Best Shows in Denver 9/19/19 – 9/25/19

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Jay Som performs at Larimer Lounge on September 24, 2019

Thursday | September 19

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Psychedelic Porn Crumpets, photo by Josh Ludlow

What: Psychedelic Porn Crumpets w/Meatbodies and Serpentfoot
When: Thursday, 09.19, 7 p.m.
Where: Larimer Lounge
Why: The unlikely named Psychedelic Porn Crumpets from Perth, Australia at least picked an apt moniker because it captures what you’re in for. Oh, sure, stoner rocked psychedelia thrown together with prog and fuzzy melodies and tripped out choruses. Its new album And Now For the Whatchamacallit has surreal song titles like “My Friend’s a Liquid,” “Digital Hunger,” “Hymn For A Droid” and “Keen For Kick Ons.” If Lewis Carroll had been born in the 90s and grew up at a time when the older kids in Tame Impala and Pond were kicking around in the local scene he might have ended up in a band like this.

What: Why? w/Barrie
When: Thursday, 09.19, 8 p.m.
Where: Bluebird Theater

What: Swim (Baltimore), Horse Girl, Eamonn Wilcox and Cop Circles
When: Thursday, 09.19, 9 p.m.
Where: Rhinoceropolis

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Cuco, photo courtesy the artist

What: Cuco w/Ambar Lucid and KAINA
When: Thursday, 09.19, 7 p.m.
Where: Mission Ballroom
Why: At twenty-one Omar Banos aka Cuco is a bonafide pop star who came up on Chicano rap stars like Baby Bash and MC Magic. Like the latter he also sings and raps in English and Spanish. Banos has also folded into his soundscapes a laid back kind of psychedelic pop sound. While his songwriting and the production thereon is strong and evocative, his music videos and storytelling shows a side of life that is honest, surprisingly candid and often uncomfortable but real and therein lies the power of the presentation of his music. “Bossa No Sé” from his debut album Para Mi (2019) navigates the troubled waters of a breakup with sensitivity, complexity and comfort with uncertainty and confusion. Cuco’s balance of the romantic and the realistic has been fascinating so far.

What: GEL SET (L.A.), Natural Violence, DJ Noah Anthony, DJ Rewd and guest
When: Thursday, 09.19, 9 p.m.
Where: Meadowlark Bar

Friday | September 20

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Melvins, photo by Chris Mortenson

What: The Melvins w/Redd Kross and Toshi Kasai
When: Friday, 09.20, 8 p.m.
Where: Gothic Theatre
Why: Melvins have done pretty much whatever they’ve wanted to that was fun for them music-wise since beginning in 1983. Before grunge was a thing, Melvins had already perfected that sound and aesthetic as well as a certain strain of doom. Most left field heavy music today can probably trace a bit of influence to the band originally from Montesano, Washington. The group’s prolific catalog covers a good deal of sonic territory and the band has collaborated with the likes of industrial music pioneer Lustmord, Jello Biafra and, recently, with Swedish noise-punk stars Shitkid (who are performing select dates on the current tour) on the Bangers EP. The group has experimented with the format of its lineup such as when the members of Big Business joined for two drummers and a bassist. And now with two bassists and a single drummer. Or as Melvins Lite with Mr. Bungle (among other projects) member Trevor Dunn on bass. Melvins might also be the only American band to have played all fifty states in fifty days. You never quite know what you’re in store for with a Melvins show except that it’ll be worth your time unless heavy, imaginative music and powerful performances thereof aren’t your thing. Melvins bassist Steven McDonald is doing double duty this tour with his original band, the influential punk/power pop group Redd Kross.

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Boris, photo courtesy the artists

What: Boris w/Uniform
When: Friday, 09.20, 8 p.m.
Where: Marquis Theater
Why: Japanese heavy, experimental psych and drone extravaganza, Boris, is currently touring in support of its 2019 album LφVE & EvφL due out October 4. If you’re going expecting their mind-altering psychedelic freakouts, rumor has it you may be let down. But if you are into the slow roiling drone the band has engaged in in the past but updated and more like a psych SunnO))) this would be the tour to catch. Opening the show is industrial noise band Uniform which is comprised of former members of The Men and Drunkdriver.

What: Brian Wilson (Al Jardine & Blondie Chaplin featuring selections from Friends, Surf’s Up and the hits) w/The Zombies
When: Friday, 09.20, 7 p.m.
Where: Paramount Theatre

What: Eventually It Will Kill You showcase 2nd anniversary: TWINS (ATL), Golden Donna (PDX), Lone Dancer Peer Review b2b E.I.W.K.Y., you already know
When: Friday, 09.20, 8 p.m.
Where: Rhinoceropolis
Why: The anniversary party for Denver electronic music and darkwave imprint Eventually It Will Kill You.

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Demoncassettecult (Junior Deer on left), photo by Tom Murphy

What: 30 Years of Work: VAHCO 1989-2019 Physical release w/Dead Characters, Chromadrift, nIGHTtIMEsCHOOLbUS, Bowshock and Demoncassettecult
When: Friday, 09.20, 7 p.m.
Where: Mutiny Information Café
Why: Vahco Before Horses aka Vahco Strickland has spent the last thirty years involved in producing, promoting and writing music in various formats and styles. This show celebrates his career retrospective and the release of the flash drive containing one hundred of his songs. The performances will include collaborations with various members of bands affiliated with his Glasss Records imprint as well as a showcase for his more electronic pop songs and his industrial ambient collage songwriting as Demoncassettecult.

Saturday | September 21

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Zealot, photo by Tom Murphy

What: Zealot album release w/Simulators and The Vanilla Milkshakes
When: Saturday, 09.21, 8 p.m.
Where: Hi-Dive
Why: Zealot is releasing its debut album The Book of Ramifications. But what this debut album doesn’t make obvious are the musical roots of the group in Denver underground rock. Does that matter? It does if you know who The Don’ts and Be Carefuls, Supply Boy, Façade and Ideal Fathers were. Or The Outfit, The Pseudo Dates, Violent Summer or Fingers of the Sun were. Much less Catatonic Lydia or Le Divorce. All of that goes into informing the upbeat, well-crafted pop songs that comprise the band’s new album and the sizzling, wiry energy of its performances. There is a tick toward the positive running through the record. Rather than a “city of the dead” there’s “City of the Living.” Instead of irrevocable mistakes there’s “Fix it in Post.” Rather than a dark horse there’s a “Show Pony.” Instead of a broken heart there’s “Overloud Heart.” You get “Somnambulist” instead of insomnia. “Black Paint” rather than institutional yellow. A “Snake Goddess” rather than the insecure dictator Yaweh. “Casio Argento” in place of Dario or Asia. And more. It’s an upbeat record with some tight melodies and a charming economy of songwriting. The Simulators will bring the angular menace of its music and Vanilla Milkshakes will deliver earnest, blustery pop punk as companion to Zealot’s fastidious songcraft. Oh yes, there’s also a companion covers album called Revised Edition featuring renditions of all the songs on the new record as done by the band’s local scene peers as well as a solo cover done by the band’s bassist Suzi Allegra. All of which is a gesture not many bands would bother to attempt to release concurrent with a new album.

What: Das Ich w/Velvet Acid Christ, Oberer Todpunkt, DJ Katastrophy
When: Saturday, 09.21, 7 p.m.
Where: Herman’s Hideaway

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Anna Morsett of The Still Tide, photo by Anthony Isaac

What: Charlie Cunningham w/The Still Tide
When: Saturday, 09.21, 8 p.m.
Where: Globe Hall
Why: The Still Tide’s Anna Morsett has played in Colorado musical projects as varied as Ark Life, Porlolo and These United States as well as with Natalie Tate and Brent Cowles. But perhaps where she shines brightest is in her own band The Still Tide. Her guitar work is both ethereal and fiery, her ear for dynamics and tone keen and imaginative. Morsett’s songwriting is both intimate yet expansive, introspective and yearning, reconciling contrasts with a broad emotional palette. And she’s opening for noteworthy UK singer-songwriter Charlie Cunningham whose 2017 album lines included the deeply evocative single “Minimum” and its entrancing atmospheres.

What: Wovenhand w/Jaye Jayle
When: Saturday, 09.21, 8 p.m.
Where: Larimer Lounge
Why: Evan Patterson is rightfully known for his heavier music with Young Widows and Breather Resist. But his Jaye Jayle project is taking him in a different direction with a pastoral songwriting style that serves well the contemplative storytelling of the music he initially wrote as a solo project rather than something that needed to fit into the format of a full, loud band. These days he has partners in realizing the musical vision and the results is a kind of haunted Americana. Which makes it an ideal pairing with Americana infused post-punk/noise rock band Wovenhand from Denver. Wovenhand started out as very much in the post-Sixteen Horsepower vein continuing what singer and main songwriter David Eugene Edwards had been developing since the late 80s. But in the past decade the music has become more sonically intense (it was always emotionally so) and incorporating a broader range of dynamics and sounds so that early fans may even find it, except for Edwards’ undeniable spiritual presence, unrecognizable.

What: Bison Bone, Casey James Prestwood and the Burning Angels
When: Saturday, 09.21, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: Greg Laswell w/Sarah Slaton
When: Saturday, 09.21, 7 p.m.
Where: The Soiled Dove Underground
Why: Greg’s warmth and humanity expressed in clever and insightful turns of phrase has made him a national treasure of a songwriter.

What: Future Days: Can Tribute
When: Saturday, 09.21, 10 p.m.
Where: Mutiny Information Café

What: Mdou Moctar w/Pale Sun
When: Saturday, 09.21, 8 p.m.
Where: Lost Lake
Why: Mdou Moctar might be the most internationally renowned guitarist and songwriter out of Niger in the modern era and his electric adaptations of Tuareg guitar music has made him a favorite among discerning music fans who are open to such fusions of musical ideas, rhythms and sounds. To the uninitiated he may sound like an exotic prog artist but his music is deep and sophisticated. He is again touring in support of his 2019 album Ilana (The Creator).

What: Seventh Circle 7 year anniversary night 1: 1476, Only Echos, Postnihilist, Causer, Kid Mask, Videodrome, GACK, DOX, Didaktikos, Tuck Knee and secret guests 
When: Saturday, 09.21, 12:30 p.m.
Where: Seventh Circle Music Collective
Why: Rarely do anniversaries happen on a numerically specific date related to a venue or an endeavor of any kind of this all day all evening marathon of music across two dates celebrates the continued success of Denver’s DIY venue Seventh Circle Music Collective.

What: Speedealer w/Barstool Messiah and Valiomierda
When: Saturday, 09.21, 8 p.m.
Where: Streets Denver

Sunday | September 22

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Surf Curse, photo by Julien Sage

What: Surf Curse w/Dirt Buyer
When: Sunday, 09.22, 7 p.m.
Where: Larimer Lounge
Why: Surf Curse is a duo from Los Angeles whose name may convey the impression it’s one of those surf rock/garage psych bands that have plagued the musical landscape for around a decade. And to some extent that’s exactly what these guys are. Except there’s something raw about their songwriting and performances and their music videos, whoever is directly involved in their scripting and design, speak to an uncommon creative imagination and as though the people in the band had in mind films that their songs might suit. Pick any of the videos and you’ll find something that’s a cut above most videos most bands are making these days. The band’s new album, Heaven Surrounds You, was released on September 13 on Danger Collective. For a duo Nick Rattigan and Jacob Rubeck manage to have a full sound yet spare songwriting so they’re doing something right.

What: Seventh Circle 7 year anniversary night 2,: JSR (Alex from this band named Seventh Circle), Sliver, Arctobog, Curtis T and the Duffel Bag Boys, Caustic Soda, The Slacks, Unit-Y, Pinetree Janitorial Service, American Psychonaut, Astral Planes, Hellspoon and Activate Boner and secret guest
When: Sunday, 09.22, 12:30 p.m.
Where: Seventh Circle Music Collective
Why: Second day of Seventh Circle Music Collective’s seven year anniversary going from early afternoon until midnight.

What: Pop Will Eat Itself w/Chemlab and Scifidelic w/DJ Dave Vendetta
When: Sunday, 09.22, 7 p.m.
Where: Oriental Theater
Why: Pop Will Eat Itself is a genre bending band that dispensed with the usual stylistic boundaries between grebo, sleaze rock and industrial dance music akin to My Life With the Thrill Kill Kult. Chemlab was one of the bands that helped define the sound and aesthetic of industrial rock in the 90s fusing old school industrial with hard rock.

Monday | September 23

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Acid King, photo courtesy the artists

What: Acid King w/Wizard Rifle and Warish
When: Monday, 09.23, 7 p.m.
Where: MarquisTheater
Why: Acid King is on tour in support of the twentieth anniversary of its classic psych doom album Busse Woods. The group began in the early 90s when its sound was very much not in vogue but two decades later its heavy, experimental psych metal, not fully duplicated by other artists, has made it a cult band among connoisseurs of that realm of music.

What: God is an Astronaut w/Spiral Cell and Brother Saturn
When: Monday, 09.23, 7 p.m.
Where: Bluebird Theater

Tuesday | September 24

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Boy Scouts, photo by Ulysses Ortega

What: Jay Som w/Boy Scouts and Affectionately
When: Tuesday, 09.24, 7 p.m.
Where: Larimer Lounge
Why: Jay Som’s hazy pop songs have a personal emotional insight and sophistication of songcraft that can be easy to miss when you’re lost in the moment with her. Her new album Anak Ko blurs the lines between noisy shoegaze, indie pop and the 70s Laurel Canyon sound. Taylor Vick of Boy Scouts has written one of the most affecting, vivid and cathartic set of songs about loss and healing from sorrow and setbacks of the past few years for the new Boy Scouts album Free Company. Her unconventional melodies and song dynamics give her compositions a depth and complexity that reward repeatedly exploring her catalog.

What: Like A Villain, Harms, Earth Control Pill and Debaser
When: Tuesday, 09.24, 8 p.m.
Where: Rhinoceropolis
Why: Like A Villain is sort of an industrial ambient act whose dark and heavily textured atmospheres explore the personal and collective psyche in operatic vocals and processed loops. The new album What Makes Vulnerability Good, released on September 20, 2019, makes exquisite use of space in tone and rhythm that it engulfs you gently before you realize it.

Wednesday | September 25

Photo: Dara Munnis. @daramunnis
Tash Sultana, photo by Dara Munnis (@daramunnis)

What: Tash Sultana w/The Tesky Brothers
When: Tuesday, 09.24, 6:30 p.m.
Where: Red Rocks
Why: Tash Sultana is a guitar prodigy whose psychedelic rock, blues and folk songs created with her expert ability to play multiple part at once and along with loops is impressive on its own but the energy and enthusiasm with which she plays is infectious. As a multi-instrumentalist, Sultana crafts her songs real time in an almost orchestral manner as an orchestra of one. Difficult to pigeonhole a genre for Sultana as her songwriting style is unique but might be compared to an artist like Tune Yards.

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Russian Circles, photo courtesy the artists

What: Russian Circles w/Facs
When: Tuesday, 09.24, 7 p.m.
Where: Bluebird Theater
Why: Russian Circles is an instrumental metal band from Chicago but it’s songs are more akin to post-rock in their use of mood and nuanced dynamic builds from spare tonal echoes to roilingly triumphant riffs that burst and rain down like ash following a volcanic eruption or like a dam bursting releasing a torrent of sonic water and debris. Its 2019 album Blood Year finds the band evoking ancient civilizations (“Kohokia”) and primal mythological imagery (“Hunter Moon” and “Ghost on High”). Opening the show is Chicago’s Facs. The latter is making the kind of post-rock that is more like some of the most experimental post-punk going now. Guitarist and vocalist Brian Case was once a member of weirdo math rock band 90 Day Men and experimental rock band Disappears. With Facs he and the rest of the band are pushing the creative envelope with song structure, texture and dynamics. That group’s 2019 EP Lifelike has a secure place on our year end best list for its chilling, cinematic soundscapes and gritty, stark, moody songwriting.

Best Shows in the Denver Area 3/21/19 – 3/27/19

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R A R E B Y R D $ performs at Mercury Café on March 23. Photo by Tom Murphy

Thursday | March 21

What: Throwing Thimgs, Bert Olsen (tour kickoff), Sad Dance Party and Zealot
When: Thursday, 03.21, 7 p.m.
Where: Seventh Circle Music Collective
Why: Bert Olsen is taking its post-punk/death rock pop songs beyond Denver for a tour and kicking it off with this show alongside other musical misfits like Zealot, a pop band that is deep under the influence of The Mountain Goats—texture rich melodies, irrepressibly upbeat and crackling with wiry energy.

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Rubblebucket, photo by Rob Abelow

What: Rubblebucket w/Twain and Toth
When: Thursday, 03.21, 7 p.m.
Where: Fox Theatre
Why: Rubblebucket reached deep into its members hearts in search of the material for Sun Machine, which discusses the struggles of life, death, heartbreak, despair, a yearning for rebirth into a next, better chapter of life while sitting in the depths of one’s psyche. The live presentation of this material, alongside the group’s fine earlier work, is done with an exuberant sense of theater.

What: Equine Tour Kickoff w/Death In Space, J. Hamilton Isaacs, Radiant Filth
When: Thursday, 03.21, 8 p.m.
Where: Thought//Forms
Why: Equine will be taking his abstract guitar compositions on the road for a series of shows out to the east coast. Calling it ambient or “prepared guitar” isn’t quite accurate as Kevin Richards brings to bear a technical knowledge of tone and chord structure applied to his imaginative ear for an interesting and compelling arrangement. To launch him on his way are local peers in the like-minded Death In Space whose own guitar and loop experiments will be on full display as well as J. Hamilton Isaacs and his way of making analog synths make playful and bright dance beats and melodies.

What: Bright Light Social Hour w/Rubedo and Other Worlds
When: Thursday, 03.21, 8 p.m.
Where: The Gothic Theatre
Why: Austin’s Bright Light Social Hour will treat you to an uplifting blend of ethereal tones and motorik beats. If psychedelic rock went a little bit synth pop and the emphasis was on soothing vibes rather than simply pursuing wild sonic gyrations, it might sound like what Bright Light Social Hour has perfected. Denver’s Rubedo is one of the opening acts. The trio has evolved its sound, aesthetic and conceptual thrust over the years. But lately it’s been a nice balance of heartfelt, soulful vocals and blues-inflected art work with intricate yet intuitive changes throughout its songs. It’s a band whose themes are essentially uplifting and on accentuating the positive but never with a heavy-handed and corny take.

Friday | March 22

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Marchfourth, photo by Andrew Wyatt

What: MarchFourth w/Southern Avenue
When: Friday, 03.22, 8 p.m.
Where: Fox Theatre
Why: MarchFourth predates by several years but is otherwise spiritual kin to Denver’s Itchy-O. Both used to have “Marching Band” as part of their name due to the robust horn and percussion sections of both bands. But wheres Itchy-O embodies a more experimental, darker, post-apocalyptic ritualistic side of the music, MarchFourth plays an eclectic kind of instrumental funk. Both are an eye-catching spectacle the likes of which you’re not likely to quite see with a more conventional band format. At a MarchFourth show you’ll also see acrobats, dancers and stiltwalkers with members dressed in a dazzling array of color and personalized detail.

What: Rubie Gold, nIGHTtIMEsCHOOLbUS and Talk Perfect
When: Friday, 03.22, 8 p.m.
Where: Mutiny Information Café
Why: nIGHtIMEsCHOOLbUS is the downtempo hip-hop collaboration between Otem Rellik’s Toby Hendricks and Robin Walker of Shocker Mom. Emotionally tender, borderline ambient beats and warm vibes.

Saturday | March 23

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Rachael Pollard, Bonnie Weimer on left, Johnny Sherry behind. Photo by Tom Murphy, May 2008

What: Spine, Raw Breed, Cadaver Dog, Videodrome and Mob
When: Saturday, 03.23, 7 p.m.
Where: Seventh Circle Music Collective
Why: Aggressive hardcore night at 7C with some of Denver’s best as well as Spine from Kansas City/Chicago. If those guys drive to practice that truly is hardcore.

What: R A R E B Y R D $ tape release w/Bulldozer Boy
When: Saturday, 03.23, 9:30 p.m.
Where: The Mercury Café
Why: R A R E B Y R D $ is releasing its debut tape MIXTO$ at this show as well as other merch. The album was released digitally in 2018 under a slightly different name on Glasss Records but underwent a remixing via Tyler Breuer whose work as a musician and producer in various bands in Denver brought a different sensibility and ear to the proceedings. The experimental hip-hop trio will celebrate the occasion with a show including downtempo-jazz beatmaker Bulldozer Boy.

What: Get Your Ears Swoll: Night 4: Sweetness Itself, Rachael Pollard and Death In Space
When: Saturday, 03.23, 8:30 p.m.
Where: The People’s Building
Why: Get Your Ears Swoll is a monthly music event at The People’s Building in Aurora. Rachael Pollard has been playing her fragile, playful, thoughtful, introspective songs in and around Denver for twenty years or more. The music feels like you’re getting glimpses into a private universe of talking animals, rainbow bridges to other dimensions and some of the most confessional poems written by anyone. Her shows invite you to connect with the better part of your own psyche. Death In Space could be anything at this point since Aleeya Wilson has integrated synths and guitar with loops. Only expect something interesting and sonically spare but not simplistic.

Sunday | March 24

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Liz Phair, photo courtesy the artist

What: Liz Phair w/Califone
When: Sunday, 03.24, 7 p.m.
Where: The Ogden Theatre
Why: Had Liz Phair only released her 1993 album Exile in Guyville, her place in music history would have been set. The album was a deep, sophisticated, at times profane, feminist exploration of the dynamic in far too many music and creative scenes then and now in which men dominate and sideline women (or anyone that can be sidelined for reasons of identity) in subtle and not subtle ways. Her stories are so vivid and capture a truth so poignant they sound personal but they were not, Phair was just particular adroit in her portraits verbally and emotionally. Since then Phair has written straight ahead pop songs, fuzzy alternative rock, soundtracks and done sound design work so that her more recent albums seem like experiments integrating her career as a musician. Live she’s not the type to refuse to play her classic, beloved material and her sense of humor and sensitivity makes for a captivating time.

What: Carla Bley, Andy Sheppard and Steve Swallow
When: Sunday, 03.24, 5:30 and 8 p.m.
Where: Dazzle
Why: Carla Bley was a major figure in 60s free jazz and her 1971 album with Paul Haines (father of Emily Haines of Metric), Escalator Over The Hill. Called a “jazz opera,” Escalator combined avant-garde jazz and folk and one has to assume it exerted influence on the spontaneous compositions of French prog band Magma. While Bley has played in various configurations large and small this Denver show, her first in around thirty years, will be a trio performance with Andy Sheppard on saxophone and Steve Swallow on bass.

Monday | March 25

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Paperbark, photo by Tom Murphy

What: Carla Bley, Andy Sheppard and Steve Swallow
When: Monday, 03.25, 5:30 and 8 p.m.
Where: Dazzle
Why: For Carla Bley see above.

What: Centered Volume 5: Paperbark, Entrancer, Street Soul Nekyia and Pameshen
When: Monday, 03.25, 8 p.m.
Where: Syntax Physic Opera
Why: Jacob Isaacs has been putting together some of the greatest, underground showcases for artists of synthesizer music in the Denver area with his Centered series. This edition includes modular synth artist Paperbark. John Mulville lived in Denver for a handful of years where he became entrenched in the avant-garde and ambient scene with his atmospheric work that projected a tactile sensibility like sculpture done with sound. Entrancer’s own modular synth work has absorbed the influences of old school avant-garde electronic music as well as techno. Both Paperbark and Entrancer also draw inspiration from the production side of hip-hop and while it may not be so obvious in their work with more adventurous hip-hop artists embracing noise and experimental music of late the connection seems obvious especially when the waves of this music hits you in the live setting where its visceral impact is undeniable.

Wednesday | March 27

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Jerry Paper, photo by Monika Mogi

What: Jerry Paper w/Ava Luna and Ashley Koett
When: Wednesday, 03.27, 7 p.m.
Where: Larimer Lounge
Why: Lucas Nathan was involved in making noise and psychedelic music before he finally decided to start making electronic music to disabuse himself of his prejudices against it. Because of that his music has a truly unusual and original take on what is essentially sample-based composition and retro-futurist weirdo hip-hop.

What: Palehorse/Palerider, Nox Novacula, No Gossip In Braille, Voight
When: Wednesday, 03.27, 8 p.m.
Where: Hi-Dive
Why: Post-metal, post-deathrock, post-punk, post-shoegaze. The kind of bill that should happen all the time but rarely does when artists so unlike each other (beyond all being some kind of rock) have sounds that compliment each other well.

What: Deafheaven, Baroness and Zeal & Ardor
When: Wednesday, 03.27, 6:30 p.m.
Where: The Ogden Theatre
Why: Baroness is on the verge of releasing its latest double album Gold & Grey. The band that has distinguished itself in the realm of sludge metal with intricate and imaginative guitar work and solid vocal harmonies has said that the new record will be the last in its series of color-themed titles. Seeing as guitarist and singer John Baizley is one of the most distinguished and sought-after visual artists in metal and music generally, it’ll be interesting to see what themes emerge from here. Until then you will likely be able to hear a good deal of the new material on this tour with blackened shoegaze band Deafheaven and experimental black metal outfit Zeal & Ardor.

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Eugene Chadbourne, photo courtesy the artist

What: Eugene Chadbourne / Ryan Seward, Bret Sexton / Farrell Lowe
When: Wednesday, 03.27, 8 p.m.
Where: Thought//Forms
Why: Eugene Chadborne has been one of the important figures of avant-garde/free jazz for over four decades. Born in Mount Vernon, New York (just north of NYC), Chadbourne grew up in Boulder, Colorado before leaving for Canada to avoid the draft for the Vietnam War. Can hardly blame him. When he came back to America, he moved to NYC where he worked with Henry Kaiser and John Zorn and was encouraged by Anthony Braxton to keep with playing music rather than enter into a career as a journalist. Chadbourne’s prolific output, not fully documented on his Wikipedia page of course, has encompassed a broad range of musical styles and ideas. He has collaborated with Fred Frith, Sun City Girls, Camper Van Beethoven and Charles Tyler (who worked with Albert Ayler and Ornette Coleman). For this performance, Chadbourne will perform with Colorado based improvisational/spontaneous composition artist Ryan Seward with a performance from other Denver area heavy hitters in the local avant-garde scene, who frequently perform with Seward, Bret Sexton and Farrell Lowe. Chadborne will also play a fundraiser for the nonprofit Creative Music Works on Thursday and we’ll provide the information on that event in our next show listing.

Best Shows in Denver 10/11/18 – 10/17/18

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ADULT. performs at Larimer Lounge on Saturday, 10/13/18, with Plack Blague and Voight

Thursday | October 11, 2018

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The Church circa 2016, photo by Tom Murphy

Who: Karl Blau w/Porlolo and High Plains Honky
When: Thursday, 10.11, 8 p.m.
Where: Hi-Dive
Why: Karl Blau has had a rich and varied career spanning the past two decades or so. As a member of lo-fi rock band D+ he wrote songs and performed with Bret Lunsford formerly of Beat Happening and future Microphones and Mount Eerie mastermind Phil Elverum. As a solo artist and musical curator with his Kelp Lunacy Advanced Plagiarism Society musical subscription artist, Blau has been involved in making music in widely disparate styles and often hybridizing them or outright creating something that’s impossible to classify beyond maybe simply pop. In recent years, Blau has been writing songs that seem shaped by everything else he’s made up to now with bossa nova percussion, African pop vocal cadences, hip-hop-and-reggae-informed lyrical phrasing and indie/freak folk sensibilities. In the past Blau has performed solo with a loop pedal and pulled off what sounds like a full band minus robust drums so you’re never full sure what you’re in for barring that it’ll be exceptional.

Who: The Church
When: Thursday, 10.11, 7:30/8 p.m.
Where: The Fox Theatre
Why: Australian rock band The Church is currently undertaking it’s tour for the thirtieth anniversary of its 1988 album Starfish. The band had already made a name for itself with fans of adventurous, inventive, literate and thoughtful yet heartfelt rock music. But Starfish was the group’s breakthrough to not just a wider audience but the mainstream with hits like “Under the Milky Way” and “Reptile.” While the group is justly celebrating the release of its iconic album for itself and fans that maybe didn’t get to see The Church in its 80s heyday (pardon the referential joke to the band’s 1985 album of the same name), the band’s new material is as vital as anything it has done in the past and you’ll get the best of both worlds at this show.

Friday | October 12, 2018

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Ralph Gean (with Andrew Lindstrom) circa 2014, photo by Tom Murphy

What: Anxious Little Friends Fest Day 1
When: Friday, 10.12, 6 p.m.
Where: Hi-Dive
Why: Record labels Snappy Little Numbers and Anxious and Angry collaborated on this two day festival at the Hi-Dive with some of the better local and not local punk and punk-related bands. For this night you can see two night headliners Off With Their Heads as well as Riverboat Gamblers, SPELLS, Dirty Few, Black Dots, Hooper and Modern Goon.

What: Franksgiving 2018
When: Friday, 10.12, 9 p.m.
Where: Hi-Dive
Why: This yearly event benefiting the Crohn’s and Colitis Foundation of America is hosted by local connoisseur of weird music Franklin Bell. Naturally he always finds some of the best local odd yet accessible bands for the vent. As usual, Little Fyodor & Babushka Band, one of Denver’s longest running and most consistently interesting weirdo punk institutions will perform as well as not-widely-recognized-but-absolutely-a-local-rock-and-roll-legend Ralph Gean, Fyodor drummer Tricky Dick Wicket’s side project that isn’t Universal Devils, Whiskey Orphans, the “sweet and sensitive keyboard songs” of No Pants Katie with DJ Frank Bell spinning kooky kuts.

Who: Screwtape w/Potato Pirates, Noogy, World Movement and Ultraviolet
When: Friday, 10.12, 7 p.m.
Where: Hi-Dive
Why: Screwtape’s politically-charged hardcore and dynamic live show has already made it a favorite among local fans of punk and the group is kicking off its latest tour to the south with this show sharing the bill with ska-punk veterans Potato Pirates and Colorado Springs hardcore outfit Ultraviolet.
Who: Multidim Records Official Launch Party
When: Friday, 10.12, 8 p.m.
Where: Leon
Why: Multidim Records is a new Denver-based label focusing on emerging artists in electronic and abstract music. Founded by Tommy Metz (Glissline) and Michael David King (Cities of Earth), this event will feature some of the artists on the label’s roster including the respective projects of the label’s founders as well as Andre Cactus + Ah, River and Mirror Fears.

Saturday | October 13, 2018

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Shocker Mom, photo by Tom Murphy

Who: ADULT. w/Plack Blague and Voight
When: Saturday, 10.13, 8 p.m.
Where: Larimer Lounge
Why: For twenty years, Detroit’s ADULT. has been on the forefront of mixing electronic pop, techno and industrial music with an experimental flair. In the late 90s, ADULT. helped to pioneer the sound and aesthetic that came to be called electroclash by around the turn of the century. As the duo explored sounds and performance it garnered a cult following among connoisseurs of electronic music paired with a dynamic and sometimes confrontational performance style. It adopted and mutated the sound and production ideas running through underground techno throughout the 2000s giving it a powerful and imaginative soundscape to match singer Nicola Kuperus’s emotionally-nuanced vocals. The band’s 2018 album This Behavior was the darker side of the songwriting that went into the 2017 album Detroit House Guests—both rich and dense with sonic detail and inventive rhythms.

Also on the this leg of the tour is Lincoln, Nebraska’s Plack Blague. Raws Schlesinger had been, maybe still is, involved in the Nebraska grind and extreme metal scene in various bands. But Plack Blague is a bit like a leather daddy Big Freedia but with beats that are the industrial and techno analogue to sissy bounce. On previous occasions in Denver, Plack Blague may have seemed to be a sonically abrasive spectacle but the act’s songs have taken on a compelling form beyond the spectacle without sacrificing the striking visual aspect of the band including Schleslinger’s undeniably amazing dance moves.

What: Anxious Little Friends Fest Day 2
When: Saturday, 10.13, 6 p.m.
Where: Hi-Dive
Why: This second night of Anxious Little Friends Fest includes performances from Off With Their Heads, The Bollweevils, SPELLS, Friends of Cesar Romero, Lawsuit Models, Great American House Fire and Bad Year.

What: KGNU Quarterly Showcase
When: Saturday, 10.13, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase features some of Denver’s most innovative electronic artists. Shocker Mom’s dreamy, ambient R&B is the latest vehicle from Robin Walker. As a member of Cougar Pants, walker, along with Jessica Hughes, made a particularly tender and emotionally deep yet playful type of indie pop. As a solo performer, Walker distinguished herself as a talented vocalist and songwriter whose use of sound taps into a pre-linguistic part of the human brain, communicating the vibrations of a loving, healing aspect of the universe—which she has manifested most strongly with Shocker Mom. Also catch her in excellent hip-hop duo Nighttimeschoolbus. Larians is the solo side project of Male Blonding singer/guitarist Noah Simons. His brilliant take on IDM, techno and ambient may just be getting started but it’s obvious he’s learned a few things to build beyond from Burial and Aphex Twin. Bios+a+ic is the solo project of Textures Ambient Showcase and Symbolic Insight head Wesley Davis. All of his albums with the project are different and conceptual, representing ideas and sound experiments that tickled Davis’ imagination at the time of their creation. Also on the bill are All Mask and DJ Winter

Sunday | October 14, 2018

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Future Generations, photo (cropped) by Shervin Lainez

Who: Henry Rollins Travel Slideshow Tour
When: Sunday, 10.14, 7 p.m.
Where: Boulder Theater
Why: It’s been a good longer while than usual since Henry Rollins has done one of his spoken tours. This time around he’s sharing his photography and telling stories from his travels around the world. His spoken word shows are always worth checking out and with the images to prompt his memory and engage those who show up it will be a more immersive experience when coupled with his already fantastic storytelling.

Who: Future Generations w/Zuli and Whiskey Autumn
When: Sunday, 10.14, 7 p.m.
Where: Lost Lake
Why: Brooklyn has long been home to eclectic indie rock with artists, of necessity, trying out innovative musical ideas and strong songwriting in order to stand out. Future Generations’ 2018 album Landscape is like a stroll through a person’s day and life and composed as though the melodies and rhythms are a soundtrack with electronic, ambient textures to give the songwriting a context that connects all the music. Sure, each piece can be enjoyed on its own but the record feels like a new take on the classic album format from a time when bands felt like there were no throwaway songs and thought in terms of interconnecting themes. Probably not a concept album but one that works on a very conceptual level too.

Tuesday | October 16, 2018

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A Place To Bury Strangers circa 2012, photo by Tom Murphy

Who: A Place to Bury Strangers w/Kraus and cindygod
When: Tuesday, 10.16, 9 p.m.
Where: Globe Hall
Why: A Place To Bury Strangers is often credited as one of the bands that helped to re-popularize shoegaze in the underground. But the band’s contribution has run deeper as guitarist/vocalist Oliver Ackerman created unique guitar pedals with functionality that has helped push the sound of the instrument into new realms of noise and texture. As part of the pedal and sound equipment company/DIY space Death By Audio, Ackerman and company contributed to its creative community in a direct, pragmatic way. APTBS fused lo-fi, shoegaze, noise, post-punk and hardcore in fascinating ways. For an album or two it felt like maybe the project had plateaued even if the songwriting was still good. But the 2018 album Pinned with new drummer Lia Simon Braswell demonstrated that the band hasn’t run out of ideas for heady and disorienting soundscaping. Opening the show is Denver’s cindygod, the follow-up band to shoegaze/noise rock duo Gauntlet Hair. Now the band is a quartet with an even more exhilarating panoply of sound.

Wednesday | October 17, 2018

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Gold Trash, photo by Tom Murphy

Who: Sarah Ruth Alexander, Polecat Moon Pussy and Gold Trash
When: Wednesday, 10.17, 9 p.m.
Where: Thought//Forms
Why: [update, Shiny Around the Edges no longer on the bill] Sarah Ruth Alexander’s brooding yet luminous compositions utilizing effected vocals and acoustic instruments have made Dallas’ They Say The Wind Made Them Crazy one of the more interesting bands and critically acclaimed bands that in the past his intentionally been more or less off the internet because its music works best live. Alexander’s solo performances recall some of the most chilling moments of Nico’s solo work, The Marble Index, Desertshore and The End in particular, in its use of organic instruments in a manner suggesting an electronic music aesthetic as a way to tap into deeply rooted spaces in the psyche. One might also hear in her songs resonances with Jarboe’s more intensely tranquil performances with Swans. Moon Pussy is a noise rock band from Denver and Gold Trash could be said to be a soulful yet noisy version of an electroclash band.

Best Shows in Denver 9/13/18 – 9/19/18

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Angel Olsen performs at The Paramount Theatre on 9/17/18. Photo by Taylor Boylston

Thursday | September 13, 2018

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Joe Dosik, photo by Curtis Essel

Who: Joe Dosik w/Moonglade
When: Thursday, 09.13, 7 p.m.
Where: Larimer Lounge
Why: With funk band Vulfpeck, Joe Dosik is often a bit of a sideplayer on sax and keys but with his recently released solo debut full length Inside Voice, Dosik makes good on the promise of his 2018 EP Game Winner. The lush production and Dosik’s versatile, soulful vocals is like something out of the late 70s or early 80s. Like maybe Dosik sequestered himself away from most modern music and listened mostly to a lot of Billy Paul, Luther Vandross’s 1981 breakout Never Too Much and Joe Jackson’s 1982 album Night and Day. Dosik’s compositions tend to be produced with more space to let atmospherics hang and resolve in a way that great pop artists in the aforementioned era often indulged but which in modern pop seems a bit of an all too human anachronism. These days, that’s the kind of quaint touch we could use more of.

What: Turn It Around: The Story of East Bay Punk at Sie Film Center w/Aaron Cometbus and Anna Brown
When: Thursday, 09.13, 6 p.m.
Where: Sie Film Center
Why: Aaron Cometbus’ ‘zine Cometbus has inspired generations of artists from other ‘zinesters, comics creators and musicians. His depiction of life across his body of work captured the moment, low and exciting, in a way few have. He and Anna Brown, a writer, surfer, educator and significant figure in the California punk world since the 80s, will be part of a Q&A after the screening of Turn It Around: The Story of East Bay Punk, a documentary about the punk scene in the San Francisco Bay area that brought us not just Maximum Rock ‘N’ Roll but the rich punk subculture that it documented and continues to do so including, for better or worse, the wave of pop punk that was the next major musical movement from the underground to emerge as alternative rock was splintering and co-opted by mainstream moneyed music industry interests.

Who: Musical Mayhem: Marvel West, Mean Hand, Limber Wolf
When: Thursday, 09.13, 8:30 p.m.
Where: Lion’s Lair
Why: In case anyone missed it, Musical Mayhem, the more or less free format monthly hosted by Claudia Woodman is now at Lion’s Lair. While not mainly “weird” music, Woodman’s tastes tend to run that direction. But on this night American band Marvel West will make an appearance along with Mean Hand, a band led by long time Denver underground rock and punk legend Tom Mestnik. Rumor has it Denver’s luminous western slowcore-esque band Limber Wolf is low key releasing its album at this show as well.

Who: Rabbit Fighter, The Pretty Bones, Nighttimeschoolbus, Miss Owl & the Pull Apart
When: Thursday, 09.13, 8 p.m.
Where: Syntax Physic Opera
Why: Touted as “Girl Power Night at Syntax” this show includes the mighty Nighttimeschoolbus, the duo of Robin Walker and Toby Hendricks who combine experimental hip-hop beat making and deeply affecting vocals. Rabbit Fighter has as its Facebook image a scene from Heathers quoting Veronica Sawyer, played by Winona Ryder, saying, “DEAR DIARY, I WANT TO KILL.” And, once in a while, who hasn’t felt that? If it really is a pop band at least it’s probably one with some attitude.

Who: Lowfaith record release w/Ridgeway, No Gossip In Braille and Voight
When: Thursday, 09.13, 8 p.m.
Where: Seventh Circle Music Collective
Why: Dream pop/darkwave band Lowfaith is releasing its new album On Loss tonight at Seventh Circle playing with bands in a similar vein. No Gossip In Braille includes Echo Beds frontman Keith Curts and its lush, low key atmospheric rock is almost a polar opposite of his other project in tone and texture. Voight really combines the melancholy mood of a dark post-punk band with the furious energy of a noise punk project. While initially sounding a bit like a a great A Place to Bury Strangers tribute band, the duo has really brought in its more electronic side more fully, giving its already wiry yet brooding sound a calming quality in contrast to its often explosive live intensity.

Friday | September 14, 2018

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Landgrabbers, photo by Tom Murphy

Who: Cyanidols, Luna Sol, Flat Earth and Landgrabbers
When: Friday, 09.14, 8 p.m.
Where: 3 Kings Tavern
Why: For something on the harder edge of Denver’s punk world this would be the show to check out tonight. Cyanidols includes Sonya Decman (whose bass prowess and vocal power brought a good deal to Tarmints, The Symptoms and Brain Police) and Chris Kieft who has been a staple of Denver’s punk scene going back to the 80s along with Oscar Pop. Luna Sol is sort of a stoner rock band and includes Shanda Kohlberg formerly of The Swanks as well as former Supafuzz frontman Dave Angstrom. Landgrabbers is a little more countrified but it is a welcome throwback to that time in the Denver punk scene when a band could simply be good and not have to cater too much to some prevailing trend.

Who: Equine, Housekeys, Shawn Mlekush
When: Friday, 09.14, 9 p.m.
Where: Denver Distillery
Why: Even though most of the local music and culture press is sleeping hard on it, the local experimental music scene is pretty active and sizeable. This low key show at Denver Distillery includes avant-guitar and loop maestro Equine, ambient soundscaper Housekeys and Shawn Mlekush who may be playing some entrancing abstract guitar drones and/or using synth in conjunction. Brought to you by Thought//Forms, the gallery that has been home to some of this music since starting up earlier this year.
Who: UaZit, Goon, f-ether, Claudzilla
When: Friday, 09.14, 8 p.m.
Where: Lion’s Lair
Why: UaZit from Indiana is this sort of weirdo electronic downtempo project that is as much performance art as it is music. Akin to hip-hop with beats that could work for that but also reminiscent of MC 900 Ft. Jesus. This Goon is not the hardcore band, rather the alternative hip-hop/trap producer. F-ether is somewhere in the realm of dub techno and house. Claudzilla is also an artist that blurs the line between bizarro pop and performance art. She might even do some strange covers as worthy as the originals. But for sure if you think Denver only really produces stuff for the temporary techbro colony that has occupied the Mile High City, Claudzilla is an antidote to such cultural pathologies.

Saturday | September 15, 2018

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Nothing, photo by Ben Rayner

Who: Nothing w/Culture Abuse, Big Bite and Smut
When: Saturday, 09.15, 7 p.m.
Where: The Bluebird Theater
Why: Nothing has evolved its shoegaze-y sound since its inception having come out of hardcore and other heavier music but without losing some of the dark edge that informs the lyrics. Its new album On the Blacktop seems sonically the most fully-realized of its records with gritty pop washes and burning shines over melancholic vocals. Even though Domenic Palermo still struggles with health issues and the ensuing psychological maladies that predate and have come about because of those, he still manages to find a way to make it all seem like something you can cope with and not be completely subsumed by even if it seems impossible sometimes. Pop punk has long since made a comeback but Culture Abuse makes it seem like the genre isn’t out of ideas musically and thematically. It’s 2018 album Bay Dream looks like some kind of late 90s party record with the graffiti style visuals and it could be if that party involved some deep existential examinations rather than simply melodramatic songs about love lost forever. Smut from Cincinnati sounds like its members already went through that 90s grunge revival phase and discovered more expansive sounds even if right now it is sonically somewhere in the middle in a way that seems more interesting than throwback.

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Jay Aston’s Gene Loves Jezebel, photo Courtesy of Jay Aston’s Gene Loves Jezebel

Who: Jay Aston’s Gene Loves Jezebel w/Scifidelic and Radio Scarlet
When: Saturday, 09.15, 8 p.m.
Where: The Venue (1451 Cortez St., Denver)
Why: After a bit of a legal battle between Jay Aston and his brother Michael, Jay Aston’s Gene Loves Jezebel that the band Jay leads gets to use in America while the original band name in the UK and vice versa for Michael. Jay Aston’s band put out its first album in nearly a decade in 2017 with the surprisingly compelling beginning to end album Dance Underwater. The new record gives you a real appreciation for Jay’s talent as a songwriter and musician with a broad tonal and emotional range and great nuance of expression. His band includes members of Gene Loves Jezebel going back to the mid-80s and likely the closest one will get to see the classic line-up of one of post-punk’s underrated groups. In the 80s Gene Loves Jezebel had dance club hits and proved influential on the Goth scene of the time and Jay’s songwriting has been surprisingly durable with his current crop of songs seeming timeless rather than capitalizing on past glory.

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Eyebeams, black light poster image courtesy Eyebeams

Who: Eyebeams EP & Blacklight Poster release w/Kissing Party and An Antiquated Bluff (Josie Cool solo)
When: Saturday, 09.15, 9 p.m.
Where: The Skylark Lounge
Why: Denver’s Eyebeams is releasing its latest EP and blacklight poster tonight at The Skylark. The four-piece makes music that out of having already done the indie pop and psychedelic pop thing and taking the skill set learned there to do something that’s the next step in that creative arc. Suzi Allegra and Nathan Brazil played in some of the best pop/rock bands of the 2000s and 2010s with Games For May, The Pseudo Dates and Fingers of the Sun and wrote literate, smart songs that will presumably someday be part of Denver underground rock canon. Fernando Guzman and Andrew Elkins made their own indelible mark with the experimental/weirdo art rock band Fissure Mystic, a group in which they spent their teen years and early twenties honing the use of raw sound experimentation in a pop song context even if no one would ever really confuse Fissure for being a pop band. Elkins very much brought that sensibility with his end of the songwriting. Allegra played in Fissure for a couple of years, Guzman played in Fingers of the Sun. So Eyebeams is a bit of a consolidation and progression of the musical ideas all four musicians contribute to this band. The new, self-titled, EP demonstrates Allegra’s genius for fully integrating melody with dynamics and for writing songs that have more depth and complexity than simply one emotional flavoring and color without self-indulgent clutter. There is a melancholic tone to all of the songs but also a yearning for knowledge and clarity of oneself yet an acceptance of the reality of ambiguity you come to live with as an adult that as a younger person maybe you churn into melodrama. As a bonus, the band is releasing a special edition blacklight poster of its album cover at the show as well.

Who: Cometbus: Live Reading and Q&A with Aaron Cometbus
When: Saturday, 09.15, 8 p.m.
Where: Mutiny Information Café
Why: For more on Cometbus see above on Thursday, September 13. For this night, Cometbus is doing a live reading from his body of work with a follow-up Q&A.

Sunday | September 16, 2018

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Luxury Hearse, photo by Tom Murphy

What: 2 OUTS: An Electronic songwriter gathering: Pearls and Perils, Mirror Fears, And I, Keldari Station, Church Fire, Gold Trash, EVP, Panic Priest, Blackcell, Strange Powers, Lady of Sorrows, Juniordeer, $addy, eHpH, Nighttimeschoolbus, Luxury Hearse, Voight
When: Sunday, 09.16, 3 p.m.
Where: Lost Lake
Why: A veritable cornucopia of great Denver musicians writing songs using electronic instruments or, in the case of Voight, using a guitar but writing with electronic music sensibilities. If you go to one event the rest of the year and want a great and fairly broadly representative slice of Denver music that uses electronic instrumentation in a boundary-pushing, interesting way, there won’t be a better chance to see it all in one place because no one else is thinking of an event like this with the level of quality curation that went into it.

Who: WOE, WVRM, Noctambulist and Scepter of Eligos
When: Sunday, 09.16, 8 p.m.
Where: Lost Lake
Why: The heaviest show of the week, nay, the month happens tonight at the Hi-Dive. Brooklyn’s WOE may be black metal but its furious live performance feels more like seeing Neurosis combining dark, relentless grinding psychedelia with eruptive energy. WVRM from Greenville, South Carolina is on the surface more straight ahead grind but there’s something flowing underneath that suggests someone in the band is deeply into noise and industrial music. That sensibility gives the music an textural quality and vibe that brings even more an edge to the sound. Noctambulist conveys a similar unconventionality to its death metal onslaught. Like they’re crafting atmospheres to replicate those of a Lovecrafting other dimension hanging with Nodens while he sits back while the Great Old Ones bash it out amongst each other seeding the civilizations of mortal life forms with nightmarish it their darker corners. It seems as though doom is a genre that’s starting to get played out but Scepter of Eligos really challenges that notion because its own take on having roots in that music is to inject it with a healthy heaping of more interesting atmospheric and rhythmic qualities that give its songs an uncommon dimensionality in the genre.

Monday | September 17, 2018

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Angel Olsen circa 2014, photo by Tom Murphy

Who: Angel Olsen
When: Monday, 09.17, 7 p.m.
Where: The Paramount Theatre
Why: Angel Olsen is currently on her first solo tour in four years. The songwriter spent some time as a backing singer for Bonnie “Prince” Billy and Cairo Gang before striking out on her own and making a name for herself with her powerfully evocative voice and her ability to vividly articulate a complexity of emotion through lyrics and casting the perfect tone for the song. These qualities were there from early on but 2016’s My Woman revealed that Olsen wasn’t capable of just having a creative leap forward but transforming the sonic breadth of her music. The clever and wise songs of Burn Your Fire For No Witness was a brilliant indie rock album, My Woman was Olsen coming into her own and embracing possibilities for a record that seemed to convey that one can go forward in life without letting uncertainty be a stumbling block to your progress. For this tour Olsen will be performing stripped down versions of new material as well as some of her older songs yet playing fairly large rooms. Something about that hints at Olsen’s dry, absurdist sense of humor while acknowledging that she’s probably going to have to get used to those settings for the rest of her career.

Who: Gillian Welch and David Rawlings w/Punch Brothers
When: Monday, 09.17, 6 p.m.
Where: Red Rocks
Why: Since early in her career, Gillian Welch has performed with an ineffable gravitas and seemingly easy mastery of her voice and the voicings of her instruments. Maybe her being an orphan, albeit adopted into a musical family, put a haunting in her brain from a young age, a layer of melancholy that many musicians spend a good deal of their 20s and 30s trying to cultivate so that when they try to sing the blues or country or rock and roll it has genuine weight behind songwriting and performance. Welch had that on her 1996 record Revival and has simply evolved into being of the great artists of the modern era alongside her musical partner David Rawlings. At this Welch and Rawlings are no strangers to big format concerts but a late summer show at Red Rocks seems just about perfect for one of their shows.

Tuesday | September 18, 2018

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Nine Inch Nails, photo by Corinne Schiavone

Who: Nine Inch Nails w/The Jesus and Mary Chain and Tobacco
When: Tuesday, 09.18, 6 p.m.
Where: Red Rocks
Why: Nine Inch Nails has apparently been breaking out some material it hasn’t performed live in quite some time like all of the 1992 EP Broken at its tour kickoff. But that aside, every Nine Inch Nails tour brings one of the best live shows that anyone is doing any given year since the band broke in the late 80s. On a recent tour the group had live set changes on stage in addition to an impressive light show. And as per usual, someone in the NIN camp has great and adventurous tastes in co-headliners and opening acts. In the past NIN has brought on tour underground weirdo rock/electronic bands like Deerhunter, HEALTH and Oneohtrix Point Never. This time out for the co-headlining tour with legendary proto-shoegaze/alternative rock band The Jesus and Mary Chain, there will be Tobacco. The enigmatic electronic/psych/noise artist is perhaps more well known for his otherworldly pop band Black Moth Super Rainbow, but Tobacco is a bit of a different animal and at times could be considered a kind of avant-garde hip-hop with truly unique and mind-altering beats.

Wednesday | September 19, 2018

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Who: Nine Inch Nails w/The Jesus and Mary Chain and Tobacco
When: Wednesday, 09.19, 6 p.m.
Where: Red Rocks
Why: For Nine Inch Nails, The Jesus and Mary Chain and Tobacco see above for 09.18.

Who: Sinister Pig, Lion Slicer, Suspicious Activity
When: Wednesday, 09.19, 6:30 p.m.
Where: Chain Reaction Records
Why: Lion Slicer is a punk band from Green Bay, Wisconsin making a stop in Denver on its “Wooly Eggnog Tour Part 2.” Does that mean it’s a little moldy? Who can say but since the show is free you have little to lose seeing it Chain Reaction Records. The band recently released its new record Lion Slicer Part 2, which if you’re into street punk, is great reminder that stuff didn’t die off into complete and utter obsolescence. Also on the bill are two of Denver’s better political hardcore bands with Sinister Pig and Suspicious Activity.

Who: The Mattson 2 and Astronauts, Etc. w/Stop Motion
When: Wednesday, 09.19, 7 p.m.
Where: Lost Lake
Why: Anthony Ferraro of Astronauts Etc. has written a kind of downtempo masterpiece with his 2018 album Living in Symbol. Something akin to a hazy Laurel Canyon jazz record but one written on the American East Coast while spending the evenings prior to writing in a dimly lit and cozy bar hanging out with Justin Hayward and Joe Jackson. Then taking the recordings infused with all those mysterious, chilled out vibes to Jonathan Rado to put his own haunted psychedelic pop touches into the mixing and mastering. Mattson 2 is cut from a similar cloth albeit one more obviously drawing on jazz roots with real chops to augment its lounge fusion compositions.

Who: Miniature Tigers w/Jasper Bones
When: Wednesday, 09.19, 7 p.m.
Where: The Marquis Theater
Why: Miniature Tigers came out of the mid-2000s as one of the more promising of Brooklyn’s indie pop bands. Although the influence of The Kinks and Elephant 6 bands were there, Mini Tigers also embraced the use of electronic instruments in its mix of sounds as well but with a more modern rather than retro sensibility. For its 2010 album Fortress the group collaborated on a song with Neon Indian as chillwave was reaching toward the apex of its popularity. The record that broke the band to a national, albeit still fairly underground, audience with touring to promote the album was 2008’s Tell It To The Volcano. This tour commemorates the 10 year anniversary of the release of the album but for a band that has consistently released albums since its inception, it’s a good chance to catch up with what the group is doing now.

Who: Ohmme w/Down Time and Mr. Atomic
When: Wednesday, 09.19, 7 p.m.
Where: Larimer Lounge
Why: Chicago-based jazz pop duo Ohmme released their debut full-length album Parts in summer 2018 but the group comprised of vocalists/multi-instrumentalists Sima Cunningham and Macie Stewart had already established itself as a going concern melding technical prowess, avant-garde sensibilities and imaginative songwriting. The eclectic resume of both musicians including credits working with the likes of Richard Thompson of Fairport Convention and Chance the Rapper. The synergy of their live performances, though, prove that they’re a force to be reckoned with and not a recording project that is taking tentative steps into the live arena.

Best Shows in Denver 7/26/18 – 8/1/18

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Tarmints (circa 2007) perform at The UMS on Sunday, July 29, 2018 at The Hi-Dive

Thursday | July 26, 2018

 

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Mr. Pacman circa 2007, photo by Tom Murphy

Who: I Heart Monkey Mania: Mr. Pacman, Robot Peanut Butter & The Shooting Stars, Cyclo-Sonic and Moon Pussy, visuals by Chris Bagley 
When: Thursday, 07.26, 8 p.m.
Where: Syntax Physic Opera
Why: Mr. Pacman is not a band that should be dismissed as mere gimmick. Yes, the band dresses up like characters from a cosplay of some weird, ancient Japanese video game. But it’s live drums, keytar, electronic drums and other instrumentation with, indeed, fairly silly songs but performed with a disorienting intensity and earnestness. At times it’s fun but moderately scary. Which is what any good band should be at least once in a while. Mr. Pacman is that pretty much every time. Robot Peanut Butter & The Shooting Stars is a more out downtempo band and Cyclo-Sonic includes former members of Denver punk legends The Rok Tots, Choosey Mothers and The Frantix. Chris Bagley, one of the filmmakers of the 2008 documentary Wesley Willis’ Joyrides, will provide visuals and make it even more of a trip.

Who: Glasss Presents: The Speakeasy Series Season 2 Finale w/Brother Saturn, Equine, VAHCO, MYTHirst, Bowshock
When: Thursday, 07.26, 7 p.m.
Where: Hooked On Colfax
Why: This is the final show of the second season of Glasss Records’ The Speakeasy Series. It’ll be more of an ambient show with Brother Saturn’s soothing and abstract guitar and synth collages, Equine’s avant-guitar drone and beats, VAHCO’s beat-driven soul,. MYTHirst’s bright soundscapes and ukulele and whatever it is one might call Bowshock’s mixture of influences from space rock, reggae and improvisational composition.

Who: Har Mar Superstar sings Sam Cooke
When: Thursday, 07.26, 7 p.m.
Where: The Bluebird Theater
Why: Har Mar Superstar cleaned up but good for this series of shows in which he dresses up in a suit and tie (which may or may not come off before the set is over in the weather Denver has been experiencing as of late). Sean Tillman (Har Mar Superstar) and his band will perform several of Sam Cooke’s classic R&B hits and maybe even some deep cuts. Seeing as Har Mar’s usual schtick is singing R&B and soul and making a spectacle of himself but pulling off the singing like he was born to it, this is not a huge leap for the performer. And at this time, the socially conscious end of Cooke’s music seems more relevant than ever.

Friday | July 27, 2018

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Red Baraat, photo by Mark Jaworski

Who: Red Baraat
When: Friday, 07.27, 5:30 – 7:30 p.m.
Where: Clyfford Still Museum
Why: Red Baraat’s syncretic pop spans South Asian musical styles, Western funk, Afrobeat and Caribbean pop to create something that’s celebratory, immediately accessible and deep. The sprawling band is playing this free concert at Clyfford Still Museum in central Denver in the wake of the release of its latest record, 2018’s Sound The People. With its cultural scope and implicit message of human unity, Red Baraat’s music is an international call of all people to come together to resist the rising wave of aggressive authoritarianism plaguing the world today. Beyond the heady messaging, Red Baraat is a reminder that sprawling, seemingly improvisational compositions needn’t be the pure realm of jam bands and that it is a component of popular musical styles across the world.

Who: SUPER PARTY Day 1: Presented by Remixed Gifts and Hot Sauce the Dog
When: Friday, 07.27,7 p.m.
Where: Remixed Gifts 70 S. Broadway
Why: This parallel event to the UMS amidst the dense and varied offerings there is out on by the boutique Remixed Gifts and the Denver culture-centered comic ‘zine Hot Sauce the Dog written and drawn by the gifted singer-songwriter Rachael Pollard whose new band DEN |V|OTHER will kick off the event at 7 p.m. followed by Joe Sampson at 8 and R A R E B Y R D $ at 9. Simply some of the best people from Denver you can see at any time. The event runs two days picking up again on Saturday at 2:15 p.m. with Bonnie Weimer.

Who: Larians, Real Gongs, Jumanjuhad
When: Friday, 07.27, 8:30 p.m.
Where: Denver Bicycle Café Beer Hall
Why: Larians is Male Blonding frontman Noah Simons’ IDM/experimental electronic project and Real Gongs is that of Male Blonding guitarist Bryce Navin. If the UMS is too much or not of interest for whatever reason or if you have some time Friday night, highly recommended.
Who: Denver Broncos UK, Echo Beds, Simulators and Shadows Tranquil
When: Friday, 07.27, 9 p.m.
Where: Syntax Physic Opera
Why: Denver Broncos UK is sort of a post-punk side project of Slim Cessna’s Auto Club so a good fit with math-y post punk duo Simulators (think like Shellac but stripped down to even more of the bare essentials) and Echo Beds whose forthcoming album Buried Language (due out August 18 on The Flenser) pushes their harsh organic-industrial soundscape further than previous boundaries.

Saturday | July 28, 2018

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Car Seat Headrest, photo by Mikael Beland

Who: SUPER PARTY Day 2: Presented by Remixed Gifts and Hot Sauce the Dog
When: Saturday, 07.28, 2 p.m.
Where: Remixed Gifts 70 S. Broadway
Why: Day 2 of SUPER PARTY, a free event amidst the UMS. The following is today’s schedule: 2 – Bonnie Weimer, 3 – Jen Korte, 3:45 Ted Thacker of The Red Tack, 4:30 Andy Thomas solo, 5:30 Kissing Party, 6:30 Teacup Gorilla

Who: Car Seat Headrest w/Naked Giants
When: Saturday, 07.28, 8 p.m.
Where:The Gothic Theatre
Why: Will Toledo of Car Seat Headrest is one of the most prolific and interesting songwriters of his generation. Having put out nine albums independently before signing to Matador in 2015, Toledo clearly didn’t need a label but the distribution and marketing arm of one helped to get his music to a wider audience. The new Car Seat Headrest album, 2018’s Twin Fantasy (Face to Face), is brimming with what has made the band impossible to dismiss with lazy genre designations. Vocals that sometimes soar with an upsweep of deeply felt emotion, sometimes speak quietly about the concerns of the moment that flood your mind and won’t let go. Lo-fi guitar composition in the vein of maybe a Pavement or Sebadoh but informed more by underground rock of the 2000s like Jay Reatard’s more sublimely ethereal moments and more modern lo-fi stars like No Age, Times New Viking and artists from the Siltbreeze imprint. Beyond just the sonics, though, the new record is an exploration of the concerns, anxieties and self-image of a young person in an era when destructive, and self-destructive messages, have been repackaged and made to seem like a viable option. Car Seat Headrest’s new album is a compassionte and vibrant rejection of much of that as well as a suggestion of a path of discovery/rediscovery of what’s truly important in one’s life.

Tuesday | July 31, 2018

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Weezer, photo by Brendan Walter

Who: Weezer and the Pixies w/Sleigh Bells
When: Tuesday, 07.31, 5 p.m.
Where: Fiddler’s Green
Why: Weezer got to be in on the tail end of the legitimate wave of alternative rock in the early 90s. Its 1994 self-titled album, “The Blue Album,” yielded a couple of hits with “Buddy Holly” and “Undone – The Sweater Song.” The crunchy melodies and quiet-loud dynamics pioneered by groups like Mission of Burma and Pixies, who had then recently split, continued the tradition of nerdy punk rockers making music that took that spirit of punk to different places. Weezer could have been another fuzzy, alternative rock/pop punk band with that kind of sunny Southern California flavor. But Weezer’s songs, even when it’s indulging in some fun-loving goofiness, had at its core an impulse to resist being pigeonholed or musically fitting into a specific trend.

After its first record, singer Rivers Cuomo wanted to change gears dramatically and nearly made a science fiction-themed concept album but what came out instead is what could be argued is the band’s most artistically interesting record to date, 1996’s Pinkerton and its darkly conflicted lyrics. Cuomo has since all but disavowed the album as a reminder of a painful time. And to Weezer’s credit, the group has not spent its time as a band trying to recapture past glory. Its most recent full-length album, 2017’s Pacific Daydream, reflects not only Cuomo’s personal alienation but the anomy of our time when many people feel a disconnect with the lives they might want, however modest the aspiration, and the reality we face with diminished expectations. A melancholy set of songs? Maybe not obviously so but despite the title, a song like “Beach Boys” sounds like something that, psychologically speaking, was written in a vast room lit only by small windows on a cloudy day reminiscing about what once brought one joy. Like a less dire but no less impactful musical version of William Friedkin’s depiction of life in the City of Angels.

That Weezer is co-headlining with Pixies seems fitting. Both bands find themselves perhaps having to reinvent themselves for the current era even as their back catalog speaks for itself. Pixies are obviously the influential alternative rock band from Boston, darlings of college radio in the late 80s and early 90s and breaking up with its legacy intact. The band’s humor, unhinged energy, idiosyncratic songwriting filled with seething emotion, delicacy of feeling, have kept its music fresh decades onward. Like any band worth its salt, Pixies also produced new music post 2003 reunion once its internal dynamics leveled out. The group’s first album with former touring, now permanent, bassist Paz Lenchantin, 2016’s Head Carrier, isn’t generally as immediately cathartic and as vital as the group’s 80s and 90s output, it proved Pixies can still write material worth a listen and highlights the band’s ability to clue in to unusual sounds and rhythm and texture ideas that other established artists often don’t.

Who: Stephen Malkmus & The Jicks w/Soccer Mommy
When: Tuesday, 07.31, 7 p.m.
Where: The Gothic Theatre
Why: Stephen Malkmus is obviously the singer and one of the guitarists in lo-fi slacker psyche legends Pavement. But his songs under his own name and with The Jicks are as worthy as anything he did with Pavement. Free to explore unusual melodies, self-indulge a wide range of guitar styles and fusing noise, jangle rock, improvisational instincts, 70s rock, psychedelia and prog, Stephen Malkmus with the Jicks is capable of coming up with refreshingly unusual songs even if they all have the stamp of eccentricity and imagination that Malkmus has brought to all his projects. The group’s 2018 record Sparkle Hard reflects Malkmus examination of the modern world and his place in it as a white man, and father, in his fifties who is still engaged in doing the thing he’s best at—writing unusual rock music—when the world seems to be falling apart and changing at a rapid pace. In typical fashion, Malkmus has a worthwhile and interesting take on all of it.

Opener for this tour, Soccer Mommy, is an interesting pairing because Sophie Allison’s songs have a layered and emotionally rich, compositional style with a sound collage quality that isn’t at first obvious. Her 2018 debut studio album Clean is a solid 10-song collection of sophisticated pop. Unlike many young songwriters, Allison, now 21, doesn’t sound like she’s tapping into a particular era of the 90s or the 2000s except for maybe Mitski and Japanese Breakfast. But, really, those are exceptionally respectable touchstones. What is also noteworthy is Allison’s range of dynamics, command of what, in a film score, might be called sound design, materfully orchestrating textural and atmospheric elements to augment her storytelling. With a debut so strong, one can only hope we’ve not yet seen Allison at her peak.

Who: ModPods w/R A R E B Y R D $
When: Tuesday, 07.31, 7 p.m.
Where: Mutiny Information Café
Why: ModPods from Los Angeles with its mixture of electronic post-punk and dance music sounds more like some kind of band from Baltimore in the 2000s or the kind of band that would have played The Smell in its heyday with an eclectic spirit not trapped in adherence to a stylistic subgenre. Either way its beat-driven songs have an edge and an 8-bit melodic fringe on its minimal synth melodies. Fronted by Myriad Slits, the trio, including Mindee Jorgensen and Daniel Guzman who switch up instruments regularly so that the musical duties never really become rote, is like an intentionally lo-fi synth pop/dance band.

Also on this bill is R A R E B Y R D $, the hip-hop trio that keeps pushing boundaries, including its own, in terms of beatmaking and Key Lady’s and KoKo La’s alchemical vocal interplay. The way some guitarists create interesting shapes for chords, the members of this group creates interesting synergy of sounds between vocals, beats and Michael Blomquist’s organic percussion. It’s a deeply emotional experience that you share with the band. It’s like alternative hip-hop if made by people who take great joy in seeing exactly what you can do with a synthesizer and a sampler to make something entrancing and meaningful. Hypnagogic post-disco, endorphin releasing, gangsta dub.

Wednesday | August 1, 2018

 

Who: Shocker Mom, Spargob and R A R E B Y R D $
When: Wednesday, 08.1, 8-11 p.m.
Where: Fort Greene
Why: It’s a free show and you get to see some of Denver’s best producers of electronic music in the underground. For R A R E B Y R D $, see above. Shocker Mom is Robin Walker who to the big wide world outside of Colorado is not known at all. But for those that have been able to witness her talents as a solo artist, member of lo-fi pop phenoms Cougarpants or one half of the hip-hop duo Nighttimeschoolbus, Walker is a singular talent. As Shocker Mom, Walker taps into her broad musical experience to produce tracks that blur the line between hip-hop, trap, IDM, ambient, dubtechno and indie pop. Aleeya Wilson is perhaps most well-known for her avant-garde guitar/noise project Death In Space. But now the Girls Rock Denver alumn is writing music as Spargob, her production project so expect something refreshingly weird and imaginative.

Who: Weird Wednesday: Universal Devils, Limber Wolf, The Far Stairs facebook.com/events/509245982828786
When: Wednesday, 08.1, 9 p.m.
Where: 3 Kings Tavern
Why: This edition of Weird Wednesday, Claudia Woodman’s monthly at 3 Kings Tavern, will include Rick Layton’s solo experimental metal project Universal Devils. Layton is a talented multi-instrumentalist who spent several years as the drummer for weirdo punk band Little Fyodor & Babushka Band. The Far Stairs is fronted by former Hindershot keyboard player Jesse Livingston. Imagine a manic New Wave/New Romantics/power pop band influenced by They Might Be Giants. But not just good, but great.

Best Shows in Denver and Beyond 05/10/18 – 05/16/18

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Slim Cessna’s Auto Club, photo by Tom Murphy

Thursday | May 10, 2018

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Abeasity Jones, photo by Tom Murphy

Who: Glasss Presents the Speakeasy Series Season 2: Venus Cruz & What Young Men Do, Abeasity Jones
When: Thursday, 05.10, 7 p.m.
Where: Hooked On Colfax
Why: Abeasity Jones’ songs sound like maybe he spends part of his day working in some high rise office in downtown Denver and/or in some media tech office nearby where maybe things are comfortable but there’s an element of compromise and alienation. And while working and tending to the demands of his personal and family life he allows his imagination an escape into chill spaces where he can explore and write stories about his struggles, concerns and daydream life. The beats are downtempo and ethereal and the subject matter often delivered with a sense of acceptance like depleted melancholy. Yet, Jones’ sense of humor and thoughtfulness lifts up the music and his live performance has a positive energy giving the songs a dimensionality that some hip-hop seemingly recorded at home lacks.

Also playing this show is one of Denver jazz and hip-hop’s true luminaries: Venus Cruz. But this time out with the band What Young Men Do. Cruz’s versatile talent has found a place singing, producing and performing music in a wide variety of contexts. Her long-running stint with the Jazz Odyssey program on KUVO on Wednesday nights is an outlet for fans of jazz and the sensibility of jazz outside the classic format. What Young Men Do is more of a funk, soul and jazz-inflected hip-hop project so it’ll be something pretty different for the Speakeasy Series and Hooked On Colfax both.

Who: Musical Mayhem: Bonnie Weimer and The Pollution
When: Thursday, 05.10, 9 p.m.
Where: Skylark Lounge
Why: Bonnie Weimer released her first single in probably several years, maybe even her first released music since her time in folk-punk-Americana group Potato Farmers, in April 2018 with “Pajama Top Man,” a winsome, humorous, self-effacing story song about an awkward would-be romantic encounter set to a spare, banjo melody. Fans of outsider music will find a lot to like about the song even though that designation doesn’t necessarily fit Weimer’s entire musical output. In an interesting pairing, not unusual for Claudia Woodman’s Musical Mayhem night at the Skylark, is The Pollution. Jay Fox was in one of the early DC punk bands, United Mutation, but the latter was never part of the Dischord scene and didn’t play out often even if its blend of psychedelic rock and punk was becoming a thing as bands like Butthole Surfers and Alice Donut were making waves in the underground. Decades hence, Fox, now living in Denver for several years, has set about trying to make bands for whom the intensity, energy, anti-authoritarian spirit and creative fire of punk and psychedelic seemed completely compatible qualities that needn’t be separated by stylistic sectarianism.

Who: Gold Trash, Violent Vickie, R A R E B Y R D $, Pearls and Perils and EVP
When: Thursday, 05.10, 8 p.m.
Where: Independent Records
Why: Glasss is bringing some of its artists to Colorado Springs tonight. Gold Trash is sort of a samples/live electronics take on the kind of collage, trash sound/culture guitar rock barrage that was Royal Trux. Pearls and Perils is lush downtempo beats and the sultry vocals of Olivia Perez who most won’t remember from her old, experimental rock band Gloam. But with Pearls and Perils she gets to put more of herself into the music undiluted by anyone else’s vision and the result is an emotionally cleansing body of work. Like most Glasss artists, EVP is impossible to tag with one genre designation. Part industrial, part pop, part punk, EVP sounds like the kind of music made by people living in a dystopian near future where kids have overtaken the crumbling, cheap housing units made during Denver’s current fake economic boom (real economic booms benefit everyone pretty equally) but then abandoned—scrappy, often angry and melancholy stuff. R A R E B Y R D $ is probably the Denver band now that will attain the underground mythical status of acts like Fissure Mystic and Hot White by the sheer excellence of its material and live shows except it’s an experimental hip-hop group. Its enveloping, rich beats stir the heart and the imagination and the emotional resonance of its lyrics and KoKo La’s and Key Lady’s singing and rapping has the irresistible power of a Kimya Dawson.

Friday | May 11, 2018

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Charly Bliss, photo by Jacqueline Harriet

Who: Punk Is Dad fundraiser featuring MF Ruckus, The Velveteers, Ned Garthe Explosion and Plastic Daggers
When: Friday, 05.11, 8 p.m.
Where: The Oriental Theater
Why: This show will benefit the Dorian DeLong Arts and Music scholarship fund which gives scholarships to college to students involved in arts programs in the Denver area. And you could hardly ask for a more solid rock lineup with the hard rock band MF Ruckus, psychedelic rock pranksters Ned Garthe Explosion, the edgy melodic hardcore Plastic Daggers and fuzz-garage stars The Velveteers.

Who: Esmé Patterson, Emily Ritz and Eleanor Perry
When: Friday, 05.11, 7 p.m.
Where: Leon Gallery
Why: Most of the time to see Esmé Patterson’s evocative storyteller pop you’d have to go to some kind of bigger bar venue or small theater. But this performance will happen at the much more intimate Leon Gallery. Patterson spent many years honing her craft as a member of the baroque pop group Paper Bird, but since she’s broke out on hr own for the last several years her imaginative songwriting has developed into a vehicle for writing with a warmth and wisdom on uncomfortable subjects.

Who: Charly Bliss w/Skating Polly
When: Friday, 05.11, 7 p.m.
Where: The Marquis Theater
Why: Charly Bliss’s 2017 album Guppy sounds like the band wood shedded its material in a cabin in a remote location far from its Brooklyn homebase with only 90s fuzzy alternative rock/power pop on hand for its listening diet. Obvious touchstones like Liz Phair, Velocity Girl, The Breeders and Veruca Salt. Even the music video for “Ruby” reinforces that impression looking like something that might have been produced for a segment of The Ben Stiller Show. But there’s no mistaking Charly Bliss’s exuberant energy for a pure nostalgia trip. The songs may rock but like many of the bands that likely influenced Charly Bliss, the lyrics have a raw vulnerability that gives it more depth than might otherwise be obvious. The same could be said for Oklahoma City band Skating Polly whose style of music is probably punk by default but so individual it would be problematic to say the trio consciously tried to be punk as a genre. The latter recently released its latest album, The Make It All Show. Skating Polly shows look like they might blow apart from the sheer, wiry energy of the performance and, of course, that’s what makes for great, scrappy punk rock.

Who: Girls Rock Denver: Showcase Series: Gold Trash, RAREBYRD$, EVP and Nighttimeschoolbus
When: Friday, 05.11, 7 – 11 p.m.
Where: Spectra Art Space
Why: Girls Rock Denver will happen in the summer but these events are a showcase to perhaps make being a musician beyond the camp and beyond those likely temporary bands an attainable goal. Which is crucial because a world where most music and art is still being made mostly by males seems bizarre and past its due date at this point in history. This night features some of the best artists in Denver in the realm of electronic, hip-hop, experimental and industrial music. Most of the artists on the bill were written up earlier in this column but all are worth your time.

Who: Slim Cessna’s Auto Club w/Echo Beds and Weathered Statues
When: Friday, 05.11, 8 p.m.
Where: Hi-Dive
Why: Slim Cessna’s Auto Club, one of Denver’s longest running bands and one of its most lively and entertaining, is doing a mini-residence at the Hi-Dive this weekend. Although the Auto Club is a kind of punk Americana with literary lyrics and a joyful, emotionally charged, theatrical live show, it’s been booking opening bands well outside the expected circles of Gothic Americana. This night, organo-industrial darkwave band Echo Beds will bring the punishing beats and cathartic drones and Weathered Statues will deliver its brand of moody but urgent post-punk.

Saturday | May 12, 2018

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Great American House Fire, photo by Tom Murphy

What: Fem Fest
When: Saturday, 05.12, 8 p.m.
Where: MCA Denver
Why: Fem Fest is an all-ages, all-genders welcome event that includes various workshops, a bazaar, tarot and astrology readings and more but also musical performances in the evening and night. Fem Fest because representation matters in a truly healthy and just society. There are plenty of, in essence, Men Fests because of booking and conception most of the rest of the year so don’t get caught up on the name and miss out on some of Denver’s best bands and the headliner, Red Aunts. Music kicks off at 5 p.m. with a Girls Rock Denver showcase followed by space angel/earth mother energy hip hop group R A R E B Y R D $ at 6. Princess Dewclaw, Denver’s own electro fuzz punks at 7 with “pastel punk” surf rock trio The Corner Girls at 8. The evening tops off at 9 with Red Aunts.

Who: Dirty Junk, Great American House Fire, Married a Dead Man
When: Saturday, 05.11, 9 p.m.
Where: The Curtis Club
Why: Dirty Junk is a duo from Minneapolis on its 2017 album Snot is the kind of messy, noisy, collage-esque punk-inspired music that we haven’t heard much of since Get Hustle was active. Or like a weirder and noiser version of that raw punk Sleater-Kinney was doing on its first two records. Interesting putting the band together with Great American House Fire, a group that combines a melancholic Americana with moody posthardcore and soulful singing. Married a Dead Man is a post-punk band unabashedly influenced by music out of the Goth world.

Who: Sorted #8: Pangaea, Ganesa & Squane, Newnumbertwo
When: Saturday, 05.12, 10 p.m.
Where: TBA
Why: Kevin McAuley calls London home but tonight he’s performing at the eight edition of sorted, the underground electronic music event that Veronica Lamaak and company put together periodically to showcase some of the most interesting house, techno and more experimental dance music in general happening now. Also on the bill are Jelly Bean Farm artists Ganesa & Squane. Ganesa is the label head of Jelly Bean Farm and her DJ sets tend to be eclectic and futuristic-sounding. Squane’s sound tends to be more low end heavy with thick, dubby bass beats but he and Ganesa share a seeming love of bright, mid-to-upper register melodically ethereal melodies. Newnumbertwo is a resident artist with Sorted whose deep house/dubstep sound mixes in elements of a gentle kind of breakcore.

Who: Slim Cessna’s Auto Club w/Palehorse/Palerider
When: Saturday, 05.11, 8 p.m.
Where: Hi-Dive
Why: The second night of the Auto Club residency at the Hi-Dive this weekend but this time with Palehorse/Palerider, a band who are superficially an alchemical mixture of doom/drone and shoegaze but with an industrial/tribal element they bring in for a song or two in the set. Which doesn’t mean much when your sets have three or four songs but nevertheless gives a set of otherwise densely beautiful and crushing songs an expansive sensibility.

Sunday | May 13, 2018

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Modest Mouse, photo by Ben Moon

Who: Modest Mouse w/Mimicking Birds
When: Sunday, 05.13, 6 p.m.
Where: Red Rocks
Why: For a band that is one of the definitive incarnations of the too-broad-too-vague-yet-fittingly-umbrella quasi-genre of indie rock, Modest Mouse sure put in a lot of time developing its sound and songwriting style before becoming one of the style’s most iconic groups. Modest Mouse began when its founders were still in high school, it released its first seven inch on K Records, its first two full-lengths on Seattle indie imprint Up Records including its 1997 “breakthrough” album Lonesome Crowded West and every album since through major label Epic Records. Quite an arc for a band whose work remained fairly idiosyncratic, emotionally raw and imaginative even up to its most recent album, 2015’s Strangers to Ourselves. In its first decade or so of its existence, Modest Mouse was a notoriously inconsistent live band. But since then the act has seemingly harnessed the chaos and unpredictability of its youth when maybe there seemed to be less and stake and less to lose if it did all fall apart and channeled that spirit into music more coherent and accessible to a wider audience without having to sacrifice its uniqueness.

Monday | May 14, 2018

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Rotstrotter, photo by Tom Murphy

Who: Petrification w/Rotstrotter, Alone and Noctambulist
When: Monday, 05.14, 8 p.m.
Where: Hi-Dive
Why: Petrification is a death metal/grind band from Portland, Oregon on its way to Maryland Death Fest and making a stop in Denver to play with some of the local heavy hitters in that realm of music. The band called its 2017 cassette Summon Horrendous Destruction with a rotting zombie face rendered in black and white as the cover. At times the guitar riffs wander into the realm of The New Order-esque period Testament. But that is no bad thing. Rotstrotter have been one the longest-running, and frankly best, D-Beat bands in Denver. Sounding somewhere between SSD and early Discharge, Rotstrotter looks and sounds like they live it and that it’s not a simply a shallow lifestyle choice.

Who: Farrell Lowe Group, Latex Cupcake, Seward / Sexton, Gil Selinger
When: Monday, 05.14, 8 p.m.
Where: Seventh Circle Music Collective
Why: This is a rare opportunity to see some of Colorado’s avant-garde improvisation legends at a DIY space. Farrell Lowe Group includes, of course, Farrell Lowe, Mark Raynes, Dave Willey and Mark Harris. The latter two are members of internationally renowned avant-prog band Thinking Plague. Latex Cupcake is Jennifer Bobola, John T. Nething, Bret Kuyper and Mark Emmons, all of whom have been around Denver playing in various capacities but this is the project’s first show and its, one might say, mutant version of experimental jazz/modern classical will be a great fit on this lineup including a solo cello performance with Gil Selinger and Seward / Sexton, which will be accessible and in the vein of lounge jazz but inspired more by Captain Beefheart and The Fugs than a standard jazz group.

Tuesday | May 15, 2018

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Cullen Omori, photo by Alexa Lopez

Who: Cullen Omori w/The Gloomies and Rowboat
When: Tuesday, 05.15, 8 p.m.
Where: Lost Lake
Why: Cullen Omori’s 2016 album New Misery at least lets you know what you’re in for. As in imagine you were in one of the most buzzed about indie rock bands of the first half of the 2010s and then your band breaks up and you didn’t regroup with any of the other members. You’re left to pick up the pieces and try to figure out a way to keep doing the only thing that gave your life any real resonance. Perhaps a bit of a stretch but one can only imagine it’s something like the scene in Apocalypse Now where Willard discusses why he stayed in Vietnam and how it beat working in a factory in Ohio. To go from Smith Westerns and, in Denver anyway, playing the Ogden to playing small clubs. Willard dealt with it through self-harm and self-medication. Maybe Omori did some of that too, who’s to say? But what we do know is that despite its flaws and shortcomings, New Misery is the product of Omori’s tangling with the fallout, personal and creative, of going from being in a band on the verge of mainstream success to having to find a place for oneself doing the thing you love but which is also the source of some of your pain. That quality gives the record a bit of an uneven and at times cringeworthily honest quality but you don’t often get to hear that on what is essentially a pop record. For this show, you can see some of that music live but also, with any luck, a good deal of what Omori has been cooking up since then.

Who: Film On the Rocks: The Last Jedi feat. Church Fire
When: Tuesday, 05.15, 6 p.m.
Where: Lost Lake
Why: Church Fire’s music sounds like it’s from some future, way-past-post-apocalypse-to-civilizational-rebirth dance club scene. Like synth pop delivered with a fiery intensity and noisy abandon. Sure, a lot of people are going to see a movie during the rainy season for some reason at a place where the wind will doppler the sound and the storms will make watching a movie borderline miserable. Or not. It is Colorado after all. But seeing Church Fire in that environment will make sense as the sun is setting and the diminishing rainclouds provide the perfect backdrop.

Wednesday | May 16, 2018

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TV Girl log, image courtesy TV Girl

Who: TV Girl w/Wished Bone and Hairclub
When: Wednesday, 05.16, 8 p.m.
Where: Hi-Dive
Why: The enigmatic pop band TV Girl makes a stop at the Hi-Dive this night. Its sound is like a hyper/surreal, tropicalia-inflected lounge pop. Like a Los Angeles sister band to Sweden’s Death And Vanilla. If someone could make music for a TV show about an America where the 80s never ended and we somehow had Ike back as the president. If Mad Men was a cyberpunk show but took place at a resort with none of the usual dystopian trappings, just life with everyday dramas set in a dreamlike place, an almost too clean place as exists in 60s 70s British science fiction shows. The band’s new album, Death of a Party Girl (read the statement on why the vinyl isn’t yet out because it’s dead on and witty) is an indie pop album that sounds like something that could only really come out of Southern California – hazy atmospheres, downtempo, wistful and soothing – but without any of the creeping insipidity that happens when too much industry input leeches music of any of its inherent character.

Best Shows in Denver and Beyond 05/03/18 – 05/09/18

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Alice Glass performs with Zola Jesus and Pictureplane at Fox Theatre on Saturday, 5/5/18. Photo courtesy Sacks & Co.

Thursday | May 3, 2018

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Ariel Pink, photo by Eliot Lee Hazel

Who: Desert Daze Caravan 2018: Ariel Pink w/DIIV
When: Thursday, 05.03, 7 p.m.
Where: Moon Room at Summit Music Hall
Why: Desert Daze Caravan is the traveling mini-version of the Desert Daze festival in California that features some of the best of the more psychedelic-leaning bands existing today. While the festival happens in October, for this touring edition, Desert Daze brings along a couple of the most interesting artists playing music in its wheelhouse. Los Angeles based lo-fit mutant pop renegade Ariel Rosenberg, aka Ariel Pink, has had a varied and storied musical career that should be the subject of a book someday because it’s not short on drama, controversy and artistic achievement. In 2017 Rosenberg released Dedicated to Bobby Jameson, a collection of songs that bridge dream pop, psychedelic rock, what one might called garage soul and lo-fi funk. As with all of his records, Rosenberg plays with the form of genre with an offbeat use of sound and weaving together aesthetics that most other artists wouldn’t. At times one is reminded of some early 80s German synth pop, others of Get Lost-period Magnetic Fields and of the music of his friend and contemporary, John Maus. Unlike many of his contemporary synth artists Rosenberg isn’t trying to show how big a sound he can get with a synthesizer, he makes it serve the song as much as any other musical element and not as the basis for the composition.

DIIV became a bit of a cult band for Zachary Cole Smith when Oshin came out on Captured Tracks in 2012. Though the record felt a bit indistinct it made krautrock’s repetitive beat structure softer like downtempo with a little more emotional urgency. The follow-up, 2016’s Is the Is Are found Smith embracing the raw and vivid emotionalism of Elliott Smith’s lo-fi pop and the messy, atonal trash rock of Royal Trux. It’s challenging to hear that on the beautifully melodic songs of Is the Is Are but that the songwriting is growing beyond the band’s earliest phase is obvious and at times Is the Is Are sounds like Smith is training himself to deconstruct his own musical instincts to make something more creatively rewarding.

Who: In/Planes Radio Wave tape release w/Down Time and Kyle Emerson
When: Thursday, 05.03, 7 p.m.
Where: Lost Lake
Why: In/Planes’ music has a very soft touch and is the “Mixtapes” single from its new tape, Radio Waves, is any indication, the duo has a gift for taking fairly common experiences and making them resonate with an immediacy of the deeply personal. Joining the band for the tape release show are like-minded tender pop band Down Time and Kyler Emerson with his jazz-inflected, incisively poetic, desert-y folk pop gems.

Who: Glasss Presents the Speakeasy Series season 2: Lepidoptera, MYTHirst, Bow Shock
When: Thursday, 05.03, 7 p.m.
Where: Hooked On Colfax
Why: MYTHirst’s sound is part bright, modular-synth sounding beats with organic string sounds and textured percussion. The Denver version of Lepidoptera, not the Palm Beach, Florida band, has a dream-like guitar and minimal atmospheric sound reminiscent of mid-90s Flying Saucer Attack but not quite as noisy. Bow Shock is somewhere between improvisational electro jazz funk and whatever it is one might call Prefuse 73 with its own mixture of samples of records and live instruments in a way that expands the parameters of what constitutes electronic dance music.

Friday | May 4, 2018

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Television Generation, photo by Tom Murphy

Who: Jane Doe, Television Generation and Meet the Giant
When: Friday, 05.04, 9 p.m.
Where: Skylark Lounge
Why: Three of Denver’s best off the beaten path rock bands are playing the Skylark on this bill. Jane Doe is in the realm of post-punk but there are elements of noise rock and avant-garde jazz and performance poetry as delivered by Becca Mhalek. The latter spent some time playing with Nels Cline as well as Denver experimental bands Nightshark, MVP and Aenka. Television Generation takes the harrowing intensity of early grunge and mixes it with melodic and energetic post-punk. Meet the Giant has taken what could be fairly gloomy music and given it a driving rhythm and grit that somehow perfectly captures urban melancholy and desperation as experienced by anyone living in American west: uncertainty, disconnection, disaffection, undercurrents of fatalism and a sense of pondering whether or not its foolish to hope for things to change for the better where or not you give it a good try. All while sounding scrappy and not ready to give up on the rewards of creative expression for one’s own fulfillment. Meet the Giant’s self-titled full-length releases digitally on May 15 with a vinyl release later in Spring or Summer.

Who: Porlolo (album release) w/Land Lines and Spirettes
When: Friday, 05.04, 8 p.m.
Where: Lost Lake
Why: Porlolo released Awards on April 27 but this is the official release show. Erin Roberts, the lead singer and guitarist in Porlolo, has kept the band going for years while not exactly breaking through to a mainstream audience, Roberts’ songwriting has been noteworthy for its humor, wisdom and sensitivity. Maybe some of the roots are in folk and Americana but at this point Porlolo transcends both and has as much in common with Luna, Cat Power, Mojave 3 and Mazzy Star as it does with anything fully in the country spectrum of songwriting. Getting to see Land Lines’ experimental, string driven pop and Spirettes’ incandescent dream pop in person just makes this show three times worth seeing.

Who: SPELLS, Quits, Wild Lives
When: Friday, 05.04, 9 p.m.
Where: Streets of London
Why: SPELLS is a poppy punk band that is as much a party as a band. Wild Lives is more in the realm of punk bands from the 80s and 90s who were melodic but not pop punk. Like The Didjits, New Bomb Turks and Blatz. Quits, a little different from the rest of the lineup in being more a noise rock band than punk. Which makes sense in that every member of the band has contributed to some of the most noteworthy post-hardcore and noise rock out of Denver of the last two decades including former Hot White members Tiana Bernard and Darren Kulback as well as Luke Fairchild and Doug Mioducki who were last in a band together in the early 2000s with Sparkles who always seemed to play like they were ready to explode.

Saturday | May 5, 2018

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Al Scorch band, photo by Alexis Ellers

Who: Alice Glass – Snowblood tour w/Zola Jesus and Pictureplane
When: Saturday, 05.05, 8:30 p.m.
Where: Fox Theatre
Why: When Alice Glass released her self-titled EP in August 2017 it sounded like a a purging of several years of having told hold back in revealing her own truth and a declaration of her identity as an artist viable beyond any past associations with Crystal Castles. In the latter, Glass was a riveting performer and a singer that channeled perfectly the synthesis of 8-bit music, synth pop, modern dance music and hip-hop that was the essence of Crystal Castles and its being ahead of a curve in modern electronic music that embraced lo-fi and collage production as much as more conventional compositional techniques. For this tour Glass paired with one of the other powerful songwriters in electronic underground music with Zola Jesus whose own 2017 album Okovi represented her own breaking with the methodology and career path of an “indie” artist that might have been open to her. Instead, she trusted her personal and creative instincts and put together an album that was awash in ambient sounds and an hypnotic melodies and sonic structures reminiscent of classical music and black metal. Pictureplane is an old friend of Glass’s from his days as a Denver artist living at Rhinoceropolis. As an artist whose work traverses noise, electronic pop, hip-hop and dance, Pictureplane has a broad palette of sounds and sensibilities employed in his songwriting and performance style.

Who: Al Scorch (full band), Gun Street Ghost, Matt Rouch & The Noise Upstairs
When: Saturday, 05.05, 8 p.m.
Where: Hi-Dive
Why: Chicago’s Al Scorch earned a name for himself as an energetic and engaging performer with his blend of punk and Americana. Sure, a ton of punks have turned country and the great Camper Van Beethoven and Green On Red, among others, set a high bar for that sort of thing. A number of punk and country artists have even threaded in some eastern European and non-Western musical ideas into their mix. But Scorch does so with an irresistible energy and charisma. His most recent record, 2016’s Circle Round the Signs, contained more than a small amount of poignant social commentary about class and the consequences of war and conflict.

Sunday | May 6, 2018

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HIDE in August 2016, photo by Tom Murphy

Who: HIDE, Curse, Echo Beds and Jump Scare – DJ Brian Castillo
When: Sunday, 05.06, 8:30 p.m.
Where: Mutiny Information Café
Why: Chicago-based post-industrial duo HIDE makes a return visit to Denver in the wake of the release of their 2018 album Castration Anxiety. Using samples, pounding beats and corrosive drones, HIDE’s shows are like confrontational rapidfire snapshots into our culture’s nightmares and insecurities set to a heady soundtrack and as embodied in vocalist Heather Gabel’s ritualistic performance style. Fortunately, the band’s tour intersected with that of Baltimore industrial/darkwave punk band Curse whose own synth-driven heavy music predates some of the current darkwave renaissance and yet sounds like a future form of the music. Curse recently released a split 7” with noteworthy Austin-based industrial act Street Sects. Also on the bill are local industrial noise phenoms Echo Beds and Jump Scare, which includes Anton Kruger, formerly of experimental electronic dance project Bollywood Life. Brian Castillo will DJ the night with some rare cuts from his extensive vinyl library of underground and not-so-underground darkwave music.

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Yardsss at Treefort Music Fest 2018, Boise, ID. Photo by Tom Murphy

Who: Flesh Buzzard, Sporehive, Morlox, Nighttimeschoolbus, Mirror Fears, Yardsss, Ghost House, visuals by Clark Nova, DJ sets by JusJo
When: Sunday, 05.06, 6 p.m., show 6:30
Where: Seventh Circle Music Collective
Why: A night of mostly local noise and electronic acts at Seventh Circle Music Collective. Patrick Urn of Morlox has long bridged the worlds of noise and electronic music production and has released a fairly diverse body of work including hip-hop and ambient music beyond the noise and industrial music for which he’s best known. Whether as a member of defunct industrial legends In Ether, as Herpes Hideaway, as Syphilis Sauna or Morlox, Urn’s imaginative compositions are highly worthy of exploring in recorded form and witnessing live if you can. Nighttimeschoolbus is an underground hip-hop duo comprised of Toby Hendricks of Otem Rellik and vocalist extraordinaire Robin Walker. The name tells you a bit about the aesthetic and sense of play involved in the songwriting but it also articulates perfectly the necessary emotional state in which you’re indulging your whimsy as a refuge from the rest of the time in life when you’re dealing with the heavier side of human existence. Mirror Fears will not be short on bringing the feels with her melancholy yet cathartic, beat driven electronic pop songs. Yardsss from Portland, Oregon in this configuration is the three-piece band so the show is more like a post-punk, industrial ritual performance than the inspired, hermetic electronic performance art piece it was when Krist Kruger performed as Yardsss solo in Denver in 2017.

Monday | May 7, 2018

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MGMT, photo by Brad Elterman

Who: MGMT
When: Monday, 05.07, 6:30 p.m.
Where: Fillmore Auditorium
Why: MGMT came up a time when many of the big time electronic pop acts of the 2000s were getting going. That LCD Soundsystem, Paramore, Phoenix, Arcade Fire, Matt and Kim and MGMT and the like started experiencing the first stirrings of popularity in roughly the same timeframe before chillwave became a thing should be noteworthy to future popular music historians. MGMT, though, started when Ben Goldwasser and Andrew VanWyngarden were students at Wesleyan and like many dorm/bedroom projects in the 2000s the early musical ideas were noisier and more experimental than their more developed work. But when MGMT got more accessible it also became more interesting and its weirdo psychedelic pop struck a chord with an increasingly wide audience. The 2007, Dave Fridmann-produced Oracular Spectacular took MGMT out of the underground for good and when the band returned to Denver after the release of that album it wasn’t playing the Hi-Dive, it was much larger venues. The band’s subsequent albums, Congratulations and MGMT, didn’t seem to advance the band’s musical ideas much but 2018’s Little Dark Age finds the group not returning to form so much as a re-embrace of the band’s core idiosyncratic vision of electronic pop and dance music that made it interesting in the beginning.

Who: Curse w/Echo Beds and Ghost House
When: Monday, 05.07, 8 p.m.
Where: Triple Nickel Tavern (Colorado Springs)
Why: This is your second chance to see Curse (see above) in Colorado also with Echo Beds. It’s not too common that these kinds modern darkwave and industrial bands perform in the Springs so don’t sleep on the opportunity if you’re into that kind of music.

Who: Smoking Popes (acoustic) w/The Bigger Empty (feat. Mike Felumlee)
When: Monday, 05.07, 7 p.m.
Where: Larimer Lounge
Why: Smoking Popes were one of the best of the 90s Chicago punk bands. It came out of the same scene that produced Screeching Weasels and Pegboy. But Smoking Popes was a bit more melancholy than than many of their peers even when the pace was high energy and one might even say the Popes were basically an emo band. Combining a punk edge with an emotional vulnerability wasn’t terribly common in the early 90s but the Popes did it in a way that seems more a feature of punk than an anomaly these days. The band flirted with mainstream popularity in the mid-90s but by the end of the decade Josh Caterer found his newfound strong religious convictions didn’t jibe with what the band was about the end group broke up in January 1999. Six years alter, the band played a reunion show in Chicago before which Caterer explained that songs he didn’t think he could perform again weren’t songs the band tended to play live anway. But the reunion would happen without original drummer Mike Felumlee. Over a decade later, Felumlee is back in the fold and playing this current “acoustic” tour as well as playing with opening act The Bigger Empty.

Tuesday | May 8, 2018

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Curse, photo by Tom Murphy

Who: Curse, Church Fire, Kill Your Darlings
When: Tuesday, 05.08, 7 p.m.
Where: Downtown Artery (Upstairs)
Why: Baltimore darkwave band Curse makes it to Fort Collins for a show with Denver-based electro-industrial-dance band Church Fire and Fort Collins’ industrial band Kill Your Darlings which includes Brett Scheiber of Stella Luce and formerly of dance pop band Pep*Squad and noise project Four Pins Pulled. Sure, darkwave but all of these bands have an emotional intensity on stage that may have an element of the melancholy yet never a downer.

Who: Pseudogod, Hellfire Deathcult, Abysmal Lord, Casket Huffer
When: Tuesday, 05.08, 7 p.m.
Where: Hi-Dive
Why: Perm, Russia-based black metal band Pseudogod converges with like-minded bands Hellfire Deathcult from Chicago, New Orleans’ Abysmal Lord and Casket Huffer from Cheyenne for a show that, if fantastical conceits could be true, open a gate into the dimension where the Great Old Ones are partying to music like this. Pseudogod’s cover for The Pharynxes Of Hell, part humorous, part spooky, visually arresting seems to encompass the spirit of what this show will be like to see.

Wednesday | May 9, 2018

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Tricky, photo by Sebastian Pielles

Who: Tricky w/Young Magic
When: Wednesday, 05.09, 7 p.m.
Where: The Marquis Theater
Why: Tricky is one of the artists directly responsible for what came to be called trip-hop in the 90s. As an early collaborator with Massive Attack, and having contributed vocals to that band’s 1991 debut Blue Lines, Tricky demonstrated a versatile talent and when he embarked on a solo career in 1993, he brought with him a gift for borrowing musical ideas and production methods from a variety of musical styles resulting in his debut album, 1995’s Maxinquaye. A hybrid of downtempo, post-punk, dub, hip-hop, Tricky’s music was an antidote to the increasingly conformist and bland alternative rock of that mid-decade. Over twenty years later, Tricky continues to make evocative, deeply atmospheric music. Although, his 2017 album Ununiform, co-engineered by Jay-Z, finds Tricky focusing on spare, uncluttered melodies and strong, minimal beats. It has the feel of Tricky’s least abstract and ethereal record while not sacrificing his ability to set a vibrant mood.

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Brazilian Girls, photo courtesy Six Degrees Records

Who: Brazilian Girls w/Tiger Party (Allen Aucoin of The Disco Biscuits and Josh Fairman of Sunsquabi and Analog Son)
When: Wednesday, 05.09, 8 p.m.
Where: The Marquis Theater
Why: New York City has been a melting pot of popular musical styles for decades. But in the 2000s a particular brand of mixing Latin, African and non-Western musical ideas in general with dance music, post-punk, pop and noise emerged in various forms including the tropical pop of early High Places and the no-wave funk of bands like These Are Powers. Or, if you prefer, more above-ground acts like Dirty Projectors and Vampire Weekend who re-popularized polyrhythms and less conventional vocal styles. Brazilian Girls came in on the dance music end of that wave with its always eclectic and lively live show and songs that wove together ghostly, downtempo melodies, pulsing low end, dub-esque percussion, sex positive messaging and singer Sabina Sciubba’s otherworldly jazz vocals and enigmatic, theatrical stage presence – something akin to Björk fronting a lounge band. In April 2018 the band released Let’s Make Love, it’s first in a decade. Not as cool and sonically smooth as its previous efforts, Let’s Make Love, nevertheless, finds Brazilian Girls more thoughtful but musically more urgent, highlighting the band’s talent for reconciling contrasts.

Best Shows in Denver 03/08/18 03/14/18

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Kikagaku Moyo, performs at the Hi-Dive on Saturday, March 10, 2018. Photo by Jamie Wdziekonski.

Thursday | March 8, 2018

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Universal Devils, photo by Tom Murphy

Who: Musical Mayhem: Jim Davies (GA), Universal Devils and Enji 
When: Thursday, 03.08, 9 p.m.
Where: The Skylark Lounge
Why: This half of March’s programme for Musical Mayhem at the Skylark includes Georgia-based weirdo songwriter Jim Davies, solo videogram soundtrack-esque multi-instrumental looper Enji and Universal Devils. The latter is Tricky Dick Wicket, the drummer for Little Fyodor & Babushka band for over a decade. Universal Devils is his solo project in which he plays guitar, drums and other instruments in a kind of truly unique mix of metal and country and blues. Calling it “avant-garde” doesn’t quite do it justice because it’s accessible with pretty conventional songwriting even if the sounds used in the way they’re used are far from mundane.

Who: Elettrodomestico (Jane Wiedlin and Pietro Straccia)
When: Thursday, 03.08, 8:30 p.m.
Where: BarFly
Why: Jane Wiedlin is doing a Q&A before this performance for the screening of Bill & Ted’s Excellent Adventure. Afterward, her band Elettrodomestico will perform in BarFly, the bar/venue attached to Alamo Drafthouse on West Colfax. The band formed in December 2016 following The Go-Go’s’ “Farewell Tour” (the great new wave band will perform again in 2018) when Wiedlin and Italian musician Pietro Straccia bonded over their mutual love the then recently passed David Bowie. The band the duo started is pretty different from The Go-Go’s and Bowie except for a knack for writing energetic pop songs with a little grit and thoughtfulness and mood to give the music some depth thematically and musically. To the credit of both artists Elettrodomestico is in no way riding anyone’s legacy or coattails. Rather, like Cindy Wilson formerly of the B-52s, it’s a reinvention and one worth listening to separate from any past associations.

Friday | March 9, 2018

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Gort Vs. Goom, photo by Tom Murphy

Who: Terminals, Gort Vs. Goom, New Standards Men, Pygmy Grizzly, Frank Bell
When: Friday, 03.09, 9 p.m.
Where: Bar Bar
Why: This appears to be a bill of instrumental-focused, experimental music rooted in rock sounds and aesthetics bands. Terminals is sort of an improv post-rock/post-industrial band with guitars, synths, drums, bass. No set is ever the same but the group is more than capable of generating deep atmospheric magic. Gort Vs. Goom is a drums and electric bass duo who make the kind of music that could be described as what might happen if the Melvins set out to make a surf band dedicated to Minutemen. Sure the guys in GVG have vocals but it’s almost like surreal slam poetry. New Standards Men are probably a post-punk band but their sound sounds like it drew heavy influence from some of the more experimental bands on the Thrill Jockey imprint. Like Tortoise or A Minor Forest but with some expansive noise tones in the mix.

Who: Larians (Noah Simons solo), Houseplants, Jumanjihad
When: Friday, 03.09, 9 p.m.
Where: Denver Bicycle Café Beer Hall
Why: Noah Simons is perhaps best known for being the charismatic singer of post-punk band Male Blonding. But his musical interests range pretty far and his solo project Larians, which hasn’t performed live since maybe an RTD (Ready To Dance) event at Rhinoceropolis in 2014, is more in an experimental electronic music and dubtechno vein. Think something like Plaid’s tranquil melodics and use of synth strings alongside Burial-esque bass sculpting and persistent yet dissolving and reconfiguring atmospheres as an element of the beat. How will this all sound at Denver Bicycle Café rather than the main room at The Black Box? You’ll have to show up to find out. But for a taste of what Larians is about, Simons released the excellent “Dwell Led” single in February 2018.

Saturday | March 10, 2018

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King Eddie, photo by Tom Murphy

Who: Kikagaku Moyo w/Tjutjuna and DJ Rett Rogers
When: Saturday, 03.10, 8 p.m.
Where: Hi-Dive
Why: Kikagaku Moyo is a Tokyo-based psychedelic rock/avant-garde band. With its roots in a project between Go Kurosawa and Tomo Katsurada busking the streets of Japan’s most populous metropolis, Kikagaku Moyo has, to some extent, gone against the grain of Japanese culture in the way Ghost did when it started up in the 80s similarly playing music on the streets, subways and ruins of ancient temples in and around Tokyo. Kikagaku Moyo got its proper start as a band when Go’s brother Ryu returned from learning sitar from one of the world’s masters, Manilal Nag in India. Incorporating elements of noise and ambient music, Kikagaku Moyo’s songs express a broad range of sonic experimentation from extended psych freakout jams to tranquil yet haunted folk songs. Unlike many bands that have dipped into the realm of psychedelia and prog, this Japanese quintet doesn’t get stuck in a single or predictable mode. Sharing the stage this night is Denver-based experimental psych band Tjutjuna. Also with musical inspirations traceable to the more out 70s prog and Japanese psych/noise bands like Acid Mothers Temple, Tjutjuna’s hypnotic oeuvre set itself apart from the trendy psych stuff that seemed to hover at the edges of all popular rock music from 2008 onward.

Who: Daikaiju w/TripLip, Dr. Zilog and Smellephant
When: Saturday, 03.10, 7 p.m.
Where: 7th Circle Music Collective
Why: Daikaij is to surf rock what Crash Worship was to noise and post-punk—as experienced, as much an exuberant collective cult ritual as music. Catch the band tonight at 7th Circle or Sunday at the Triple Nickel in Colorado Springs.

Who: King Eddie (video release) w/déCollage
When: Saturday, 03.10, 10 p.m.
Where: BarFly
Why: Tonight King Eddie releases the video for “Enter the Man” from its 2017 boundary pushing psychedelic rock album Holographic Universe. Both that band and the playfully surrealistic psychedelic pop band déCollage will perform before a screening of Renée Laloux’s 1973 animated science fiction classic Fantastic Planet. King Eddie sounds like maybe the music had its origins in writing what had become a trendy psych rock but Jay Mars and his bandmates injected heaps of imagination into the songwriting and arrangements to produce a body of work that synthesizes pop, psych and the avant-garde with the aesthetics of the virtual reality visuals that have become a bit of a specialty for Mars.

Wednesday | March 14, 2018

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Uppermost, photo courtesy Girl Action Media, Marketing & Management

Who: Uppermost w/Snubluck and Zurc
When: Wednesday, 03.14, 7 p.m.
Where: Lost Lake
Why: Behdad Nejatbakhshe, aka Uppermost, left his life trajectory into a career as a lawyer to pursue making music. Eight albums in, with the forthcoming Perseverance due out March 23, Uppermost has created a body of work that is a synthesis of pure electronic production and more analog musical elements. For instance on his 2017 album, the loosely space-themed Origins, the producer incorporated live guitar and orchestral arrangements in the recording process. The songs tend to have a bright, upbeat quality with a quality that suggests peaceful spring days and gentle breezes. That Uppermost is inspired by the likes of Burial, Flume and Bonobo should come as no surprise since his own compositions have a soothing yet energetic quality as well. With Perseverance, Uppermost has crafted a body of songs that have an expansive spaciousness with a daydream-y quality that first came back into vogue with the so-called chillwave artists—bright tones, hypnotic yet uplifting atmospheric swells and smooth but irresistible low end. The record feels built for summer nights at casual hangouts with friends and is arriving just in time.

Who: Cars & Trains and Curta album release w/Utajahs and Nighttimeschoolbus visuals by Skyrider
When: Wednesday, 03.10, 8 p.m.
Where: 7th Circle Music Collective
Why: Curta’s new record, End of Future Park, sounds like the natural progression from its dystopian predecessor, 2015’s Replica. Curta’s music has always seemed to sit somewhere between the no-rules-use-of-sounds beatmaking of turn of the century alternative hip-hop, industrial, noise and collage sound composition. End of Future Park is no different but with that album, rapper Jake Danna captures the time between 2016 and 2017 (and, let’s be real, 2018 so far) when underground culture seemed to be under attack and the erosion of all civil institutions and of civility itself and the postmodern nihilism as expressed in a completely understandable cynicism that has blighted the public and personal discourse seemingly everywhere you go. Across the whole record, Danna confronts his own cynicism and there’s a bit of a different feel to this record than a lot of music coming out of late in a way more people probably need to hear—a tone of wanting to find and create a self and a society where that deep rooted cynicism isn’t entirely justified. The record comes out on March 19, 2018 but you can probably pick up a copy at this show where also on the bill is Nighttimeschoolbus, the duo that answers the question of what happens when an idiosyncratic indie pop artist teams up with a masterful alternative hip-hop producer.

Best Shows In Denver 10/19/17 – 10/25/17

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Bell Witch, photo by David Choe

 

October continues to be the busiest live music month for Denver but one with few if any festivals, thank goodness. As usual here are several offerings worthy of your attention.

Thursday: October 19, 2017

Who: Din Virulent & MGNLP w/Rasmussen and Juice Up 
When: Thursday, 10.19, 7 p.m.
Where: 7th Circle Music Collective
Why: This is basically a harsh noise show but one thing lost on people that either actively despise it or don’t get it at all is that most noise artists are completely unlike every other noise artist. Juice Up has some disorienting arrangements of samples and sounds that’s something like a completely unconventional rhythm but there is a humorous playfulness there. Rasmussen is John Rasmussen of Denver noise legends Page 27. Rasmussen’s solo output is so diverse in texture and tone that even his “harsh” noise sets tend to have a subtlety and nuance that suggests the serious composition and planning that undergirds sounds that aren’t trying to fit at all into a pop song format. Din Virulent sounds like what happens when you chain a few delay pedals together and have them feed back off each other while manipulating the signal for an effect like watching white noise on TV if that image was sound and occasionally felt like it was aggressively charging out at you.

Friday: October 20, 2017

Who: Tera Melos w/Speedy Ortiz, Holophrase and Meet Me In Montauk
When: Friday, 10.20, 8 p.m.
Where: Larimer Lounge
Why: Tera Melos might be one of the more misunderstood bands of the last several years because it sounds like its member spent some time playing in one of Trey Spruance’s projects: lots of unusual rhythms and dynamics requiring a precise musicianship while not sounding too in the pocket; heavy guitars, disorienting tones and an alternating driving and and hanging melodies. Its 2017 album, Trash Generator, is like a math rock shoegaze album with a touch of brutal psychedelia. In that way Tera Melos could be said to be a bit of a musical cousin to noise rock phenoms Deerhoof. Speedy Ortiz sounds like it picked up where The Breeders and Throwing Muses left off in the mid-to-late 90s with captivating, fuzzy melodic songs that take a walk out of every day mundane life while commenting on that life with with and sensitivity. Holophrase is a Denver band that has come out of being a guitar-based indie rock band (albeit one that didn’t sound much like anything contemporary and only slightly like Magazine) into being a mostly electronics-based band with deep atmospheres and Malgorzata Stacha’s layered vocal melodies serving as an emotional and sonic locus for the group’s hypnotic, chilly soundscapes.

Who: Thurston Moore w/The Diary of Ic Explura
When: Friday, 10.20, 8 p.m.
Where: Larimer Lounge
Why: It is indeed Thurston Moore of influential No-Wave-and-punk-inflected rock band Sonic Youth. His new album, Rock and Roll Consciousness, showcases Moore’s gift for writing moody pop songs bolstered by dynamic and complex yet tasteful guitar work. It’s melancholy stuff but much of Moore’s best material is yet he also manages to lend his songwriting a thoughtfulness not mired by despair. He can create a gritty image and imbue it with some future hopefulness not yet obvious in the moment he documents in his words—being in the moment but knowing that you can never fully get stuck there unless you try really hard. The Diary of Ic Explura is Toni Oswald’s ambient, sound collage experiments that she sculpts into coherent songs by adding instrumentation to elements that aren’t necessarily inherently musical. Like musique concrète with a soundtrack. Which is nothing new in the world of avant-garde music but Oswald’s vibrant and transporting music demonstrates well how noise and composition can work together.

Who: The Juan MacLean
When: Friday, 10.20, 8 p.m.
Where: Bar Standard
Why: Deep Club 3rd Fridays brings The Juan MacLean to a relatively small venue. John MacLean’s first chapter in influential music came with his tenure as a guitarist for Providence, Rhode Island-based, experimental post-hardcore band Six Finger Satellite. The band was an early practitioner of fusing electronic elements with the usual punk rock instrumentation and operating in the same musical realm as bands like Arab On Radar, Lightning Bolt and Mindflayer—though predating them all. When SFS split near the turn of the century, MacLean left music for a few years before Six Finger Satellite’s sound engineer, James Murphy (who some may know as starting DFA Records and as a member of LCD Soundsystem) helped convince him to make music again. But instead of doing the noisy punk stuff he’d been doing, MacLean focused instead on forward thinking electronic music and a mutant form of modern disco. And that’s what you can more or less expect at this event.

Who: Don Strasburg, Cuckoo, Ashley Koett
When: Friday, 10.20, 8 p.m.
Where: Denver Bicycle Cafe
Why: Don Strasburg isn’t just a clever name for a band. The Boulder-based outfit doesn’t bother to trace any lines on the punk rock spectrum but fans of modern, mathy emo will find something to like but so will anyone that is into the most genre-bending, noisy post-hardcore. Cuckoo is lo-fi dream pop that would have fit in well on the Siltbreeze imprint or so it’s 2016 album Mermaid’s Don’t Exist would suggest. For fans of stuff like early Sebadoh, Eat Skull, Times New Viking, No Age and Microphones. — update, Don Strasburg no longer on the bill, now Terremoto.

Who: Allout Helter & Black Dots FEST sendoff w/faim, The Larimers, Andy Thomas’ Dust Heart
When: Friday, 10.20, 8 p.m.
Where: Hi-Dive
Why: The Fest has been happening in Gainesville every year since 2002. It’s a mostly punk festival and this year’s festival includes the likes of Against Me!, Pegboy, Hot Water Music, Beach Slang, City of Caterpillar, Hum, Snapcase, Atom and His Package and Rainer Maria. But it will also feature Denver political punk thrashers Allout Helter and melodic hardcore band Black Dots. Sure, both bands play Denver regularly but here they are on one bill to send them on their way to one of punk’s most prestigious festivals.

Saturday: October 21, 2017

Who: Afghan Whigs w/Har Mar Superstar
When: Saturday, 10.21, 8 p.m.
Where: Gothic Theatre
Why: Afghan Whigs both predated and embodied what was great about the alternative rock era. The group started as a kind of garage rock band but infusing that sound with soul and R&B, with lyrics revealing a keen insight into human psychology, yielded some of the best records of the 90s. 1993’s Gentlemen was the band’s major label debut, after an independently released 1988 debut and two fine records for Sub Pop, and the record that was a departure from the fuzzy psychedelia of its earlier efforts. As “alternative rock” was running out of steam by the middle of the decade, Afghan Whigs continued to write and record vital music for 1996’s Black Love and 1998’s 1965 before the band amicably split in 2001. Singer Greg Dulli kept on battling his personal demons in other projects throughout the 2000s but in 2011 Afghan Whigs announced it was reuniting. A lot of bands from the alternative rock world have reunited and most of them have had respectable tours and the Whigs were no different. Dulli was and is an electrifying frontman and the band’s performance startlingly powerful overall. Currently the group is touring in support of its 2017 release In Spades. Har Mar Superstar has stylistically been all over the map from silly hip-hop early in the life of the project (Sean Tillman is also in pop band Sean Na Na) to a more Motown-esque soul and R&B sound while often performing all but nude and making an oddly compelling spectacle of himself. But the music is legit and if it’s tongue in cheek it is in the way that only someone with a deep respect for the musical style could pull off.

Who: Sound of Ceres album release of The Twin, Plume Varia and The Milk Blossoms
When: Saturday, 10.21, 9 p.m.
Where: Syntax Physic Opera
Why: When Ryan and Karen Hover started Sound of Ceres in 2015, setting aside their dreamy indie pop band Candy Claws for the time being, they seemed to be tapping into a daydream realm of freely associating ideas and sounds and something about the purity, honesty and transcendent beauty of the music translated well onto the recording of 2016’s Nostalgia for Infinity. On the 2017 follow-up, The Twin, the band is spending less time drifting through shimmering gossamer and luminous fog. The minimalist songwriting approach this time leaves enough space for greater clarity of tone and distinctness of sounds working in conjunction with each other. It is not a better record but it sounds very focused. Denver dream pop greats Plume Varia and The Milk Blossoms open the show potentially opening a vortex into some realm Lord Dunsany would have written about. At least emotionally speaking. Vampires and werewolves aren’t real either, kids.

Who: Torres w/The Dove & The Wolf 
When: Saturday, 10.21, 8 p.m.
Where: Larimer Lounge
Why: Torres is an artist like PJ Harvey, Aldous Harding, EMA or John Vanderslice who are difficult to pigeonhole, whose high imaginative and powerful work cannot be reduced to a simple genre. Mackenzie Scott, the person behind Torres, doesn’t limit her songwriting to a single instrument so her sound has a layered cohesion even as it sounds like she’s going off the rails. There is an honesty, power and vulnerability to her music that comes across perhaps most vividly on her new record, Three Futures. Interestingly enough, Mackenzie got Rob Ellis, a longtime collaborator with PJ Harvey, as well as Portishead’s Adrian Utley.

Who: The Rotten Blue Menace reunion show w/Short Bus Rejects, The Beat Seekers, The Beeves and Sentry Dogs
When: Saturday, 10.21, 7 p.m.
Where: 7th Circle Music Collective
Why: The Rotten Blue Menace spent a few years being one of the most entertaining and active ska bands in Denver so it’s only appropriate that it would have its reunion show sharing the stage with a band it likely influenced, Short Bus Rejects, who are playing their final show this night. It won’t all be ska or ska punk because street punkers Sentry Dogs and melodic grunge wonders The Beeves will fill out the bill.

Who: Kitty Crimes (DJ set), Snubluck, DJ Polyphoni and Just, Kevin
When: Saturday, 10.21, 8 p.m.
Where: Fort Greene
Why: Kitty Crimes is normally a fast rapper with some explicit content in her lyrics and always pretty entertaining. For the DJ set who knows what might be in the mix because Maria Kohler, aka Kitty Crimes, has fairly diverse taste in music and the rest of the night will be some form of electronic dance music including experimental beatmaker and soundscaper, Snubluck.

Sunday: October 22, 2017

Who: Daikaiju w/TripLip, Kenaima and Chaff
When: Sunday, 10.22, 8 p.m.
Where: Streets of London
Why: Since 1999, surf rock band Daikaiju from Huntsville, Alabama, has been performing shows that are the stuff of legend. Fire, acrobatics, the kind of exuberant energy that’s impossible to not be swept up in at the show. They play in costume so you might think of them being, overall, something like Peelander Z and Crash Worship, lucha libre and kabuki. People often use the word “chaotic” to describe the show and fair enough but more like an explosion of fun. Also playing the show is TripLip, which is comprised of people who used to live at the late, great Five Points Denver DIY venue Mouth House. TripLip is more psych and prog but very much in the same spirit as Daikaiju, a band that somehow hosted Daikaiju’s wild live show more than once in a residential neighborhood.

Who: A Giant Dog w/SPELLS and Class President
When: Sunday, 10.22, 8 p.m.
Where: Hi-Dive
Why: It’s odd that Austin’s A Giant Dog hasn’t broken to a much larger audience. But for now count yourself lucky you’re getting to see the band in smaller venues in Denver for now. Its rowdy, tuneful mélange of early glam rock, punk and power pop is celebratory without coming off insincere. That’s probably because the songs are about things that anyone that isn’t living a glamorous or pampered life can relate to and delivered with an unlikely combination of vulnerability and conviction. In 2017, A Giant Dog released Toy, its most fully-realized album to date, through Merge Records. Denver’s SPELLS is cut from a similar cloth as a brash, minimalist punk band not short on melody in its own right.

Monday: October 23, 2017

Who: Daikaiju, TripLip and Today’s Paramount
When: Monday, 10.23, 7 p.m.
Where: 7th Circle Music Collective
Why: For Daikaiju and TripLip see above. Today’s Paramount is sort of a psychedelic jazz rock band with touches of carnival music and ska. But it works and Today’s Paramount doesn’t sound much like anything else in Denver except for maybe a band where the chops, songwriting and humor are blended together well and developed to a high degree like The Inactivists.

Who: Shadows Tranquil, Voight, Equine
When: Monday, 10.23, 8 p.m.
Where: Syntax Physic Opera
Why: Shadows Tranquil is a band including longtime music fan, often threatening to be musician, finally is, Doran Robischon, and this is the band’s EP release show. Knowing Robischon’s taste for noise, witchouse, dark atmospheric music and stuff on the moody spectrum of all of that, his band will probably be interesting. Voight is the post-punk band that has interwoven strong strains of noisy shoegaze and industrial. Equine is the solo project of Kevin Richards and it’s guitar soundscaping stuff that comes off like a sculpted version of ambient and musique concrète.

Who: Hissing w/SUTEKH HEXEN, Of Feather and Bone, Worm Ouroboros, Vermin Womb and Casket Huffer
When: Monday, 10.23, 8 p.m.
Where: Hi-Dive
Why: Hissing and Sutekh Hexen recently released a split record, fitting since both are more on the brooding end of death grind. Disorienting, hypnotic pummeling through sound and rhythm. Minimalistic yet loud and aggressive. Both are in good company with the rest of this bill. Of Feather and Bone is certainly the more in-your-face style of deathgrind that is thankfully too alienating for casual fans of metal. Vermin Womb is similarly-minded but has more hanging dynamics and sounds closer to the roiling chaos bordering on nasty atmospherics in some black metal. Cheyenne, Wyoming’s Casket Huffer has a flavor that still has some connection to thrash, at least in the guitar work. Oakland’s Worm Ouroboros, however, will be a bit of an anomaly with its beautifully expansive, minimalistic and melodic, ethereal metal rooted in themes of nature and humankind’s relationship with the environment. If you’re fans of SubRosa, Dreadnought and Wolvserpent you’ll probably find something to like about Worm Ouroboros. Update: Worm Ouroboros no longer on the bill, instead Un, the “Aetherical Doom” band from Seattle. Also, it appears Sutekh Hexen dropped out of the show too.

Tuesday: October 24, 2017

Who: Hans-Joachim Roedelius w/Xambuca and Dream Hike
When: Tuesday, 10.24, 10 p.m.
Where: Mercury Café
Why: Hans-Joachim Roedelius is one of the true pioneers of krautrock and synthesizer-based music generally. His diverse body of work influenced the development of the aforementioned as well as new age music, psychedelic rock, ambient and electronic music generally. He was one of the co-founders of Zodiak Free Arts Lab in West Berlin in 1968, one of the most important spots for experimental music and the avant-garde of its time. Along with Conrad Schnitzler and Dieter Moebius he formed Kluster (later Cluster after Schnitzler left the group), a band for which any idea seemed a go and its’ mixture of standard rock band instrumentation (albeit used toward unorthodox ends), cello, synths, feedback manipulation and unusual devices to use in music like car batteries and signal generators. Kluster didn’t exactly hit the charts but its legacy of experimentation and recontextualizing sounds continues to this day.

Roedelius has since then been a prolific artist whose projects (solo and otherwise) and collaborations have pushed the boundaries and horizons of experimental music and synthesizers. With Cluster and Harmonia, Roedelius took truly unusual and groundbreaking musical ideas and made them accessible. Cluster collaborated with Brian Eno on 1978’s ambient music classic After the Heat. In the next decade Roedelius’ work helped to refine and further define the aesthetic of techno. But, interestingly enough, Roedelius’ most prolific years came in his mid-sixties around the turn of the century. This is a rare opportunity to witness one of the founders of modern music and especially at a small and intimate venue like The Mercury Café.

Who: Ariel Pink w/Bite Marx
When: Tuesday, 10.24, 7 p.m.
Where: Hi-Dive
Why: Ariel Pink as much as Animal Collective and Deerhunter can be said to have been responsible for inspiring a whole generation of musicians to use reverb on their vocals and guitars in an attempt to create a dreamlike soundscape that pre-dated the full-on psychedelic rock revival by half a decade. Except that those three acts did that and pushed the aesthetic further than most of the people they influenced. AC released a few of Ariel Pink’s earlier records before he was a touring act or one that played live much at all. To his credit, like Animal Collective and Deerhunter, every one of Ariel Pink’s albums pushes his own envelope and his new record, Dedicated to Bobby Jameson, is a fitting homage to the late, great cult songwriter of transporting psych folk.

Who: Dinosaur Jr w/Easy Action
When: Tuesday, 10.24, 7 p.m.
Where: The Gothic Theatre
Why: Dinosaur Jr is the clear draw for this show and rightfully so. The band has inspired more great guitar music to have come along since the early 80s out of proportion to their level of fame than most other bands you could name. Certain an influence on shoegaze, noise rock, alternative rock in general and any kind of left field music that dares to use guitar sounds with a nod to classic rock virtuosity and punk rock’s willingness to repurpose and deconstruct rock tropes. But get there early and catch one of the greatest frontmen in the history of rock music in John Brannon of Easy Action. One, the band is like a psychedelic version of Black Flag with that kind of forcefulness and ability to write guitar riffs that also disorient the senses. Brannon first came to the attention of most people in the know with his hardcore band Negative Approach. But in the mid 80s, Brannon formed legendary noise rock band Laughing Hyenas with the late Larissa Stolarchuk, Jim Kimball and Kevin Munro. For a decade the band set a high bar for intense live performances and songs that really articulated the harrowing struggle between desperation, inspiration and dreams of a more meaninful existence. Easy Action formed near the turn of the century and alongside a re-formed version of Negative Approach it has been Brannon’s outlet for his unique vocal style that is as terrifying as it is riveting.

Who: Tei Shi w/Twelve’len
When: Tuesday, 10.24, 7 p.m.
Where: The Gothic Theatre
Why: Valerie Teicher was born in Buenos Aires and spent part of her childhood in Bogotá and Vancouver, BC. So maybe somewhere along the line her knack for gently but vibrantly soulful vocals started to develop. However it happened, her early singles as Tei Shi found an audience among fans in her then adopted home city of New York, where she moved after attending Berklee. After a string of acclaimed EPs, Teicher released her 2017 full-length Crawl Space. It is an expansive gem of a downtempo, R&B-inflected synth pop album named after a place Teicher used to go to confront her fears of darkness. An apt metaphor for the various situations (emotional, social, professional, personal and so forth) Teicher discusses with nuance and insight across the album’s fifteen tracks.

Who: Dayglo Abortions w/Serial Killer Sunday School, The New Narrative and Self Service
When: Tuesday, 10.24, 9 p.m.
Where: Streets of London
Why: With a name like Dayglo Abortions the Canadian punk band was never going to have to worry about being co-opted by mainstream music outlets. During its existence, Dayglo Abortions have been punk, hardcore and crossover but its messaging has been the same—a big middle finger of irreverence for mainstream normalcy. Read the track list to the 1986 classic Feed Us a Fetus and you might even wonder where this band is coming from except for a healthy and vitriolically humorous disdain for right wing politics and racism and other aspects of Western culture that make it a bummer for anyone trying to live an authentic life. This is also the band that named its 1991 album Two Dogs Fucking. That level of surrealistic humor and pointed political statements didn’t exactly end, thank goodness. Opening the show are Denver’s Serial Killer Sunday School, The New Narrative and Self Service, all great punk bands that aren’t just irreverently funny but who have some fairly pointed commentary on the ills of American society.

Who: My Life With the Thrill Kill Kult w/Ritual Aesthetic and DJ Ritual
When: Tuesday, 10.24, 8:30 p.m.
Where: Streets of London
Why: My Life With the Thrill Kill Kult is celebrating its 30 year anniversary with this tour so they’ll be playing a whole lot of early albums Confessions of a Knife (1990) and I See Good Spirits And I See Bad Spirits (1988) so you’ll get to see some vintage material. The show is the best kind of spectacle and it perfectly blends B-movie horror kitsch, a carnival, trash culture and industrial dance music into an inspired whole. Chances are it will be one of the most fun shows you’ll see all year even if you’re not necessarily into industrial music. DJ Ritual will spin his relatively eclectic set at the show and between bands. Ritual Aesthetic is an industrial rock band from Denver in the vein of stuff like Electric Hellfire Club and Stabbing Westward when that band is more industrial than metal.

Wednesday: October 25, 2017

Who: Arcade Fire w/Bomba Estereo
When: Wednesday, 10.25, 6:30 p.m.
Where: Fillmore Auditorium
Why: Arcade Fire quickly became one of the most popular of early 2000s indie rock bands following the release of its 2004 debut album Funeral. On that tour the band played in Denver at Hi-Dive and Larimer Lounge. By the time Neon Bible came out in 2007, Arcade Fire had become too commercially successful to play small clubs. And that’s where it cold have ended with all the pressures of the music industry guiding the band into tried and true territory. But Arcade Fire actually risked alienating fans with 2013’s Reflektor and its emphasis on the electronic side of the band’s soundscapes. For 2017’s Everything Now, the band recruited Pulp’s Steve Mackey, Thomas Bangalter of Daft Punk and Geoff Barrow of Portishead to come in and do production work and the resulting set of songs is lush and has a warm, sweeping quality that one might expect out of a 70s glam rock record. As such the live show is sure to not skimp on a visual component to aid in the elevated tone of the songwriting. It’s kind of a past time of music critics and older fans to trash Arcade Fire today but it’s arguable the band is writing the most interesting music of its career by being willing to push forward instead of sticking to what some people think is what they do best. Bomba Estéreo is an alternative Cumbia band from Colombia.

Who: KMFDM w/OhGr and DJ Ritual at Summit Music Hall
When: Wednesday, 10.25, 7 p.m.
Where: Summit Music Hall
Why: Kein Merheit Für Die Mitleid does not in fact mean “Kill Mother Fucking Depeche Mode,” per the long-running joke. The industrial band was founded in Hamburg, Germany in 1984 and has undergone numerous incarnations and stylistic shifts from its early performance art-oriented shows to its full embrace of bombastic kitsch, sardonic humor and thoughtful social critique. You can probably start anywhere to get an idea of what the band’s music is about but for beginners give 1997’s Symbols a listen. Which is appropriate enough because Ogre from Skinny Puppy will perform his solo material as OhGr as a kind of co-headliner for this show. His set lists have included a good deal of material from Welt and SunnyPsyOp. And it’s Ogre so his set will have plenty of the inspired weirdness that has made him one of industrial music’s most interesting performers and artists. And who knows, maybe he’ll join KMFDM on stage for “Torture” as he did during KMFDM’s tour for that album in the 90s.

Who: Guided by Voices
When: Wednesday, 10.25, 8 p.m.
Where: Fillmore Auditorium
Why: Robert Pollard is by now both a godfather of modern lo-fi rock and one of its most accomplished and prolific artists. Had he ended Guided By Voices after 1994’s epochal Bee Thousand he would still be a legend. But 18 albums later, Pollard is still going strong with two 2017 albums: August By Cake (Pollard’s 100th recorded album) and How Do You Spell Heaven. Not every song is a winner but even Bob’s “lesser” material is worth a spin. The live show is an unabashed flood of splintery rock and roll in an era when there’s too much emphasis on being smooth and polished or faking grit. There’s no fake grit with Guided by Voices except maybe as an inside joke with fans and the audience.

Who: Glasss Records presents The Artists of Glasss and Friends: Princess Dewclaw, RAREBYRD$, Bianca Mikahn, Gold Trash, Juniordeer, EVP, Abeasity Jones, Pearls and Perils, Super Macho and Chromadrift as well as Adam Selene and Nighttimeschoolbus
When: Wednesday, 10.25, 7 p.m.
Where: Alamo Drafthouse – Sloans Lake
Why: This is a big showcase for Denver experimental music imprint Glasss Records and it includes some of the Mile High City’s most interesting bands and guests like alternative hip-hop group Nighttimeschoolbus.This show is a great opportunity to get a taste of a lot of what the artists on the label have to offer as they won’t be playing full sets.

Who: Bell Witch w/Primitive Man, Urn and Oryx
When: Wednesday, 10.25, 8:30 p.m.
Where: Hi-Dive
Why: Seattle-based doom band Bell Witch released one of the genre’s most haunting and crushing albums of 2017 with Mirror Reaper. The duo manage to conjure spectral horror and primal energies crying out in drawn out triumph with processed bass, drums and vocals. A perfect pairing with tourmates Primitive Man from Denver whose own 2017 album Caustic not only beyond lives up to and embodies the album title, it is an evocation of sustained despair, desperation and frustrated rage transmogrified into colossal and punishing songs that somehow also serve as a catharsis and a channel into an inner peace that are the opposite of the songs themselves. Opener Oryx is a sort of doom grind duo and the other opening act, Urn, injects some psychedelic elements into its own brand of doom. Probably the loudest show of the week outside of that Dinosaur Jr and Easy Action show on October 24 but also easily one of the best lineups of heavy music all month.

Best Shows in Denver 8/25 – 8/31

 

EVP
EVP performs 8.26 at Hooked on Colfax, photo by Tom Murphy

If, like many of us, you aren’t super flush with money and couldn’t sell enough blood plasma this past year to afford half the ticket price of the Depeche Mode show tonight at Pepsi Center, you have plenty of options should the live music experience be what you’re seeking. Not just the Titwrench festival at the Mercury Café starting tonight August 25, continuing tomorrow, August 26, but plenty of others including the following.

One
Who: Itchy-O and SPELLS 
When: Saturday, 8.26, 9 p.m.
Where: Gothic Theatre
Why: Itchy-O, the cult/sprawling experimental band/spectacle including over thirty members, has toured America, played in Tasmania and is arguably the most well-known weirdo band from Denver. Now the group is finally releasing its sophomore record, From the Overflowing, the follow up to 2014’s Burn the Navigator. Both albums have a home at Jello Biafra’s long-running indie label Alternative Tentacles but you can buy one in person this night and experience Itchy-O’s ever evolving live show. You can also catch openers, SPELLS, fronted by comedian Ben Roy who, with any luck, will do and say something memorably ridiculous.

Two
Who: Sliver, Television Generation, Quantum Creep and Stasis of Seasons 
When: Saturday, 8.26, 9 p.m.
Where: Moe’s Original Bar B Que
Why: Sliver and Television generation play together often but that’s no bad thing because both groups have managed to basically reinvent grunge for the Rocky Mountain West. 20 years ago, maybe you would roll your eyes at such a throwback impulse in sound. But both bands are energetic and seem to be coming from a sincere and pure place that bypasses notions of misguided nostalgia. TG even worked with grunge scene engineer par excellence Jack Endino on its 2015 Digital Static EP. Quantum Creep is a noise pop band that is comprised of veteran members of Denver area indie rock and indie pop bands. Rather than just basically retreading prior efforts, the members of Quantum Creep challenged themselves to focus not just on solid songwriting but in expanding what indie rock can and should sound like. Also, kudos for the nerdly science reference, people!

Three
Who: Laetitia Sadier Source Ensemble w/Heather Trost and Pattern Language 
When: Saturday, 8.26, 8 p.m.
Where: Lost Lake
Why: Laetitia Sadier was once the charismatic frontwoman of Stereolab, a band that combined Krautrock, avant-garde electronic music, bossa nova, punk and pop for an otherworldly listening experience with every record. Since that group split up nearly a decade ago, Sadier has forged her own music path with songs creatively worthy of Stereolab but more a reflection of her nuanced, further exploration of a cross-cultural blend of sounds and thoughtful commentary on life and the modern political landscape. Heather Trost, whom some may know for being in A Hawk and a Hacksaw, perfectly compliments Sadier’s own blend of diverse influences. The what one might call electronica exotica of Boulder, Colorado’s Pattern Language, as one can find on the 2017 EP Total Squaresville, is a great introduction to the whole evening.

Four
Who: Kevin Morby and Shannon Lay
When: Saturday, 8.26, 9 p.m.
Where: Globe Hall
Why: Before ever joining experimental folk band Woods on bass in 2009, Kevin Morby was writing his own music from a very young age. After leaving Woods in 2013 to forge his own way, Morby has proven himself to be a gifted crafter of introspective pop songs with a rare full use of low end in his compositions. Currently on tour in support of 2017’s City Music, Morby is finally writing and performing with the confidence that comes from not making music in the shadow of his previous musical projects.

Five
Who: Speakeasy Series: EVP and Nighttimeschoolbus
When: Saturday, 8.26, 6-9 p.m.
Where: Hooked On Colfax
Why: Nighttimeschoolbus is not too well known in Denver, much less elsewhere, but if quality of music is ever an indicator of success in that realm it should be. However, the duo comprised of Robin Walker and Toby Hendricks has few widely available recordings. They play few shows and don’t seem to have a shred of the careerist ambitions that bands trying to “make it” in any way seem to need to go beyond being asked by friends to play small shows. Walker, one of Colorado’s most talented musicians and vocalists, released solo albums in the past and with her indie pop band Cougarpants. Hendricks has several releases under his solo hip-hop moniker Otem Rellik. And together it’s an amalgamation of that underground hip-hop beatmaking and Walker’s avant-garde pop sensibilities. Also on this bill is EVP, another duo, but in this case, the band has elements of industrial music, witch house and post-punk. Amanda Baker’s vocals are reminiscent of Gitane Demone and the music has an 80s death rock vibe informed by a modern dance music production sensibillity.

Six
Who: Reggae on the Rocks featuring Sublime With Rome, The Mighty Mighty Bosstones, Fishbone, Inner Circle, Landon McNamara and Judge Roughneck
When: Sunday, 8.27, 2 p.m.
Where: Red Rocks
Why: In an annual tradition going back several years, Reggae on the Rocks will get started early Sunday afternoon. Whether the musical form is your thing, or whether or not all of these bands appeal to you, there’s not likely to be another chance to see punk/reggae legends Fishbone, much less a worthy band they influenced like The Mighty Mighty Bosstones on the same bill. Maybe some people will even figure out that Inner Circle has excellent songs beyond “Bad Boys.” The band, after all, has roots in the earliest days of reggae and had a whole career before 1986 when its most famous song was released. Local reggae powerhouse Judge Roughneck is also on the bill. While much local reggae is deservedly the butt of scorn and disdain, Judge Roughneck has garnered respect for its own music which never seems like a misguided appropriation.

Seven
Who: Bleached w/Springtime Carnivores and The Corner Girls 
When: Sunday, 8.27, 7 p.m.
Where: Larimer Lounge
Why: Jennifer and Jessica Clavin were once members of the great art punk band Mika Miko. When they formed Bleached in the wake of the dissolution of the latter, they embraced a kind of songwriting style that reflected the myth of Southern California—bright and easy melodies—while never trying to pretend there isn’t a darker side to California or a more gritty aspect of everyday living. The group’s latest album, 2016’s Welcome the Worms, is a heavy album that manages not to weigh you down. Denver’s The Corner Girls also take a sort of punk and surf rock aesthetic and make it a vehicle for commenting on serious issues in a way that doesn’t sugarcoat anything but also doesn’t unproductively wallow in despair.

Eight
Who: Silver Face w/Mugen Hoso and Palo Santo
When: Monday, 8.28, 9 p.m.
Where: Silver Spur Saloon
Why: Tokyo’s Mugen Hoso could be a punk band or a rockabilly band but in fine Japanese tradition, distinct categories don’t matter and the art statement of kind of cutting loose in a culture that frowns on such emotive gestures is plenty rebellious on its own. Silver Face, the Denver psychedelic rock band, is also on the bill. By not trying to be a psych band in the same mold as so many bands have in the last 10 years when more people discovered that music by listening to the Black Angels and realizing that The Brian Jonestown Massacre is a great band and not just a living caricature of a band in the excellent 2004 documentary Dig!, Silver Face is writing valid songs with real roots in an earlier era of rock and roll.

Nine
Who: The Cutthroat Drifters (final show) w/The Patient Zeros and To Be Astronauts
When: Wednesday, 8.30, 7:30 p.m.
Where: Larimer Lounge
Why: Since around 2003 way too many bands have mined the “classic rock” sound and attitude. Like Civil War recreation societies for rock and roll. The results have been mixed. The guys in Cutthroat Drifters, though, never seemed to forget that it’s not enough to play music inspired by that era of great songwriting or to just live an irresponsible lifestyle. These Drifters wrote many a worthy rock and roll song of their own and the live show was surprisingly forceful with a talented vocalist and frontman in Nicolas Kjolhede who danced with an unaffected yet theatrical flair as his equally skilled bandmates provided the context for that performance to work. After nearly a decade of rocking and sweating on multiple Denver stages, this is their last show. We hardly knew ye, Drifters.

Ten
Who: Wovenhand with Emma Ruth Rundle and Jaye Jayle
When: Thursday, 8.31, 8 p.m.
Where: The Marquis Theater
Why: Wovenhand has evolved into a more noisy, haunted, post-punk band from its more Gothic Americana beginnings a decade and a half ago. Live, the band’s music is a journey through harrowing emotional landscapes guided by singer David Eugene Edwards’ dark vision aiming toward spiritual catharsis. Sharing the bill are Emma Ruth Rundle and Jaye Jayle. The two songwriters had a collaborative album earlier this year but separately, Rundle has a ghostly purity at the heart of her dark, moody songs that evokes Julee Cruise while sounding more like Marissa Nadler. As a member of Red Sparrowes with roots in folk music, Rundle masterfully navigates a broad and deep vista of emotional expression. Evan Patterson, Jay Jayle, is no stranger to heavy music himself as a member of Young Widows and Breather Resist, and his burnished blues folk is the stuff of Jodorowsky soundtracks.