Best Shows in Denver 1/16/20 – 1/22/20

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Heilung performs January 17 at Ogden Theatre, photo by Ruben Terlouw

Thursday | January 16

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Muscle Beach, photo by Tom Murphy

What: Muscle Beach, Church Fire, Vexing and Grief Ritual
When: Thursday, 1.16, 8 p.m.
Where: Hi-Dive
Why: With the exception of Church Fire whose own politically-charged, emotionally cathartic, noisy synth pop, this is basically a showcase for some of the best Denver bands who bridge the gap between experimental metal, hardcore and noise punk. Muscle Beach released its riveting new album Charms in 2019 and Vexing just let loose with its album Cradle.

What: Cursive w/Cloud Nothings and Criteria
When: Thursday, 1.16, 7 p.m.
Where: Bluebird Theater

What: Cereza w/Indica Cinema and Dog Basketball
When: Thursday, 1.16, 7 p.m.
Where: Globe Hall

What: Chromadrift w/Felix Fast4ward, MYTHirst and Furbie Cakes
When: Thursday, 1.16, 8 p.m.
Where: Lion’s Lair

What: Eli N-H & L Heron
When: Thursday, 1.16, 9 p.m.
Where: Rhinoceropolis

What: Necromantic (Goth, post-punk, darkwave, industrial DJ night)
When: Thursday, 1.16, 9 p.m.
Where: Shag Lounge

Friday | January 17

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The Still Tide, photo by Jay Wescott

What: Heilung
When: Friday, 1.17, 7 p.m.
Where: Ogden Theatre
Why: Many bands in the past two or three decades claim to hearken back in their music to early northern European culture. Heilung took the concept a step or two further by basing their music on texts and runes from the Germanic people of the Viking era and longer ago infused with pan-ancient world cultures. The band members look like members of a Scandinavian mystery cult with elaborate outfits, some wearing horned head gear, performing with recreations of traditional instruments from various ancient cultures, guttural vocals reminiscent of Tuvan throat singing. It is a spectacle that is a ritualistic performance of music and poetry designed to transport you to the mindset of earlier humanity getting in touch with its subconscious mind communally.

What: The Still Tide Between Skies album release, Down Time and Heavy Diamond Ring
When: Friday, 1.17, 7 p.m.
Where: Hi-Dive
Why: The Still Tide has been making waves in Denver and beyond for several years at this point with its poignantly expressive dream pop soundscapes. Its sounds are expansive yet are imbued with an intimate sensibility as though Anna Morsett is singing from the past toward the future. It takes you out of a mundane mindset and transports you to a realm where you can feel all the pressures, angst and demands of everyday life but it seems in context of a bigger picture hidden from your thinking most of the time. At least that’s the vibe of the band’s new record Between Skies. The lush and well-balanced soundscapes crafted by Morsett, Jake Miller, Joe Richmond and Nate Meese render incredibly accessible an album of meaningful songs about personal struggle and striving to make sense of the seemingly endless run of reverses and confusing experiences with your heart intact.

What: Caustic Soda EP release w/Sinister Pig and Princess Dewclaw
When: Friday, 1.17, 7 p.m.
Where: Seventh Circle Music Collective
Why: Caustic Soda is a noise punk band from Boulder whose new EP Stud Count will be available at this show. As the title suggests it’s a pointed critique of the all the destructive and regressive ideas that have seemed to issue forth prominently in the wake of Donald Trump announcing his candidacy for president: the misogyny, the bizarre anti-science right, open racism—all the stuff nascent fascism spews into the world.

What: The Amphibious Man, Apollo Shortwave and Pelvis Presley (EP release)
When: Friday, 1.17, 7:30 p.m.
Where: Glitter City

What: Kiltro w/Oxeye Daisy and Julian Brier
When: Friday, 1.17, 8 p.m.
Where: Larimer Lounge

What: On the One: DJ Johnra (John Eggert) and DJ Mike Moses
When: Friday, 1.17, 9 p.m.
Where: The Squire Lounge

Saturday | January 18

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Lazarus Horse, photo by Andy Denson

What: Lazarus Horse Oh, The Guilt album release w/Disinherited and Dead Characters
When: Saturday, 1.18, 8 p.m.
Where: Mutiny Information Café
Why: Eddie Durkin was once a member of the promising and powerful experimental guitar pop band Sparkler Bombs but for various reasons had to take a break from playing in bands and playing shows. But his time away allowed him to incubate and hone his talent further and his latest project Lazarus Horse has been performing now and then with a set of songs that are rough enough around the edges to be fresh and interesting but refined in the execution of dynamics to not be confused for an off-the-cuff band still not in possession of a sense of intentionality. The group’s new album Oh, The Guilt will be an earworm for fans of Codeine, Red House Painters, Versus and Slint. The songs have a simple construction but because of that they are capable of a great emotional range as the layers of sound interact with a fluidity that the sometimes splintery tones might suggest otherwise. The vulnerability on display is disarming, honest and inviting. Given the arc of the songs it’s part eulogy for a time in Denver Durkin experienced while playing DIY spaces in the late 2000s and early 2010s and a map for navigating the new reality in the Mile High City and America in general, one that seems to have put so much up in the air with no sense of confidence in social stability. It’s a record showing bravery and self-awareness in the face of massive uncertainty and possible civilizational collapse.

What: Punk Against Trump: Cheap Perfume, Allout Helter, Over Time, Filthy Hearts, Altar Girls (debut)
When: Saturday, 1.18, 7 p.m.
Where: Marquis Theater
Why: Maybe in the years ahead Trump and everything he willfully and unintentionally encouraged among the forces of cultural and political reaction will be in the rearview and great punk bands won’t have to have fundraiser for groups that are keeping essential services and a compassionate mission alive but for now Punk Against Trump remains a proud tradition in Denver.

What: Bleakheart w/Many Blessings, Its Just Bugs and Human Tide
When: Saturday, 1.18, 9 p.m.
Where: Tooey’s Off Colfax

What: LUCY, H Lite, French Kettle Station and Horse Girl
When: Saturday, 1.18, 8 p.m.
Where: Rhinoceropolis

What: Your Smith w/Chelsea Jade
When: Saturday, 1.18, 8 p.m.
Where: Larimer Lounge

What: Ladies Night (band) and Lifers
When: Saturday, 1.18, 9 p.m.
Where: The Squire Lounge

Sunday | January 19

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Drune, photo courtesy the artists

What: Drune (album release), New Standards Men and Simulators
When: Sunday, 1.19, 7 p.m.
Where: Larimer Lounge
Why: Drune’s debut album SEER is three extended tracks with Roman numerals as the title. Doing so almost invites you to have no preconceptions about what you might be in for with the listening even if you’ve heard the band is a doom band or “heavy.” And it is but there is an elegance to Drune’s composition that has as much in common with bands like Black Mountain who push the aesthetic into unconventional sonic territory as it does with any doom band. James Cook’s soaring vocals and the modulated rhythms syncing with guitar riffs that are as textural and moody as brutal. It’s a sonically expansive record that rewards your attention. Drune doesn’t drone on the same idea ad infinitum, its evolution through a song suggests a narrative structure that pulls you in for the long haul.

Tuesday | January 21

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GZA, photo courtesy GZA management

What: GZA 25th Anniversary of Liquid Swords w/Righteous Revolution (feat. 1-natVson-1), D-Stylz & High Key (Affliction Music), DJ Notch, Killah Priest
When: Tuesday, 1.21, 7:30 p.m.
Where: Summit Music Hall
Why: GZA’s 1995 album Liquid Swords is of course a classic of 90s hip-hop fusing a more traditional genre aesthetic with genre-bending innovations in the use of atmospheric elements in the production to give the whole record an otherworldly quality worthy of its transcendental lyrics. While it might be difficult to prove this record sounds like one of the primary influences on late-90s alternative hip-hop like artists on the Anticon, Mush and Rhymesayers imprints and on experimental electronic music and bands as unusual and adventurous as Black Moth Super Rainbow and CocoRosie. Whatever its exact impact and legacy, Liquid Swords gets into your head and still manages to surprise with the sheer creativity in its use of sound and GZA’s masterful wordplay like a thinking person’s futuristic crime drama manga.

Best Shows in Denver and Beyond 10/17/19 – 10/23/19

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Guerilla Toss performs at Hi-Dive on October 19, 2019, photo by Vanessa Castro

Thursday | October 17

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Sun Blood Stories, photo by Sun Blood Stories

What: Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands
When: Thursday, 10.17, 7:30 p.m.
Where: Glitter City Studio
Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.

What: 303 Synth City: Patternshift, Malibu Nights, Niq V, Bob Sync
When: Thursday, 10.17, 7 p.m.
Where: Walnut Room

What: Brent Penny, Cuckoo, Shanea
When: Thursday, 10.17, 9 p.m.
Where: Rhinoceropolis

What: False Report (EP release) w/In My Room, Pacific Nerve, Cagemates
When: Thursday, 10.17, 7 p.m.
Where: Lost Lake

Friday | October 18

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Temples, photo by Laura Allard Fleischl

What: Temples w/Honey Harper
When: Friday, 10.18, 8 p.m.
Where: Gothic Theatre
Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.

What: Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra
When: Friday, 10.18, 7 p.m.
Where: Paramount Theatre
Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.

What: Hilary Leftwich book release of Ghosts Are Just Strangers Who Know How to Knock
When: Friday, 10.18, 7 p.m.
Where: Book Bar

What: Deep Club presents: Galcher Lustwerk w/WNGDU and Ponyrok
When: Friday, 10.18, 11 p.m.
Where: Rhinoceropolis

What: Colfax Speed Queen album release of Dirty Mirror w/The Kinky Fingers, Savage Blush and Ladies Night
When: Friday, 10.18, 9 p.m.
Where: Hi-Dive

Saturday | October 19

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Aldous Harding circa 2017, photo by Tom Murphy

What: Aldous Harding w/Hand Habits (solo)
When: Saturday, 10.19, 8 p.m.
Where: Larimer Lounge
Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.

What: Guerilla Toss w/cindygod and Corner Girls
When: Saturday, 10.19, 8 p.m.
Where: Hi-Dive
Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do? released October 18 and this is more or less the band’s tour kickoff show.

What: Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers
When: Saturday, 10.19, 8:30 p.m.
Where: The People’s Building
Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.

What: The Distillers w/Death Valley Girls
When: Saturday, 10.19, 7 p.m.
Where: Ogden Theatre
Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.

What: Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue
When: Saturday, 10.19, 9 p.m.
Where: Rhinoceropolis
Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.

What: Jonathan Richman w/Tommy Larkins
When: Saturday, 10.19, 7 p.m.
Where: Daniels Hall at Swallow Hill
Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.

Sunday | October 21

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Voight, photo by Tom Murphy

What: All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ)
When: Sunday, 10.20, 8 p.m.
Where: The Zodiac (Colorado Springs)
Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.

What: The Japanese House w/Overcoats
When: Sunday, 10.20, 8 p.m.
Where: Fox Theatre

What: Haunter, Noctambulist, Casket Huffer, Zygrot
When: Sunday, 10.20, 9 p.m.
Where: Rhinoceropolis

What: Municipal Waste, Napalm Death, Sick Of It All and Take Offense
When: Sunday, 10.20, 6 p.m.
Where: Summit Music Hall

What: Black Lips w/Blue Rose Rounders and Backseat Vinyl
When: Sunday, 10.20, 7 p.m.
Where: Larimer Lounge

Monday | October 21

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All Your Sisters circa 2016, photo by Tom Murphy

What: All Your Sisters w/Echo Beds, Midwife and B|_ank
When: Monday, 10.21, 9 p.m.
Where: Rhinoceropolis
Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.

What: Whitney w/Lala Lala
When: Monday, 10.21, 7 p.m.
Where: Ogden Theatre
Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.

What: J.S. Ondara w/Elise Davis
When: Monday, 10.21, 7 p.m.
Where: Bluebird Theater

What: Black Lips w/Blue Rose Rounders and The Corner Girls
When: Monday, 10.21, 7 p.m.
Where: Globe Hall

Tuesday | October 22

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Chelsea Wolfe, photo by Ben Chisholm

What: Chelsea Wolfe w/Ioanna Gika
When: Tuesday, 10.22, 8 p.m.
Where: Stanley Hotel
Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.

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The KVB, photo by George Katsanakis

What: The KVB w/Numb.er and Eventually It Will Kill You
When: Tuesday, 10.22, 8 p.m.
Where: Larimer Lounge
Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.

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John Paul White, photo by Alysse Gafkjen

What: Shovels & Rope w/John Paul White (of The Civil Wars)
When: Tuesday, 10.22, 7 p.m.
Where: Ogden Theatre
Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.

What: Mating Ritual, Hembree, Compass & Cavern
When: Tuesday, 10.22, 8 p.m.
Where: Lost Lake

Wednesday | October 23

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mxmtoon, photo by Nicole Busch

What: mxmtoon w/Alexander 23
When: Wednesday, 10.23, 7 p.m.
Where: Larimer Lounge
Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.

What: Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs
When: Wednesday, 10.23, 9 p.m.
Where: Rhinoceropolis
Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.

What: Agnostic Front w/The New Narrative, Clusterfux and Out For Blood
When: Wednesday, 10.23, 7 p.m.
Where: The Oriental Theater

What: Girlpool, American Grandma and Bellhoss
When: Wednesday, 10.23, 8 p.m.
Where: Lost Lake