Best Shows in Denver 11/29/19-12/4/19

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Cheap Perfume performs on November 30 at Hi-Dive, photo circa 2016 by Tom Murphy

Friday | November 29

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Black Mountain circa 2019, photo by Tom Murphy

What: Black Mountain w/Ryley Walker
When: Friday, 11.29, 8 p.m.
Where: Bluebird Theater
Why: Black Mountain is one of a handful of bands that was associated with 2000s “stoner rock” that evolved past and beyond the tropes of that genre. Probably because from the beginning the psychedelic end of its sound was more developed than some other bands that were essentially making a form of what’s now called “drone metal.” But even at the beginning, with its 2005 self-titled debut, the band wrote heavy songs with an ethereal tonal architecture like “Heart of Snow.” The group’s 2019 album Destroyer is its first with former Sleepy Sun guitarist/vocalist Rachel Fannan and Adam Bulgasem of Soft Kill. It sounds like it has more extensive use of synthesizer than previous albums and thus having more in common with obvious influences like Hawkwind and Can. Live the new direction for the band has been more immersive and hypnotic without sacrificing its rock and roll punch, a testament to its integration of its musical instincts and incorporation of even more of Jeremy Schmidt’s transporting synth work which he used to great effect on the soundtrack to dark science fiction film Beyond the Black Rainbow under his moniker Sinoia Caves.

What: High On Fire w/Power Trip, Devil Master and Creeping Death
When: Friday, 11.29, 6 p.m.
Where: Oriental, Theater

What: Automatic w/Sweetness Itself and Chrome Wave
When: Friday, 11.29, 8 p.m.
Where: Lost Lake

What: Babah Fly, Ill Se7en, Zanib
When: Friday, 11.29, 9 p.m.
Where: Broadway Roxy

What: Catching Flies w/Chitchat, Sifts and Chromadrift
When: Friday, 11.29, 8 p.m.
Where: Larimer Lounge

Saturday | November 30

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Plasma Canvas, photo by Tom Murphy

What: Cheap Perfume Burn It Down album release, SPELLS, Plasma Canvas and Wild Lives
When: Saturday, 11.30, 8 p.m.
Where: Hi-Dive
Why: Cheap Perfume is the Colorado Springs-based punk band who make no bones about their feminist political orientation but that really should be part of anyone’s agenda in the modern world and a centerpiece of any human who claims to have morality, ethics, basic human decency and concern for human rights as part of their perspective on the world. But Cheap Perfume makes it fun with pointed songs that while sometimes snarky are heartfelt and clever but with no fence sitting. Its new album, Burn It Down, is being released this night with some of the Mile High City’s best punk acts sharing the stage for the occasion.

Tuesday | December 3

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The Allah-Las circa 2014, photo by Tom Murphy

What: Allah-Las w/Mapache & Tim Hill
When: Tuesday, 12.3, 7 p.m.
Where: Gothic Theatre
Why: In the rush to cop the 60s and early 70s southern California sound in the past half decade and more so many bands seem to have mimicked those Laurel Canyon artists outright. Allah-Las dipped into a similar pool of references but didn’t forget to write great songs or to inject that with modern sensibilities. Its soundscapes are paired well with entrancing melodies and not merely indie rock with some reverb and chorus and a laid back vibe. Its 2019 album LAHS is typically introspective and expansive with more than a dash of playfulness.

Wednesday | December 4

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Men I Trust, photo by Tom Murphy

What: Weird Wednesday: Sporehive, Fables of the Fall, Babushka’s Naughty XXXmas Carols, DJ Andy Z
When: Wednesday, 12.4, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Weird Wednesday this month will include experimental drone collective Sporehive, chamber folk quartet Fables of the Fall, Babushka of Little Fyodor & Babushka fame doing her Naughty XXXmas Carols and DJ Andy Z spinning tunes.

What: Turnover & Men I Trust w/Renata Zeiguer
When: Wednesday, 12.4, 8 p.m.
Where: Gothic Theatre
Why: Men I Trust has been described any number of ways but the live band evokes the mood of dusky nightclub R&B and soft lighting. But without evoking the early 70s Laurel Canyon pop sound so much in vogue lately. The band’s videos look like some kind of cinematic rendering of 1980s home movies and in a way reminds one of fan videos various people have made for Boards of Canada. It’s not often a band can maintain some sense of mystique these days but Men I Trust definitely has some. Currently touring in support of its lushly downtempo 2019 album Oncle Jazz.

Best Shows in Denver 02/14/19 – 02/20/19

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Kikagaku Moyo performs at the Hi-Dive on Feb. 18 and The Fox Theatre in Boulder on Feb. 19 with Weeed. Photo by Jamie Wdziekonski

Thursday | February 14, 2019

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Midwife, photo by Tom Murphy

What: An Ambient Valentine’s Day: Benefit for Resilience Rising: School Dance, Allison Lorenzen solo, Midwife, God of Water and Bell Hoss
When: Thursday, 02.14, 8 p.m.
Where: Rosehouse
Why: This show is a benefit women’s shelter Resilience Rising and includes more sonically ethereal and low key artists such as ambient slowcore star Midwife and the like-minded but less abstract artist Bell Hoss who sounds like she fled some pocket dimension that was perpetually the early 80s but where people didn’t get why Joni Mitchell is one of the coolest, most important artists in popular music.

Who: Grivo w/DH and Madelyn Burns
When: Thursday, 02.14, 8 p.m.
Where: Surfside 7
Why: Grivo is an experimental shoegaze/psychedelic rock band from Austin with music out on Holodeck Records.

Who: The Dead & The Daylily w/Turvy Organ, Avifauna and Tiffany Christopher
When: Thursday, 02.14, 7 p.m.
Where: Larimer Lounge
Why: This is Matthew Rossi’s first show as a guitarist in indie rock band Turvy Organ. You’ve seen him play in Tyto Alba assuming you’ve seen that underrated and great Denver dream pop band. Rossi has helped bring to that band a certain elevated emotional tonal palette and he’ll bring some of that to Turvy Organ as well.

Who: Codename: Carter w/Tonguebyte
When: Thursday, 02.14, 7 p.m.
Where: Lost Lake
Why: Spy-surf phenoms Codename: Carter don’t play so often but when they do, it’s a worthy catching because they coordinate outfits and write songs that remind you that surf rock can have chops and imagination behind it.

Friday | February 15, 2019

Who: Scream Screen: Poltergeist
When: Friday, 02.15, 8 p.m.
Where: Sie FilmCenter
Why: The latest in Theresa Mercado’s Scream Screen series celebrating the life of master horror filmmaker Tobe Hooper. Tonight, 1982’s haunting classic Poltergeist.

Who: The Pollution, Perry Weissman 3 and DJ AKA Miggy
When: Friday, 02.15, 9 p.m.
Where: Goosetown Tavern
Why: The Pollution is rooted in the politically conscious but non-didactic punk of the 80s DC scene but influenced by psychedelic rock and weirdo 70s prog. Perry Weissman 3 is definitely within the experimental wing of jazz. Not necessarily free jazz but that element is in there too.

Who: Maya Jane Coles
When: Friday, 02.15, 9 p.m.
Where: The Church
Why: Maya Jane Coles is the UK DJ whose production and engineering work is noteworthy separate from her career as music maker. In the latter capacity Coles is known for her dark techno sets with a deep house and dub sensibility. Her compositions usually have a gently urgent quality amid moody synth swells and a finely crafted and separation of tones and textures as part of her layers of rhythm bumped along by expertly sculpted low end. Which is just another way of saying her music sounds like something you’d want to hear in the inevitable virtual experiential product of the future that tries to convey what it was like to go to a 2000s underground experimental dance music event in an illegal but safe warehouse in the middle of fall. Plenty of sonic allusions and nods to style can be found in one of her sets for the heads that work well whether you’re familiar with those references or not.

Saturday | February 16, 2019

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Turkuaz, photo by Dani Brandwein

Who: Turkuaz with Eminence Ensemble
When: Saturday, 02.16, 8 p.m.
Where: The Ogden Theatre
Why: Turkuaz is a nine-piece, Brooklyn-based funk band whose sound is as eclectic as it is layered and multi-cultural. Though incorporating elements of psychedelia, R&B and rock Turkuaz’s sound can be readily compared to like-minded bands more associated within the cross section of jam bands end electronic dance music. Think on the more interesting end like Lotus, STS9 and The Disco Biscuits. That kind of flow of sounds and rhythms but rooted in executing the sounds with all live instrumentation and sounding more akin to Kool and the Gang or a Bernie Worrell band than something that has much in common with the EDM realm.

Who: KGNU Quarterly Showcase: The Milk Blossoms, Lady Gang, My New Dad (members of Dandu), Joshua Trinidad and Gregg Ziemba – DJs Joel Davis aka The Vibrarian and TerraSonic
When: Saturday, 02.16, 8:30 p.m.
Where: Lion’s Lair
Why: This edition of the KGNU Quarterly Showcase is, reliably, a fantastic showcase of some of the more interesting artists in Denver. The Milk Blossoms provide a gentle yet heartfelt emotional catharsis with every show with meaningful and experimental pop music by not trying to fit in any genre and giving you the raw, delicately rendered experience. Lady Gang is Jen Korte’s one woman, loop station composition extravaganza. Joshua Trinidad and Gregg Ziemba will kick the serious space jazz science and stretch the boundaries of consciousness in the process.

Who: Le Butcherettes w/Stars at Night and Viretta
When: Saturday, 02.16, 8:30 p.m.
Where: Larimer Lounge
Why: Le Butcherettes make weirdo prog punk within the context of what always seems like inspired performance art as Teri Genderbender channels rock and roll and mythological archetypes of her own creation at every show. Earlier this month the group released its latest album bi/MENTAL, a typically otherworldly and cathartic offering that isn’t much like anything else in rock in re-contextualizing and re-purposing tropes of the genre in creative ways.

Monday | February 18, 2019

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Sharon Van Etten, photo by Ryan Pfluger

 

Who: Kikagaku Moyo w/Weeed
When: Monday, 02.18, 8 p.m.
Where: Hi-Dive
Why: Kikagaku Moyo is a Tokyo-based psychedelic rock band whose 2018 album Masana Temples demonstrated further the band’s subtly eclectic sound rooted not just in 70s prog and psychedelic rock but also Japanese traditional music and perhaps 70s Japanese folk artists like Happy End, Karuomi Hosono, Itsutsu No Akai Fusen and Nobuyasu Okabayashi. There is a very organic quality to the band’s music, especially in the live setting where layers of sound are presented in a way that is deceptively simple. Definitely not informed so much by the trendy psychedelic rock wave of recent years. This Hi-Dive show is sold out but there is another day the next night in Boulder at The Fox Theatre.

Who: Sharon Van Etten w/Nilüfer Yanya
When: Monday, 02.18, 7 p.m.
Where: The Gothic Theatre
Why: Sharon Van Etten has been releasing worthwhile and wise records for close to a decade and a half now but her 2019 album Remind Me Tomorrow is her best work to date. The rough warble reminiscent of Marianne Faithful in her prime heard in “Seventeen” is thrillingly raw and the words imbued with a deeply painful letting go of ideas and associations once deep in one’s heart but no longer useful while the ghosts of those connections remain. But the whole record is flowing with the spirits of loves past and the album a gentle purging and reconciliation.

Tuesday | February 19, 2019

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Men I Trust circa 2018, photo by Tom Murphy

Who: Kikagaku Moyo w/Weeed and Ashley Koett
When: Tuesday, 02.19, 8:30 p.m.
Where: The Fox Theatre
Why: See above for the 2.18 Hi-Dive show entry for more information on Kikagaku Moyo.

Who: Men I Trust w/Michael Seyer
When: Tuesday, 02.19, 7 p.m.
Where: Globe Hall
Why: Men I Trust has been described any number of ways but the live band evokes the mood of dusky nightclub R&B and soft lighting. But without evoking the early 70s Laurel Canyon pop sound so much in vogue lately. The band’s videos look like some kind of cinematic rendering of 1980s home movies and in a way reminds one of fan videos various people have made for Boards of Canada. It’s not often a band can maintain some sense of mystique these days but Men I Trust definitely has some.

Wednesday | February 20, 2019

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Alien Boy, photo by Sam Gehrke

Who: Sundressed, Awakebutstillinbed, Alien Boy and Sunsleeper
When: Wednesday, 02.20, 7 p.m.
Where: Larimer Lounge
Why: Around the turn of the century pop punk had all but burned out any appeal to anyone but the most die hard fans because it seemed like every other band was still mining that musical territory hoping to play Warped Tour. But then that tide went out. Toward the end of the first decade of the 2000s some musicians in the punk world embraced melody in their songwriting and the relatable and emotionally resonant and urgent quality that the best pop punk and emo had. In the decade since there’s been a renaissance of that style of music but with musicians freely incorporating elements of other musical styles and ideas. This is a good showcase of that development now long since established. Alien Boy, however, has strayed the furthest from the sonics of punk canon and thus, for this writer, it is the most interesting band on the bill with its unabashed use of moody musical ideas from punk, shoegaze, post-punk and its own focus on the most poignant moments of their lives as a loci of inspiration. The band’s 2018 album Sleeping Lessons firmly established it as one of the most interesting punk bands of recent years. Awakebutstillinbed’s crackling and ragged energy also sounds promising for the performance like a less art/space rock Rainer Maria. It’s gloriously titled 2018 album what people call low self-esteem is really just seeing yourself the way that other people see you is the things of which modern emo legends are made.

Best Shows in Denver 11/1/18 – 11/7/18

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Tank and the Bangas will perform at The Ogden Theatre on Friday, November 2, 2018 with Big Freedia and Naughty Professor, photo by Gus Bennett Jr.

Thursday | November 1, 2018

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The Goon Sax, photo by Ryan Topaz

Who: Holy Wave w/Pale Sun
When: Thursday, 11.1, 8 p.m.
Where: Hi-Dive
Why: Holy Wave is a band from Austin, Texas that weaves together a kind of motorik beat driven, Krautrock wall of sound mixed with the sort of folk and rock and roll that produced the Thirteenth Floor Elevators. So sort of garage psych but more imaginative and with more nuanced, layered songwriting. With the band’s most recent album Adult Fear, it’s drifted in a more 60s futurist pop direction akin to Pink Floyd gone French pop akin to a psych garage version of Stereolab. Pale Sun’s dense washes of mind-bending tones and hypnotic rhythms will be a good match as its own atmospheric rock has some resonance with weirdo electronic music.

Who: Dia De Muertos Celebration with Altas, Plume Varia, Vic N’ The Narwhals and Church Fire
When: Thursday, 11.1, 8 p.m.
Where: Syntax Physic Opera
Why: Four of Denver’s best bands on one bill for this celebration of Dia De Muertos. Altas’s instrumental rock music conjures the visual element for you in your mind with its dynamic compositions and keen sense of texture and rhythm. Plume Varia’s downtempo dream pop is not something you get to see much live these days—an effective and evocative blend of R&B, synthpop and darkwave. Vic N’ The Narwhals found a way to keep surf rock vital and not another victim of genre oversaturation. Church Fire has long been the band to embody an instinct for great pop hooks, emotionally electrifying and confrontational performances, raw chaos and noise and making elements that aren’t often in one place work in a way that’s accessible and powerful. Church Fire will release an album at the end of the year and change up its direction so you may see hints of that in its upcoming live shows.

Who: The Goon Sax w/Teeth of the Hydra and Chromadrift
When: Thursday, 11.1, 7 p.m.
Where: Larimer Lounge
Why: Brisbane, Australia’s The Goon Sax harnessed the strong melodic lines and harmonic jangle one heard in C86-era pop bands and those on the Sarah Records imprint, or as heard by bands clearly influenced by that sound, into some surprisingly thoughtful and incisive songs for a trio of teenagers. The group’s 2016 album Up to Anything may sound like a new indie rock album on the surface but there’s something more durable about the compositions like The Birthday Present with less fuzzy edges. With the group’s 2018 album We’re Not Talking finds the band making exceptionally realized use of space and textural elements that give the emotional quality a surprising vividness while enhancing the impact of the introspective lyrics. Opening the show are two experimental bands from Denver, both more on the ambient end of the spectrum, including Chromadrift whose soft, post-rock-esque compositions capture the feeling of fall and winter with an uncanny accuracy. Teeth of the Hydra’s moody, organic drones feel like music for a Bela Tarr movie.

Friday | November 2, 2018

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Surfbort, photo by Renee Parkhurst

Who: Black Lips w/Surfbort and Dirty Few
When: Friday, 11.2, 8 p.m.
Where: The Bluebird Theater
Why: Black Lips are still that notorious garage punk band from Atlanta from whom you’re never 100% sure what you’ll get but the show will be energetic and border on the chaotic. Which suits the energy and aesthetic of Denver’s Dirty Few. But like Black Lips, the band has a gift for solid pop songwriting and Kim Phat’s vocals give otherwise fairly gritty songs an interesting combination of lightness and intensity. Surfbort from Brooklyn breaks modern punk convention in a variety of ways. Not with the music so much as it sounds a bit like 80s and early 90s punk as if the band cutting its teeth learning to play along to The Damned, Crass, Black Flag and Tribe 8. But Dani Miller looks like a real punk who has seen some rough days but is now channeling that into powerful vocals not unlike an American Eve Libertine thirty years hence. The band’s debut full length Friendship Music is everything punk should be—loud, sometimes obnoxious, irreverent and willing to experiment with sound as a complete and utter middle finger to convention and expectations. Miller is in her mid-20s and her bandmates in their 40s and 50s so there is a sensibility and dynamic that makes this band always a little different and for the better.
Who: Tank and The Bangas and Big Freedia w/Naughty Professor
When: Friday, 11.2, 7 p.m.
Where: The Ogden Theatre
Why: Some of New Orleans’ finest will grace the Ogden stage tonight. Tank and The Bangas’ flavor of that hip-hop, jazz and R&B hybrid is deeply eclectic, gently lively, layered and uplifting in a way that feels sincere and wholesome without being hokey or self-righteous. It’s the musical equivalent of a nutritious meal with a perfect blend of delicious flavors that mutually enhance and satisfy all palates. Big Freedia is a pioneer of sissy-bounce but at this point really pushes hip-hop in interesting directions with his larger-than-life live show and refusal to be contained by an aesthetic that might contain the prodigious energy of his musical instincts. Live, Freedia’s songs can go off the rails in surreal and heady directions because of that more open-ended songwriting style and performance. Maybe now Freedia has honed the act and songwriting to be more precise in its effectiveness but one of Freedia’s main appeals is a nearly overwhelming sense of liberation from convention. Naughty Professor is a six-piece, improvisational jazz-funk band on the more experimental end of that sort of music—an example of when a real jam band can make some magic on stage rather than self-indulgently wank.

Who: Nnamdi Ogbonnaya w/Sen Morimoto and Triplip
When: Friday, 11.2, 8:30 p.m.
Where: Lost Lake
Why: Nnamdi Ogbonnaya is an artist everyone that think they’ve seen everything should check out because he is like a recombinant DNA mad scientist of musical genres. Punk spirit, sometimes sound, always that energy fused with hip-hop, avant-garde improv, weirdo funk, indie jazz and whatever else goes in to give life to his unusual song ideas and surreal-yet-meaningful-and-insightful-playful lyrics. Maybe he’s too weird to go to some bigger level of touring but don’t count on it and see him when he’s still playing these smaller rooms.

Saturday | November 3, 2018

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Drahla, photo by Bianca Wallis

Who: Quits w/Americas (Chicago), Reptoid (Oakland) and Arctobog and Bert Olsen
When: Saturday, 11.3, 7 p.m.
Where: Seventh Circle Music Collective
Why: Denver based noise rock band Quits shares the Seventh Circle stage with math rock/neo-emo band Americas from Chicago, Oakland’s menacing, industrial-esque, noise rockers Reptoid, poetry/avant-garde punk lo-fi act Arctobog from Denver and Folk Implosion-esque lo-fi rock project Bert Olsen.

Who: Hot Apostles, The Patient Zeros, Dead Pay Rent and Crimson Days (Robin Heitman, Nathan King, Garrett McGaugh and Nicolas Kjolhede)
When: Saturday, 11.3, 8 p.m.
Where: The Squire Lounge
Why: Nicolas Kjolhede recently moved back to Michigan after around a decade in Denver where he performed in the rock band Cutthroat Drifters. His signature moves, his clear passion for the music and his affable nature made him a true fixture in Denver’s underground music scene. Tonight he’ll perform with one of his new bands, Crimson Days, at the Squire Lounge with other noteworthy rock bands whose own musical vision isn’t limited to simple subgenre convention and who managed to be straight ahead rock bands with personality and not miming past classic rock glory as has been the temptation, unresisted, among too many bands today.

Who: Tera Melos w/Rumble Young Man Rumble and Dandu
When: Saturday, 11.3, 8 p.m.
Where: Larimer Lounge
Why: Tera Melos definitely puts the weird in math rock with technically challenging song structures and dynamics. Radical shifts in direction like a post-hardcore Don Caballero gives Tera Melos’ songs a wiry momentum that one might expect an early band on the 31G imprint or out of late 90s DIY scene Providence, Rhode Island. Dandu from Denver can vibe with the math rock and angular jazz flow but its own music is also brimming with atmosphere.

Who: CT-X (Captured Tracks 10 Anniversary Tour) w/Drahla, Lina Tullgren, Wax Chattels
When: Saturday, 11.3, 8 p.m.
Where: Hi-Dive
Why: Indie record label Captured Tracks is celebrating its first decade with tour featuring a fairly representative slice of it roster. Wax Chattels is what might have been called a dance punk band fifteen years ago but it’s far noisier and keys rather than guitar and reminiscent of 90s post-hardcore, synth heavy bands like The VSS and Milemarker. Lina Tullgren’s songs would fall within the realm of dream pop if they weren’t imbued with an urgency and sense of melancholy. Drahla from Leeds, UK is a post-punk outfit that has adopted a bit of the unpredictable guitar melodies one would have heard in Sonic Youth from the 80s or from northeast Canada’s noisier guitar bands like FRIGS or Preoccupations.

Sunday | November 4, 2018

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Wild Nothing, photo by Cara Robbins

Who: Love Hope Strength benefit w/The Alarm
When: Sunday, 11.4, 3:30 p.m.
Where: The Oriental Theater
Why: The Alarm may not have been as famous as U2 (in fact The Alarm toured as support for U2 on the 1983 War tour), The Call or The The but its music was within that wheelhouse of uplifting, melodic, thoughtful rock with songwriting that tapped into the brighter places in your imagination. Its 1987 hit “Rain in the Summertime” remained a staple of college radio and modern rock format radio stations for years. In 2005 singer and main songwriter Mike Peters discovered he was suffering from a form of leukemia which inspired him to start a foundation called Love Hope Strength which benefits those suffering from cancer and raises awareness of the issues those stricken with the malady face. It’s an afternoon show so you can catch the band and help out a good cause and, you know, have plenty of time for everything else on a Sunday that you might get up to.

Who: Wild Nothing w/Men I Trust
When: Sunday, 11.4, 7 p.m.
Where: The Bluebird Theater
Why: When Wild Nothing first emerged to a national audience, albeit on the more underground circuit, the group’s C86-inspired jangle rock seemed to incorporate post-punk moodiness and rhythms struck a sweet spot for a lot of people who maybe though the whole “chamber pop” thing and the wave of bands imitating 60s and 70s rock was wearing thin. That singer/guitarist Jack Tatum could convincingly evoke The Smiths without completely ripping off the Mancunians certainly had an appeal when the music industry seemed inundated with artists aiming for the mundanely rustic. The band’s 2018 album Indigo is a natural progression from its earlier records but its breezy melodies and synth washes are reminiscent of Kitchens of Distinction, The Teardrop Explodes, The Church and maybe even Soft Boys. And yet, Wild Nothing has added to the post-punk cannon by not at all sounding like a clone of any of its influences through finding consistently inventive ways of melding the aesthetics of electronic music, rock and pop.

Men I Trust from Montreal is a decidedly independent band whose DIY ethos one doesn’t often associate with a group making lush, jazzy, R&B-inflected dream pop. Fans of Toro Y Moi and Purity Ring will find a good deal to like about this trio.

Monday | November 5, 2018

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Molly Burch, photo by Dailey Toliver

Who: Molly Burch w/Jesse Woods and Pure Weed
When: Monday, 11.5, 7 p.m.
Where: Lost Lake
Why: Molly Burch’s 2017 debut album Please Be Mine was remarkable not just for Burch’s delicately powerful voice and uncommonly superbly voiced instrumentals, but for how Burch can not only write from a place of hurt but doing so with an awareness of the humanity of those who hurt her and who she undoubtedly hurt in return. Her use of words honors the complexity of life and relationships with an immediacy and accessibility that usually comes a few albums in. Her sophomore effort, 2018’s First Flower finds Burch focusing more on exploring fraught moments of relationships outside the realm of the romantic as well as her issues with anxiety with the same insight and warmth that characterized her previous work.

Tuesday | November 6, 2018

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Acid Dad, photo by Devon Bristol Shaw

Who: Acid Dad, Serpentfoot and Emerald Siam
When: Tuesday, 11.6, 7 p.m.
Where: Lost Lake
Why: Acid Dad is one band that answered the question about whether a band could come out of the rock milieu/era when psychedelic garage rock and surf was the prevailing trend and still have something interesting to say using similar musical language. The answer is, of course, yes, and the band’s self-titled LP may be a nod to stuff like Wooden Shijps, Ty Segall and early psych classics but its subject matter is a refreshingly different take on social issues and personal travails. At times you’ll hear echoes of Madchester and Spacemen 3 as in the song “Marine” and early tracks like “Brain Body.” But even in their more languid moments there’s an energy to Acid Dad’s performances that makes them more than a cut above of the bands that sound like they listened to “Anemone” by Brian Jonestown Massacre too many times and made it their template except when they want to fuzz up some lazy surf rock licks. The local support for this show includes Fort Collins’ Serpentfoot who do that surf and psych thing better than most because there’s more than a little bite to its lively songs. Denver’s Emerald Siam draws on some of the same influences as Acid Dad but comes from a place of deep knowledge of garage rock, psychedelia and post-punk out of which it has woven a bright, sometimes brooding yet expansive, and uplifting yet gritty futuristic rock and roll.

Who: Jim James w/Alynda Segarra from Hurray For the Riff Raff and Andrea Gibson
When: Tuesday, 11.6, 7 p.m.
Where: The Paramount Theatre
Why: Jim James is of course known for his iconic work in My Morning Jacket. But his solo albums are always worth checking out and his 2018 album Uniform Distortion was, according to an April 2018 interview with NPR, inspired by his “fascination with The Last Whole Earth Catalog.” Whole Earth Catalog being the visionary publication that took emerging awareness of ecology, sustainability, DIY/self-sufficient culture and shared uncommon knowledge with anyone open to a counter cultural perspective grounded in fairly pragmatic information. The album itself sounds like James spent some time hanging out with 70s hippies who turned their idealism into informal institutions that still exist to this day. All the while absorbing musical ideas and translating them for the current era. It’s a fascinating aesthetic of retro-futurism that takes the concept of holism seriously and applies it to the music and how it’s presented.

Wednesday | November 7, 2018

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Death Valley Girls, photo by Michael Haight

Who: Death Valley Girls w/Gymshorts and Keef Duster
When: Wednesday, 11.7, 7 p.m.
Where: Larimer Lounge
Why: One of the Los Angeles band’s t-shirts proclaims that “Satan Worships Death Valley Girls.” And, really, wouldn’t love a group of lively hellions that so gloriously hurls together glam, punk, garage, psychedelia and shoegaze like a high camp Stooges. Iggy even appeared in the video for “Disaster (Is What We’re After),” a single from the 2018 album Darkness Rains, which is all the endorsement you need.

Best Shows in Denver 6/21/18 – 6/27/18

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Lithics perform at Tuesday 6/26/18 at Lost Lake with Super Bummer and Male Blonding. Photo by Christie Maclean.

Thursday | June 21, 2018

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Bios+a+ic circa 2015, photo by Tom Murphy

Who: Glasss Presents the Speakeasy Series Season 2: Bios+a+ic and Acidbat
When: Thursday, 06.21, 7 p.m.
Where: Hooked On Colfax
Why: For this edition of the Speakeasy Series Season 2 you can see Wesley Davis doing a rare performance as Bios+a+ic, his long-running ambient/experimental electronic and acoustic instrument project. Davis curates the Textures Ambient showcase series now hosted the last Sunday of every month (including this Sunday, 6/24) at Mutiny Information Café. This event marks the twenty year anniversary of Davis’ label Symbolic Insight. Also on the bill is Acidbat, Seth Ogden’s noise-techno-downtempo-IDM project. Though not short on the experimental of electronic soundscaping, Acidbat pushes the use of rhythm and beats in interesting directions.

Who: Cindygod w/French Kettle Station and Whoopsi
When: Thursday, 06.21, 8 p.m.
Where: Hi-Dive
Why: Probably a good reason to go to this show is to see New Wave Dance phenom French Kettle Station and his emotionally charged performance. But the main reason is to see the debut of Andy Rauworth’s and Craig Nice’s new band Cindygod. Rauworth and Nice were the indie rock duo Gauntlet Hair who made waves in the late 2000s/early 2010s with its energetic, noisy, sparkly rock songs. The group signed to Dead Oceans and did a short bit of touring before calling it quits in August 2013. For this band Rauworth is joined by Anton Krueger formerly of Bollywood Life (now H-Lite) and Eamonn Wilcox
who some may remember performing as Running Niwot a few years back.

Friday | June 22, 2018

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Calm., photo by Tom Murphy

Who: Pop Up: Music & Art with Calm., Adolfo Romero and poet Jesus Rodriguez, art by Goat Witch Goods
When: Friday, 06.22, 7:30 p.m.
Where: Hooked On Colfax
Why: The benefits of this show will go to benefit the undocumented community. It will include performances from poets Jesus Rodriguez and Adolfo Romero as well as the great Denver-based hip-hop duo Calm. whose own music reflects growing up poor in Park Hill and North Denver and an organic intellectual tradition. Also, rapper Chris Steele might lay down some of his surreal humor between songs and drop some knowledge outside the context of Calm.’s music.

Who: Pearls & Perils, Vahco and Victoria Lundy
When: Friday, 06.22, 9 p.m.
Where: Lion’s Lair
Why: Soulful downtempo and synths show from Glasss Records artists Pearls & Perils and Vahco. Olivia of Pearls & Perils creates a deep cloudscape of sound with her beats and her sultry voice and Vahco’s experimental R&B and powerfully emotive singing gives his songs a quality that transcends any specific genre of music to which it might be attached. Victoria Lundy is the godmother of experimental electronic music in Denver at this point from her time in Carbon Dioxide Orchestra two decades ago to her Theremin work for avant-pop outfit The Inactivists to the music under her own name that reflects the influence of Twentieth Century classical and avant-garde electronic music as well as her own imaginative use of synth and Theremin.

Who: Pink Hawks w/Wheelchair Sports Camp and Polyphoni
When: Friday, 06.22, 9 p.m.
Where: Ophelia’s Electric Soap Box
Why: Pink Hawks are one of few legit Afrobeat outfits in Denver led by Yuzo Nieto. The latter helped start the project as more of a free jazz trio but followed his instincts into more out jazz and Latin music to whatever it is one might exactly describe Pink Hawks now. Also on the bill is the great, jazz-inflected Denver hip-hop group Wheelchair Sports Camp whose playful yet deeply meaningful songs bridge the personal and the political with rapper/beatmaker Kaelyn Heffernan’s social activism. WSC doesn’t really sound like anyone else, reflective of its diverse roots.

Who: Sliver, Pout House, Yellnat, Hair Club and Galleries
When: Friday, 06.22, 8 p.m.
Where: 3 Kings Tavern
Why: It’s a free show but that is no knock on its quality. Galleries is a heavy psychedelic band from Denver but one where the songwriting comes before simply rocking with a weirdo flourish. Sliver is a punk and grunge band influenced by, of course, Nirvana, but also hardcore pioneers Bad Brains and post-punk/proto-grunge band Wipers from Portland, Oregon. As good as any of those bands? Maybe. But, contrary to the band’s protestations otherwise, Sliver does not in fact suck.

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Krallice circa 2009, photo by Tom Murphy

Who: Trve Brewing’s 6th Anniversary Bacchanal Night 1: Krallice, Wayfarer, Fórn, Many Blessings
When: Friday, 06.22, 8 p.m.
Where: Hi-Dive
Why: Trve Brewing has been hosting a weekend of great extreme metal for several years now and this first night includes legendary black/technical death metal shredder Mick Barr with his band Krallice as well as Denver doom outfit Wayfarer and Many Blessings, the ambient/instrumental doom/noise project from Ethan McCarthy of Primitive Man.

Who: Definitely, Maybe, Thistledown, Ancient Elk and Laura Goldhamer
When: Friday, 06.22, 8 p.m.
Where: Denver Bicycle Café
Why: Definitely Maybe includes former members of the late, great, math rock band Scatter Gather. Ancient Elk shows us where avant-folk, psychedelia and soul meet. Laura Goldhamer has long been an influential figure in Denver’s later era indie pop and experimental folk world not just for her music but for her steering bookings at the now defunct DIY space Brooks Center Arts as well as her beautifully imaginative filmmaking.

Sunday | June 24, 2018

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Mingo, photo by Tom Murphy

Who: Textures 4 year anniversary at Mutiny w/Mingo, Bios+a+ic and The {Nothing} 
When: Sunday, 06.24, 7 p.m.
Where: Mutiny Information Café
Why: This Textures anniversary show also celebrates 20 years of Wesley Davis’ Symbolic Insight imprint. For the occasion, Davis will perform as Bios+a+ic, his long running ambient project. Additionally, Mingo, whose work has also been featured on Hearts of Space Program, will put in one of his few performances and The {Nothing} is a newer ambient/experimental project that is Travis Sturm who will provide the usual, greatly evocative visuals under his orchidz3ro moniker.

Monday | June 25, 2018

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Oko Tygra, photo by Tom Murphy

Who: The Horrors w/Oko Tygra
When: Monday, 06.25, 7 p.m.
Where: Bluebird Theater
Why: Even though The Horrors were basically a The Birthday Party tribute band early on, as evidenced by its promising debut album Strange House, it at least was one that seemed halfway credible. As the band evolved, and as the band aged out of their early 20s, The Horrors took on other flavors like late-era Spacemen 3 and Spiritualized with the 2009 Primary Colours album, motorik beats and all. With 2011’s Skying The Horrors made its inspirations in electronic music much more obvious but so well blended with the rock instrumentation that it was practically a new band whose gift for otherworldly and transporting compositions was fully formed. While not sounding the same at all one might say that The Horrors have become the British equivalent of Deerhunter. With 2014’s Luminous The Horrors went further into the realm of the electronic but with 2017’s V, the band has come to engaging in more straightforward pop songcraft while not shedding its experimental instincts and what it has learned during its impressive arc of development as a band. To say nothing of the group’s great visual style and theatrical performances which give the music its proper and impactful context.

Opening the show is Denver-based dream pop band Oko Tygra. Singer/guitarist Joshua Novak has been making emotionally stirring music since his days of performing as a what one might say singer-songwriter. Of course Novak’s songwriting seemed much more sonically ambitious from the beginning and with this band he’s able to create the kind of downtempo, lush music that has been in his imagination waiting for the right way to see expression for years.

Who: Men I Trust w/Pearl Sugar and Modern Leisure
When: Monday, 06.25, 7 p.m.
Where: Lost Lake
Why: Montreal’s Men I Trust operate independently of labels and PR folk pushing their music to press. And often that means the band is probably punk or some kind of rock. But no, the group’s music is minimalist, downtempo dream pop and its ethos reminiscent of bands that used to play the American DIY circuit in the late 2000s when you could never fully predict what kind of music would come through playing place in Denver like Rhinoceropolis, Mouth House and the like. Men I Trust has more in common with Cocteau Twins and Alvvays than modern synth pop or post-chillwave acts and its production sophisticated for a band existing largely outside the traditional channels of the music industry. But, really, isn’t that how many bands these days are doing it? From learning the skills to produce, mix and master their music and create music videos mainly to have control over one’s output but also because you can learn all those skills and not have to pay someone outside your immediate orbit to do the work. That part doesn’t really make the band unique in this day and age. However, Men I Trust seems like it’s put more than their fair share of time into releasing quality product from inception to setting it off for others to enjoy.

Tuesday | June 26, 2018

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Dirty Projectors circa 2007, photo by Tom Murphy

Who: Dirty Projectors w/Still Woozy
When: Tuesday, 06.26, 7 p.m.
Where: Bluebird Theater
Why: Whatever one thinks of Dirty Projectors you can’t really down a band that seems to explore new territory or at least find different angles on ideas it already developed well on earlier releases. Its forthcoming album Lamp Lit Prose (due out July 13, 2018) finds David Longstreth and company doing as it has done for years in weaving together a wide spectrum of musical traditions and ideas to produce music that many may find quirky but which pushes forward what pop music can be. This time the spidery and labyrinthine guitar work and non-western rhythm schemes inside fairly mathy overall structures is a fascinating wrinkle for a band that has rejected certain comparisons to prog. Because it’s not prog. It is, however, using technical musical ideas as a framework to experiment with unconventional ideas in its own musical legacy.

Who: Lithics w/Super Bummer and Male Blonding
When: Tuesday, 06.26, 7 p.m.
Where: Lost Lake
Why: Inevitably Lithics get compared to No Wave early NYC and Bush Tetras. And that sort of wiry, writhing alienation is part of its sonic DNA. But the urgent atonal math rock-esque quality of some of its songs and the junk-jangle riffs remind one a bit of great 90s math rock weirdos like A Minor Forest, Polvo and Autoclave as well as art punk peers like Palm and US Weekly. Nevertheless, Lithics, from Portland, Oregon, has distinguished itself with stark melodies and jagged changes of pace as well as singer Aubrey Hornor’s intense stage presence and piercing gaze that channels perfectly songs brimming with nervous energy distilled into brilliant nuggets of postmodern poetic meditations on the neuroses plaguing anyone paying attention in the world in the past decade. Its new album, Mating Surfaces (out now on Kill Rock Stars), is exactly the kind of harum scarum post-punk disco we need as an salve to challenge and help cope with the conformist shittiness that has taken over our national politics. Bonus: you get to see two of Denver’s greatest post-punk acts with the more psych Super Bummer and Male Blonding’s deeply atmospheric sound grounded by one of the greatest rhythm sections in the Mile High City.

Who: The Sidekicks w/Great American House Fire and The Spirit of the Beehive
When: Tuesday, 06.26, 7 p.m.
Where: Globe Hall
Why: The Sidekicks, from Cleveland, Ohio, spends most of their excellent 2018 album Happiness Hours proving that you can still be a pop-oriented punk band and not have to perpetually navigate life as an emotionally stunted teenager. It’s not a melancholy album. It’s not cynical. It’s not rife with the voice of someone who feels like they have it all figured out. What the band has figured out, though, is that their version of punk doesn’t have to fit the formula they grew up with in terms of instrumentation or the flavor of the sentiments expressed in the words—that punk, too, can evolve and grow with you if the people making it are willing to reimagine the music they love for a time in life they never really thought about reaching without feeling like they had to put anything fun behind. Denver bands Great American House Fire and The Spirit of the Beehive also didn’t get the memo on needing to keep on making punk like you never outgrew shitty street punk and problematic emo.

Wednesday | June 27, 2018

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Thurston Moore circa 2012, photo by Tom Murphy

Who: Thurston Moore
When: Wednesday, 06.26, 6-7 p.m.
Where: Innisfree Poetry Bookstore and Café
Why: Thurston Moore wasn’t just a charismatic member of one of alternative rock’s most influential and iconic bands. He was an ambassador for the underground in music and art throughout the 80s and through to today. He is also a scholar of the Beat movement and an instructor on that subject at Naropa University. Tonight he will be doing readings from his book Stereo Sanctity – Lyrics & Poems.

Who: Weird Wednesday: Dorian, Chromadrift, Denizens of the Deep
When: Wednesday, 06.26, 9 p.m.
Where: 3 Kings Tavern
Why: This edition of Weird Wednesday will have a focus on some of Denver’s greatest ambient bands. Chromadrift just released his latest album Skyline. It’s organic/electronic/textural beats frame luminous compositions reminiscent of Dntel will be soothing enough to make one forget how busy the Baker District has become of late. Denizens of the Deep’s soundtrack-y ambient music is the aural equivalent of an A.E. Van Vogt story set in some detailed yet completely alien and haunted far future after civilization has fallen for the umpteenth time—haunted, suggestive of decaying urban landscapes and dark yet comforting.