What:Portrayal of Guilt w/Street Sects, EUTH and Cau5er When: Thursday, 1.23, 8 p.m. Where: Hi-Dive Why: Portrayal of Guilt is a post-hardcore band from Austin that weaves together elements of grindcore and noise soundscaping to create an angular kind of screamo bristling with menace. Its rhythms are more widely dynamic than one might expect from the mix of sounds and influences with chords allowed to hang to establish a mood that crawls to catharsis. Street Sects, also from Austin, is an industrial noise outfit whose confrontational performances may feel hidden in the banks of fog in its performance zone but the band manages to turn that haze into a realm where the tension it builds to unpredictable moments of eruption. Cau5er is a Denver project that comes partly out of hardcore but is firmly in the worlds of noise and power electronics with an impassioned delivery that belies notions of noise artists all being knob twiddlers. Schedule for the evening below provided as this show is being conducted in cooperation with the show at Mutiny across the street from the Hi-Dive.
Street Sects 10pm
Portrayal of Guilt 11pm
What:Red Death (DC), Enforced (RVA), Chair of Torture and Wide Man When: Thursday, 1.23, 8 p.m. Where: Mutiny Information Café Why: Washington DC’s Red Death is a modern crossover band whose synthesis of thrash and hardcore is reminiscent of a more aggro version of what Megadeth was doing earlier in its career. If that sounds appealing, Enforced from Richmond, Virginia and Chair of Torture from Denver are mining similar territory with the latter with more than a leg in grindcore. See schedule for the evening below as it is being done in conjunction with the show mentioned above at the Hi-Dive.
7:30-7:50 Chair of Torture
8:05-8:25 Wide Man
8:40-9:10 Red Death
What:Use the Sun (Reunion), Old Sport and American Grandma When: Saturday, 1.25, 7 p.m. Where: Seventh Circle Music Collective Why: Denver’s Use the Sun is reuniting for one night to bring forth its joyous mixture of melodic punk and surf rock. Also included is a lately relatively rare show from Old Sport who have been part of that resurgence of bands that were influenced by the better, mathier end of emo and post-hardcore. American Grandma is a slowcore band whose elegant and introspective guitar compositions blur the line between folk, ambient and dream pop.
What:Neil Haverstick When: Saturday, 1.25, 7 p.m. Where: Swallow Hill Why: Neil Haverstick is Denver’s biggest proponent of microtonal guitar so much so that he wrote a book about it. His songs, though, come from an emotional place and his roots in blues and folk inform even though his style brings in a great deal of avant-garde thinking into the mix and makes it accessible.
What:Shibui Denver #9: The Vanilla Milkshakes, Lazarus Horse and Pythian Whispers When: Sunday, 1.26, 7 p.m. Where: Mutiny Information Cafe Why: This latest edition of Shibui Denver will feature outsider pop punk band The Vanilla Milkshakes, the earnest, existential, angular indie rock of Lazarus Horse and Pythian Whispers’ psychedelic ambient soundscapes with visuals by Mark Mosher, electro-ambient artist and founder of Rocky Mountain Synth Meetup.
Tuesday | January 28
What:GosT w/Church Fire and Elay Arson When: Tuesday, 1.28, 7 p.m. Where: Larimer Lounge Why: GosT blurs the line between metal and synthwave and definitely for fans of Perturbator. Church Fire blurs that line a little too but more in the tribal, pagan vein without hitting you over the head with the aesthetic and its industrial/dance pop hybrid is one of the most compelling things going on in Denver or anywhere.
What:Poppy w/VOWWS When: Tuesday, 1.28, 7 p.m. Where: Gothic Theatre Why: Poppy’s genre-mashup is not for everyone. But the theatrical presentation of her mix and remix of extreme metal, kawaii pop and surreal psychedelic pop turns on a dime like something John Zorn might have thought of had Naked City come up in the 90s and 2000s and not in the realm of avant-garde jazz and grindcore. Currently touring in support of her new album I Disagree. VOWWS has managed to shed a lot of the previous associations in the last year with retro rockist tendencies. Its sound is more like a hard edged darkwave to post-punk what a band like True Widow is to metal and shoegaze.
What:Muscle Beach, Church Fire, Vexing and Grief Ritual When: Thursday, 1.16, 8 p.m. Where: Hi-Dive Why: With the exception of Church Fire whose own politically-charged, emotionally cathartic, noisy synth pop, this is basically a showcase for some of the best Denver bands who bridge the gap between experimental metal, hardcore and noise punk. Muscle Beach released its riveting new album Charms in 2019 and Vexing just let loose with its album Cradle.
What:Heilung When: Friday, 1.17, 7 p.m. Where: Ogden Theatre Why: Many bands in the past two or three decades claim to hearken back in their music to early northern European culture. Heilung took the concept a step or two further by basing their music on texts and runes from the Germanic people of the Viking era and longer ago infused with pan-ancient world cultures. The band members look like members of a Scandinavian mystery cult with elaborate outfits, some wearing horned head gear, performing with recreations of traditional instruments from various ancient cultures, guttural vocals reminiscent of Tuvan throat singing. It is a spectacle that is a ritualistic performance of music and poetry designed to transport you to the mindset of earlier humanity getting in touch with its subconscious mind communally.
What:The Still Tide Between Skies album release, Down Time and Heavy Diamond Ring When: Friday, 1.17, 7 p.m. Where: Hi-Dive Why: The Still Tide has been making waves in Denver and beyond for several years at this point with its poignantly expressive dream pop soundscapes. Its sounds are expansive yet are imbued with an intimate sensibility as though Anna Morsett is singing from the past toward the future. It takes you out of a mundane mindset and transports you to a realm where you can feel all the pressures, angst and demands of everyday life but it seems in context of a bigger picture hidden from your thinking most of the time. At least that’s the vibe of the band’s new record Between Skies. The lush and well-balanced soundscapes crafted by Morsett, Jake Miller, Joe Richmond and Nate Meese render incredibly accessible an album of meaningful songs about personal struggle and striving to make sense of the seemingly endless run of reverses and confusing experiences with your heart intact.
What:Caustic Soda EP release w/Sinister Pig and Princess Dewclaw When: Friday, 1.17, 7 p.m. Where: Seventh Circle Music Collective Why: Caustic Soda is a noise punk band from Boulder whose new EP Stud Count will be available at this show. As the title suggests it’s a pointed critique of the all the destructive and regressive ideas that have seemed to issue forth prominently in the wake of Donald Trump announcing his candidacy for president: the misogyny, the bizarre anti-science right, open racism—all the stuff nascent fascism spews into the world.
What:Lazarus Horse Oh, The Guilt album release w/Disinherited and Dead Characters When: Saturday, 1.18, 8 p.m. Where: Mutiny Information Café Why: Eddie Durkin was once a member of the promising and powerful experimental guitar pop band Sparkler Bombs but for various reasons had to take a break from playing in bands and playing shows. But his time away allowed him to incubate and hone his talent further and his latest project Lazarus Horse has been performing now and then with a set of songs that are rough enough around the edges to be fresh and interesting but refined in the execution of dynamics to not be confused for an off-the-cuff band still not in possession of a sense of intentionality. The group’s new album Oh, The Guilt will be an earworm for fans of Codeine, Red House Painters, Versus and Slint. The songs have a simple construction but because of that they are capable of a great emotional range as the layers of sound interact with a fluidity that the sometimes splintery tones might suggest otherwise. The vulnerability on display is disarming, honest and inviting. Given the arc of the songs it’s part eulogy for a time in Denver Durkin experienced while playing DIY spaces in the late 2000s and early 2010s and a map for navigating the new reality in the Mile High City and America in general, one that seems to have put so much up in the air with no sense of confidence in social stability. It’s a record showing bravery and self-awareness in the face of massive uncertainty and possible civilizational collapse.
What:Punk Against Trump: Cheap Perfume, Allout Helter, Over Time, Filthy Hearts, Altar Girls (debut) When: Saturday, 1.18, 7 p.m. Where: Marquis Theater Why: Maybe in the years ahead Trump and everything he willfully and unintentionally encouraged among the forces of cultural and political reaction will be in the rearview and great punk bands won’t have to have fundraiser for groups that are keeping essential services and a compassionate mission alive but for now Punk Against Trump remains a proud tradition in Denver.
What: Ladies Night (band) and Lifers When: Saturday, 1.18, 9 p.m. Where: The Squire Lounge
Sunday | January 19
What:Drune (album release), New Standards Men and Simulators When: Sunday, 1.19, 7 p.m. Where: Larimer Lounge Why: Drune’s debut album SEER is three extended tracks with Roman numerals as the title. Doing so almost invites you to have no preconceptions about what you might be in for with the listening even if you’ve heard the band is a doom band or “heavy.” And it is but there is an elegance to Drune’s composition that has as much in common with bands like Black Mountain who push the aesthetic into unconventional sonic territory as it does with any doom band. James Cook’s soaring vocals and the modulated rhythms syncing with guitar riffs that are as textural and moody as brutal. It’s a sonically expansive record that rewards your attention. Drune doesn’t drone on the same idea ad infinitum, its evolution through a song suggests a narrative structure that pulls you in for the long haul.
Tuesday | January 21
What:GZA 25th Anniversary of Liquid Swords w/Righteous Revolution (feat. 1-natVson-1), D-Stylz & High Key (Affliction Music), DJ Notch, Killah Priest When: Tuesday, 1.21, 7:30 p.m. Where: Summit Music Hall Why: GZA’s 1995 album Liquid Swords is of course a classic of 90s hip-hop fusing a more traditional genre aesthetic with genre-bending innovations in the use of atmospheric elements in the production to give the whole record an otherworldly quality worthy of its transcendental lyrics. While it might be difficult to prove this record sounds like one of the primary influences on late-90s alternative hip-hop like artists on the Anticon, Mush and Rhymesayers imprints and on experimental electronic music and bands as unusual and adventurous as Black Moth Super Rainbow and CocoRosie. Whatever its exact impact and legacy, Liquid Swords gets into your head and still manages to surprise with the sheer creativity in its use of sound and GZA’s masterful wordplay like a thinking person’s futuristic crime drama manga.
What:Turvy Organ album release w/Panther Martin, Sour Boy Bitter Girl When: Thursday, 06.13, 8 p.m. Where: Hi-Dive Why:The Ghost at the Feast is Denver indie rock band Turvy Organ’s new record. What has always set the group apart from the oft-necessary but lazy “indie rock” overarching term is that it most certainly is not operating to jump on some trendy sound or bandwagon. Yes, you’ll hear the echoes of Modest Mouse in some of Ilya Litoshik’s vocals but from there the dynamics of the music and the songwriting is too idiosyncratic to fit into the mold of anyone else. The new album has what sounds like a story arch trying to make sense of a deep yearning for place and identity and coming to accept things as they are. Very Zen. But that journey is one worth taking with the band. There isn’t a single sonic flavor Turvy Organ employs across the album except for maybe some tasty, energetic melodic bass lines. That may even be how the record ties together outside of Litoshik’s highly charged and wide-ranging vocals. Splicing together post-punk moodiness and wiry energy with the frayed musical and emotional edges of 90s lo-fi rock, Turvy Organ has not just come to terms with what it’s about as a band The Ghost at the Feast but with what it’s like to be an underground rock band at this juncture in our culture where if you’re not doing it for the right reasons you’ll undermine your goals by not seeming honest.
What:TOKiMONSTA w/Holly and Blackbird Blackbird When: Thursday, 06.13, 9 p.m. Where: Club Vinyl Why: TOKiMONSTA garnered a name for herself for crafting imaginative and lush downtempo beats that wouldn’t be out of place in the body of work of some of the more melancholy artists on the Warp and Stones Throw roster. She has a real gift for expansive, complimentary synth lines and multiple layers of percussion to accent the tempo of her songs. As a DJ TOKiMONSTA mixes in plenty of material from across a broad spectrum of modern electronic music.
Friday | June 14
What:Electric Funeral Fest Night 1 When: Friday, 06.14, 3 p.m. Where: Hi-Dive/3 Kings Why: This is the fourth edition of Electric Funeral Fest which features some of the most interesting acts in underground “extreme” and experimental metal. Tonight’s programme is as follows:
What:Anderson .Paak w/Earl Sweatshirt and Thundercat When: Friday, 06.14, 6 p.m. Where: Red Rocks Why: Three of the most creatively brilliant artists of modern hip-hop on one bill anywhere would be noteworthy, at Red Rocks it would be deserving of the word epic.
What:Sympathy F When: Friday, 06.14, 9 p.m. Where: Goosetown Tavern Why: Formed in 1991, Sympathy F is one of the few, if not only, still active bands from Denver’s alternative rock era whose melancholic, jazz-inflected, dream pop reflects an era in Denver where the city felt dark, neglected and wide open. When creative weirdos could rent a warehouse on the relatively cheap and hang out with each other and converse and mutually inspire and otherwise have their own subculture that was vibrant and not well known by the world outside the Mile High City. When downtown had viaducts (Fifteenth and Twentieth Streets) that went from downtown proper to a now long gone warehouse district, where the old Montgomery Wards build stood west of downtown like the abandoned monolithic structure from a bygone era. That the band’s songs are emotionally powerful and moving and intense yet luminous doesn’t hurt because it has been written from a place of nostalgia, but at its heart is a shard of that unique time and place in Denver’s history and it shines forth from the band’s entrancing performances.
What:Daikaiju When: Friday, 06.14, 7 p.m. Where: Tennyson’s Tap Why: Writing about Daikaiju seems folly at this moment so here’s a video that gets at some of the chaotic glory of the weirdo surf band from Alabama.
What:Lazarus Horse, Mt. Illimani, Enji and Sam Morris When: Friday, 06.14, 8 p.m. Where: Mutiny Information Café Why: Maybe Eddie Durkin shoulda zigged when he shoulda zagged here and there in life. But haven’t we all? His old band Sparkler Bombs was pushing punk and noise rock and modern proto-psychedelia in interesting directions. But nearly a decade hence, Durkin has been writing songs under various project names including Lazarus Horse. Imagine if someone somehow bought Rainwater Cassette Exchange, The Glow Pt. 2 and a few Julianna Barwick and Grouper records pluse The Velvet Underground & Nico and got sent off with their parents to scientific station duty at Edinburgh of the Seven Seas with spotty internet but a good instruments and pedals and some recording equipment. That’s basically what Lazarus Horse sounds like—drawing on the weirdo rock familiar while sounding ineffably different from even that.
Saturday | June 15
What:Tacocat and The Paranoyds w/Princess Dewclaw When: Saturday, 06.15, 8 p.m. Where: Larimer Lounge Why: Seattle’s Tacocat and L.A.’s The Paranoyds are making thought-provoking and emotionally nuanced fuzzy post-surf-punk pop with a refreshing level of depth and spirited energy. Although Tacocat has been associated with the sort of surf punk thing the past decade it’s always been different from all of that because its songwriting has been brimming with irreverent humor, playfulness and a surreal and colorful aesthetic. The cover of its new album This Mess is a Place is striking when you see it at the record store and draws you in with its inviting, retrofuturistic collage style promising something within that will offer interesting stories and perspectives that aren’t trend hopping or trite blandishments about love or needing to always center all content on what’s topical. In that way Tacocat offer a view of a more interesting and vital future for all of us. Paranoyds can be reminiscent of The Raincoats if that band came from southern California instead of London with the wonderful, unconventional choruses and noisy guitar. Watch out for the group’s new 7-inch “Hungry Sam”/”Trade Our Sins” out on Suicide Squeeze July 12.
What:Electric Funeral Fest IV When: Saturday, 06.15, 3 p.m. Where: Red Rocks Why: See above for Electric Funeral Fest IV. Here is this night’s programme of performances:
4:40 – 5:20 Casket Huffer
5:40 – 6:20 Sun Voyager
6:40 – 7:20 Trapped Within Burning Machinery
7:40 – 8:20 The Munsens
8:40 – 9:20 Fotocrime
9:40 – 10:20 Call of The Void
10:40 – 11:25 Dead Meadow
12:45 – 1:25 Bummer
Mutiny Information Cafe Stage:
3:00 – 3:40 Red Mesa
4:00 – 4:40 Upon a Fields Whisper
5:00 – 5:40 Horseneck
6:00 – 6:40 Dizz Brew
7:00 – 7:40 Dysphotic
What:Jamila Woods w/Duendita When: Saturday, 06.15, 7 p.m. Where: Lost Lake Why: Jamila Woods recently released Legacy! Legacy! with song titles drawn from names of some of the greatest artists, writers and thinkers of color from America and beyond. Rarely do musicians name check the likes of Zora Neale Hurston, Frida Kahlo, Eartha Kitt, Sun Ra, Octavia Butler, James Baldwin, Jean-Michel Basquiat, Miles Davis, Muddy Waters and others of similar cachet at all much less with such style and soulfulness. Woods’ voice is commanding and wise and one gets the sense you’re learning something about the human beings named as they impacted Woods as a person and an artist in her own right. She doesn’t pretend to speak for them but reflect their deep influence through her own lens and how their work has inspired her to do what she hopes is interesting and worthy in her own right. It’s a deep record worth repeated listens. Fans of Nina Simone and Erykah Badu should give Woods a listen.
Sunday | June 16
What:Natural Velvet, Church Fire, Rabbit Fighter and Bert Olsen When: Sunday, 06.16, 8 p.m. Where: Lost Lake Why: Natural Velvet bassist/singer Corynne Ostermann told the Baltimore Sun in 2016 “’Basically, we aim to be a “Sailor Moon” villainess.’” And who wouldn’t want to see that band? Apparently a post-punk band it sure has some nefarious punk energy but the fun kind like what you might imagine a raccoon is thinking. A good fit with Denver’s industrial dance pop powerhouse trio Church Fire whose subversive and politically charged music is not just cathartic but deeply emotional on multiple levels. This is the last show post-punk/dream pop duo Bert Olsen is playing under that name. The group recently lost its drummer and is changing to maybe using a drum machine and changing focus a bit and taking on the name Gila Teen. But it’ll still be Hunter Woods and Aidan Bettis on vocals/guitar and bass respectively so the same luminously evocative songwriting will remain.
Tuesday | June 18
What:Pile w/State Champion and Warring Parties When: Tuesday, 06.18, 7 p.m. Where: Larimer Lounge Why: Pile has long been making the kind of post-punk/noise punk/lo-fi music that never really sounds like anyone else. Its new record Green and Gray is filled with the band’s signature, and always interesting, counter-point guitar riffing and richly varied song dynamics. The group switches up the pace in a song, conveying the way a mood will pass through your mind as you’re working through memories and contemplating what your life should be about and diving deep into how it really is. All their records are worth a listen and the latest one may be their best.
What:Charly Bliss w/Emily Reo When: Tuesday, 06.18, 7 p.m. Where: The Marquis Theater Why: On 2017’s Guppy, Charly Bliss sounded a bit like other bands mining the 90s, fuzzy alternative pop bands for inspiration but with great energy and Eva Hendricks’ ebullient vocals. With Young Enough the group’s emotional palette seems to have grown exponentially and its sound evolved into a kind of atmospheric power pop but somehow without losing the verve that powered its full-length debut.
What:Lavender Fest Denver: Where in the Hell is Lavender House? The Longmont Potion Castle Story (screening) When: Tuesday, 06.18, 6:30 p.m. Where: Oriental Theater Why: Longmont Potion Castle is the phone prank wizard extraordinaire of all time. His early use of odd sound processing methods for prank calling in the 80s and early 90s went above and beyond other, perhaps more well-known prank call “comedians.” Still mysterious after all these years someone finally made a documentary about his exploits and it’s screening tonight at the Oriental.
What:Operators w/Doomsquad When: Tuesday, 06.18, 7 p.m. Where: Lost Lake Why: Dan Boeckner is best known for being in some of the most interesting rock bands of the past two decades including Wolf Parade and Divine Fits. But in the past five years and more he’s been in a band that now includes Devojka, Sam Brown and Dustin Hawthorne that has been exploring the use of analog synths to write the kind of bright, brooding pop songs that wouldn’t sound out of place at some weird “New Wave” in the early 80s that hosted the likes of Gary Numan, Sparks and Fad Gadget. Rather than simply ethereal melodies, Operators has a robust low end in its mix giving the music some real power and momentum rather than merely sounding pretty. The quartet is currently touring in support of its 2019 full-length Radiant Dawn.
Wednesday | June 19
What:Wand w/Dreamdecay When: Wednesday, 06.19, 8 p.m. Where: Globe Hall Why: Wand bridged the gap between weirdo, psychedelic lo-fi rock à la Pavement with the heaviest metal but without ever come off live like a metal band. More like indie rock nerds who never had to turn their nose up at the kinds of dynamics and sounds one heard in 70s hard rock, prog, the more inspired jam bands and stuff like Sleep. Currently the group is touring in support of its 2019 album Laughing Matter. On the latter it sounds like the group has been listening to some more post-punk and post-rock like Slint.
What:Mastodon and Coheed and Cambria and Every Time I Die When: Wednesday, 06.19, 5 p.m. Where: Fillmore Auditorium Why: On Mastodon’s 2009 album Crack the Sky the Atlanta-based metal quartet aimed to write their version of a classic rock album with strong melodies and great mood and solid songwriting. True enough the overall tenor of the record with its dynamics out of step with most metal at the time, but anticipating where so many rock bands, not just metal, would go over the next decade. This is sort of a Tenth Anniversary type tour but the band recently recorded an homage to its late manager Nick John called “Stairway to Nick John” that is a cover of the Led Zeppelin song that some people may have heard at some point in their lives. The single was released on Record Store Day and the proceeds are going to benefit the Hirschberg Foundation for Pancreatic Cancer.
Who:Endless, Nameless tour kickoff w/Soulless Maneater, Lightstory, Giardia and Sliver When: Thursday, 02.28, 7 p.m. Where: Seventh Circle Music Collective Why: Math rock band Endless, Nameless is headed to SXSW and to launch the group on its way some of its friends and peers are playing this show including gloom and angst festooned post-punk band Soulless Maneater, psych jazz abstract metal trio Giardia as well as post-grunge poseurs Diet Nirvana. But, really, Sliver is a great band inspired by grunge-era bands, Wipers and DC punk.
Who:Starjammer w/Joshua Trinidad When: Thursday, 02.28, 9 p.m. Where: 3 Kings Tavern Why: Squidds Madden has been bringing his gift for improvisation to various funk, rock, jazz and ska bands over the past two decades. But Starjammer is his one man avant-garde dub reggae project in which he pilots an integrated multi-instrumental vehicle. Lately he’s been crafting stories to go along with performances and this is one of a handful of events where he’s trying that out while bringing in some of the greatest players in Denver to round out the bill. Tonight it’s trumpet player extraordinaire Joshua Trinidad who some may know for his masterful turns in Wheelchair Sports Camp and GoStar.
Friday | March 1
What:Decibel Tour: Cannibal Corpse, Morbid Angel, Necrot and Blood Incantation When: Friday, 03.01, 6 p.m. Where: The Oriental Theater Why: Cannibal Corpse is known for having some of the most cartoonishly brutal and horrifying lyrics in metal. But it’s all in fun and if one can’t appreciate the absurd, even in bad taste, maybe you take yourself too seriously. The death metal legends share the stage tonight with one of the pioneers of death metal from, where else, Tampa, Florida (where Cannibal Corpse is now based): Morbid Angel. Opening the night is Blood Incantation, a Colorado band with a cult following in the death metal realm. While clearly self-aware, Blood Incantation is a powerful live act whose songs push the genre in interesting directions rather than get stuck like it’s 1985.
Who:Venus305 physical album release w/Gold Trash, EVP, Düll Haus and Techno Allah When: Friday, 03.01, 9 p.m. Where: Thought//Forms Why: Molly McGrath is perhaps better known for her rock band Surf Mom. But for Venus305 she’s left behind the guitar and punk-esque vocals for electronic dance tracks and a vocal style more fitting for the type of downtempo and what one might call progressive lounge that is the music of Venus305. Also on the bill for this release show of the project’s physical album is screamy electroclash Gold Trash, industrial punk/dance duo EVP, the glitchcore for the dancefloor sounds of Techno Allah and Düll Haus, a band that seems to navigate the sonic territory traversing minimal synth dance and IDM.
Who:The Scientist w/Dr. Israel and DJ Imeh When: Friday, 03.01, 8 p.m. Where: Ophelia’s Electric Soapbox Why: The Scientist learned his craft partly under the tutelage of dub legend King Dubby and went on to contribute greatly to the genre himself—which is reason enough to go if you’re into the roots of sound sculpting production.
Who:eHpH, TetraKroma, Redwing Blackbird When: Friday, 03.01, 9 p.m. Where: The Skylark Lounge Why: None more synth on this night. eHpH makes a good case for why EBM and industrial rock isn’t essentially dead these days because the duo brings an emotional resonance to the music that isn’t just trying to be as angsty and nihilistic as possible. TetraKroma, that’s a lot of analog synths for making dark dance music but the depth of sound makes it obvious having the layers in hardware are worth it. Redwing Blackbird mixes samples and low-end heavy tracks to make some gritty EBM like early Front 242 but darker.
Saturday | March 2
Who:Teenage Fanclub w/The Love Language When: Saturday, 03.02, 8 p.m. Where: The Bluebird Theater Why: Teenage Fanclub came out of the fertile musical ground of C86 influenced by the bands that influenced the jangle, twee and garage rock of that era. Its second album, 1991’s The King, came out on Creation Records, the imprint better known for being home to shoegaze giants of that period like My Bloody Valentine and Slowdive. But Creation also nurtured the cooler end of power pop (later Creation signed Oasis but that’s a whole other story). In the USA, Teenage Fanclub hit the college radio charts in a big way with its later 1991 album Bandwagonesque. At the time there was a revival in the interest in power pop pioneers Big Star and its soulful and melancholic catalog—a band that somehow sounded mournful and sad even when it rocked in a celebratory fashion on its songs. Bandwagonesque evoked Big Star powerfully on songs like “What You Do To Me” and “The Concept.” But Teenage Fanclub had its own voice and its sophisticated songwriting evolved over its now long career. 1993’s Thirteen sounded like the band had absorbed a bit too much of grunge or grebo or whatever and yet its delicate psychedelia and emotionally vibrant vocals remained part of the sound. 1995’s Grand Prix dispensed with the grunge affectations going forward. Teenage Fanclub doesn’t get nearly enough credit for being an important band in the development of Britpop but probably because there’s too much rock and roll in its songwriting and not enough of the dance music/Madchester element. It is precisely because of that disconnect with that 90s trend that the group’s music has aged well.
Who:GoStar When: Saturday, 03.02, 9:30 p.m. Where: Dazzle Why: If a trumpet-guitar-and-percussion-driven jazz fusion band of the early 70s (Bitches Brew period Miles, Mahavishnu Orchestra) adopted mind-altering psychedelic flourishes and then traveled forward in time to hang with Arrested Development and A Tribe Called Quest in the early 90s before hopping again and landing in the 2010’s, that band would sound like GoStar.
Who:Lords of Acid w/Orgy, Genitorturers and Little Miss Nasty When: Saturday, 03.02, 6 p.m. Where: The Gothic Theatre Why: There will be a lot of ridiculous antics and NSFW stuff at this show. Including from headliner Lords of Acid. The band’s songs are all about hedonistic activities and aspirations up to the line of self-parody. Its industrial dance music and live show is also good fun and maybe vocalist and band leader Praga Khan will push someone off stage into the audience for an impromptu and unexpected stage dive. But even if he doesn’t, Khan is a charismatic and entertaining frontman who draws you into the playful chaos of the band’s music.
What:Nightshift When: Saturday, 03.02, 9 p.m. Where: The Meadowlark Bar Why: Nightshift is an all vinyl dance party on first Saturdays curated by Meghan Meehan and Laura Conway, focused on synth pop, disco and new wave.
Who:Duos From The Abyss: Gort Vs. Goom, The Swamp Rats, Triplip, Still Frames When: Saturday, 03.02, 6 p.m. Where: Tennyson’s Tap Why: None of these bands are particularly from the abyss unless you’re only into punk that doesn’t color widely outside the musical lines. Gort Vs. Goom is the They Might Be Giants of Blue Oyster Cult tribute bands. Triplip is the Daikaiju of prog. Gort is not a tribute band but that’s the sort of mashup that comes to mind, among other things, seeing one of the duo’s sets.
Monday | March 4
Who:Hunter Dragon album release of Universal Basic Income w/Lazarus Horse and Shockermom When: Monday, 03.04, 8:08 p.m. Where: Syntax Physic Opera Why: Hunter Dragon’s catalog is vast and widely varied in his methods and songwriting styles. But it’s unified by an imagination focused on a future that could or should exist now. Whether that’s a desolate post-disaster setting or, as the title of his new album suggests, a future where everyone can use the time they would normally expend on scrambling to survive on whatever suits their natural interests and talents. The new songs have a meditative, spacious folk quality. For the occasion of this release show Hunter has brought on board Lazarus Horse (a band that sounds like it realized that even the cooler weirdo psychedelic rock of the 2000s and 2010s would be and is played out and injected a lot more imagination and unusual rhythmic and tonal ideas into the mix) and Shockermom. The latter has been writing the soundtrack to everyone’s emotional return to peace and tranquility during the collective long dark night of the soul that’s been coursing through the world like a psychic cognate of the collapse of the global ecosystem. Essential listening.
Tuesday | March 5
Who:Daughters w/Gouge Away and HIDE When: Tuesday, 03.05, 7 p.m. Where: The Gothic Theatre
Why: Daughters are the legendary post-hardcore noise rock band whose mournful and abrasive music sounds like the purging of the world’s anguish. Except Daughters make it darkly beautiful. Gouge Away is a forceful, cathartic hardcore band that isn’t trapped in early 80s SSD worship. HIDE is a performance art-oriented industrial duo from Chicago whose visceral, ritualistic live show will probably confuse punk purists but which will fit right in with everyone on the bill.
Who:Albert Hammond Jr. w/In The Valley Below When: Tuesday, 03.05, 7 p.m. Where: The Bluebird Theater Why: Albert Hammond Jr. is best known for his membership in The Strokes. But his solo career has yielded better songs than The Strokes have in years. There’s a bright and fresh quality to his upbeat pop songs and his performances that are likeable even when it sometimes sounds like he’s leaning on past creative laurels. Opening the show is synth pop band In the Valley Below from Grand Rapids, Michigan. Its bass and melody-driven songs differentiate it from what one would assume are its peers in bands like CHVRCHES, Phantogram and Poliça while sharing a sense of elevating moods and positive energy.
Wednesday | March 6
What:Weird Wednesday: Acidbat, Satin Spar, Ruehlen/Seward When: Wednesday, 03.06, 9 p.m. Where: 3 Kings Tavern Why: Acidbat doesn’t play many shows in general much less outside of some super underground show. His ambient yet beat driven, glitchy IDM is more imaginative than a lot of music out of that milieu. Also on this night’s Weird Wednesday is avant-garde improvisational/spontaneous composition duo Ruehlen/Seward.
Who:Nekrofilth album release w/Phallic Meditation and Keef Duster When: Thursday, 01.10, 8 p.m. Where: Hi-Dive Why: Nekrofilth releases its new album Worm Ritual tonight at a show with heavy psychedelic bands Phallic Meditation and Keef Duster. Nekrofilth’s sound is more akin to classic early thrash and black metal. On the new record the band does cover “Poison” by Venom, after all. Like the latter and Slayer, Nekrofilth has a playful quality to its aggression and ripping guitar work. Song titles like “Vomit Dog,” “They Took My Skin,” “Ready to Defile” and “Severed Eyes” suggest a healthy sense of the viscerally absurd with an unironic joy in the cartoonishly horrific the way one might enjoy the gnarliest B horror movie. Fans of blackened thrash rejoice, Nekrofilth has what you’re looking for.
Who:Random Temple w/Thistledown When: Thursday, 01.10, 9 p.m. Where: Black Buzzard Why: “Rhythm & Folk” band Thistledown will perform with Random Temple’s more production-oriented electronic project under his own name.
Friday | January 11, 2019
Who:Product Lust album release show w/Goon, Herse, Candy Apple When: Friday, 01.11, 7 p.m. Where: Seventh Circle Music Collective Why: Product Lust’s feral and driving 2018 album Year of the Rat is being celebrated tonight with a now rare live show as vocalist Kat Salvaggio is attending school out of Colorado. The seething post-punk band’s wiry energy fits in well with weirder hardcore and punk and thus this bill with Goon, Herse and Candy Apple is an opportunity to see bands that have punk of some stripe as their root but who are taking that spark in interesting directions.
Who:Lazarus Horse When: Friday, 01.11, 8 p.m. Where: Mutiny Information Café Why: Lazarus Horse is the band that comes about when someone with good taste in music and good creative instincts writes a bunch of experimental rock music that doesn’t seem obviously influenced by anything else but creative flights of fancy, escaping to daydreams while doing meaningless work as a tool for staying sane in a civilization that’s grinding its best people into the dirt. It’s the soundtrack to that internal rebellion that becomes contagious.
Saturday | January 12, 2019
Who:Glasss Presents: Chromadrift album release w/Gold Trash and Bowshock When: Saturday, 01.12, 8 p.m. Where: Mutiny Information Café Why: Chromadrift’s Cloudless Mind is the bright, ethereal flow of textured melodies that eases the freeze of winter. Fans of IDM and more abstract post-rock will appreciate Drew Miller’s blend of processed guitar, live synths and sequencing. Though the album dropped on January 3, this will be your first chance to see this music live in the new year. Also performing is noisy electroclash duo Gold Trash and downtempo jazz improv group Bowshock.
Who:e-scapes, Zealot and The Far Stairs When: Saturday, 01.12, 7:30 p.m. Where: The People’s Building Why: This’ll be probably the first indie rock show worth checking out in Aurora, Colorado since The Masculine organized one in 2009 at the old Other Side Arts space in downtown. The People’s Building is also downtown and across the street from Aurora Fox Theater. Zealot includes former members of The Don’ts and Be Carefuls, The Pseudo Dates, Violent Summer, Ideal Fathers and other bands most people haven’t heard of but should check out. The Far Stairs is a band that makes strange music sound more catchy and accessible than it has any right to.
Who:Pineross EP release w/Lady Gang When: Saturday, 01.12, 7 p.m. Where: Ubisububi Room Why: Kevin Larkin of Chimney Choir fame is releasing his most recent EP Esplanade at this show in the extra intimate and cozy Ubisububi Room underneath the Thin Man and St. Mark’s. Lady Gang sounds like a full band but is just Jen Korte making maximum creative use of a loop station to augment her already considerable talents as a singer-songwriter.
Who:Luke Vibert, Seied and Kanyon Walker When: Saturday, 01.12, 7:30 p.m. Where: The Black Box Why: Luke Vibert has long been on the forefront of modern experimental electronic dance music in various forms. Fans of Dilla, Flying Lotus and Blockhead will find a lot to like in Vibert.
Sunday | January 13, 2019
Who:Crushed!? W/The Uglys, Tides, Stonewall BLVD and Arctobog When: Sunday, 01.13, 7 p.m. Where: Seventh Circle Music Collective Why: Originally from the much smaller nearby town of Belen, Crushed!? is now based out of Albuquerque. Its post-hardcore sound has more in common with the likes of a more melodic At the Drive-In or Touché Amoré than the more screamo end of that music. Initially the music reminds one a bit of the great punk bands of the late 90s and early 2000s who adopted a bit of the math rock thing. But its rhythms are more inventive and wide-ranging like something one might have expected out of 90s DC and other East Coast rock like Versus, Helium and The Dismemberment Plan. The group’s 2018 album Sins of the Father is refreshingly difficult pin with a specific genre designation.
Monday | January 14, 2019
Who:R.Ariel, Kafari, Entrancer and Voight When: Monday, 01.14, 7:30 p.m. Where: DATELINE Why: This event is a combination of touring art installation courtesy and musical performances at DATELINE art gallery. R.Ariel’s new album Where You Are is an emotionally uplifting album of ethereal sounds and buoyant flow of bright tones. Kafari’s 2018 album Beholding is a masterpiece of minimalism like it was composed while somehow spending contemplative mornings underwater and absorbing a deep sense of peace. Entrancer has been spending years honing the ability to explore whatever directions his mastery of synthesis and beatmaking takes him. His 2018 album Decline Vol. 1 is true soundscaping that draws you into a sonic journey that while impressionistic and composed of deep layers of tone and texture conveys a sense of place physically and emotionally. Is the “Decline” of the title something to dread or something to greet as the inevitable cycle of life and death? The album offers no pat answers but it certain captures the ineffable moments of decline of a phase of one’s life, of civilizations and of all authoritarian orders. Voight may finally play a deep house/techno set. If not, it’ll be, by far, the loudest project of the night with its fiery and intense industrial post-punk shoegaze.
Who:Solos/Duos – Denver Avant Garde Music Society When: Monday, 01.14, 8 p.m. Where: Thought//Forms Why: This night, long held at other venues over the years, has re-emerged at Thought//Forms gallery. You never know what you’ll see but this night you’ll also get to see a set from Denver’s premiere spontaneous composition band Animal / object.
Who:Freq Boutique When: Monday, 01.14, 8 p.m. Where: Fort Greene Why: This reoccurring event organized by electronic equipment company WMD, this night is sort of an open mic for synthesizer enthusiasts. This night’s festivities may include a set from hip-hop/experimental electronic dance artist Strange Powers.
Tuesday | January 15, 2019
Who:Mick Jenkins w/Kari Faux When: Tuesday, 01.15, 7 p.m. Where: The Bluebird Theater Why: Mick Jenkins 2018 sophomore album Pieces of a Man is a bit of a tribute to Gil Scott-Heron’s 1971 album of the same name. Like Scott-Heron, Jenkins offers snapshots of the world around him in words with musical accompaniment to set the vibe. The organization of the album and the experience of listening to it is something like a hip jazz and poetry night. The opening track is called “Heron Flow” as a nod to Gil and his record’s opening track, the influential song poem “The Revolution Will Not Be Televised.” Jenkins and his collaborators evoke the feel of a hazy after hours jazz club across the record with a sense of blending old school production and present day wordsmithing. Jenkins makes fairly mundane life experiences seem mythic and cool as Scott-Heron did in his day. Also on this bill is one of modern hip-hop’s greatest talents, Kari Faux. Her EPs, partly boosted by music appearing in the comedy series Insecure, combine a rebellious swagger with an otherworldly and mysterious quality – a rarity in music generally.
Who:Ensiferum w/Septicflesh and Arsis When: Tuesday, 01.15, 7 p.m. Where: The Oriental Theater Why: Helsinki, Finland’s Ensiferum is a melodic death metal band in the vein of the Gothenburg style but on the more orchestral end. Its use of acoustic guitars and folk structure and progressions give its music an expansive feel that evokes images of standing at the helm of one’s longboat charging toward unsuspecting European enclaves in the ninth century. Fans of Enslaved may enjoy Ensiferum’s similarly joyful performances.
Who:Supersuckers w/The Hangmen and Reno Divorce When: Tuesday, 01.15, 7 p.m. Where: Larimer Lounge Why: Supersuckers started playing its brand of fuzzy cowpunk in Tucson, Arizona in 1988 before moving to Seattle in 1989 near the beginning of when more than a few music journalists from beyond the Pacific Northwest were starting to take not of happenings in the Emerald City’s underground. The band never made the big time the way the grunge bands everyone has heard of did but it has been able to carve out a career for itself and its wiseacre, intentionally lowbrow humor. Who else would start off their 1992 album on Sub Pop, The Smoke of Hell, with a song called “Coattail Rider” at the peak of the alternative rock explosion? Such chutzpah must continue to be honored. Oh yeah, the trio’s 2018 album, out on Acetate Records, is called Suck It. That the underground rock world has come back around to the sound Supersuckers perfected three decades ago is surely not lost on the band as a choice bit of irony. The song “History Of Rock n’ Roll” in which Eddie Spaghetti sings about how Supersuckers, the greatest band in the world is a footnote in the history of rock ‘n roll suggests they’re well aware.
Who:Atmosphere w/Musab + Ink Well (Mink), deM atlaS, The Lioness and DJ Keezy When: Thursday, 12.07, 8 p.m. Where: Ogden Theatre Why: Though Atmosphere is all but a mainstream hip-hop act these days, Slug and Ant had their roots in underground hip-hop in the 90s. As cofounders of Rhymesayers Entertainment, the influential Minneapolis hip-hop imprint, Slug and Ant participated in that creatively rich and collaborative environment nationally that included the Mush Records and Anticon Records imprints and Slug’s participation in Deep Puddle Dynamics, the alternative hip-hop supergroup that also included Sole, Doeseone, Alias and Jel of Anticon. But Atmosphere slowly started to enjoy greater levels of commercial success after the 90s while still remaining an innovative and interesting project. By the time of 2008’s When Life Gives You Lemons, You Paint That Shit Gold, Atmosphere worked with Tom Waits on “The Waitress.” Each of Atmosphere’s subsequent albums have charted respectably on the Billboard charts. But none of that would matter a bit if the music wasn’t worthwhile. On 2017’s Fishing Blues, Slug has returned to the deeply introspective delivery style that made his early work so compelling. Except the naivete is gone but the need to express his truth from the perspective of an older person who doesn’t find some of the bravado of his youth so charming and who finds the desperation to be oh-so-clever boring. Atmosphere today doesn’t lack for the energy for which it’s become known but it is more sharply channeled. Atmosphere is performing numerous shows throughout Colorado over the next ten days or so, the front range shows shows, in addition to the Thursday, December 7 date in Denver include shows on Saturday, December 9 at The Aggie Theatre in Fort Collins, December 10 again at Ogden Theatre in Denver, December 12 at Black Sheep in Colorado Springs and December 13 at Boulder Theater in Boulder.
Friday: December 8, 2017
Who:Ian Cooke The Flight I Flew album release show and Going Away Party When: Friday, 12.08, 9 p.m. Where: Syntax Physic Opera Why: Ian Cooke is moving to South Carolina in 2018 to be with his partner of the last handful of years. And when you listen to his 2017 album The Flight I Flew, you can tell he went through an extended period of emotional confusion and turmoil ultimately coming to a place where his heart and and head are in alignment and his creative music given a focus that maybe it hadn’t had in such a short span of time that it took to assemble the new record. You can hear in the album’s songs the epiphanies, the self-realizations, the accepting of forgiveness that takes real work on the part of both people, and the commitment to personal accountability that you don’t hear in a lot of pop music even when it is as thoughtful and ambitious as the type Cooke has written his entire career. Friday’s show will be the full band spanning Cooke’s catalog while Saturday’s show will focus on Cooke’s quieter songs in a solo format. Either way, here’s your chance to see one of Denver’s truly greatest songwriters perform before you only get to see him maybe once a year.
Who:Death in Space, Shawn Mlekush and Herpes Hideaway When: Friday, 12.08, 6 p.m. Where: Hooked on Colfax Why: Aleeya Wilson is a Girls Rock Denver alumna who was probably a bit different from her peers as she used her guitar to make noise and ambient music rather than whatever popular musical style was favored among teens of that time. As a musician and writer, Wilson has tended toward conceptual work with a visceral quality making few if any concessions to mainstream accessibility. Supposedly this is one of her last noise shows in Denver though she’ll probably do some more while in grad school out of state. Shawn Mlekush is one of the synth players in experimental electronic band Jackson Induced Mutant Laboratory. No, not making that up. So his set will be interesting. And of course there’s the dark ambient of Herpes Hideaway. That entity is the solo project of Patrick Urn whose contributions to industrial band In Ether, the production on some Church Fire material and his various noise, hip-hop and electro efforts over the years may not be widely known but in the underground Denver experimental scene, widely respected. Herpes Hideaway finds Urn adopting the character of a witch-like being from another dimension evoking the fears and pains of humanity and purging them from the collective unconscious. Maybe not but that’s the vibe of the live show.
Sunday: December 10, 2017
Who:Unsane w/Plaque Marks and Pueblo Escobar When: Sunday, 12.10, 8 p.m. Where: Hi-Dive Why: Unsane crawled out of the 80s stained by the crushing, avant-garde noise rock of Swans, the organic-mystical industrial of Einsturzende Neubauten and perhaps the punishingly grinding transcendence of Flipper. So much so that the band has been often mistaken for a metal band, though that influence is probably there too through the more early doom and thrash end of that music. These days Unsane’s closest musical cousins are probably bands like Eye Hate God and the current incarnation of Neurosis. Its songs sounding like a Rob Zombie movie feels to watch in their finest moments—harrowing, unblinking in its depiction of the horrors humankind inflicts on itself, all awash in heightened emotions. Philadelphia’s Plaque Marks includes members of Creepoid, Ecstatic Vision and Fight Champ so it’s noisy post-hardcore-ish sound is beautifully disorienting. Like if Butthole Surfers had somehow emerged after the 31G imprint bands and modern psychedelic doom had their impact and its members decided they needed to push beyond their immediate influences. Pueblo Escobar is a Denver-based, metallic post-hardcore band that actually lives up to a name like that with dark, edgy songs played with an exuberant sense of fun.
Who:Ultrametal Presents: The Last King of Poland (10) w/John Gross (11), Meme Girls (11:30), Killd By (9:30), Birth (10:30), Ghost House (8:30), French Kettle Station (8) and Blank Human (9) When: Sunday, 12.10, 7 p.m. Where: Syntax Physic Opera Why: Noise tends not to get much stage time outside of DIY venues and Mutiny so this noise showcase at Syntax, a venue that often has a more open booking policy than most clubs, is a welcome change of setting for a show like this. It’s a broad spectrum of noise and not a whole lot in the way of the harsher side. John Gross of Page 27 is playing a rare solo set. Killd By will make the kind of hyperkinetic dance music that only Colin Ward could make in his manipulation of self-created samples inside his beats. Birth is as much performance art as weirdo breakcore. French Kettle Station will likely be his usual energetic post-punk/synthwave delivered with a visceral energy. Blank Human, a noisy kind of ambient. Touring through from Chicago is Last King of Poland who will bring his beat-driven ambient noise tracks. Set times indicated above in parentheses.
Monday: December 11, 2017
Who:Hunter Dragon birthday/going away party w/Lazarus Horse and Midwife When: Monday, 12.11, 8 p.m. Where: Syntax Physic Opera Why: Hunter Adams pushed in many different musical directions when he moved to Denver in the mid-2000s from St. Louis. You could consider some of what he did in the indie pop vein, but he also made experimental synth music that bordered on the ambient. His restless imagination wouldn’t let him settle for anything rote so some of his later music was a completely unique sort of electronic dance pop music but infused with an edgy emotional honesty that you pretty much never hear in that sort of music. Adams is a true original with a rich imagination that he expresses with his music eloquently and vividly. Now Adams is moving away from Denver yet again and celebrating the occasion, along with his birthday, with Lazarus Horse and avant-folk artist Midwife. With Madeline Johnston of the latter, Adams was involved in Tiny Amp Tapes so hopefully he can still have some involvement with imprint from afar.
Tuesday: December 12, 2017
Who:Panther Martin w/Couches, Male Blonding and Godchild When: Tuesday, 12.12, 8 p.m. Where: Hi-Dive Why: Panther Martin, the Denver-based indie rock band, has never suffered from a lack of strong songwriting but it’s recent Drats EP finds the band pushing past its obvious influences (The Strokes, maybe some Pavement in there as well as other tuneful purveyors of tastefully fuzzy tone). Couches from San Francisco seems to be coming from a similar place musically but more punk, more from the House of Reatard. Male Blonding may have the greatest rhythm section in Denver indie rock but one that plays to the band’s richly emotive songwriting lead in part by Noah Simons’ commanding yet melancholic vocals.
Who: Hott Mt w/déCollage and Moon Magnet DJ set lost-lake.com/event/1582575-hott-mt-denver When: Tuesday, 12.12, 7 p.m. Where: Lost Lake Why: Hott Mt apparently tracked down Wayne Coyne a handful of years ago and got him to work with them on some music and a video. He later became a fan of the band’s ethereal, synth driven pop music reminiscent of Air’s elegantly crafted nostalgia-inducing tonality and The Helio Sequence’s meshing of guitar rock and gossamery synth pop. Maybe think Black Moth Super Rainbow a bit too. Check out the band’s excellent 2017 album AU. Seems a good pairing with déCollage’s playfully colorful psychedelic music that sounds like it’s being channeled from a world where all classic children’s literature isn’t fiction but a wondrous world worth exploring.
Wednesday: December 13, 2017
Who:Empress w/Grass and Paper Knees When: Tuesday, 12.12, 7 p.m. Where: Lost Lake Why: Empress’ 2017 album, Passion Fade, perfectly synthesizes the band’s instinct for dark, beat-driven industrial music, death rock and the heavier end of post-punk—think The Cult and early Death In June. Gritty, borderline abrasive stuff with corrosive atmospheres. In a bit of inspired pairing, Boulder’s lo-fi noise rock phenoms Grass are also on the bill. Fans of Hue Blanc’s Joyless Ones, Eat Skull and the Reatards should check out Grass.
Who:Glasss Presents: The Speakeasy Series 2017 finale When: Wednesday, 12.13, 6 p.m. Where: Hooked On Colfax Why: This will be the final installment of the 2017 edition of The Speakeasy Series presented by Glasss Records with a focus on more experimental electronic acts from Denver. The shows happened in the basement of Hooked on Colfax with Glasss bringing in a P.A. to allow the room to be awash in rich sounds. For this final show of the year in that series, Glasss will bring in various artists to perform. Some of them may even collaborate but, as with the rest of the series, it’ll be quality and interesting stuff.