What:Tourist w/Matthew Dear and Swim Mountain When: Friday, 12.13, 8 p.m. Where: Globe Hall Why: English electronic musician Tourist aka William Phillips is currently touring in support of his 2019 album Wild. Though known for his production and remixing work for higher profile pop artists, his own music is becoming known for his spacious and emotionally luminous compositions. His mastery of sculpting the sound in the mix and crafting vivid soundscapes that take you out of mundane life into a realm of bright colors and tranquil, uplifting moods is impressive. Also on the bill is aesthetically like-minded musician and producer like Matthew Dear whose 2018 album Bunny is imbued with its own head-space-shifting energy.
What:Lot Lizard w/No Gossip in Braille, Old Soul Dies Young and more When: Saturday, 12.14, 7 p.m. Where: Seventh Circle Music Collective Why: Lot Lizard is a post-punk band from Sioux Falls, South Dakota whose debut full-length released on December 6, 2019 and made it as a late entry into our Year End Best List (to be published over six weeks soon). Rather than take cues from the current darkwave movement, Lot Lizard’s noisy, moody songs have more in common with the likes of Iceage, Pere Ubu and bands on the Amphetamine Reptile imprint than the usual suspects. Yet its songs are accessibly melodic and rooted in songwriting rather than bludgeoning volume while also indulging in plenty of noisescaping when the moment strikes right. Denver-based post-punk band No Gossip In Braille recently released its own album in 2019 called Bend Toward Perfect Light, capturing the overpowering despair and sorrow of the past few years in the American psyche, especially in the realm of underground music and art and among those not favored by a system seeming to only boost the interests of the economic elite. Rather than wallow in despair No Gossip in Braille channeled those feelings into a hopeful energy that honors the hurt.
What:Angel Olsen w/Vagabon When: Saturday, 12.14, 8 p.m. Where: Gothic Theatre Why: Angel Olsen has consistently written fascinating music that pushes her own frontiers as an artist and as a vehicle to challenge cultural norms. Her 2019 album All Mirrors is a “[poignantly] dreamlike examination of identity in an age of universal scrutiny” (from our year end best albums coverage). It is a lush sound environment in which to get lost and rediscover yourself.
What:Harry Tuft w/Rich Moore, Glenn Taylor, Bill Rich, Ed Contreras, John Magnie When: Saturday, 12.14, 7 p.m. Where: Swallow Hill Daniels Hall Why: Harry Tuft is the godfather of all folk from Denver and the Front Range since the early 60s and founding the Denver Folklore Center as well as Swallow Hill Music in the 70s. He’s been performing his own music in the last few years and proving he’s a gifted artist as well as interpreter of the work of others.
What:Plaid w/Nasty Nachos and Xoxford When: Sunday, 12.15, 7 p.m. Where: Larimer Lounge Why: Plaid is one of the foundational projects of IDM and modern experimental electronic music. Since 1991 the group has helped to redefine and evolve beat-driven synthesizer music while mixing in live instruments and samples. Its 2019 album Polymer which has as its subject the examination of the nature of technology and our use of resources and the myriad ways in which they benefit and potentially harm us.
What:Empath w/American Culture and Reposer When: Tuesday, 12.17, 7 p.m. Where: Bluebird Theater Why: Psychedelic noise punk band Empath put out its debut full length in 2019—Active Listening: Night on Earth. But the Philadelphia-based group has been making waves in the underground for the past few years for its creative take on punk as not just as a sound but as an attitude and ethos. And yet its spirited performances are pure punk—a catharsis of emotion and inspiration.
Who:Meet the Giant w/Dead Pay Rent, Mr. Atomic When: Thursday, 01.24, 7 p.m. Where: Lost Lake Why: Meet the Giant, perhaps unintentionally, perhaps subconsciously, perhaps entirely by plan, has drawn on both 80s and 90s sounds at a time when the various aesthetics of those decades are firmly back in vogue. Downtempo, brooding post-punk, the rhythms of sample-driven composition and emotionally rich vocals make for a band that sounds instantly like something beyond having an appeal to nostalgia while drawing on a hint of that. The group spent nearly a decade honing its songcraft and chemistry as a unit and more than a small amount of the intimacy that comes out of such extended wood shedding comes through in the music like you’re getting to experience that connection that friends have who can share much with each other and be real. Many bands put on some kind of ego-driven facade fueled by a kind of borrowed rock and roll myth bravado. Meet the Giant comes about its rock and roll power honestly and with tender emotions laid bare, which is always more compelling than tough guy strutting any day of the week. Do yourself a favor and see them or at least check out their remarkable 2018 self-titled debut.
Who:DSTR, eHpH, Cutworm When: Thursday, 01.24, 8 p.m. Where: 3 Kings Tavern Why: DSTR is Destroid, a project of Daniel Meyer who some may know more for his work as half of influential EBM band Haujobb. Distorted vocals, imaginative soundscaping, strong, pulsing beats and menacing, glitch-hazed atmospherics. Denver’s eHpH has been making an interesting hybrid of industrial rock and dark EBM of their own but refreshingly unlike any of their peers in the Mile High City. Cutworm is a bit of a left field choice for a bill like this if its 2018 Swallow EP is any indication with its sound being unfruitful in placing in a particular genre box. Its sounds range from modern downtempo darkwave to especially beautifully moody IDM. Live, though, Cutworm definitely brings the industrial edge into the production.
Friday | January 25, 2019
Who:Red Tack, George Cessna and Blindrunner When: Friday, 01.25, 9 p.m. Where: Lion’s Lair Why: Red Tack is the solo, somewhat weirdo singer-songwriter project of Ted Thacker who should be remembered widely for being in 90s alternative rock band Baldo Rex and later as a member of indiepop band Veronica. Whatever his pedigree, Thacker has remained one of Denver’s most interesting songwriters and personalities. George Cessna is the son of Slim Cessna of Auto Club fame. The younger Cessna’s own work is both not too surprising considering his father’s legendary musical legacy but he is far from a carbon copy and his use of raw sound and atmosphere in his recordings and his wide ranging musical style in a broader realm of Americana and weirdo folk is noteworthy on its own merits.
Who:Texas Chainsaw Massacre 1 and 2 When: Friday, 01.25, 9:30 p.m. Where: Sie Film Center Why: Tobe Hooper passed away in 2017 leaving behind a legacy of unusual and influential films beginning, in terms of impact, with 1974’s Texas Chainsaw Massacre, a movie so graphically violent and darkly disturbing for the time, because it felt more like a documentary than the mostly tame horror cinema up to its release. In 1986 he released the sequel as a horrifying kind of parody. Between that, the 1982 Poltergeist film, 1985’s space vampire spectacle Lifeforce and numerous other films, Hooper’s unique cinematic vision will be celebrated for years to come including this month-long or so series hosted by Theresa Mercado kicking off this night on the director’s birthday.
Who:Flaural, Panther Martin and The Eye & The Arrow When: Friday, 01.25, 8 p.m. Where: Larimer Lounge Why: The kind of line up you want to see more often in the realm of indie rock with Flaurel’s psychedelic pop, Panther Martin’s visionary lo-fi rock and The Eye & The Arrow’s re-working of Americana into something we’re not hearing ad infinitum on playlists and radio stations with a fairly vanilla stream of content.
Who:Klaus Dafoe, New Standards Men and Simulators When: Friday, 01.25, 9 p.m. Where: The Skylark Lounge Why: Klaus Dafoe seems to be a sort of instrumental rebirth of late 90s to mid-2000s indie math rock but deconstructed to be more fractured and potentially more interesting than some of the bands mining that neo-mathcore/emo sound of late. Simulators are the kind of post-punk that carves out the overtly atmospheric quality for stark contrasts of tone and angular rhythms that somehow still flow without getting splintery and yet, despite that intentional minimalism, bursting with Bryon Parker’s raw emotional vocals.
Saturday | January 26, 2019
Who:Hippo Campus w/Now Now When: Saturday, 01.26, 9 p.m. Where: The Ogden Why: Hippo Campus has been writing finely crafted pop songs since its early days and challenging itself to make each record reflect not just personal and creative growth, qualities you’d want in any band worth your continued attention, but an evolving approach to larger cultural narratives. The group’s 2018 album Bambi offers no pat answers or platitudes. It is a record brimming with questions instead of the instant opinion/instant expert tendency that permeates our culture from the way people interact and present themselves on social media and how one must conduct oneself in various contexts lest one be thought indecisive rather than recognizing and learning to identify nuance—not in a way to placate all sides but in order to avoid the hubris of being unaware of one’s own limitations of knowledge and comprehension. It can be enjoyed as just a solid pop album but there’s a great deal of dimensionality and content for anyone wanting to listen deeper.
Who:Space Jail, Snaggletoothe and Claudzilla When: Saturday, 01.26, 7:30 p.m. Where: The People’s Building Why: Space Jail might be described as a psychedelic synth band. Snaggletoothe as psych prog. Claudzilla as a one-person keytar rock weirdo extravaganza. All in likely the only venue in Aurora where you might see music anywhere within he realm of these bands.
Who:Soulless Maneater, Sliver, Endless Nameless, Fox Moses, Equine When: Saturday, 01.26, 9 p.m. Where: 3 Kings Tavern Why: Soulless Maneater is somewhere between the best death rock band in Denver and a moodily creepy doom band. Sliver is “Diet Nirvana.” Fox Moses sounds like a gloomier neo-grunge band and all the better for that. Endless Nameless sounds like a hybrid of math rock, shoegaze and post-rock—not that those are mutually exclusive concepts. Equine is the avant-guitar and synth solo project of former Epileptinomicon and Moth Eater guitarist Kevin Richards.
Sunday | January 27, 2019
Who:Sumac, Divide and Dissolve, Tashi Dorij When: Sunday, 01.27, 7 p.m. Where: Larimer Lounge Why: Aaron Turner’s guitar work and songwriting in partnership with fellow musicians has helped to define some of the boundaries of the more experimental, heavy music. As the leader of Hydra Head Records he also encouraged the development of that music throughout the 90s and 2000s. As a member of Isis, Old Man Gloom and Mamiffer, to name a few projects, Turner has crafted consistently interesting material that is undeniably within the realm of metal but with an ear for abstracting sounds into noise and then back together into coherent expressions of emotion outside the realm of standard songwriting in the genre. With Sumac this may be especially so in particular the band’s 2018 album Love In Shadow where the trio takes the concept of love at its most primordial level pre-marketing device, pre-narrowing the concept down to a relatively trite, or at least limited, word casually thrown around. Also on this tour is Bhutanese guitarist Tashi Dorij whose noisescapes could be considered loosely as avant-garde but also seem to contain a kind of personal ritualistic expression. See his own 2018 album gàng lu khau chap ‘mi gera gi she an example of the sorts of music you’re in for during his set. Since Dorij and Turner have collaborated on at least one record maybe you’ll get to see some of that this night as well.
Tuesday | January 29, 2019
Who:Nadia Bolz-Weber – The Shameless Book Tour When: Tuesday, 01.29, 7:30 p.m. Where: Tattered Cover — Colfax Why: Nadia Bolz-Weber is the activist and Lutheran pastor whose 2014 memoir Pastrix: the cranky, beautiful faith of a sinner & saint traced her personal growth from a kind of bohemian comedian to sober theology student and pastor. The book, brimming with irreverent humor and sarcasm as well as plenty of illuminating insights into human psychology, whether you’re Christian or not, struck a chord with a fairly sizable audience. In humanizing challenges many people face, Bolz-Weber made a good case for how we can embrace an expanded sense of our own best selves. In July 2018 left her pastoship of House for All Sinners and Saints in Denver, Colorado. Now she is releasing her new book Shameless: A Sexual Reformation. As a candid reexamination of “patriarchy, sex, and power” (from the Tattered Cover website), Bolz-Weber will likely further cement her reputation as something of a refreshingly maverick religious thinker and writer.
Who:Big Paleo album release w/Places Back Home, The Maykit and Quentin When: Tuesday, 01.29, 7 p.m. Where: Larimer Lounge Why: Denver-based math rock Big Paleo is releasing its, presumably, debut album. One of the opening bands, The Maykit, may not be math rock but its intricate musicianship and songwriting and Max Winne’s indisputably sincere vocal delivery will be a standout of the evening.
Wednesday | January 30, 2019
Who:Gnash w/Mallrat and Guardin When: Wednesday, 01.30, 7 p.m. Where: The Bluebird Theater Why: Mallrat is Grace Shaw from Brisbane, Queensland, Australia. Since high school, Shaw has been writing sophisticated pop songs that bring together elements of electronic dance production, hip-hop style beats and the informal structure of modern indie rock—really an ideal synthesis and vehicle for expressing one’s ideas with nuance but a direct emotional quality. Her 2018 EP In The Sky is an interesting blend of contrasts: dusky atmospherics speckled with bright highlights, onomatopoeic cadences and vivid lyrics and soaring, saturated melodies dissolving into introspective minimalism. Headlining the show is Gnash, aka Garrett Nash, who released his debut full-length We on January 11, 2019. Nash made waves with his early breakup EPs and his far better than average beat-driven R&B.
Who:Hackedepicciotto w/DBUK When: Wednesday, 01.30, 7 p.m. Where: Lost Lake Why: Hackedepicciotto is a multi-media, experimental music duo comprised of Danielle de Picciotto and Alexander Hacke. De Picciotto was one of the founders of the long-running electronic music festival The Love Parade in Berlin. The festival was initiated as celebration of innovative electronic music but also as a subversive kind of demonstration for peace through love and music. Hacke is the bassist for influential industrial band Einstürzende Neubauten. The aforementioned couldn’t completely encompass either artist’s work, output and collaborations and it would be worthwhile to explore their work in depth. But with this project the two bring together a set of skills in composition, performance, film making and storytelling. The word “immersive” gets thrown around a lot these days but it definitely applies to a Hackedepicciotto show. It isn’t just that the sound design and visuals and songwriting are striking, they are, it’s also because before it quite became a widely articulated phenomenon, de Picciotto, in her 2013/2015 graphic novel We Are Gypsies now vividly and powerfully captured what it’s like to be noteworthy, internationally renowned artists have to uproot from one’s home and home city of decades due to gentrification. Then, as explored in further detail on the 2016 album Perserverantia and 2017’s Menetekel how the way the world economy functions now globally has not only all but dismantled the way independent artists and not-so-independent artists can live, function and thrive. The albums alone are worthwhile experiences in the listening but the live show is where you truly get to experience a deep emotional manifestation of faith and hope nearly crushed by despair at the state of things supported by a drive to seek what must be better over the horizon. There is no naivete to the work, de Picciotto and Hacke both know they can never really regain what they once had, but a reminder that one’s compulsion to pursue one’s life work can be a beacon through difficult times. The duo’s latest release is the 2018 meditation soundtrack Joy.
Who:The Pink Spiders w/Television Generation and Smile Victoria When: Wednesday, 01.30, 7 p.m. Where: Larimer Lounge Why: The Pink Spiders are a power pop band from Nashville who had a minor hit in 2006 with “Little Razorblade” from their Ric Ocasek-produced album Teenage Graffiti. Smile Victoria sounds like it’s still wearing its Pixies and others 90s alternative music fairly freshly. But not in the neo-grunge kind of way as the trio has more atmosphere and melody than some of its peers tapping into the same era. Television Generation somehow perfectly blends grunge with power pop without sounding like Nirvana or like Cheap Trick gone metal. Is there a bit of sonic DNA in there out of Love Battery and Buzzcocks? Probably but live the band has plenty of grit and emotional darkness to keep it from ever feeling derivative.