Best Shows in Denver 5/23/19 – 5/29/19

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Spirit of the Beehive performs at Larimer Lounge on Saturday, May 25. Photo by Emily Burtner.

Thursday | May 23

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Church Fire, photo by Tom Murphy

What: Onkilter 1 release: Church Fire, Data Rainbow, Felix Ayodele, J. Hamilton Isaacs, Offthesky, Otem Rellik & Patrick Lee followed by DJ Ilind
When: Thursday, 05.23, 8 p.m.
Where: Syntax Physic Opera
Why: Multidim is a Denver-based experimental electronic record label that recently released its debut compilation of some of the Mile High City’s most interesting and inventive projects. The compilation, as well as this showcase, will donate all proceeds to the non-profit Youth On Record, an organization whose mission is to provide at risk youth with music education from performance, composition, production and the business end of things as well.

What: Glasss Presents the Speakeasy Series Season 3: Equine and Julien Miller
When: Thursday, 05.23, 6:30 p.m.
Where: Hooked On Colfax
Why: This latest edition of the Speakeasy Series features guitar wizard Kevin Richards’ project Equine. By introducing left field methods, chord structures, signal manipulation and unconventional composition methods in general, Richards is pushing the frontier of the styles and sonics of guitar-base sound art.

What: Necromantic
When: Thursday, 05.23, 9 p.m.
Where: Shag Lounge
Why: Necromantic is an old school Goth DJ night with plenty of the best of the newer darkwave and industrial music mixed in. Each second and fourth Thursdays of every month you can partake of the evening’s main DJs as well as select guests to bring a little bit of that old Denver flavor back into downtown.

Friday | May 24

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Refused circa 2012, photo by Tom Murphy

What: The Hives and Refused w/Bleached
When: Friday, 05.24, 9 p.m.
Where: Gothic Theatre
Why: Two power houses of punk and garage rock, Refused and The Hives respective, will make this a memorable night where you will probably be not just pleasantly surprised but inspired by the sheer energy and charisma of both bands. Refused in particular pioneered multiple genres of punk on its 1998 masterpiece The Shape of Punk to Come. Bleached includes former members of irreverent noise punks extraordinaire Mika Miko. And the group went through a phase of exploring various sounds before fully developing its knack for intimate pop songs with some bite, attitude and punk energy.

What: Tommy Wright III
When: Friday, 05.24, 9 p.m.
Where: Rhinoceropolis
Why: Tommy Wright III must be considered one of the early progenitors for the style of underground hip-hop that one hears echoing in the work of the various members and associates of A$AP, Odd Future and Migos. The creatively profane lyrics and subject matter of his songs, the lo-fi-but-deep production style with the finely treated loops as heard in so much modern trap is present in one form or another in Wright’s 90s output through today. This is a rare chance to see the legendary producer live in Denver and witness his mastery of outsider gangster rap up close and personal.

What: Cloud Rat, Gadget, Immortal Bird and 908
When: Friday, 05.24, 8 p.m.
Where: Syntax Physic Opera
Why: Sort of a deathgrind show given Gadget from Sweden and Cloud Rat from Michigan are on the bill. 908 from Colorado Springs definitely fits into what will be a night of short, furious sets.

Saturday | May 25

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Rowboat, photo by Tom Murphy

What: Slugger and Michael Thompson
When: Saturday, 05.25, 2-4 p.m.
Where: Wax Trax – Sidewalk outside
Why: Slugger is basically showing where psychedelic rock can go when the musicians focus on the songwriting over adhering to some style. Michael Thompson of Arc Sol will also perform a solo set of his songs informed by a broad range of unusual music.
What: LUTHI at Denver Day of Rock
When: Saturday, 05.25, 6-7 p.m.
Where: 16th Street Mall
Why: The Denver Day of Rock will have plenty of bands, local and otherwise, to see throughout the day and evening all along the 16th Street Mall. In the early evening you can catch LUTHI from Nashville, Tennessee. The seven-piece band perform music that’s a compelling blending of funk, downtempo pop and what might be called post-Daft Punk psychedelia. There’s some unusual X-factor about the band that keeps it well apart from “party” bands in general while also providing suitable music for a dance party.

What: Jello Biafra’s Incredibly Strange Dance Party
When: Saturday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Jello Biafra needs no introduction and this is an edition of his Incredibly Strange Dance Party where he’ll bring some of the most bizarre dance tracks to DJ at the Lion’s Lair and knowing Biafra he may even join in on the dancing, adding to the strangeness.

What: Spirit of the Beehive w/Strange Ranger, Cuckoo and Rowboat
When: Saturday, 05.25, 8 p.m.
Where: Larimer Lounge
Why: Spirit of the Beehive could be something like a light psych indie rock band but its aesthetic has a bit of a collage element and its songs sound out of phase with the contemporary world and its sometimes ennervating cultural climate. It’s music is a side step into spaces more dreamlike and mysterious. The rock instruments integrating perfectly with the warping and wefting electronic compositions is beautifully disorienting. In 2018 the band released Hypnic Jerks, a title and songs suggesting the band is coming at the world from a different angle than a lot of people. Like Unknown Mortal Orchestra but more grounded in American 90s weirdo indie pop.

What: Lav Andula, Asymptote, I Hate It Here, Causer and Tepid
When: Saturday, 05.25, 9 p.m.
Where: Rhinoceropolis
Why: A night of experimental techno and noise including the debut of Tepid, the solo project of Voight’s Nick Salmon.

Sunday | May 26

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Shocker Mom, photo by Tom Murphy

What: Shibui Denver #3; Shocker Mom, Space Geist and DJ Vahco
When: Sunday, 05.26, 7 p.m.
Where: Mutiny Information Café
Why: Shibui Denver is a monthly event last Sundays of the month at Mutiny Information Café. It’s designed to start and end early and aims to showcase some of the best Denver underground acts and the occasional touring band that fits the format of being a little different. Tonight’s featured guests are Shocker Mom, Robin Walker’s ambient beat driven pop act whose album >^^< will be included in our much belated Favorite Albums of 2018 listing. Walker has been a prolific songwriter and collaborator in Denver as a solo artist under her given name, while a member of indie pop duo Cougar Pants, in hip-hop outfit Nighttimeschoolbus, sitting in with rapper Time and folk pop artist Jason Horodyski. Vahco Before Horses heads Glasss Records through which he boosts, produces and finds spaces to showcase the music of some of Denver’s most forward thinking underground artists. This night he will DJ Denver bands and several from the Glasss Roster. Space Geist is a solo guitar band in which riffs will be looped and manipulated in post to produce, with any luck, disorienting tones and rhythms.

What: Alien Weaponry w/Dreadnought and Palehorse/Palerider
When: Sunday, 05.26, 6:30 p.m.
Where: Bluebird Theater
Why: Alien Weaponry is a band from Waipu, New Zealand. While operating somewhat in the realm of melodic thrash its lyrics are often in Maori because its three members are of that extraction and it suits the music in a way for which English sometimes seems inadequate. Opening the show are psychedelic doom folk band Dreadnought and heavy ambient noise/industrial dark psychedelic band Palehorse/Palerider also from the Mile High City.

Tuesday | May 28

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Sebadoh, photo by Justin Pizzoferrato

What: Sebadoh w/Flower and Race to Neptune
When: Tuesday, 05.28, 7 p.m.
Where: Globe Hall
Why: Sebadoh didn’t invent lo-fi rock but in the early 90s it helped to chart the direction much of that style of music would go by incorporating field recordings alongside off the cuff recording and an emphasis on feeling over precise capture of “professional” fidelity in the studio. Naturally the band went on to take that aesthetic into actual recording studios but the spirit of play and fidelity to emotional honesty and spontaneous energy remained. Currently Sebadoh is touring in support of its newly released record Act Surprised. Flower was and is now again from New York City that in the 80s reflected the city of legend and its mixture of evolving Bohemian subcultures, melting pot ethnicity, gritty urban decay, a sense of possibilities and the avant-garde alongside emerging popular culture. Musically that meant Flower was well within the realm of post-punk at the time. It wasn’t so far in the past that The Ramones, Patti Smith Group, Television, Blondie, Talking Heads, Suicide and countless others had built the foundation of what punk could be and even less far back since the bands that emerged out of that milieu, directly inspired by it in various ways like the No Wave groups, Sonic Youth, SWANS, Live Skull, Bush Tetras, Arthur Russel, Liquid Liquid, ESG, The Lounge Lizards and other unfortunately less-well-known bands that made up the ecosystem of the New York underground. Flower formed in 1986 while Richard Balulyut was still in college and its sound fit into the rich diversity of the then NYC scene. The group split in 1990 soon after which Balulyut and two of his brothers formed indie/alternative rock band Versus which went on to some acclaim in the 90s. The latter band reconvened in 2017 and it dawned on Balulyut that he could write new music in the more post-punk, some might now say darkwave, style of Flower and now the band is on tour in support of its new material and there’s a better than half a chance you’ll get to see some of its older material live as well.

What: Closet Witch, Law of the Night and Bi-Proxy
When: Tuesday, 05.28, 7 p.m.
Where: Mutiny Information Café
Why: Kind of a grind-y hardcore night including a set from Closet Witch from southeast Iowa. Molly Piatetsky’s feral vocals are something to witness.

Update: This show was combined with another at Syntax Physic Opera at 8 p.m. with a line up that is now Full of Hell, Primitive Man, Genocide Pact, In The Company of Serpents and Closet Witch.

Wednesday | May 29

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Skeletonwitch, photo by Nico Poalillo

What: Sleep w/Big Business
When: Wednesday, 05.29, 7:30 p.m.
Where: Boulder Theater
Why: Sleep is one of the most influential bands out of the world of doom metal. Though its sound was lumped in with “stoner rock,” which seems apt seeing as it’s until recently latest album was called Dopesmoker comprised of a single track over an hour long. Its psychedelic, towering drones live up to the hype as do the more concise songs, like those on the 1992’s Sleep’s Holy Mountain. Sleep is almost as heavy as it gets and its high volume show as engulfing as you would hope for. Big Business is a sludge rock band well suited to the bill. The members of the band were part of The Melvins for around a decade and recently released a new record. The Beast You Are is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.

What: Skeletonwitch w/Soft Kill and Wiegedood
When: Wednesday, 05.29, 7 p.m.
Where: The Marquis Theater
Why: Skeletonwitch has been perfecting and then evolving its technical melodic death metal sound since its inception in 2003. Its latest record, 2018’s Devouring Radiant Light finds the band bringing in even more unconventionally atmospheric elements into its brutal and unrelenting soundscape. All while maintaining the dark imagery and animalistic, distorted vocals like they are telling stories of a mythical past in our current impending, post-apocalypse after climate change has cleansed the earth of much of human civilization.

Best Shows in Denver 3/22/18 – 03/27/18

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Twin Peaks performs Monday, March 26, 2018 at The Bluebird Theater. Photo by Daniel Topete

 

Thursday | March 22, 2018

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Nnamdi Ogbonnaya, photo by Jess Myers

Who: Moaning and Nnamdi Ogbonnaya w/Curta
When: Thursday, 03.22, 7 p.m.
Where: Lost Lake
Why: Listening to Nnamdi Ogbonnaya’s 2017 album Drool on Father/Daughter Records it should come as no surprise that the multi-instrumentalist is no stranger to how to employ sounds to their full effect and with a striking level of creativity. Is the music on the album hip-hop? Yes, but in the same sense that one might say the same of Thundercat, Serengeti or even Flying Lotus. It is hip-hop while transcending simple genre. It’s like brightly toned, experimental pop music without trying to be “experimental.” Ogbonnaya’s deft wordplay in the context of the music, each informing the other, gives the songs and their tales of everyday life and its struggles a heightened focus, a high contrast emotional experience to the point where it has a quality of otherworldliness like a Rudy Rucker or Pat Cadigan novel as both writers write about serious subjects in vivid detail but not without a sense of play and natural humor. That Ogbonnaya is sharing the stage with Denver’s dystopian sci-fi hip-hop act Curta and Los Angeles-based post-punk band Moaning and its gritty yet lush melodies just triples the appeal of the bill.

Sunday | March 25, 2018

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Distance Research circa 2012, photo by Tom Murphy

Who: Textures: Distance Research, Offthesky and Paw Paw
When: Sunday, 03.25, 7 p.m.
Where: Mutiny Information Café
Why: This month’s edition of the Textures Ambient Showcase includes some of Colorado’s most interesting sound sculptors. Distance Research is visual artist Sean Faling’s ambient/modular synth project of several years. Seeing as Faling is a bit of a synth collector and connoisseur, he brings something different and intentional in its composition to every performance. Offthesky combines the free flowing aesthetic of ambient and the programmed beats methodology of modern electronic dance music to create the kind of engulfing, atmospheric music that sounds like what it might be like to visit some future, technological society that has managed to develop beyond the sort of mass environmentally destructive industrial society we live in today. Paw Paw blends organic guitar loops and streams with hypnotic electronic beats.

Monday | March 26, 2018

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Panther Martin, photo by Tom Murphy

Who: Twin Peaks and The Districts w/Panther Martin
When: Monday, 03.26, 7 p.m.
Where: The Bluebird Theater
Why: Twin Peaks came up through Chicago’s DIY music scene at a time when the recent garage rock and garage punk revival reinvigorated that circuilt of music with energy and immediately relatable music. Twin Peaks crested that wave by, well, being better songwriters than many of the neo-garage rock bands. Even its debut full-length, 2013’s Sunken, seemed unusually developed and imaginative for a band that many critics described as, let’s face it, yet another modern band copping a 60s vibe in the 2010s. Twin Peaks’ synthesis of Rolling Stones, 70s power pop, T. Rex and The Reatards has so far at least yielded songs that brim with life and attitude of its own rather than merely mimicking an already successful style. The group’s new record Sweet ’17 Singles Series is less raw than, say, 2014’s Wild Onion, but the injection of a little soulfulness into the sound has just given the band’s songwriting a bit of depth to match its aims to write solid rock songs at a time when rock has gotten a little stale all over again.

The Districts from Pennsylvania are more on a folk-rooted end of modern rock music. Which in 2018 could, and often is, so played out. But the contrast between the band’s expansive dynamics and bright tonality is a fascinating contrast with lyrics that dig deep into places in the psyche one would rather forget only to come up with some strikingly wise insights about the complicated emotions we have to tangle with as we age beyond merely becoming an adult. The Districts’ 2017 album Popular Manipulations is brimming with unusually thoughtful songs in that vein.

Panther Martin is a Denver band that sounded initially like it came from similar roots to The Districts and Twin Peaks and like both of those bands found its footing and its own voice in challenging itself to evolve beyond its early influences. On the 2017 EP Drats the group displays more than a post-Strokes aesthetic and certainly many of Panther Martin’s recent live videos point in fascinating directions one might not suspect from listening to its earlier output. A perfect local opener for a bill like this.

Who: Secret Drum Band, Poppet and Sam Humans
When: Monday, 03.26, 8 p.m.
Where: Syntax Physic Opera
Why: Secret Drum Band is a collaborative project between composers Lisa Schonberg, Allan Wilson and Heather Treadway and a variety of musicians attempting to create textured soundscapes with a quality that mimics aspects of the natural world. Its 2017 debut album Dynamics is like an avant-garde, tribal ritual captured for posterity. Pretty different for people like Wilson who was once in Chk Chk Chk, Treadway who was in Explode into Colors and Sara Lund, former drummer of Unwound. Definitely for fans of the more experimental end of prog like Magma and Faust.

Tuesday | March 27, 2018

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Mobley, photo by KUTX Staff

Who: Dark Rooms w/Mobley
When: Tuesday, 03.27, 7 p.m.
Where: Lost Lake
Why: Dark Rooms and its soul-infused downtempo is noteworthy on its own as is the group’s latest record, 2017’s Distraction Sickness. But Daniel Hart may be better known behind the scenes as a musician who has scored several films for director David Lowery whose 2017 movie A Ghost Story garnered no small amount of critical praise in addition to becoming a bit of a cult movie already since its release. The Dark Rooms song “I Get Overwhelmed” appeared in A Ghost Story so here’s a rare chance to see it live. Also on the bill is Austin-based one-man band Mobley. A filmmaker and multi-media artist in his own right, Mobley plays various instruments throughout his set. Mobley refers to his music as “post-genre pop” meaning he conceptualizes his music in the form of pop but utilizing various sounds and strategies to suit the song. On April 27 his new album, Fresh Lies, Vol. 1 drops and its the beginning of a kind of song cycle that explores the complexities of his relationship with America. Soon we will be publishing an interview with Mobley conducted during Treefort Music Fest where more of the story behind what inspired the new album and forthcoming volumes from this imaginative and thoughtful artist.

Who: A Light Among Many (tour finale), Giardia, Church Fire, Feigning
When: Tuesday, 03.27, 7 p.m.
Where: Mutiny Information Café
Why: A Light Among Many is based out of Lyons, Colorado, a town a little off the beaten path but close enough to bigger cities to have access to a place to perform his brand of constructed environment ambient music. Constructed may be the wrong term as it sounds like stuff Franklin Binder imagined walking in forests and canyons well away from human civilizations, the product of taking in the un-orange-hazed midnight sky, raw emotions flowing free unpenned in by interference from the immediate presence of other humans and their urban constructs. Of course there is the aspect of curation in capturing the recordings and putting them out in a coherent manner but it feels like something primal and coming direct from the psyche. Giardia might cross over into the realm of metal but its 2017 album Structure Fire sounds like some kind of cross between black metal, Frank Zappa and jazzy psychedelia. Church Fire may be a little occult for some people with a name like that, but it’s also one of the most interesting bands today with its vital blend of pop, industrial, noise and performance art minus any pretension.