The title track of Memory Theater’s 2021 EP The Farthest Shore expresses the isolation and deep, emotional exhaustion and sense of resignation that many of us experienced throughout the 2020-2021 pandemic. The evolving, echoing layers of memory and melancholic vocals are a perfect analog to countless days of stasis and an almost ritualized existence. But in those repetitions and the minimalist synth lead we hear a resonant and familiar attempt to make sense of events beyond our control and moods in reaction to them that feel inescapable and permanent. “This Ending World” is a buoyant instrumental like a forgotten bit of incidental music from a 1980s coming of age comedy as if to express the perversity of a need to make the best of things in apocalyptic times while acknowledging the need to hold on to something that picks you up from a place of confusion, misery and hopelessness. “To Die in the Country” has an appropriate tone of menace with distorted and angular synth lines reminiscent of a musical descendant of D.A.F. and Chris Clark—darkly playful and urgent. The EP ends with “Lake of Flowers,” a song that sounds so uplifting but really expresses poignantly the feeling we all had that the pandemic wouldn’t and isn’t going to end because of the folly of human notions of their entitlement to narrow conceptions of liberty and that the best we can hope for is that nothing lasts forever including the pandemic and, if humanity can’t get its collective thing together, human civilization. This could all seem so bleak but these beautifully moody pop songs and their bright tonalities feel like a way to be honest about the feelings most people have had the past year and to not have to deny our humanity in the name of imposing a phony positivity that gets in the way of processing emotional trauma. You can listen to the EP and download, if you’re so inclined, on Bandcamp or listen to the title track and others on Spotify and connect with Memory Theater on Instagram linked below.