Best Shows in Denver 08.23.18 – 08.29.18

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Boss 302 performs at The Oriental Theater on Friday, August 24, 2018 with Landgrabbers and The Vanilla Milkshakes

Thursday | August 23, 2018

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Esmé Patterson circa 2017, photo by Tom Murphy

Who: Adam Faucett, Esmé Patterson, Bellhoss
When: Thursday, 08.23, 9 p.m.
Where: Syntax Physic Opera
Why: Arkansas-based folk/Americana artist Adam Faucett performs in Denver ahead of the August 24 release of his new record It Took The Shape of a Bird. Faucett’s creative use of vocal tones and dynamics along with his poetic imagery gives his music real character. The same could be said of Esmé Patterson whose creativity in storytelling and richness of emotional colorings in her songwriting makes her noteworthy artist in a realm of music that can sometimes seem same-y. Becky Hostetler’s Bellhoss is also a great fit for this bill since her own spare songwriting provides the skeleton of mood and atmospherics in a way that brings your imagination to bear to fill in the spaces.

Who: short[circuit]circus #1: Structures Beavers Make (ATX noise-ish), Mahou Odd Genie & Norm L. Princess, Housekeys, Rose Alley
When: Thursday, 08.23, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: This is the beginning of what will hopefully be a series focused on more experimental music. Structures Beavers Make is an act based out of Atlanta, Georgia that doesn’t limit itself to just lo-fi moody guitar and voice over subtle, ambient beats, as the artist says (jokes) on her Bandcamp page that she might do bad Avenged Sevenfold covers. We can only hope. Mahou Odd Genie & Norm L. Princess fortunately also doesn’t fit comfortably in a single, discernible genre somewhere betwixt ambient, experimental electronic dance and samples manipulation. Housekeys is Tiffiny Costello’s ghostly guitar and vocals ambient project. The most obvious comparisons are Grouper and Juliana Barwick or the less noisy period of Flying Saucer Attack. Rose Alley is a “drag noise poet” in that it’s kind of a trippy spoken word performance with environmental sounds to enhance the words.

Friday | August 24, 2018

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Lady of Sorrows, photo by Tom Murphy

Who: Boss 302 w/The Landgrabbers and The Vanilla Milkshakes
When: Friday, 08.24, 7 p.m.
Where: The Oriental Theater
Why: Boss 302 started in the early days of 1993 on the cusp of the breakup of the band that inspired its existence: The Fluid. However, Boss 302 spent several years establishing its own reputation as a fun, rowdy garage punk band with a charismatic frontman in Rich Groskopf and a solid band that wrote songs good for a party in the classic sense rather than the self-parody of party rock in more recent years. Boss 302 had a handful of releases including 1997’s Whatever Happened To Fun, which included its only recordings with Matt Bischoff of The Fluid on bass. The group split in 1999 and reunited in 2008 around the same time The Fluid came unexpectedly out of retirement for a time to play Sub Pop’s 20 year anniversary show as well as a string of other performances, a reminder that it was and still was one of post-punk’s greatest bands. Ten years hence Boss 302 reunited once again in July 2018 for the Mile High Parley with a spirited performance at Gary Lee’s. Even if you’re not familiar with the band’s music, you’ll get to have some laughs and see one of Denver’s best punk bands of the 90s. Also on the bill are country punk band Landgrabbers and post-grunge pop outsider punk band Vanilla Milkshakes.

Who: Lady of Sorrows, Church Fire and Mirror Fears
When: Friday, 08.24, 7 p.m.
Where: Mercury Café
Why: Lady of Sorrows is the downtempo, brooding R&B solo project of Lady Justice of industrial/darkwave band Angel War. Church Fire is a band that should be everyone’s radar in Denver at this point but in case not the emotionally charged, noise-infused dance-darkwave band never disappoints with its cathartic live show. Mirror Fears too is in a similar vein but with a more ethereal vocal style and presence whose emotional power washes through you, cleansing the psychic detritus that seems to be stuck in everyone with a heart these days.

Saturday | August 25, 2018

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ohGr circa 2011, photo by Tom Murphy

Who: Archipelaghost at final Alligator Party
When: Saturday, 08.25, 9 p.m.
Where: Bowman’s Vinyl and Lounge
Why: Archipelaghost, an electronic/psychedelic rock band extraordinaire, is moving away as is Marie Litton of Pretty Mouth who will also DJ this show. Maybe they’ll be back through on a tour but for now this is your last if not only chance to catch them before they’ve relocated.

Who: Lead Into Gold, ohGr and Omniflux
When: Saturday, 08.25, 7 p.m.
Where: The Oriental Theater
Why: Paul Barker was the iconic bassist and co-producer of Seattle post-punk legends the Blackouts as well as EBM/industrial rock band Ministry during its most popular and productive era. Lead Into Gold was a side project Barker put together in the late 80s/early 90s. The project was basically put on the shelf until 2015 when Low & Slow was released, making available some tracks originally recorded in 1990. With 2017 performances including that at Chicago’s Cold Waves festival, Lead Into Gold became an active band again with a new album titled The Sun Behind the Sun appearing in 2018.

ohGr is the band formed by Nivek Ogre and Mark Walk of Skinny Puppy. Its music is not as dark or as heavy as Skinny Puppy can be, rather more a focus on the playful side of both musicians. Devils in My Details showcased a noisier side of ohGr and a more sound design approach to composing the music, a method Walk and Ogre also applied more to the then subsequent Skinny Puppy album 2011’s HanDover. As per Ogre’s performances with Skinny Puppy, from the early tours for ohGr in 2001 to now his stage appearance is theatrical and dramatic reflecting the flavor of the music. So for the 2018 album Tricks we can probably expect some heavy emphasis on animal imagery for the stage set and Ogre’s costuming.

Sunday | August 26, 2018

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Modern Leisure, photo courtesy Modern Leisure

What: Textures: Pythian Whispers, Finnocitta and lib.eriana
When: Sunday, 08.26, 7 p.m.
Where: Mutiny Information Café
Why: This is the latest edition of Textures the ambient showcase hosted by Wesley Davis of biostatic and his Symbolic Insight imprint. Included on this bill is experimental electronic/ambient duo Pythian Whispers and lib.eriana, the acoustic and production project of Alan Muñiz, former member of avant-garde jazz band Malamadre. Drone, loops and beats artist Finnocitta from Gainesville, Florida will also make an appearance.

Who: Straight White Teeth, Modern Leisure, Briffaut and Whole Milk
When: Sunday, 08.26, 7 p.m.
Where: Lost Lake
Why: Patrick McGuire was a member of one of the more promising Denver pop bands Flashbulb Fires before he moved away to Philadelphia in 2015. After sustaining a severe injury that damaged his right arm putting any notion of every playing guitar and piano again in jeopardy. Two surgeries later and McGuire had full use of his arm back only for, according to the Straight White Teeth bio on its bandcamp page for the track “Lifetime,” McGuire and his girlfriend/former bandmate Ella Trujillo had to leave their home due to violence in the neighborhood. Now rootless with no permanent residence McGuire and Small White Teeth has managed to tour with McGuire as a solo act with tracks and what bandmates he can pull together for a show or performance. For the past year, McGuire has been recording and releasing singles rather than a full-length album all at once, a gesture that may give potential bandmates in any given city he may play a frame of reference. That this show will include the great Colorado indie pop bands Modern Leisure and Briffaut, from Denver and Colorado Springs respectively, suggests that maybe someone in either band could join McGuire for this performance.

Monday | August 27, 2018

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David Byrne and band, photo by Donna Lewis

Who: David Byrne
When: Monday, 08.27, 6:30 p.m.
Where: Red Rocks
Why: David Byrne is rightfully known for his idiosyncratic and visionary music art and performances going back to his days with punk/pop band Talking Heads in the 70s and 80s. His solo material as well as his various collaborative albums including those with Brian Eno (in particular the 1981 non-western ambient/electronic drone/samples masterpiece My Life In The Bush of Ghosts) and St. Vincent (for 2012’s Love This Giant) have been products of a unique imagination and curiosity that illuminate American culture and the human condition in ways that are both eccentric and relatable. Byrne’s body of work is proof that he’s not been one to fully rest on his laurels. This includes his 2018 album, American Utopia, which has been hailed as a return to form by critics. In some senses that is the case with Byrne’s inimitable songwriting style incorporating traditional instruments used in both traditional and decidedly unconventional ways alongside production methods as compositional tools, both giving his deceptively simple songs a sonic and emotional depth to enhance the experience of listening both in the recorded and life form. American Utopia is also a component of the multimedia project Reasons to Be Cheerful which aims to give people a reason to have some joy and hope in a time of seemingly unremitting bleakness and destructive political impulses with their inevitable consequences for the planet including human civilization.

For this tour Byrne is bringing a sprawling lineup to manifest the music of American Utopia as well as material from across his long career. People who purchase a ticket for this current run of shows can also redeem a coupon for a free CD copy of the album with details on the ticket. But the real treat is to see a master of the artform of pop in full bloom well into an already lengthy career.

Tuesday | August 28, 2018

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Equine, photo by Tom Murphy

Who: David Byrne
When: Tuesday, 08.28, 6:30 p.m.
Where: Red Rocks
Why: For David Byrne see above for Monday, 8.27.

Who: The Binary Marketing Show, New Standards Men, Equine and Sporehive
When: Tuesday, 08.28, 8 p.m.
Where: Thought//Forms Gallery
Why: The Binary Marketing Show is from somewhere in the Pacific Northwest. Its layers of drones, simple percussion, minimalist guitar, lo-fi production and spare vocals have an intimate, warm quality that is reminiscent of bedroom recordists and the more imaginative indie pop weirdos of the 2000s like Microphones, Dntel and Casiotone For the Painfully Alone. Going out on a limb maybe you’ll hear a hint of cLOUDDEAD in the way the controlled distorted instrumentals vibe with the understated vocals. Also on this bill are Denver drone guitar experimentalists New Standards Men and Equine as well as avant-instrumental improvisational band Sporehive.

Wednesday | August 29, 2018

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Cop Circles circa 2014, photo by Tom Murphy

Who: Cop Circles, Staggered Hooks, Techno Allah, Goo Age
When: Wednesday, 08.29, 9 p.m.
Where: The Meadowlark Bar
Why: Cop Circles is an artist that subverts the tropes of No Wave jazz, indie pop and Afrobeat to make the kind of catchy songs that are fun and danceable on their own but which are often sharp and thoughtful critiques of culture and the way social policies and economic models erode human dignity and our collective quality of life in ways that aren’t obvious unless you take the time to pay attention. Cop Circles music has a way of helping to clarify your way of thinking about these things without hitting you over the head with didactic platitudes. Staggered Hooks is Dean Inman of Dream Hike’s more industrial and ambient project and this may be the last time you get to witness Inman’s gift for sound design live before he moves out of Denver. Techno Allah is sort of a glitchy IDM dance artist. Goo Age makes environmental soundscapes populated by the sonic, abstract equivalents of ambient creatures in 16 bit video games. Not the kind you can or have to overcome, they’re just there to give the scene some character and Goo Age’s IDM-esque beats some serious flavor. Think a way more playful early-yet-updated Future Sound of London circa Lifeforms.

Best Shows in Denver 02/08/18 – 02/14/18

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Emerald Siam at Lost Lake on Friday, February 9, 2018. Photo by Tom Murphy

Thursday | February 8, 2018

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lib.eriana, photo by Tom Murphy

 

Who: Musical Mayhem: lib.eriana, Klaus Dafoe and Brian Parton
When: Thursday, 02.08, 9 p.m.
Where: The Skylark Lounge
Why: This edition of Musical Mayhem looks like a doozy. Alan Muñiz is probably not someone you think of when you think of Denver’s music scene much less the avant-garde end of it. But he has been part of multiple projects that have been exploring sounds and musical ideas out on the edge of accessibility while rooted in a very organic approach to composition. His current project, lib.eriana is a mix of elegant acoustic-electronic music and abstract dub IDM. The moody, gorgeous pieces he’s shared on his Soundcloud account are just a taste of what you’re in for tonight. Also on the bill is post-punk/Canadian avant guitar aficionado solo artist Klaus Dafoe and Americana pop artist Brian Parton. Eclectic line up as should happen more often.

Who: Telefon Tel Aviv w/Dean Grenier, Bones and Peter Vaughan
When: Thursday, 02.08, 9 p.m.
Where: The Black Box
Why: Joshua Eustis and Charles Cooper started Telefon Tel Aviv in the late 90s composing IDM ambient music with sounds suggesting specific natural environments. The duo’s debut album, 2001’s Fahrenheit Fair Enough, established a sound that later became popular among the post-EDM/deep house set—a new kind of dance music for chillout zones. The project went on to explore various extensions of its root aesthetic across five albums before the untimely death of Cooper shortly after the release of Immolate Yourself, Telefon Tel Aviv’s up to now final album. Since then, Telefon Tel Aviv became a bit of a legendary band in the realm of IDM. Eustis became a touring member of Nine Inch Nails in 2013 as well as Puscifer. But since that year, Eustis has presumably worked on the recent reissues of classic Telefon Tel Aviv material and has apparently been working on new material that you can hopefully catch if you make it out to this show.

Who: Ice Troll, New Standards Men, Transmutation
When: Thursday, 02.08, 8 p.m.
Where: Streets of London
Why: Calling this a post-rock show might be a bit misleading because Ice Troll is clearly more in the realm of what one might call a doom orchestra. New Standards Men have more in common with noise sculptor punks and post-punks like Unwound and A Minor Forest than something as calming as Explosions in the Sky. But it’ll be instrumental and not adhering to basic genre formats of any kind.

Friday | February 9, 2018

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Jessica Lea Mayfield, photo by Ebru Yildiz

Who: Jessica Lea Mayfield, Sun Seeker and Porlolo
When: Friday, 02.09, 8 p.m.
Where: Larimer Lounge
Why: Jessica Lea Mayfield’s 2017 album Sorry Is Gone sounds noisier and more conflicted than perhaps her earlier efforts. But having gone through a breakup with an abusive spouse with songwriting as one therapeutic outlet, Mayfield nevertheless expertly writes in a way that comes across emotionally honest and poetic. With her life so disrupted Mayfield would have been excused for sounding angry but the record is more melancholy and expressive of hurt buoyed a bit by a spirit of defiance. Musically, Mayfield combines a soulful Americana with the desert-y atmospheric rock of Rain Parade or bits of Meat Puppets II. Though there is a bit of throwback to Mayfield’s melodies the tone of emotion in her voice is poignantly immediate.

Who: The Velveteers EP release w/Plastic Daggers, Bud Bronson + The Good Timers
When: Friday, 02.09, 8 p.m.
Where: Hi-Dive
Why: The Velveteers are releasing a new EP with songs informed partially by singer/guitarist Demi Demitro’s love of Grimm’s Fairy Tales with at least some of the material written in a graveyard. The duo has always sounded larger than seems possible with just drums, guitar and vocals. But with the new EP, Demi and her brother John push the envelope of their format further and guitar harmonics in the main riffs give the sound broader dimensions than has ever had. The Velveteers have always been a surprisingly compelling and powerful band with fire and bite in their songwriting and performances. The new EP confirms the promise that The Velveteers have plenty more to offer ahead with imaginative hard rock. To help celebrate the release of the debut EP are fuzz rock punks Plastic Daggers and Bud Bronson + The Good Timers, one of the few straight ahead rock bands that isn’t boring us with leaning on the crutch of a sound established completely by bands from decades past.

Who: Wrinkle album release w/American Grandma, Club Soda, Terremoto
When: Friday, 02.09, 7 p.m.
Where: 7th Circle Music Collective
Why: With its new album, A Kaleidoscope of Butterflies, Wrinkle from Denver has some self-effacing laughs amid its signature melancholic stories of the decaying American culture and its erosion of anything resembling the American dream while trying to survive and make sense of anything that could be worth doing, holding on to the bits of life that bring any joy or relief from the grim reality that faces all of us but specifically anyone under 30 that didn’t learn some technocratic trade, had a leg up in the financial industry or otherwise had advantages in life most of us don’t possess. Wrinkle has articulated the anomy of our times so well in its full catalog of songs but A Kaleidoscope of Butterflies finds the band using a broader palette of sounds and dynamics beyond any band inspired by late 90s emo and melodic hardcore. Wrinkle is more interesting than any throwback could be because its expanding what the music could be rather than merely putting on an individual stamp.

Who: Male Blonding, Plume Varia and Emerald Siam
When: Friday, 02.09, 9 p.m.
Where: Syntax Physic Opera
Why: This is the show of the year so far when post-punk and dream pop will be well-represented on stage between Male Blonding’s gift for making dynamics really create an architecture for atmosphere without having to make it obvious, Plume Varia’s deeply evocative yet gentle melodies and Emerald Siam’s layered, burning of the midnight lamp tones and dipping into wells of disappointment and gloominess and transforming it into something darkly beautiful. The latter released its most recent single, “Clean Split” on January 31, 2018. emeraldsiam.bandcamp.com/track/clean-split

Sunday | February 11, 2018

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Sliver, photo by Tom Murphy

Who: Sliver, Television Generation, Mr. Atomic and Bad Nostalgia
When: Sunday, 02.11, 7 p.m.
Where: Lost Lake
Why: Chris Mercer may have had a bit of a troubled life of struggle like Kurt Cobain. But all of it has fueled his lyrics and the music he makes with Dylan Jammes and Hollis Pierman. Obvious comparisons could be made to Nirvana pre-Nevermind and Tad. But there’s plenty of the DC hardcore Mercer encountered and witnessed firsthand before he moved to Colorado from the East Coast. There’s an edginess to the emotional catharsis the band lays out on stage but also an ear for melody that bands so noisy and unapologetically intense sometimes don’t bother to cultivate. Television Generation is cut from similar cloth except that its fuzzy pop songs, especially on 2017’s excellent Peel, are reminiscent of some amalgam of Love Battery, Love & Rockets and Love. Scratch the latter even if it fits and think more like Green Day or Weezer. And because there’s a clear pop-punk and early 90s alternative rock influence informing the music. But also a touch of early psychedelia and a melancholic, sometimes otherworldly, undertone to the songs. Mr. Atomic sounds like it grew up on the last gasp of the legitimate group of alternative rock bands but in forming decided being essentially a tribute band for an era wasn’t going to work out and its songs reflect a modern sensibility. Boneth Ahaneku’s tuneful vocals coupled with the band’s overall songwriting are reminiscent of Letters to Cleo or Veruca Salt in their ability to sound joyful and even playful while not cheapening essentially thoughtful lyrics. And, really, Amy Heckerling should tap this band for her next soundtrack.

Wednesday | February 14, 2018

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Chella And The Charm, photo by Tom Murphy

Who: Bonnie and the Clydes, Chella & The Charm, Ryann & Lee, Jennifer Jane Niceley, Five Mile Woods
When: Wednesday, 02.14, 7 p.m.
Where: Hi-Dive
Why: Sure, Valentine’s Day Special at the Hi-Dive called “Sweethearts of the Rodeo.” And if it were a show in which vapid, soulless “country” musicians told stories that weren’t an amped up attempt to imbue limited life experience with faux gravity it might be worth it. But no, if you choose to attend you will get to see talented people like Bonnie Sims, the singer and main songwriter in Bonnie and the Clydes whose songs about life and love have a flavor that reveal her Texan roots but in doing so also a sensibility that more than suggests she’s been around the block a few times with laying her heart on the line. Also, Chella & The Charm’s songs about love and heartache come from a place of striking self-examination and contemplation of the essence of what it all means without bogging it all down with intellectualizing the experience yet not also having a perverse need to dumb it down for accessibility. A great country and Americana show for people who think they don’t like any of that music.

Who: Mandy Yoches & The Hell Knows
When: Wednesday, 02.14, 9 p.m.
Where: Goosetown Tavern
Why: Soul and R&B singer extraordinaire Mandy Yoches and her band The Hell Knows will perform a set of songs for Valentine’s Day. Probably not a cynical take on the subject of love because that’s not Yoches’ style but surely the set list will be interesting with some surprises from Yoches’ diverse repertoire.