Oriental Theater Why: UK Subs were one of the bands out of the early English punk milieu that incorporated aspects of the pub rock scene of the same era in the mid-to-late 70s. Beginning with its 1979 album, Another Kind of Blues, the group has released a record beginning with every letter of the English alphabet including 2016’s Ziezo. The Subs have also remained a vital live act since the 70s and haven’t exactly toned down the politics edge, decidedly working class left, of their body of work even when they have written songs about going concerns of youth and everyday life. Also headlining this bill is California surf punk band Agent Orange. Like most of the southern California punk bands that emerged from Orange County in the late 70s and early 80s, Agent Orange had that aggressive intensity that was key to hardcore but also an instinct for melody that gave its songwriting an accessibility that may in some ways have helped give birth to pop punk. Agent Orange didn’t really get stuck in a specific punk niche perhaps one aspect of why the band, like the Subs, has endured and evolved.
Who:Mom Jeans w/Just Friends, Awakebutstillinbed and Old Sport When: Sunday, 10.21, 6 p.m. Where: The Marquis Theater Why: Mom Jeans from Berkeley, California has been making some waves in underground music with its irreverent yet earnest songs. Over the past several years a blend of math rock, emo and pop punk has re-emerged in America as various musicians have drawn on the music of their younger years for inspiration and combined it with an interest in various musical styles that maybe they didn’t get to see firsthand when it was originally active. And then, of course, making it their own and using it as a vehicle for writing about similar frustrations and struggles but with a broader palette of sounds and cultural references. The group’s 2018 album Puppy Love is not short on meaningful songs with surreally humorous titles like “Jon Bong Jovi” and “You Can’t Eat Cats Kevin.” Also on the bill is like-minded Denver band Old Sport.
Monday | October 22, 2018
Who:Pond w/Sur Ellz When: Monday, 10.22, 8:30 p.m. Where: Globe Hall Why: Pond isn’t a Tame Impala side project even though the group has shared members and the latter has taken on ex-members of the former as part of Kevin Parker’s live lineup. Tame Impala went in a more overtly experimental electronic dimension with its excellent 2015 album Currents. Pond’s more prolific career has taken interesting turns and it’s 2017 album The Weather was also much more electronic but very well within the realm of a psychedelic aesthetic. One might compare it to when Super Furry Animals went more off its own deep end than usual but rather than soul wending into dream pop.
Who:A Perfect Circle w/Tricky and Night Club When: Monday, 10.22, 6 p.m. Where: Red Rocks Why: On the surface this is an odd pairing of bands. A Perfect Circle is one of the projects of Maynard James Keenan of Tool and for earlier records, it was a hard rock and even metal band. For it’s 2018 album Eat the Elephant the group has transformed fully into an atmospheric pop band. The sound is so different yet not seemingly forced or brimming with try hard musical gestures it’s like it’s a new identity for the group achieved after years of development. Night Club is a darkwave rock band comprised of Emily Kavanaugh and former Warlock Pinchers and Foreskin 500 guitarist Mark Brooks. Though mostly known for his work in film and television these days (for example he wrote for and directed episodes of Metalocalypse), with Kavanaugh in Night Club Brooks has been part of a band that sounds like it mulched 90s EBM and Future Pop with the inspired industrial sleaze of Lords of Acid and My Life With The Thrill Kill Kult and made something that could make a virtue of the cheese factor of all that music without having to express the worst excesses. Night Club is more akin to modern Gary Numan than wack industrial rock and that makes all the difference. And Tricky is on the bill. As in former member of Massive Attack and downtempo pioneer with a respectable trip-hop career playing Red Rocks perhaps for the first time in decades.
Tuesday | October 23, 2018
Who:Windhand w/Satan’s Satyrs When: Tuesday, 10.23, 7 p.m. Where: Larimer Lounge Why: Richmond, Virginia’s Windhand has for nearly a decade refined its fluid doom soundscaping like a pagan metal Bardo Pond. The group recorded its 2018 album Eternal Return with Jack Endino, the architect of the so-called Seattle sound of the late 80s and early 90s. With Endino’s assistance, Windhand cast its gritty grandeur in sharper focus than ever before with the intricacies in tone and texture not essentially buried and blurred together in the mix as part of an unintentional aesthetic choice because that’s how doom is “supposed” to sound. Dorthia Cottrell’s vocals have also never sounded better, coming through the fogbank of sounds like a beacon in the night.
Who:88Rising: 88 Degrees & Rising Tour When: Tuesday, 10.23, 6 p.m. Where: Fillmore Auditorium Why: 88rising is a media company that is bringing some of its star artists on this tour showcasing its efforts as a management and marketing company, record label and video production service. Nothing too new there. But most of its artists are Asian pop, trap, hip-hop and R&B projects. For this tour you’ll get to see Rich Brian, Joji, Higher Brothers, Keith Ape, KOHH, NIKI and AUGUST 08.
Wednesday | October 24, 2018
Who:Joan Baez When: Wednesday, 10.24, 7 p.m. Where: The Paramount Theatre Why: Joan Baez has been an important figure in American popular music since the early 60s when she helped to popularize folk music to an increasingly commercial and widespread audience. She was an early advocate of Bob Dylan and helped to bring his own talent to national audience as well. Baez famously used her platform and her music to raise awareness of human rights and environmental issues, a course she has followed throughout her career up to and including “Nasty Man,” a protest song she wrote against Donald Trump in 2017. It was a viral hit and it was her first published and released piece of original material in over two decades. Baez followed this with her first studio album in nearly a decade with 2018’s Whistle Down the Wind, an album in which she puts her superb interpretations on the songs of other writers including an interesting choice with Anohni’s “Another World.” Currently Baez is on what is being cited as her final formal tour, dubbed “Fare Thee Well Tour.” If this is Baez’s last hurrah, it’s quite a capstone on the career of an artist possessed of a powerful voice and an uncommon sense of compassion and duty to her fellow creatures on planet earth.
Who:Glasss Presents Speakeasy Series Season 2: Atari and Pythian Whispers When: Thursday, 04.19, 7 p.m. Where: Hooked On Colfax Why: This latest edition of the Speakeasy Series Season 2 will be an early and short show from Denver ambient artists Atari and Pythian Whispers. Being in the latter, no comment. Atari, though, is David Bridges, a DJ who manufactures records to create truly unique beats in an analog format. He uses some electronic components in his beatmaking but its that he has been known to cut records apart and put them together in different arrangements for a show or recording. The result sounds like tape collage, ambient industrial but the craft involved is a step beyond what most musicians making similar music would be willing to undertake.
Who:Glasss Presents: Gold Trash, Church Fire, EVP and Mirror Fears When: Thursday, 04.19, 8 p.m. Where: Syntax Physic Opera Why: Sort of an all-star experimental electronic pop lineup. Mirror Fears set a high bar for emotional intensity and a complete synthesis of dream pop, industrial and noise with her 2018 album Eaten. Church Fire similarly doesn’t skimp on the emotional singing in its live show and on its albums but its style is more embodied in the band name because Shannon Webber has a fiery performance style that is impossible to ignore. EVP channels a lifetime of anger into its music even though some of it sounds like it could be a companion piece to what Grimes has been up to lately. Gold Trash sounds a bit more raw and chaotic than the other acts on the bill, it’s sound seeming to have been informed by the sonic brutality and, yes, trash culture embrace vibe of both Atari Teenage Riot and Royal Trux.
Friday | April 20, 2018
Who:Front 242 w/Blackcell, EVP and DJ Slave 1 When: Friday, 04.20, 7 p.m. Where: Summit Music Hall Why: Front 242 was the first band from Belgium most people outside of Belgium had ever heard about. Which is interesting because Front 242 remains a bit of a cult band. But the group pioneered the style of electronic industrial music called Electronic Body Music, or EBM. Developing alongside peers like Skinny Puppy, Ministry, Nitzer Ebb, D.A.F. and Front Line Assembly, who were making likeminded music from the early to mid-80s going forward, Front 242 enjoyed a brief period of commercial success by the early 90s. Its single “Rhythm of Time” appeared in the 1992 thriller Single White Female boosting the band’s profile at a time when alternative rock had opened the doors into the mainstream for all sorts of leftfield music that could fit under that umbrella including Front 242.
After 1991’s Tyranny For You, Front 242’s musical style evolved rapidly and dramatically as embodied on a twin 1993 release of both 06:21:03:11 Up Evil and 05:22:09: 12 Off. The big beats that were the driving engine of the band’s earlier music seemed gone but not the robotic, distorted vocals. The tracks seemed less stark and revealed the influence of more sample based composition. Through the rest of the decade and into the 2000s, when Front 242 released music it was obvious the group was learning from the new electronic groups or the era including the IDM, “Big Beat” and house/techno/rave artists that dominated the electronic music world of the 90s and 2000s. Front 242 hasn’t released a new full album worth of material since 2003’s excellent Pulse, its then first album in a decade. But that means that if you’re going to the show you’ll probably get a nice slice of its classic material.
Who:Afroman w/David Frederick, SwizZy B and guests When: Friday, 04.20, 4:15 p.m. Where: Gothic Theatre Why: Since April twentieth in Denver is basically a punchline for a fake holiday there are too many events “celebrating” legal recreational cannabis. Afroman, more than many artists of the past two decades, made more of his 2001, what might be considered a novelty, hit “Because I Got High” than anyone had in years. Since then Afroman has been kind of a mascot for legalization of cannabis so even if this show is basically about that it should be entertaining anyway.
Who:Zigtebra, Gort Vs. Goom and f-ether When: Friday, 04.20, 9 p.m. Where: The Skylark Lounge Why: Chicago’s Zigtebra has blended the aesthetics of 8-bit video game music composition, EBM and indie pop. It’s the sophisticated lo-fi musical equivalent of inspired collage art. Gort Vs. Goom is a bass and drums prog punk band. Probably sounds counterintuitive but this duo makes it work and comes off more like Minutemen than Primus. F-ether’s musical output is fairly diverse. But one might describe the overarching sound as one of minimal synth environments reminiscent of a less abstract Pole or of early IDM artists. Except there’s more modern glitchcore to some of his denser songs. But all within the realm of modern underground dance music.
Who:Coastlands w/Altas and The Leshen When: Friday, 04.20, 8 p.m. Where: Streets of London Why: Coastlands is a Portland, Oregon-based post-rock band. It’s sound is more melancholy and downtempo than its more rock-oriented kin. More Hammock than Explosions in the Sky. Also playing this show is Denver’s Altas. The instrumental rock band is like its own traveling sonic cinema rooted in guitar and synthesizer music. The group’s 2014 album Epoca De Bestias was full of songs that suggested short, epic science fiction films in miniature themselves. As in not inspired by film but inspiring them. We’ve heard lots of post-metal/heavy post-rock and The Leshen fits under that umbrella fine. But intentionally or otherwise the duo has brought in elements of industrial and sludgy blues rock without compromising an interesting sound.
Who:Cigarettes After Sex When: Friday, 04.20, 8 p.m. Where: Boulder Theater
Why: Despite a completely underwhelming showing opening for Garbage in the summer of 2016 and a fairly sparse eight years of output prior merely hinting at what was ahead, Cigarettes After Sex released a respectable self-titled full-length in 2017. It can sound of a piece and yet the dusky tone and Greg Gonzalez’s androgynous vocals are engaging and interesting enough to warrant repeated listens. Even if the live show hasn’t improved, but chances are it has, being enveloped in the ghostly embrace of this music should reward the effort to show up.
Who:4/20 Funk Fest: Rowdy Shadehouse w/Log and DJ Lucky Luck When: Friday, 04.20, 7 p.m. Where: Globe Hall Why: At least if you come to this show, overtly state them aside, it’ll be enough of a celebration of the bombastic and absurd to be fun. Jon Thursday’s melodramatic, hypersexualized stage persona may split the crowd but at least it won’t be boring or forgettable. His band Rowdy Shadehouse has been through some lineup changes but Thursday is able to bring together some real talents to execute his version of funk.
Who:Esmé Patterson w/Slow Caves and Silver & Gold When: Friday, 04.20, 8 p.m. Where: Downtown Artery | Fort Collins Why: Esmé Patterson will bring her literary and penetratingly insightful pop songs to the Downtown Artery for a show with hometown heroes, the surf-y garage rock band Slow Caves and Greeley’s Silver & Gold, a band that sounds like it worked through its emo, alt-country and neo-classic rock roots to make a the kind of alt/indie rock band with an earnest energy and big hooks.
Saturday | April 21, 2018
Who:MC Chris w/Bitforce and An Hobbs When: Saturday, 04.21, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: MC Chris and his music has been a part of a certain segment of modern American counterculture through his association with Adult Swim through the Aqua Teen HungerForce, Sealab 2011 and The Brak Show. Among other projects. Though MC Chris is with some people synonymous with nerdcore, his music goes beyond nerd culture and the nerdly events at which he has performed. Yes, there are 8-bit sounds all over his music and references to video games and RPGs but his production and songwriting is much broader and sophisticated than a narrow subgenre straightjacket could fully encompass. In that way his songs have more in common with other hip-hop than nerdcore. MC Chris’s music may be steeped in and a product of nerd culture but not limited by it. His most recent album, 2017’s Marshmellow Campground, is an irreverent collection of songs about the perils and challenges of childhood and its rituals and experiences that many of us share.
Who:Sugar Skulls & Marigolds album release w/Muscle Beach and Cult of the Lost Cause When: Saturday, 04.21, 8:30 p.m. Where: Hi-Dive Why: Sugar Skulls & Marigolds is celebrating the release of its new record, ‘Til Death Do Us Part on Sailor Records. The hard rock duo would probably be considered metal by most people that see them but for the past few years, and probably from the beginning, the band has created some songs that transcend limiting genre labels by taking the harder edged sounds into more atmospheric vistas. When Sugar Skulls & Marigolds opened for Xasthur in 2017, it was supposed to be an “acoustic” show but it just sounded like a great shoegaze or dream pop band with more grit than usual and revealed these guys had more to offer than being just a talented extreme metal band. The new record is finds both creative impulses informing each other for one of the most interesting heavy albums of the last few years. Also, two of the best heavier bands in Denver or anywhere share the bill with the more punk oriented Muscle Beach and the more instrumental metal/posthardcore Cult of the Lost Cause.
Who:The Book of Love w/Eloquent and The Siren Project When: Saturday, 04.21, 7 p.m. Where: Herman’s Hideaway Why: The Book of Love is a band from the 80s and early 90s synth pop world that like groups from that era like Let’s Active and Game Theory who were maybe big on college radio with flirtations with mainstream success, including two tours with Depeche Mode in the mid-80s, but never quite broke through to the audience one might think would be obvious. It wasn’t for lack of quality material and its music was not even as dark as that of Depeche Mode. So The Book of Love became a bit of a cult band in the Goth world of the 90s even after its initial 1994 breakup. Since 2013, The Book of Love has been touring on the strength of its back catalog. Joining The Book of Love for this show is Denver-based Euro-dream-pop-post-punk band The Siren Project, a band that has also yet to garner the attention it richly deserves for its body of work that conjures imagery of hanging out in a fog-enshrouded café in some romantic city on the Continent contemplating the meaning of life and dreams of the future.
Who:Diners, Dingbat Superminx, Petite Garçon, Wrinkle and The Tickles When: Saturday, 04.21, 8 p.m. Where: Dateline Gallery Why: The term indie pop may have lost some of its meaning or significance since the early 2000s when some of the most inspired and idiosyncratic pop music made was coming out in the underground. Well, these bands all embody that spirit of not looking to the mainstream to define what makes pop music and Wrinkle, even though clearly a punk band, is not short on hooks. Denver’s Petite Garçon is mostly difficult to categorize except that its songcraft is a not so self-conscious to be a deconstruction of pop but a use of that structure employing sounds in a way most bands in the classic mold would not. It’s also a chance to see a show at the excellent Dateline Gallery so it is for sure all ages.
Who:Oddfellas, Drink Drank PUNK, Sliver, The Pollution and Church Van When: Saturday, 04.21, 9 p.m. Where: Bar Bar Why: Is this a punk show? Pretty much except that Sliver draws a great deal from DC posthardcore and late 80s and early 90s grunge and northwest punk in general: Nirvana (from whose song the band got its name, natch), Tad and Wipers. And The Pollution includes DC punk band United Mutation’s bass player Jay Fox and thus an unusual and interesting mix of punk, psych and krautrock.
Sunday | April 22, 2018
Who:3Teeth w/Ho99o9 and Street Sects When: Sunday, 04.22, 6:30 p.m. Where: The Marquis Theater Why: 3Teeth wears some of its influences on its sleeve pretty heavily: Nine Inch Nails, KMFDM, Stabbing Westward and Marilyn Manson. But it lacks the utter camp of Manson and KMFDM. Just abrasive, crunchy industrial rock guitar and a bit of a throwback to the 90s in that regard yet still not really coming off like a band tapping into nostalgia. Street Sects is almost a performance art band in how confrontational it sounds and the nature of its fog-enshrouded live shows. Like a breakcore band with more identifiable and visceral low end. Ho99o9 is what might be called an industrial hip-hop act. Obvious comparisons have likely been made with Death Grips and Dälek, none of the three groups sound at all like each other except in their use of sounds in a hip-hop context most other hip-hop artists wouldn’t use like industrial beats and darker undertones in the synth lines. Maybe Sole, The GZA, Eyedea & Abilities, Earl Sweatshirt, Tyler the Creator, Vince Staples and the like. Wherever Ho99o9 fits in, its menacing and socially critical music has been the perfect soundtrack to the last few years. It’s latest release is 2017’s United States Of Horror, a title that just about sums up the national and international mood of late.
Who:Joe Jack Talcum w/Coolzey, Mister Zach and Daywish When: Sunday, 04.22, 7 p.m. Where: Herman’s Hideaway Why: Joe Genaro aka Joe Jack Talcum is perhaps most widely known as the guitarist and one of the vocalists in punk rock band Dead Milkmen. But since 1984 he’s written songs and albums and performed live as a solo artist. Not folk, not conventionally singer-songwriter, but more akin to Robyn Hitchcock or Billy Bragg in that he can be political but also write about love and life in a way that goes beyond tropes. And hey, he may do a Dead Milkmen song or two.
Monday | April 23, 2018
Who:Carpenter Brut w/Jean Jean When: Monday, 04.23, 7 p.m. Where: Gothic Theatre Why: Franck Hueso, aka Carpenter Brut, is a French synth artist who has been on the forefront of making the kind of music that one might have heard in 80s horror and science fiction movies, and thus perhaps an explanation of part of the project’s name by invoking director John Carpenter whose own synth-based soundtracks for his own films are a clear inspiration to Carpenter Brut and his musical peers in Perturbator, Magic Sword and Kavinsky. On the 2015 release Trilogy, the titles suggestive of horror storylines and the strong, bright compositions nail the combination of camp and compelling songwriting. Hueso has done some soundtrack work but the vast body of his songs are separate from that context and those songs suggest narratives and aesthetic that recent films like Drive, The Guest and others have manifested. 2018’s Leather Teeth pushes the absurdity factor further in terms of subject matter (“Inferno Galore” and “Hairspray Hurricane” being clear indicators) but Hueso’s mastery of the musical form has progressed even further and the live show looks like an immersive experience.
Who: Khruangbin w/The Mattson 2 bluebirdtheater.net/events/detail/348081 When: Monday, 04.23, 7 p.m. Where: Bluebird Theater Why: Khruangbin’s website airkhruang.com offers visitor a playlist for a trip from any place in the world to another which one can also save to Spotify. Asked for various aspects of the trip, the curated selections are uncannily apt. It also more than hints at the band’s cross-cultural appeal. The trio got started when bassist Laura Lee and guitarist Mark Speer were on tour with Yppah in 2010 during that artist’s run with Bonobo and recognized similar musical interests. After recruiting drummer Donald “DJ” Johnson the group started writing its earliest songs and garnered some attention for its early singles. With what looks and sounds to English-speaking eyes and ears as an exotic name the expectation for the project might have been some resurrection of non-Western versions of Western pop. Instead, Khruangbin’s sound is that of downtempo jazz, surf-rock-esque-yet-smooth-and-moody guitar and smoky funk. Currently touring in the wake of the release of its 2018 album Con Todo El Mundo, Khruangbin has brought along like minded, San Diego-based duo, Mattson 2, a band comprised of identical twin brothers Jared and Jonathan Mattson. The brothers released a collaborative album with Chaz Bundick of Toro Y Moi fame in 2017 and in March 2018, an album of covers of Japanese jazz originals called Vaults of Eternity: Japan.
Who:Impiety, Gravehill and Divine Eye When: Monday, 04.23, 8 p.m. Where: Hi-Dive Why: Impiety started in 1990 as a kind of black metal band. But in Singapore being in such a band was probably a dicey proposition and remains so in a country that banned “Puff the Magic Dragon” in 1963 and the 2001 Janet Jackson album All for You due to its racy album cover and lyrics. Nevertheless, Impiety and other extreme metal bands have operated out of Singapore for years. Since its earliest releases, Impiety has evolved a bit from its early black metal roots to its current deathgrind style. But its musical vision of audio-violence and lyrics that combine an irreverent attitude toward organized religion with cartoonishly occult imagery will ensure Impiety will alienate casual metal fans. Gravehill from Anaheim, California and its 2018 album The Unchaste, The Profane & The Wicked is a bit of a throwback to a time when thrash and death metal weren’t so far apart in sound and the brutal imagery of the lyrics.
Tuesday | April 24, 2018
Who:Das Mörtal w/Church Fire When: Tuesday, 04.24, 9 p.m. Where: Streets of London Why: Das Mörtal often gets lumped in with the modern synthwave movement and not without reason. His sensibilities as a songwriter are, according to a July 2017 interview with Get Some Magazine, inspired in part by 80s movie soundtracks as well as 8-bit and 16-bit video game music. But this project sounds less like other synthwave stars like Carpenter Brut, Com Truise, Kavinsky and Perturbator and more like a pop-oriented rock band like Cut Copy whose New Order and OMD influences showed pretty strongly on its 2004 album Bright Like Neon Love. And like Cut Copy, Das Mörtal has evolved into his own sound as evidenced by his 2017 album Always Loved. With nods to mid-90s IDM and mid-80s EBM, Always Loved is packed with songs that pick up where nostalgia isn’t enough of an appeal with an updated take on electronic dance music grounded in songwriting rather than merely well-crafted beats.
Wednesday | April 25, 2018
Who:King Krule w/Standing On the Corner When: Wednesday, 04.25, 7 p.m. Where: Ogden Theatre Why: In a time when genre bending and multi-genre artists are becoming more common, King Krule is a standout. Like Deerhunter more than a decade ago, King Krule’s music invites you into a universe of its own as it is not simply rock or a subgenre of electronic pop music or hip-hop. It has elements of all of that and more but is not limited by a need to fit in with something other than Archy Marshall’s expansive imagination. 2013’s 6 Feet Beneath the Moon probably got interpreted as being part of the psych-and-punk-garage revival of the time. But Marshall sounded like he was channeling Old Dirty Bastard singing for a weirdo jazz band making its own version of indie rock. Four years later, The Ooz finds the band weaving in more musical DNA to mutate its sound further. Bossa nova and dub underpin the “Dum Surfer” single and the beatmaking compositional element is stronger across the whole album, giving it a soft and hypnotic quality even in its moments of peak emotional intensity.
Who:Whores, Bummer, Bland Canyon When: Wednesday, 04.25, 8 p.m. Where: Hi-Dive Why: Whores is a sludgy noise rock trio from Atlanta. Reminiscent of Big Business, KARP (naturally) and a less sonically surreal Jesus Lizard, Whores perform with the edgy energy of a posthardcore band rather than with the quickened tar pace of many bands projecting a similar aesthetic. Not as overtly so, Whores shares KARP’s proclivity for humor and irony. After all, on its latest album, 2016’s Gold. there are song titles like “I See You Are Also Wearing A Black T-Shirt” and “Mental Illness As Mating Ritual.” Bummer is a sludge rock band from Kansas City that sounds like what would have happened had Ministry followed a trajectory suggested by the Filth Pig album. Bland Canyon from Denver comes right out of the local post-hardcore scene with former Mustangs and Madras members Nick Krier and Tom Chagolla as well as Matty Clark from Trees. Danny Aranow from Sugar Skulls & Marigolds and Justin Hackl who has played in several local bands including in Native Daughters with Chagolla. It’ll be heavy but also oddly catchy.
Who: Dreamdecay, Product Lust, Weaken, Old Sport When: Wednesday, 04.25, 8 p.m. Where: Bar Bar Why: Dreamdecay is a noise post-punk band from Seattle. Its urgent, thorny songs don’t fit in with the hardcore scene one might expect the band to come from though it probably plays a number of those kinds of shows. Its grittily atmospheres and meditation on the quandaries of existence in a pre-apocalyptic society should appeal to fans of Silver Daggers, Live Skull and Arab on Radar. Its 2017 album YÚ isn’t all the same tempo, tone or texture throughout making it rewarding repeat listening experience. All the bands on this bill have their roots in punk but did us the favor of exploring sounds, rhythms and styles beyond the outworn fashion of punk circa any “classic” year of the past.
Who:Big K.R.I.T. W/Cyhi the Prynce, Childish Major When: Wednesday, 04.25, 7 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Justin Scott a.k.a. Big K.R.I.T. has always used interesting beats to go along with his words and he has aimed at making poignant observations about life that transcend the specific context and situations he references. And he’s mostly made good on that ambition. For his 2017 album, 4eva Is A Mighty Long Time, Scott delivered twenty songs divided into two sides of the record, the Big K.R.I.T. side and the Justin Scott side, with each embodying a side of Scott’s songwriting identity. The title is a clear nod to Prince’s “Let’s Go Crazy.” Though that song is a celebratory party song it is also a fascinatingly thoughtful and insightful exploration of what one must do to propel yourself out of life’s lowest moments. It is that spirit that flows through Scott’s record as well with an eclectic array of music to set the mood for both the party and contemplation of the meaning of it all.
Who:Protomartyr w/Ned Garthe Explosion When: Thursday, 03.15, 7 p.m. Where: Globe Hall Why: Protomartyr apparently didn’t get the memo on what post-punk bands in the current era are supposed to sound like. The vocal delivery hits at weird angles to the fluid rhythms and jagged yet expressive and atmospheric guitar work like Nick Cave singing for a hybrid of The Fall and Sleaford Mods. Its latest record is 2017’s Relatives in Descent. It’s a bit moodier than the group’s earlier albums yet has a headlong quality as though the band is embracing the chaos and disorientation of the world now to see where the broken machine ultimately lands. Ned Garthe Explosion is more of a psychedelic rock band but one of the most gloriously ragged around the edges and one for which you never quite know where the show will go in a way we need to see more often.
Who:Alonerly, R A R E B Y R D $, Claudzilla When: Thursday, 03.15, 10 p.m. Where: Mutiny Information Café Why: Alonerly is the solo project of Antonia Montoya from Albuquerque. Using upright bass, soulful vocals and beats, Montoya creates the kind of spacious yet intimate music that probably gets lumped, and not unjustifiably so, with jazz and hip-hop but is in the end its own thing, a rarity in a time when many musical artists are trying to tap a little too much into an established musical genre. She won’t be alone in bringing something not quite like anything else with keytar weirdo Claudzilla and hypnotic and highly evocative hip-hop/noise crew R A R E B Y R D $.
Friday | March 16, 2018
Who:Bad Licks 7 inch release w/Vic ‘n’ the Narwhals, The Corner Girls and Soulfax DJs
When: Friday, 03.16, 8:30 p.m.
Why: Bad Licks includes former members of The Blue Rider so there’s plenty of the subtle weirdness to the undertones of its psychedelic garage rock. The group is celebrating the release of its latest seven inch of its excellent Lies EP. Because people in the band are very much into genuinely experimental music, the record is worth listening to beyond obvious genre trappings. Joined this night by pastel/surf punks The Corner Girls and surf/blues punk band Vic ‘n’ the Narwhals. All around a post-garage rock genre-bending extravaganza because all of these bands put on an energetic performance.
Who:Clan of Xymox w/Voicecoil and Radio Scarlet w/DJ Svipal When: Friday, 03.16, 7 p.m. Where: Bluebird Theater Why: Clan of Xymox formed in Amsterdam near the height of the first wave of post-punk in 1981. The band’s sound including more extensive use of synths was more in line with groups like Comsat Angels, The Sound, Killing Joke and The Chameleons. Clan of Xymox’s first three albums are considered foundational for what has come to be known as “darkwave” – the blending of early synth pop aesthetics with post-punk. Xymox and contemporaries like Anne Clark, Fad Gadget and Depeche Mode made what might have been considered weird and avant-garde accessible to a broad audience. By the early 90s, however, the band splintered and Ronnie Moorings continued in a direction inspired by the acid house music popular in dance clubs in the late 80s and early 90s. But apparently the project’s fanbase wasn’t into that sound and it didn’t translate well to the rave crowd. And yet Xymox hadn’t completely lost its darkwave cachet and throughout the 90s Moorings experimented with a return to that sort of sound while absorbing the industrial music of bands he had in part influenced. Over the past decade darkwave, industrial and gothic rock has been enjoying the most extensive genuine revival since the first time around and Xymox has enjoyed a little of its own renaissance being invited to festivals catering to the aforementioned genres and with its last eight albums, including 2017’s Days of Black, released or re-issued on Metropolis. Why did the music matter? As someone once said about Joy Division, despite and because of its sometimes gloomy, brooding, emotionally urgent and intense sounds, Xymox and its contemporaries had to come along to articulate complex and sometimes conflicting emotions with a clarity, power and poignancy that wasn’t happening with a lot of rock and roll.
Monday | March 19, 2018
Who:Screwtape, Wander, Young Lovers, Ridgeway, Yardsss, Brother Saturn When: Monday, 03.19, 6:30 p.m. Where: Seventh Circle Music Collective Why: One of the great things about shows at Seventh Circle is that even if it’s all supposed to be all one thing it never really is. Tonight proves that as local hardcore heroes Screwtape are performing alongside mostly post-rock/shoegaze bands. Brother Saturn’s collage of guitar sounds tracing the outsides of daydreams made up of soothingly hypnotic layers of atmosphere is a good fit with California based post-rock bands Wander, Young Lovers and Ridgeway to send them back home from SXSW in a welcoming show halfway through that journey. Yardsss from Portland, Oregon has a diverse sonic palette but broadly speaking, the band’s core sounds are rooted in droning atmospheres, noise and improvisational electronic composition. Fans of more experimental industrial music will find much to like in Yardsss’ darkly evocative aesthetic.
Who:Mimicking Birds, The Raven and the Writing Desk and Haley Heynderickx When: Monday, 03.19, 7 p.m. Where: Globe Hall Why: Indie rock band Mimicking Birds are making a stop in Denver on their way to Treefort Music Fest (we’ll be featuring some advance coverage in the next few days as well as post-fest coverage in the following weeks). The group recently released its new album, the gorgeously lush and pastoral Layers of Us. If you’re not making it out to Treefort for the 7:40 p.m. set at El Korah Shrine, catch the Portland, Oregon-based band tonight with the like-minded The Raven and the Writing Desk. The latter is one of Denver’s best kept secrets in music as a band that has really pushed itself to explore new vistas in its own sound and breaking with its own musical past in order to make something interesting and fresh. A rarity.
Tuesday | March 20, 2018
Who:OMD w/GGOOLLDD When: Tuesday, 03.20, 7 p.m. Where: The Ogden Theatre Why: Orchestral Manoeuvres in the Dark, often referred to as OMD, were, like fellow UK artists Gary Numan and Human League as well as Berlin in the USA, instrumental in establishing what became synth pop. After seeing an mid-70s Kraftwerk concert, bassist and vocalist Andy McCluskey started OMD with some friends and from early on the band separated itself from many other bands of the era in having no guitars and but a visceral live show. OMD enjoyed its share of commercial popularity in the UK and the US at various points in its career but artistically it’s arguably greatest achievement was the 1983 album Dazzle Ships. But the mainstream audience didn’t seem to be much into the truly boundary pushing pop compositions. Today the album is considered by many fans to be its best alongside its 1981 predecessor, Architecture & Morality. Now recognized as innovators as well talented masters of pop songcraft, OMD will be headlining a show at The Ogden Theatre with the Milwaukee, Wisconsin-based GGOOLLDD. The latter, fronted by the dynamic and talented Margaret Butler, recently released the TEETH EP in December 2017. Part synth pop, part theatrical glam band, GGOOLLDD has always put on a large theater show in small, even intimate venues, so catch a great, newer band opening for a group in a similar lineage of imaginative yet sincere music.
What:Faster Than Light Fest: Obtuse (1st), Blue Lane Frontier, Old Sport, Granddad (AK/MN), Closer is a Band (Brooklyn), Alien Boy (Portland), Runaway Brother (Cleveland) When: Tuesday, 03.20, 5 p.m. Where: Seventh Circle Music Collective Why: This is a festival put together for bands on their way from SXSW or going through and happening to converge in Denver for one date. It’s also a good cross section of the modern punk/emo/math rock underground in America and naturally it’s at Seventh Circle where a lot of touring if that stripe often plays in Denver these days. Locals Obtuse, Old Sport and Blue Lane Frontier represent a rebirth for the kind of punk that both embraces pop punk, screamo, indie rock and math rock but also advances where that music could have gone had it converged and evolved. Portland’s Alien Boy gets points for naming itself after a Wipers song but also for embodying the kind of moody punk with thoughtful, sometimes wryly humorous, lyrics and the kind of darkness and intensity, not to say anger, that a lot of punk frankly lacks.
Wednesday | March 21, 2018
Who:Kelly Lee Owens When: Wednesday, 03.21, 9 p.m. Where: Bar Standard Why: With her 2017 self-titled full-length, Kelly Lee Owens displayed a keen ear for electronic composition and a knack for translating that into accessible dance tracks. Her mastery of mixing hypnotic and deep low end with melodic drones interweaving with her ethereal vocals across the record was stunning. Fans of IDM, dub techno and deep house, do yourself a favor and at a minimum pick up the album. Also, fans of dream pop/shoegaze acts unafraid of jumping straight into abstract atmospheres such as Slowdive, Seefeel and Sound of Ceres will find much to like with Owens’ output as well. Owens performs tonight at Bar Standard before setting off for Treefort Music Fest in Boise, Idaho where she performs Thursday night 3.22 at 12:30 a.m. at Neurolux
Who:Mint Field w/Neighbor Lady and American Grandma When: Wednesday, 03.21, 7 p.m. Where: Lost Lake Why: Mint Field’s 2018 debut album Pasar De Las Luces is being touted as a great modern shoegaze album. And it is, but it is one that isn’t particularly beholden to an older sound. The minimalist aesthetic of the music bears a stronger resemblance to ambient and downtempo dance music than to rock. At its most “rock” the band comes off as more post-punk and Krautrock like Neu! or Faust than worshippers of Lush or My Bloody Valentine. Although the band is from Tijuana its gauzy layers and swirling melodies are a far cry from that city’s reputation as one of the party capitals of the world. Mint Field also performs at Treefort Music Fest in Boise, Idaho on Saturday, March 24 at 6:30 p.m. at Boise All Ages Movement.
Who:U.S. Girls w/Rubedo and Michael Rault When: Wednesday, 03.21, 7 p.m. Where: Larimer Lounge Why: Meghan Remy’s U.S. Girls has thankfully been pretty much impossible to chalk up to a single genre of music since the project’s inception. It’s always pop songs whether those have a leg in noise, punk, garage rock or whatever. Her latest album, 2018’s In a Poem Unlimited, sounds, interestingly enough, like a reinvention of 90s hip-hop as a funk and soul record. It has that lush production with grit and a melancholic undertone. “Pearly Gates” in particular is reminiscent of Warren G’s 1994 hit “Regulate.” Which, considering the themes of the album, is an interesting allusion. But whatever ideas and sounds informed the record, it is a literate and insightful exploration the various manifestations of toxic masculinity, its effects throughout culture and society and what life might be like without it’s wearying, destructive influence.
Who:Ed Schrader’s Music Beat w/Naked Giants and Hairclub When: Wednesday, 03.21, 8 p.m. Where: Hi-Dive Why: If you listened to Ed Schrader’s Music Beat’s albums and other recorded releases prior to 2018 and didn’t see live, the appeal can be a bit of a head scratcher. A floor tom, scream-ish vocals and bass? Live it all made sense and the records relatable. But the band put out its most accessible album to date with Riddles. Having worked with Dan Deacon didn’t hurt and as the band’s producer, Deacon helped to shape a sound that took the duo’s avant-garde urban tribal contradictions and into the level of recorded coherence the project has always warranted. Ed Schrader’s Music Beat also performs at Treefort Music Fest in Boise, Idaho at 10:30 p.m. at Boise All-ages Movement Project.
Who:Erica Brown w/The Movers & Shakers When: Thursday, 01.11, 2 shows doors 5 p.m. and 7:30 p.m. Where: Dazzle Why: Powerhouse blues singer Erica Brown has been a staple of Denver music for decades at this point. Sure, she has shared the stage with numerous noteworthy blues and R&B musicians including Al Green, B.B. King and the like and that’s cool. But more importantly, Brown’s powerful voice has been present not just in her own bands and solo efforts but also in Denver music in general. She has done vocals for Dan Treanor’s Afrosippi Band and weird funk group Cherry Bomb Club (which later meant joining Warlock Pinchers on stage for their 2010 reunion shows). She has contributed to albums from Slim Cessna’s Auto Club and Xiren. Erica Brown is a multifaceted talent who has done things on her own terms and established a reputation for excellence that is all but unique in Denver.
Who:Infernal Coil, Inoculated Life, Augur and Heathen Burial When: Thursday, 01.11, 7:30 p.m. Where: Mutiny Information Café Why: Could be described as the industrial grind show since it involves Boise, Idaho’s Infernal Coil, Colorado’s own Heathen Burial, the hanging buzzsaw atmospherics of Denver’s Inoculated Life and the ritualistic vibe of black metal band Augur from Denver as well. It’ll be at Mutiny so it’ll be intimate in the back area for such a show with such abrasively gloomy music. Perfect.
Who:Musical Mayhem: Bonnie Weimer, FULL BLEED, Lepidoptera When: Thursday, 01.11, 9 p.m. Where: Skylark Lounge Why: It’s Musical Mayhem, the monthly (or is it bi-monthly?) showcase hosted by Claudia Woodman and simulcast by Hypnotic Turtle Radio. You never quite know what you’re going to get except that it’ll be a little different, as it were, and worthwhile. Full Bleed says “Droney psychedelic stoner metal shoegaze instrumental improv RöCK from Denver.” Lepidoptera is meditative guitar, field recording and keyboard-y soundscapes. Bonnie Weimer, though, has been in various projects in Denver over the years including her solo project. “Banjo Bonnie” may play some traditional banjo stuff in her set but mostly its originals that take a familiar sound in unfamiliar directions.
Friday | January 12, 2018
Who:Ice Troll, New Standards Men, Paperbark, Venereal Crush and visuals by Orchidz3ro When: Friday, 01.12, 7 p.m. Where: Mutiny Information Café Why: Ice Troll is a sprawling psychedelic, doom prog band. Paperbark uses modular synths to create deeply textured ambient drones. Venereal Crush from Dubuque, Iowa is probably well within the realm of noise but its compositions feel like ambient music or composed sound environments using organic/live instruments alongside incredibly minimal synths. Is New Standards Men post-rock? Maybe so but it is also reminiscent of a doomier, more melodic Laddio Bolocko or Dazzling Killmen. Fortunately bands like this and some others playing venues up and down South Broadway are helping to keep the neighborhood a little weird in the face of Nü Denver tourist culture.
Who:Deer Creek w/Still Valley, Piojos and Drune When: Friday, 01.12, 7 p.m. Where: Moon Room at Summit Music Hall Why: The doom/sludge rock thing kinda died off in Colorado around a decade ago but mutated and turned into something maybe even better. Deer Creek has its roots back to the older sludge scene and remains one of the heaviest bands in Denver. Piojos includes former members of various heavy acts from Denver and Pueblo including Black Lamb. But pedigree aside, the sharply irreverent humor of Piojos can be heard all over its excellent 2016 album Fuck Everyone in Pueblo. Need it be mentioned they’re based in Pueblo and some people didn’t get the humor? Still Valley from Colorado Springs is classic sludge doom in the vein of Sleep, Acid Bath and Grief.
Who:Surrender Signal, Laurium and Old Sport When: Friday, 01.12, 9 p.m. Where: BarFly (Alamo Drafthouse, West 4255 W. Colfax location) Why: Surrender Signal’s gritty melodies and fluid dynamics are reminiscent of Lungfish and East Coast post-punk/post-hardcore bands of the early 90s. Maybe a little Jawbox, Slint and Quicksand are in there too. Old Sport blurs the line between post-hardcore and melodic math rock and doesn’t skimp on the raw energy and passion in its performance.
Who: I’m A Boy, Grammar School and Teacup Gorilla facebook.com/events/136041710495512 When: Friday, 01.12, 9 p.m. Where: Lion’s Lair Why: I’m A Boy is one of the few straight ahead rock and roll bands that doesn’t seem like it’s trying too hard to tap into the realm of classic rock. That’s because singer/guitarist Jimmi Nasi is a gifted songwriter in his own right who has a knack for knowing when a song works rather than lean on someone else’s music as a prop. Bassist Whitney Reher and drummer Jeffrey Mince provide a simple but dynamic jumping board for Nasi’s melodic gyrations, Nasi and Rehr striking poses because it’s more fun for them and more enjoyable as someone there for the show. Teacup Gorilla manages to write glam rock with inventive atmospheres and a theatrical flair of their own. Apparently Grammar School is bringing ragtime back.
Saturday | January 13, 2018
Who:Choosey Mothers When: Saturday, 01.13, 7 p.m. Where: Mutiny Information Café
Why: The Choosey Mothers came out of Denver’s 80s punk scene with former members of bands that are even difficult to find online like the Trontils and Malice in Wonderland. But the Mothers established themselves as a raw punk band of note in the 90s at a time when the Dead Silence, Burnt Fase and, of course, The Fluid were exerting a strong influence on Colorado punk generally. This reunion show is to celebrate the 50th birthday of Sam Grampsas of The Mothers so it’s only fitting the show, which is free, is happening at Mutiny Information Café which is run by other smart, old school Denver punkers.
Who:Mr. Atomic, Television Generation and Meet the Giant When: Saturday, 01.13, 9 p.m. Where: Skylark Lounge Why: When a lot of 90s fuzz rock gets co-opted by a new generation of wannabes a watering down of what made that older music worthwhile is inevitable. Fortunately, these bands pushed that kind of rock and roll into more interesting territories and actually rock rather than playing AT it. Television Generation, sure, sounds like they got put into a deep freeze in 1993 Seattle and woken up in recent years. But its songwriting is strong and they’ve absorbed influences that have come along since grunge imploded in the mid-90s. Meet the Giant sounds like what happens when people who may have tried to make sludge rock got bored and wanted to write dynamic songs that would be fun to play instead of living up to a stoner rock cliché in their garage.
Who:Sgt. D’s List (S.O.D. Tribute), Hallowed Screams (Slayer tribute) and FUBAR When: Saturday, 01.13, 9 p.m. Where: Black Sky Brewery Why: Normally tribute bands are kinda wack. But Sgt. D’s List is comprised of veterans of Denver’s grind, death metal and thrash scenes who bring to life the music of a S.O.D., one of the early crossover bands and tongue in cheek in a way that no one would do these days for obvious reasons. That band included members of Anthrax and Nuclear Assault and became an influence on metal and hardcore from its 1985 inception.
Who:Hot Rize 40th Anniversary When: Saturday, 01.13, 7 p.m. Where: Boulder Theater Why: A gala celebration of one of Colorado’s most influential bands, Hot Rize, who helped to make modern bluegrass accessible to a wide audience without watering down the virtues of the music through attaching it directly to other genres of music. Even if you don’t consider yourself a fan of bluegrass, go check out Hot Rize and see an engaging live act whose musicianship and songwriting speaks for itself beyond genre. For this event, the band will bring in friends/guests Del McCoury, Sam Bush, Stuart Duncan, Jerry Douglas and more
Who: St. Vincent: Fear the Future Tour When: Monday, 01.15, 7 p.m. Where: The Fillmore Auditorium Why: Annie Clark was once a member of Polyphonic Spree but as St. Vincent she has long since distinguished herself as one of the most interesting songwriters and musicians of the past decade with a string of albums that explore the nature of identity, the complexities of dreams and aspirations and the way unexamined social norms warp our natural growth. Her latest album, 2017’s Masseduction, seemed more personal than previous offerings and hit with the emotional nuance and finely crafted dramatics of a J.G. Ballard novel.
Tuesday and Wednesday | January 16 and 17, 2018
Who: Diane Schuur
When: Tuesday, 01.16 and Wednesday 01.17, two shows each night, doors 5 p.m. and 7:30 p.m.
Why: Diane Schuur is cooler than most of us because her mentors include Stan Getz and Frank Sinatra. She has collaborated with Stevie Wonder, Ray Charles, Quincy Joes, Dizzy Gillespie and BB King. Among others. Her emotive vocals and expressive pianowork has garnered the admiration of her peers and a fanbase appreciative of an artist that doesn’t just have chops but the soul and poetic, lyrical sensibility to guide her songcraft. She’s playing four shows in Denver, early and mid-evening shows, on both Tuesday 1/16 and Wednesday 1/17.
Who:Hot Trash, Creature Keeper, Princess Dewclaw at Lost Lake When: Thursday, 01.04, 8 p.m. Where: Lost Lake Why: Hot Trash from Sewell, NJ is a punk band that seems like its members grew up on a lot of 90s pop punk and emo but then discovered the roots of that music and absorbed a great deal of Rites of Spring and Fugazi. Its clipped, angular guitar riffs reveal the latter but its bratty yet melodic vocals are right out of 90s post-hardcore and pop punk. Denver’s Princess Dewclaw have some of that brattiness in their vocals but it comes off more like righteous outrage at being the “beneficiaries” of misogyny American style. With keyboards and guitar work that goes beyond any kind of standard punk, think more Milemarker than AFI.
Saturday | January 6, 2018
Who:iZCALLi (album release) w/Rubedo (album release), Wes Watkins and El Cro When: Saturday, 01.06, 7 p.m. Where: Bluebird Theater Why: Maybe the next iZCALLi album will be called Casas Del Santo. But seriously, the veteran rock and roll band based out of Denver is calling its new record iZCALLi IV. It is the group’s first bilingual record, it’s previous efforts with songs in Spanish, and with any luck will bring the band, which has been putting on highly energetic shows since its 2005 inception, and playing in various scenes and subscenes in Denver. Many bands garner attention from press and garner a following quickly but iZCALLi has had to grind and play Mexican restaurants and other restaurants that happened to have a P.A. for karaoke night or some other kind of music. But iZCALLi’s power as a live band was undeniable and before ever really releasing an English language song on an album, the group attracted fans for its strong songwriting and charismatic stage show.
Joining iZCALLi in releasing an album is Rubedo whose Vaca is its first album since 2014’s Ikey Owens produced Love is the Answer. Though not benefiting directly from Ikey’s magic, Vaca reflects his legacy of excellence and truth with eleven songs that to some extent documents the mourning process of a mentor and friend. But across the record the songs are a celebration of Ikey’s life and his influence on the people around him and how people can inspire each other to achieve their dreams with integrity. The previous Rubedo albums are worthwhile on their own, representing the era in which they were made, but Vaca may be the most emotionally nuanced and deep record the band has released to date. The exuberant bursts of emotion and wiry energy of Rubedo’s core sound is there but the gentler atmospheres and the evidence of a band pushed further into craft if individual members pushed further than they’d been before makes for rewarding repeated listening.
Who:Tennis w/Brent Cowles When: Saturday, 01.06, 8 p.m. Where: The Ogden Theatre Why:Yours Conditionally, released on Tennis’ own label Mutually Detrimental, came out in 2017 and seems to have pushed the band’s cachet higher among a wider audience since it’s playing The Ogden this time around. The record isn’t envelope-pushing enough to garner a lot of kudos from music critics. It’s still the sort of Laurel Canyon circa 1973 pop sound with 2000s production updates on the mixing and mastering end. It was also written during a four-month sailing trip along the West coast of the US and Mexico. That might justifiably make one think the band is trying to recapture some past glory of its first album. But the songwriting is better and Alaina Moore and Patrick Riley have clearly developed their craft to a fine degree. Beyond that, Tennis is never really given the credit it deserves for articulating many of the internal conflicts, aspirations, insecurities, anxieties and uncertainty in America without hitting you over the head with it and without having to dumb it down.
Brent Cowles long ago established himself as a songwriter of note separate from his old band You, Me and Apollo. His 2017 Cold Times EP puts him in good company with Tennis invoking another era of music. Except there’s somehow this sense that Cowles listened to or otherwise absorbed a lot of mid-90s Pulp while writing those songs. That is to say that there’s a decadent yet romantic undertone to the idealistic overtones of his songs. That mixed quality will probably give Cowles’ songwriting some durability that many of his peers may lack.
Who:SPELLS 7” release w/Hooper and Lawsuit Models When: Saturday, 01.06, 8:30 p.m. Where: Hi-Dive Why: SPELLS shows are a punk rock party for people who are wise enough to remember that 80% is good enough. But their version of 80% is a bit higher than many punk bands who don’t look like they’re having fun even if they’re bashing out the tunes. The band will release one of its collectible 7”s this night and on the bill are other excellent bands that are technically punk but open up the format quite a bit in Hooper and Lawsuit Models.
Sunday | January 7, 2018
Who:R A R E B Y R D $ w/Bianca Mikahn, Abeasity Jones, A’Dula and MC Big House When: Sunday, 01.07, 7 p.m. Where: Larimer Lounge Why: This Glasss Records showcase highlights its excellent hip-hop roster. Bianca Mikahn has spent several years honing her poetry and production skills all while being heavily involved in Denver’s performing arts community and youth outreach. Her own work is passionately honest and while informed by hip-hop, incorporates elements of ambient and noise to create a mood and a texture, something tangible, in her beats. Abeasity Jones brings a playfulness and wit to his raps that are almost a detournement of the bravado that underlies entirely too much hip-hop. R A R E B Y R D $ is sometimes a duo, sometimes a group. But whatever the configuration, the project will draw you into their vision of a better, more nurturing, more loving world that also doesn’t pretend that the struggles and pains we’ve all experienced never happened. Even if you’re not wanting that, its beats are a transporting and intimate flow of sounds and rhythms that one might compare to more dreamy IDM acts and alternative/underground hip-hop legends cLOUDDEAD or imaginative modern artists like Kari Faux and Jonwayne.
Monday | January 8, 2018
Who:Stoic/Euth tour kickoff w/Echo Beds, Old Sport and faim When: Monday, 01.08, 7 p.m. Where: 7th Circle Music Collective Why: Stoic and Euth are both hardcore bands from Laramie, Wyoming and both are kicking off their winter tour in Denver at Seventh Circle Music Collective. Helping to celebrate the occasion are three of Denver’s best bands with a connection to hardcore. Old Sport is a kind of a math rock/emo band in the vein of early 764-Hero or lo-fi Jawbreaker. Faim has such a feral, aggressive sound it’s difficult to know what to compare it to except for maybe the relentless pace of Converge minus the math-y instincts but with all the splintery dynamics and thrillingly abrasive melodies and punchier low end. Echo Beds is brings together the confrontational, organic catharsis of hardcore with classic industrial music in the vein of Throbbing Gristle, Test Dept. and Einstürzende Neubauten.
Wednesday | January 10, 2018
Who:Cowgirl Clue w/Surf Mom, Sweater Belly and Meeting House When: Wednesday, 01.10, 7 p.m. Where: Lost Lake Why: Ashley Clue appears to have tapped into a personal creative mythology akin to the otherworldly, surreal, bright and glittery world that is that of Akiko Higashimura’s manga series Princess Jellyfish, a place where the characters live in an apartment building in Tokyo populated by otaku women and where men are forbidden to enter. Her colorfully upbeat pop songs are strange but playful and accessible. Apparently, according to Jocelyn Rockhold of Medium, Clue has mainly been DJing queer dance parties around the world and performing select shows in larger cities so this is your opportunity to catch her live act in a place like Denver. Opening are Meeting House, Sweater Belly and Surf Mom. The latter with its gritty surf garage sound may be a bit out of step for some electronic pop stuff but both Cowgirl Clue and Surf Mom off an alternative to the patriarchal vision of art and music channeled to you daily. Gold Trash is a more obvious fit being an experimental electronic project that expands on the possibilities and palette of dance music while challenging societal norms and stereotypes in its lyrics.
Who:L.A. Witch w/Honduras and Palo Santo When: Thursday, 11.16, 7 p.m. Where: Lost Lake Why: L.A. Witch’s 2017 self-titled album has a kind of post-Loaded-era Velvet Underground stark shimmery pop grit coupled with a languid psych spookiness. In the songs there is a strong, often urgent, rhythm giving the songs some oomph even when they’re introspective. Any roots the band may have in surf rock or psych garage or whatever trendy of the sounds of the past five to ten years, it has definitely moved on. “Drive Your Car” could be an updated Wipers song. Singer/guitarist Sade Sanchez has a smoky cool voice reminiscent of a world weary Hope Sandoval. Whatever comparisons seem valid, L.A. Witch has turned tired conventions on their head into an incredibly compelling sound. Denver’s Palo Santo is cut from a similar cloth in every way with haunting yet fiery guitar work and Mimi Nissan’s trance-state style vocals.
Who:Revolting Cocks (Big Sexy Land Tour) and Front Line Assembly w/CHANT, DJ Slave 1 and Ritual Aesthetic When: Thursday, 11.16, 7 p.m. Where: Summit Music Hall Why: This show signals the end of the train of noteworthy industrial bands, newer and more established, that came through Denver in 2017. Revolting Cocks started with Front 242’s Richard 23 and Luc Van Acker writing music produced by Al Jourgensen, who was often a collaborator. While clearly irreverent at its heart given the band’s name and album titles like Beers, Steers, and Queers and Linger Ficken’ Good the former of which includes a cover of Olivia Newton John’s “(Let’s Get) Physical,” the latter a cover of “Do Ya Think I’m Sexy?” by Rod Stewart, Revolting Cocks have interesting and respectable and influential original music across its spate of albums. The current lineup includes Richard 23 and Van Acker, of course, but also former Ministry and Blackouts bassist Paul Barker and longtime Cocks partner in crime, Chris Connelly whose 2008 memoir Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock was a candid, amusing and revelatory account of being in the industrial and alternative music world in general from the 80s forward.
Front Line Assembly’s vision of dystopian global civilization has unfortunately borne out since it sprang to life in 1986. Up to that time frontman Bill Leeb had been a member of Skinny Puppy and his subsequent music in FLA continued that quality that’s difficult to completely nail to a sub-genre of industrial music. The samples put into the music mirrored the influence of hip-hop production on Skinny Puppy, the extensive use of electronic instruments and synths right in line with that like the EBM bands of that day as well as FLA’s imaginative blending of it all to comment on the nature of technology and its impact on human civilization and our everyday lives. Turns out it has continued to be a fruitful subject for not only FLA but science fiction writers mining that rich dystopian nugget of inspiration.
Who: Cindy Wilson (of B-52s) w/Olivia Jean and Battle Pussy
When: Thursday, 11.16, 8 p.m.
Where: The Marquis Theater
Why: Cindy Wilson is a member of influential new wave band The B-52s and her unique vocal style alongside that of bandmates Kate Pierson and Fred Schneider made for some arresting melodies amid the incredibly dance-worthy pop songs that were so idiosyncratic in the specific subject matter, no one else could have made it. And yet there was a universal quality to that individual vision that resonated with the oddball and eccentric inside of most people. Currently, Wilson is touring her solo material. Earlier in 2017 Wilson released a fairly experimental, electronic pop EP called Supernatural and on December 1st she is putting out her debut solo album Change, some 41 years into her music career. If the song “Mystic” is any indication, Wilson still has plenty of relevant and inventive music left in her.
Who:Today’s Paramount, Samvega, Alex Culbreth, Buffalo Party, Mynewt When: Thursday, 11.16, 7 p.m. Where: 7th Circle Music Collective Why: Samvega from Napa Valley, California doesn’t fit in a simple box: Its music is heavy, it’s psychedelic, it’s avant-garde and bluesy. Melissa and Mercedes Baker are unconventionally charismatic singers who sound like and come off like they spent a couple of decades touring with Heart and went on to do something weirder. The band’s 2016 album The King is Asleep was one of that year’s most interesting rock albums for its diversity and obvious care for making it a unique from the songwriting to the painting for the cover art. Also on the bill is experimental rock band Today’s Paramount. They look like they might be in a ska band, and maybe on the side some of them are, but their weirdo take on prog, jazz and psych is not like much of anything going on in Denver.
Who:Melkbelly w/Super Bummer, Princess Dewclaw When: Thursday, 11.16, 7 p.m. Where: Larimer Lounge Why: Initially, Melkbelly may sound like yet another modern rock band copping the vibe of 90s post-grunge underground music. But Melkbelly is way weirder than that and its jazz underpinnings and willingness to sculpt pure noise into something musical is what makes its 2017 album Nothing Valley so listenable to anyone looking for a band that isn’t trying to go full retro these days. One might liken Melkbelly’s sound to stuff like Magik Markers or Shearing Pinx but Melkbelly is often more melodic than that even if it sounds like it too took some cues from Unwound’s sonic fearlessness. Opening are excellent Denver bands Super Bummer with its melancholic, lo-fi, soaring songs of heartbreak and isolation and Princess Dewclaw, who seem to have found a new way to combine noise rock, punk, synthesizers and elemental vocals into something both confrontational and rivetingly fragile.
Who:Roska with Rabit, Trisicloplox, Ulmo, Rameau Contnrol, Laru and ilind When: Thursday, 11.16, 9 p.m. Where: The Black Box Why: Rameau Control you can’t really fit into a narrow category of electronic music from melodic bass, dub techno, straight techno to whatever. Calling this bill merely “experimental electronic” does a disservice to the individual artists who all come at electronic music partly from a dance perspective but also as composers of music that absorb ideas and exchange methods and sounds with like-minded artists and co-influencing each other whether from Denver or otherwise. For example, ilind is Isaac Linder who often played Denver DIY venues as a noise and performance artist but one who was into house music.
Friday: November 17, 2017
Who:Tommy Stimson’s Cowboys in the Campfire When: Friday, 11.17, 7 p.m. Where: Bruz Beers Why: Cowboys in the Campfire is Tommy Stimson of The Replacements fame (he has also played in numerous other bands including Guns N’ Roses) and Chip Roberts of Uncle Sippy playing songs together as the name suggests but usually electric. Country punk? For fans of NRBQ? Whatever it is, it’s Stimson and Roberts playing lively, fun songs in a duo format in small venues, record stores, private homes and various other situations across the country this tour. Next time you see Stimson play it’ll probably be in a large theater or bigger so hey, make it to this and you might even get to interact with the musicians, something that would probably never happen at Red Rocks or The Fillmore without paying for some kind of wack VIP access ticket.
Who:Flobots w/Wesley Watkins & Grumpy Uncle (Wesley Watkins and Kalyn Heffernan) When: Friday, 11.17, 8 p.m. Where: Larimer Lounge Why: Yes, the famous hip-hop band from Denver, Flobots, playing at Larimer Lounge. The opening act, though, is a collaboration between former Night Sweats trumpet player, and leader of The Other Black, Wesley Watkins and Kalyn Heffernan of Wheelchair Sports Camp. So expect something wonderfully weird but with solid songcraft and inspired lyrics.
Who:The Blasters night 1 w/Reno Divorce When: Friday, 11.17, 9 p.m. Where: Lion’s Lair Why: The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Reno Divorce, a rootsy punk band from Denver, opens this night of a two night residency at Lion’s Lair.
Who:Lost Walks w/Midwife When: Friday, 11.17, 9 p.m. Where: Mercury Café Why: Lost Walks is sort of a high concept Americana-esque band. High concept in that there is a prepared theatrical element to the live shows as the band collaborates with a visual arts group. Also, the lyrics, steeped in a pastoral and noir literature aesthetic, lend themselves to dramatic performance and grand, emotive gestures from the band’s various vocalists including former Bad Luck City frontman, Dameon Merkl. The band’s debut album, 2017’s Wolf, Woman, Man, is a fascinating contrast of bright, dark, moody, reflective and observational. Opening the show is avant-folk artist Midwife whose own 2017 debut, Like Author, Like Daughter, is one of the the best albums of the year for its delicate, fragile evocation of emotions so broad and deep that it always catches you by surprise with its subtle but irresistible power.
Who:Slow Magic w/Point Point and Qrion When: Friday, 11.17, 8 p.m. Where: Gothic Theatre
Why: Slow Magic exists outside of time. The interdimensional creature occasionally releases albums like 2017’s ultra-chillout pop extravaganza Float. You can witness the superstring hopper yourself tonight at The Gothic Theatre.
Who:Big Lo (Florida), RAREBYRD$, iiwii and Brett Gretsky When: Friday, 11.17, 8 p.m. Where: Tennyson’s Tap Why: An experimental hip-hop show at Tennyson’s Tap isn’t unheard of and this time it’s Big Lo from Florida whose beats include a mix of samples and turntablism to create a sense of introspection in the face of impending danger. Before and since moving from Saint Louis to Denver, Rooster Jake has been involved in various hip-hop and experimental projects over the years, his latest being iiwii. Brett Gretzky recently migrated to Denver from Saint Louis as well bringing their mixture of hip-hop and soul. RAREBYRD$ will break your heart with sincerely, deeply felt yet gentle expressions of the lowest points a person can reach in the psyche and still come back with one’s soul intact. They use drum machines, synths and sequencers but it always sounds like it’s coming right out of their imagination and plugged into the P.A..
Who:Ice Troll, Never Kenezzard, Heathen Burial and White Dwarf When: Friday, 11.17, 8 p.m. Where: Pit Stop Tavern Why: Doom shows don’t happen in far West Denver much but tonight doom orchestra Ice Troll will play Pit Stop Tavern along with sludge metal thrashers Never Kenezzard, noisy death metal trio Heathen Burial and stoner rock outfit White Dwarf.
Saturday: November 18, 2017
Who:Dead Boys 40th Anniversary tour w/The Roxy Suicide When: Saturday, 11.18, 8 p.m. Where: Streets of London Why: For four years Dead Boys were one of the most outrageous and influential of the early punk bands. With just two albums under its belt, 1977’s Young Loud and Snotty and 1978’s We Have Come for Your Children, Dead Boys set a high bar for inventive guitar work between Cheetah Chrome and Jimmy Zero, a primitivistic yet inspired rhythm section in Johnny Blitz and Jeff Magnum and literate yet gritty lyrics from charismatic frontman Stiv Bators. The original band split in 1979 but in its wake a lot of the more interesting and scary punk bands of the 80s emerged. In 2017 the band officially re-formed and issued a re-recording of Young Loud and Snotty called Still Snotty: Young, Loud and Snotty at 40 with its new lineup including Chrome and Blitz as well as new members Jason Kottwitz on guitar, Ricky Rat on bass and frontman Jake Hout. The original record was meant as a demo and the new record is of a much higher quality if missing the genius alchemy of the original band. But you’re not getting a second rate re-tread this time around. This version of the Dead Boys may be older but it still packs a punch.
Who: Galaxy Express 555 (MN), Hippies Wearing Muzzles, J. Hamilton Isaacs When: Saturday, 11.18, 6:30 p.m. Where: Historic Grant Avenue Church Why: Galaxy Express 555 is Christopher Farstad’s project that incorporates elements of ambient music, experiential sound environment composition, sampling and loops to create music that has the effect of being a soundtrack to some non-dystopian future society of wide open spaces and minds. Hippies Wearing Muzzles is a modular synth project from Denver. J. Hamilton Isaacs is basically Dugout Canoe so you know the beats and analog synth combination will be beautifully transporting yet feel grounded at the same time. All of this is taking place in church where the natural acoustics will give otherwise electronic music a warmth it doesn’t often project.
Who:Glasss Presents: The Speakeasy Series featuring Equine w/Mondo Obscura When: Saturday, 11.18, 7 p.m. Where: Hooked on Colfax Why: This is the latest in Glasss’s Speakeasy Series in the basement of Hooked on Colfax. This time with ambient duo Mondo Obscura and experimental guitar minimalist Equine. Kevin Richards of the latter played drone guitar for years as Temples after having spent several years in weirdo post-hardcore outfit Motheater where he made strange jazz chords fit into a punk context. This show will be a collaborative set between the two projects.
Who:King Eddie – Holographic Universe Album release w/Kyle Emerson, Panther Martin and déCollage DJ set, visuals by DenVR When: Saturday, 11.18, 8:30 p.m. Where: Hi-Dive Why: King Eddie is releasing its debut album Holographic Universe and celebrating the occasion with friends Kyle Emerson (whose pastoral psych pop songs are graced with Emerson’s insightful, observational lyrics) and Panther Martin (if indie rock could have come out of late 1970s New York City, it might have sounded like Panther Martin). King Eddie’s songs sound like the band synthesized modern psychedelic rock with math rock rhythms as though assembling a beat over which the band created a colorful and transporting imagery. Reed Fuchs of déCollage will do one of his unique DJ sets and be prepared for some truly unusual and inspired images from DenVR.
Who:It’s Just Bugs, Nearby Liars, Mouthfeel, Falsetto Boy When: Saturday, 11.18, 9 p.m. Where: The Skylark Lounge Why: This’ll be a weird one for some people because few of the bands are anything alike. It’s Just Bugs is an industrial hip-hop band. Nearby Liars are somewhere between slowcore and late 90s emo with all the glitter and drifty, sweeping, swelling, dramatic emotional experiences you’d want vicariously from that kind of music to purge the Fall blues. Mouthfeel includes members of Wrinkle, Altered State and Laurium. Falsetto Boy is some post-emo, lo-fi singer songwriter type of music.
Who:The Blasters w/O.G. Country When: Saturday, 11.18, 9 p.m. Where: Lion’s Lair Why:The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Its 1980 debut album American Music really was a demonstration of how much American music the Alvin brothers, Bill Bateman and John Bazz had absorbed, learned, reinterpreted, amalgamated and reinvented. O.G. Country from Denver, opens this second night of a two night residency at Lion’s Lair.
Who:Liam Gallagher w/Warbly Jets When: Saturday, 11.18, 8 p.m. Where: Gothic Theatre Why: Oasis’ 1995 hit “Wonderwall” made way too many people think maybe they too can sing in a pop band. Part of it was Liam Gallagher’s borderline tone deaf vocal delivery. But Gallagher is a gifted, powerful singer with some charming rough edges to his voice. And to his personality, for that matter. His conflict with brother Noel was the stuff of tabloid news. But one thing we can thank Oasis for was in finishing off some real dreck in popular music by offering something better and more genuine because you knew the Gallagher brothers weren’t faking it. Endless naff covers of “Wonderwall” plaguing karaoke nights and dire YouTube videos aside, Liam Gallagher’s real legacy was not just his music but some truly amazing moments of comedy and inspiredly uncharitable bits of rhetoric over the years as well as tender and earnest expressions of appreciation for other artists even when, such as the case with The Verve in recent years, those expressions come off as a bit of a headscratcher. He probably had a good laugh about that. Gallagher’s debut solo album, As You Were, came out in October 2017. It’s a bit reminiscent of 60s blue eyed soul and David Bowie’s more R&B moments but the songwriting is solid.
Opening the show is Warbly Jets from Los Angeles. It’s self-titled debut album is a bit slick and polished for a bunch of young musicians who clearly have it in them to go full on into the kind of gritty yet tuneful rock and roll that inspired them. But that’s what happens in the music industry often enough and you just have to check out the band in their, one would presume, element, on stage. With any luck you’ll see a band that has shed the self-conscious quality of the record and even where it might be derivative, play like the band believes in itself.
Sunday: November 19, 2017
Who:Chad VanGaalen w/NE-HI When: Sunday, 11.19, 8 p.m. Where: Hi-Dive Why: Chad VanGaalen may not necessarily be known for this now but at some point in the future he may be more widely acknowledged as one of the most influential guitarists and producers of his generation. His bedroom recordings for Infiniheart was picked up by SubPop in 2005. His gift for articulating the anxiety and alienation of the modern era clearly struck a chord and his subsequent music has explored some dark and some merely troubling corners of the human psyche with an ear for the perfect harmonic atmospherics and texture. In 2008, Van Gaalen began his relationship with the math rock/post-punk band Women, a band now oft-cited by younger guitar bands as an influence for its creative use of tone, angular rhythms and dynamics. Members of Women are now in Preoccupations. VanGaalen’s 2017 album Light Information sounds like he’s been listening to a lot of Mission of Burma, Helium, 80s minimal synth music and various Jay Reatard projects but the alchemy of that and his own well-developed aesthetic has rendered the songs into something that sounds like something from a long time ago in a place some of us wish existed. It has the kind of vintage sheen like a Ti West film.
Chicago’s NE-HI put out one of the years most repeatedly listenable albums of the year with OFFERS. It’s labyrinthine melodies and straightforward rhythms are a winning combination because it transforms lo-fi garage rock into something extraordinary. Comparisons could be made to Palm, Pavement and Parquet Courts. But its urgent jangle is coming from a different place and that’s what sets the band apart.
Who:Tori Amos w/Scars on 45 When: Sunday, 11.19, 6:30 p.m. Where: Paramount Theatre Why: Tori Amos was one of the earliest artists to attain mainstream commercial success to sing about sexual abuse, her struggle to attain her own creative liberation in a sexist music industry that often could (and often can, truth be told) value women as objectified entities that must fit a fairly narrow mold to present to potential audiences. And otherwise just refreshingly vulnerable and honest depictions of life. Though Amos spent much of the rest of her career exploring and writing thoughtfully on these subjects, in the 2000s, Amos put more focus on more mythical expressions, giving her work new dimensions only hinted at in her earlier work. 2017’s Native Invader is about how we can heal ourselves and the world through facing our challenges and conflicts honestly—which has more or less been Amos’ core message as a songwriter since her solo debut album, 1992’s Little Earthquakes.
Tuesday: November 21, 2017
Who:In the Company of Serpents, Goya, Matriarch and Palehorse/Palerider When: Tuesday, 11.21, 7 p.m. Where: Hi-Dive Why: A handful of Denver’s best heavy bands are on this bill. Matriarch is a doom/drone band whose 2015 album Magnumus: The 44th Scribe and Lorde of the Hallucinauts has two tracks. And it’s not an EP. It’s also just two lengthy songs that take you on a journey of crushing epics like the soundtrack to Vikings exploring the lands of Irish legend set in South America. Blend all that imagery together and that’s the Matriarch sound. In the Company of Serpents has cracked the monolith of its own sound this past year and the result is 2017’s Ain-Soph Aur, where the band’s songwriting beyond devastating riffs emerges for some of ITCOS’ best songs to date. Palehorse/Palerider is the kind of band where people who have generally played more punk-oriented music got into the soundcaping possibilities of heavy music whether metal or the deep atmospherics of the best shoegaze and post-rock music. Its own 2017 epic masterpiece is Burial Songs.
Who:Mom Jeans. (Side One Dummy), Prince Daddy & The Hyena (NY), Kississippi (PA), Old Sport and Blue Lane Frontier When: Tuesday, 11.21, 7 p.m. Where: 7th Circle Music Collective Why: The lazy thing to do would be to say this is an emo show. Mom Jeans from Berkeley, California is unabashedly so and thus part of that band’s appeal. And more like the late 90s, borderline indie rock variety with the spidery, jangly guitar work. Old Sport from Denver is on the more math-y end of emo with intricate guitar work and song dynamics that sound like someone is thinking in terms of film editing with dramatic drop-outs and sparkling guitar melodies, emotionally charged vocals and a variety of rhythm and texture not common enough in punk generally. Kississippi from Philadelphia is fronted by singer and primary songwriter Zoe Reynolds whose lyrics possess an impressive insight into her own emotional landscape and the ability to translate that into instantly relatable songs.
Wednesday: November 22, 2017
Who:Git Some, Zebroids, Fast Eddie, Jane Doe When: Wednesday, 11.22, 9 p.m. Where: The Oriental Theater Why: Post-hardcore band Git Some has been around for well over a decade when it started in Chicago in the early 2000s. Through various line-up changes members of the band (Charles French and Neil Keener) have also become members of Wovenhand, bringing another level of grit and intensity to a project not short on that already. It’s essentially noise rock with a sense of humor. Speaking of humor, punk band Zebroids is essentially a ridiculous joke of a punk rock band with absurd lyrics and an equally absurd stage presence. Nevertheless, the band is a lot of fun. Jane Doe is a combination of dark, starkly intense poetry, jagged noise rock and free jazz sensibilities. Fronted by the charismatic Becca Mhalek, Jane Doe is one of Denver’s best kept secrets. For now. Fast Eddie is a hard rock band from Denver which includes Micah Morris who some may know as one of the main people behind Barf magazine. Silly name, perhaps, with some fairly absurdist content, but the magazine has provided some of the better content about Denver music and beyond of recent years
Who:Cannibal Corpse w/Power Trip, Gatecreeper and Of Feather and Bone When: Wednesday, 11.22, 7 p.m. Where: Summit Music Hall Why: Cannibal Corpse has been getting under the skin of cultural conservatives and squeamish faux-do-gooders for years with music that itself isn’t something we’re going to hear much of any time soon on commercial radio. But the lyrics, quotable by gore horror fans and metalheads for years, almost gleefully crafted to outrage with being so cartoonishly over the top, is what has landed Cannibal Corpse in some hot water with would-be censors. But the live show isn’t littered with corpses and zombies or anything like that so just go expecting one of death metal’s greatest bands. Opening the show are Dallas-based thrash band Power Trip, Arizonan death metallers Gatecreeper (whose music video for “Desperation” from 2016’s Sonoran Depravation is a harrowing depiction of violence and a bit of a commentary on what leads to that sort of thing), and Denver’s deathgrind powerhouse, Of Feather and Bone.