Who:Starjammer – Empire of the Mantis When: Thursday, 01.31, 8 p.m. Where: 3 Kings Tavern Why: Squidds Madden brings his visionary multi-media, multi-instrumental one-man band to 3 Kings to demonstrate that “Avant Garde/Dub-Reggae” is not some kooky gimmick but an evolving futuristic music that is truly a synthesis of deeply experimental improvisational music and the production style that enhances a broad spectrum of sonic frequency, textures and rhythm.
Who:Endless, Nameless, Honey and Salt, Obtuse, Admiral and more When: Thursday, 01.31, 7 p.m. Where: Seventh Circle Music Collective Why: Kind of a math rock show with Obtuse who certainly draw on 90s and 2000s math rock for some of the inspiration but is thankfully more focused on the emotional possibilities when you don’t get tripped up on the time signatures and precision but use those as needed to express the raw nerves of a generation that late capitalism is trying to toss in the dumpster but not without some very articulate resistance.
Friday | February 1, 2019
Who:Maemyth, Galleries, Bert Olsen and matherial When: Friday, 02.01, 9 p.m. Where: 3 Kings Tavern Why: All the other bands on the bill are worth your time. But Bert Olsen, not named after anyone in the band, makes the kind of punk that is atmospheric, probably inspired in part by The Cure and early Christian Death, noisy and vividly emotional and not trapped by the need to sound like another era of punk. Bert Olsen is charting its own path and Hunter Wood’s vocals are both melodic and demonstrating a willingness to crack and distort to fit the mood of the moment. More rock music in general would benefit from such instincts but a lot of it is self-tamed and conditioned, traditionalist stuff.
Who:Broncho w/Pinky Pinky When: Friday, 02.01, 8 p.m. Where: Globe Hall Why: Too many artists and “comedians” have ruined irony for probably another generation by abusing its possibilities and basically by not being ironic, just wannabe surrealistic and too much of a broken person’s public diary presented as entertainment. Broncho didn’t fail in its employment of irony by making sardonic yet sincere commentary on American culture and life. When singer/guitarist Ryan Lindsey was in The Starlight Mints he injected some color into the tail end of the wave of indiepop that emerged in the early 90s. With Broncho it’s more rock but out of step with the tendency of a lot of modern rock music to be trapped entirely too much in past decades. The band’s latest record is 2018’s Bad Behavior.
Who:King Eddie, Briffaut and BabyBaby When: Friday, 02.01, 8 p.m. Where: Syntax Physic Opera Why: King Eddie began as something of a fairly predictable psychedelic rock band but by that time and the release of its 2017 album it completely refined and reinvented itself into one of the most interesting and creative bands in that realm of music. Briffaut is sort of freak folk, psychedelic indie rock but sounds like it was made by people who cut themselves off from outside influences for half a decade or more. Because of that, it’s music is always interesting and left-field.
Who:Dry Ice, Slugger, Satellite Pilot, Rose Variety and Ludoesmusic When: Friday, 02.01, 8 p.m. Where: Lost Lake Why: Apparently Dry Ice is from Highlands Ranch, Colorado. If it’s album 2018 Technicolor Yawning is any indication it sounds like the product of suburban boredom and thus this far into the band’s career means it’s sort of all over the place style-wise but that also means its not locked into being a particular genre and its eclectic quality yields some interesting material that might not have been possible had its members been channeled into a particular local scene. Slugger makes a case for garage and psychedelic rock inspired by classic rock not being totally played out.
Who:Boldtype, The Gamits, Reno Divorce and No Bueno When: Friday, 02.01, 7 p.m. Where: The Marquis Theater Why: Manuel Lopez was the passionate and affable drummer of Boldtype who recently passed away. This is a benefit show for his daughters and will include performances by his band as well as some of the best local punk rock bands that came up at the same time his group was coming into its own.
Saturday | February 2, 2019
Who:The Parrots + Mozes and The Firstborn, Billy Changer, Super Bummer When: Saturday, 02.02, 8 p.m. Where: Larimer Lounge Why: Mozes and The Firstborn from Eindhoven, The Netherlands came up during the peak of the 2010’s garage rock revival and toured internationally relatively early on its career. The band was always a little different from the other garage rock bands of that period because its sound was closer to power pop and its musicianship and songwriting had some uncommon refinement. In 2019 the group released its latest record Dadcore. To be fair, the band doesn’t sound like dadcore so much as its the typically Dutch dry, self-effacing and layered commentary on the cultural phenomenon and its own hearkening back to classic songwriting and what some may see as the quaint notion of guitar rock in the twenty-first century.
Who:The Pamlico Sound, Queens of the Galaxy and The Jessicas When: Saturday, 02.02, 8 p.m. Where: Lost Lake Why: The Pamlico Sound is a funk band lead by Will Baumgartner who went to Woodstock as a kid and who has been involved in the 80s No Wave movement as well as some of the more unexpectedly inventive and imaginative jam and funk bands from Colorado over the past two decades. It’s a spectacle and highly entertaining as Baumgartner is an engaging and unconventionally charismatic performer.
Monday | February 4, 2019
Who:Ron Gallo w/Post Animal and Stuyedeyed When: Monday, 02.04, 7 p.m. Where: Globe Hall Why: Ron Gallo is from Philadelphia but his solo work sounds like he spent some time in 1970s New York in the early punk scene with a wiry energy. Of course if psychedelic garage rock hadn’t happened his 2018 record Stardust Birthday Party wouldn’t have sounded like a bit like a manic Sparks. Whatever the touchstones might be, Gallo is one of the most dynamic rock musicians of the current era. Perhaps co-headlining is the psychedelic prog band Post Animal whose own spirited performances transcend any specific genre of music.
Who:Yoke Lore w/LP When: Tuesday, 02.05, 7 p.m. Where: The Ogden Theatre Why: Adrian Galvin was once a member of synth-heavy indie pop band Walk the Moon before going solo a few years back. His work under the name Yoke Lore is decidedly different from Walk the Moon in having softer edges while showcasing Galvin’s inventive use of layered sound in his songwriting with bright synths accenting his vocals with an evocative flair. He is currently touring in the wake of the release of his 2018 EP Goodpain as an opener for R&B-inflected indie pop songwriter LP.
Wednesday | February 6, 2019
Who:Weird Wednesday: The Diablo Montalban Experience, The Drood and Claudzilla When: Wednesday, 02.06, 9 p.m. Where: The Ogden Theatre Why: Weird Wednesday is as suggested by the name quite a bit this time around with keytar rock sorceress Claudzilla, experimental pop/psych band The Diablo Montalban Experience and The Drood. The latter often performs in costumes that look like a cross between anti-hero crusaders for cosmic justice and occult ritualists with music that fans of Legendary Pink Dots may find very much to their liking.
Who:P.O.S. w/Calm. and DJ Fundo When: Wednesday, 02.06, 7 p.m. Where: The Marquis Theater Why: P.O.S. is the Minneapolis-based rapper whose talents and range as an artist go far beyond including his masterful production on his own work as well as his musicianship in other bands including Gayngs, Marijuana Deathsquads and many others. He’s in good company with his sonically adventurous beats paired with Denver’s Calm., a duo comprised of Time and Awareness whose literate and incisive raps and deeply atmospheric production is always surprisingly impactful. Their latest release, 2018’s Things I Learned While Dying in Denver is one of the most sharply critical yet hopefully albums of the past few years.
Who:Propagandhi w/Iron Chic and Cheap Perfume
When: Thursday, 09.20, 7 p.m.
Where: The Oriental Theater
Why: Propagandhi made leftist politics and veganism into some great pop punk songs even as its sound evolved in heavier directions later in its career. From 1993’s humorous yet pointedly political How To Clean Everything to 2001’s opus of politically pointed yet irreverent and fun Today’s Empires, Tomorrow’s Ashes, Propagandhi were one of the few relatively high profile modern punk bands that didn’t get stuck in pure entertainment and only songs about heartache and everyday life mode. Thankfully the band still hasn’t cynically cashed in with essentially content-free records. Long Island’s Iron Chic seems cut from a similar cloth writing genuinely clever songs pairing meaningful and insightful lyrics with infectiously catchy melodic punk. Colorado Springs’ own Cheap Perfume opens the show with plenty of searing social commentary for an entire evening of music packed into its set.
Who:The Voidz w/Promiseland and The Velveteers When: Thursday, 09.20, 7 p.m. Where: The Gothic Theatre Why: The Voidz released its sophomore record Virtue in March and for those uninitiated its video for “QYURRYUS” suggested some sort of futuristic weirdo psychedelic band but one that took older trash technology and made something new and interesting with it. That Strokes frontman Julian Casablancas was involved in that song and video, a seeming mutant send-up of 80s VHS mashup and modern post-punk and trap, shouldn’t have come as a surprise and yet it did. The rest of the album isn’t all quite as engagingly strange but nevertheless a sprawl of concentrated musical imagination, welcome in a time when such things aren’t in as abundant as one would hope. The previous album, 2014’s Tyranny, had some promising moments but Virtue is where Casablancas and company really want to be in creating music not just a departure from other projects but in making something that is of the moment even when it mines the past for compositional elements recontextualized.
Who:Murder By Death and William Elliott Whitmore When: Thursday, 09.20, 7 p.m. Where: The Ogden Theatre Why: Murder By Death’s latest album The Other Shore sounds like a band that has taken a decisive step to musically reinventing itself while preserving the core of what has made it one of the most interesting bands of the past two decades. Before chamber pop and indie Americana was really much of a thing, Murder By Death had been making that music with a high level of artistry with lyrics that skirted a fine line between the conceptual, the personal, narrative elements and the poetic without coming off as pretentious. The Other Shore, as the album title suggests, showcases a band that has been on a journey since it’s inception to explore its musical interests as an Americana band in a place and a time when post-hardcore and emo was the prevailing form of music around them, and one that wrote music about an imaginary American West with a greater accuracy and resonance than many bands actually from that part of the country. For this tour Murder By Death is joined by its friend and early compatriot in making music out of step with then trends in music. His warm, textured songwriting and singing has the ability to draw you in with the clarity and vivid imagery of his own storytelling. His new record Kilonova on Bloodshot Records is a collection of songs that truly find the great stories in everyday life better than almost anything out this year as yet.
Friday | September 21, 2018
Who:Meat Beat Manifesto w/C-Tec, Mondo Obscura and DJ Dave Vendetta When: Friday, 09.21, 7 p.m. Where: The Oriental Theater Why: Nine Inch Nails and huge swath of 90s and 2000s electronic music acts cite Meat Beat Manifesto as a primary influence. Jack Dangers’ production fingerprints have been all over the musical landscape from the 90s onward. Part of the reason for this is Dangers’ wide-ranging curiosity about various musical styles and technology and techniques involved in making those sounds. He didn’t just dabble in all sorts of techno, EDM, IDM, dub and more, he produced innovative work in all of those sonic realms. MBM’s 1990 album 99% was a landmark in electronic music production and composition perhaps only surpassed immediately afterward by 1992’s Satyricon. But in recent years MBM has released some of its most interesting music to date including the two 2018 albums in an especially fruitfully prolific era of the project with Impossible Star out this past January and a new full-length due out in November. Both records reveal a band that has consistently moved into new realms of sound while maintaining its unique voice in music.
Also on the bill is C-Tec, a dark EBM-esque project of some of that music scene’s luminaries including Jean-Luc DeMeyer of Front 242, Marc Heal of Cubanate, Ged Dention of Crisis NTI and Julian Beeston of Nitzer Ebb. Denver ambient/industrial duo Mondo Obscura opens the show with probably a harder edged of their more hypnotic chill out vibe. If their 2018 album Focus On Black is any indication that shouldn’t be a problem.
Who:Tribulation and Pallbearer When: Friday, 09.21, 7 p.m.
Where: The Bluebird Theater
Why: Arvika, Sweden’s Tribulation probably could have become stuck mining the melodic/Gothenburg death metal territory or hybriding that with neo-thrash or Goth-ed out black metal. But its sound is much more interesting and not trying to be all things to all fans of heavy music. Rather, it’s eclectic sound is one that has roots but uses those sonic elements to write layered music with imaginative dynamics that allow for writing songs about occult themes in 2018 without seeming corny. The group’s 2018 album Down Below is sort of to death metal what T.S.O.L.’s 1982 to album Beneath the Shadows was to hardcore.
Who:7C 6-Year Night #1: Only Echos (album release), Only Souls Die Young and more When: Friday, 09.21, 7 p.m. Where: Seventh Circle Music Collective Why: This Denver DIY space is one of the few places you can go and see something new and good you’ve never heard of on a bill of very different other music every single time. It’s also the main place where younger musicians are going to play for their peers as they develop as artists. What that means is that you can see bands grow from the ground up, which is the most exciting time to see them. Congratulations no Seventh Circle Music Collective in keeping things going for 6 years thus far.
Who:El Ten Eleven w/Tennis System and Picture the Waves When: Friday, 09.21, 8 p.m. Where: Summit Music Hall Why: El Ten Eleven is the Los Angeles based post-rock band whose music you’ve heard in television and film. Its texture and rhythm driven compositions give El Ten Eleven a bit more presence than some of its peers in the realm of instrumental rock. Also on the bill this night is another L.A.-based ethereal rock project with Tennis System. That trio takes the kind of bright, breezy melodies that Depreciation Guild had discovered in melding pure 8-bit electronic composition with dream pop. Tennis System, though, weds the sound with a sort of melancholic, disillusioned yet hopeful tone suggestive of being in a place where all aspirations can supposedly be met but the reality is much less glamorous.
Saturday | September 22, 2018
Who:Kat Ellinger tribute/benefit featuring: I’m A Boy, Toddy Walters, The Red Tack, Stereoshifter, New Ben Franklins, Doug and Liz from Sympathy F and Shindei Shashin When: Saturday, 09.22, 7 p.m. Where: Mutiny Information Café Why: Kat Ellinger was a respected songwriter and singer/musician in Denver from the early 90s until her untimely passing in June 2018. Her bands Worm Trouble and Sleepers should have propelled her into at least the tier of touring bands that plays mid-sized clubs as her knack for writing meaningful, well-crafted rock and pop songs with a strong individual vision was on par with anyone anyone could name from that same time period. Her songs were eclectic, emotionally powerful, honest and accessible. Ellinger herself was an engaging and strong live performer and this show, a benefit for her family, features Denver underground luminaries such as Ted Thacker formerly of Baldo Rex (a band often cited by DeVotchKa as an influence) as The Red Tack, New Ben Franklins playing a rock rather than country set and Doug Seaman and Liz Rose of Sympathy F performing a stripped down set.
Who:Frankie And the Witch Fingers w/Stonefield, King Eddie and DJ Ross Taylor When: Saturday, 09.22, 8 p.m. Where: Hi-Dive Why: Kind of a psychedelic party rock show with Frankie And the Witch Fingers from Los Angeles and their Colorado kin with King Eddie. Stonefield, though, is an all female heavy psych band from Australia. The group released its most recent full length Far From Earth in 2018 with a sound somewhere betwixt early solo Dio and Acid Witch and 70s hard rock bands like Uriah Heep.
Who:7 C 6-Year Night #2: David Liebe Hart, Chip the Black Boy, Whatever Your Heart Desires, Unit-Y, Shwarma, Actobog and more When: Saturday, 09.22, 4 p.m. Where: Seventh Circle Music Collective Why: Night two of Seventh Circle Music Collective’s 6-year anniversary show with an appearance by eccentric outsider pop artist David Liebe Hart who is responsible for some of the most surreal segments of the already quite strange Tim and Eric Awesome Show, Great Job! Some have speculated that it’s all an act but what you see is what you get and there is an unmistakable appeal to Hart’s utter sincerity and conviction and faith in his music and art to reach people.
Who:Iron & Wine w/Erin Rae When: Saturday, 09.22, 7 p.m. Where: The Paramount Theatre Why: Sam Beam’s songs, no matter the format and line-up performing them, always come off like campfire sessions in which everyone shares stories and ideas and autobiographical musings that taking into flights of personal philosophy. That warmth and intimacy sets Bream’s work apart from many of his peers and there is a timelessness to his music akin to that of Cat Stevens or Harry Chapin. His new offering, 2018’s Weed Garden EP, follows on the heels of 2017’s Beast Epic and what many consider to be a return to the stripped down, simple style that made 2004’s Our Endless Numbered Days a classic.
What:On Tap With KBCO featuring DeVotchKa, Cake and Calexico When: Saturday, 09.22, 12:30 Where: Breckenridge Brewery Why: This is a show benefitting Take Note Colorado, an organization dedicated to getting musical instruments and lessons to Colorado students K-12. Cake is the alternative rock band that had wry 90s hits like “The Distance” and “Rock and Roll Lifestyle.” Calexico is the excellent Americana/dream pop band with a bit of Southwest flavor. DeVotchKa, the hometown heroes, released its latest album This Night Falls Forever in August. That it’s the group’s first release of an entire album of new material since 2011’s 100 Lovers suggests a period of deep self-doubt, assessing oneself as an artist and as a person and a reinvention without discarding everything. The new record has all the hallmarks of DeVotchKa’s best material—depth of sound space, intricate sonic details that never seem cluttered and excessive and a haunted quality that hints at accepting one’s regrets if not gladly, of loss and calm and grace in the face of an uncertain future. Frankly, it’s music for the current era and comfort in a time of trouble and chaos as DeVotchKa has a gift for tapping into one’s sense of nostalgia and triggering a gentle catharsis.
Monday | September 24, 2018
Who:The Charlatans UK w/Reyna When: Monday, 09.24, 7 p.m. Where: The Bluebird Theater Why: The Charlatans UK were one of the bands whose mix of soul, acid house and psychedelic rock was early associated with the Madchester aesthetic of the late 80s and early 90s. And, thus, what became known as Britpop. The Charlatans were a step removed from Madchester coming from the relatively nearby Western Midlands but were clearly musically kindred spirits. The group’s 1990 debut full-length Some Friendly was recorded when the band had been together for around a year and can be a bit uneven but it yielded an iconic hit with “The Only One I Know.” Throughout the 90s The Charlatans evolved in interesting ways as its members stayed engaged with new sounds and ideas and in growing as artists themselves rather than rest on past laurels. The result has been a string of albums with a familiar element to the songwriting because of Tim Burgess’ strong yet emotionally chameleonic voice, Martin Blunt’s subtle yet fluid bass style perfectly accenting the song dynamics, the late Rob Collins’ (and now Tony Rogers’) ebullient but tasteful keyboard work and Mark Collins’ gift for playing to the song and taking on a broad variety of roles as a guitarist—lead, rhythm, texture, accents.
The Charlatans released a 2017 album called Different Days which is both a reminder that maybe the more recent world of rock and pop has caught up to what The Charlatans have done all along quite well in threading psychedelic rock, classic songwriting about perennial themes and listening to the new music for ideas to not get stuck in one’s own rut and inspiration for the future. In 2018 the Totally Eclipsing EP, comprised of material recorded during the time of Different Days, was released on limited edition 12” green vinyl as well as for download and as a second CD with a deluxe edition of the full-length.
Who:Dr. Montgomery Maxwell, Joohs Uhp, $addy and Shamwow When: Monday, 09.24, 7 p.m. Where: Mutiny Information Café Why: A good slice of some of Denver’s weirdo/experimental/industrial hip-hop. Dr. Montgomery Maxwell is more on the industrial side of that spectrum though maybe for this show he might not break as much stuff on stage as usual. But you never know. Joohs Uhp sounds like a guy who is way into nü metal and hip-hop and unabashedly all about what some might think is the trashier more ephemeral end of that but has found a way to turn that affection for other people’s supposed trash and turned it into something interesting. Shamwow sounds like, for lack of a better term “slacker trap.” Meaning, to some, it’ll sound like lazily made weird, lo-fit who-knows-what but really it’s well produced, intentional stuff that some fans of “real” hip-hop won’t recognize its quality. But, supposedly, Trev Rich is a fan so there’s that. $addy’s sound is as the name suggest—sort of a melancholic vibe but using beats that sound like they’re right out of a surreal game about being a gamer hacker destroying the horrific international economic system and unlocking achievements by dropping sick 8-bit beats rife with noise and undoubted sonic reference samples from realms of the gaming world most of us have never heard about. Or something like that.
Who:Beck w/Jenny Lewis When: Monday, 09.24, 6:30 p.m. Where: Red Rocks Why: Beck made being an utterly eccentric songwriter a commercially viable thing in the 1990s. Maybe he was tapping into the zeitgeist in a way that the alternative rock explosion of the early 90s made possible by speaking to the inner weirdo of a broad audience. There is no reason a song like “Loser,” “Where It’s At,” “Devil’s Haircut” and “The New Pollution” should have been hits to anyone but hipster oddballs except that Beck also employed elements of soul, hip-hop, R&B and interesting but odd cultural references that was a far cooler predecessor to the awkward comedy kick that got more popular in the 2000s. But Beck evolved and his genre splicing became more refined and fascinating with every album from Midnight Vultures onward reflecting perhaps a particularly focused set of ideas and sounds. Beck simply wouldn’t allow himself to be limited by the expectations of others and trusted his imagination and instincts to be his guide.
Jenny Lewis was an actress in various television shows and films before people knew of her as an actress. But her band with Blake Sennett, another child actor, Rilo Kiley introduced the world to one of the most genuinely clever, incisive and insightful commenters on personal psychology and American culture in Lewis as a lyricist. It didn’t hurt that her emotionally rich and powerful voice put conviction behind those words. Whether in Rilo Kiley, her solo albums, Jenny & Johnny or her recent work in Nice As Fuck, Lewis has consistently been an artist with something to say, singing with a poignant honesty but one informed by a sense reality and kindness.
Who:Boulder Guitar Society: Janet Feder When: Monday, 09.24, 7 p.m. Where: First United Methodist Church of Boulder Why: Janet Feder is an educator and master guitarist whose experimental compositions both extend the range and possibilities of the instrument but whose songs have an accessibility and emotional resonance that one doesn’t often associate with a musician that is both an academic and long-standing figure in the musical avant-garde. But just like the human that is Janet Feder, the music is immediately engaging and inviting into an unpretentious creativity that anyone can access.
Tuesday | September 25, 2018
Who:Beck w/Jenny Lewis When: Tuesday, 09.25, 6:30 p.m. Where: Red Rocks Why: For Beck and Jenny Lewis see above for Monday, 09.24.
Who:FRIGS w/Natural Violence, American Culture and Law of the Night When: Tuesday, 09.25, 8 p.m. Where: Hi-Dive Why: FRIGS at first listen might remind you of 90s angular post-punk bands like Fugazi, 2000s’ Canadian art guitar groups like Women or the English, experimental rock band Electrelane. That use of layered simple yet intricate and entrancing guitar and rhythm. All intertwined with Bria Salmena’s soulful and expressive vocals. The band’s 2018 debut full-length Basic Behavior is a raw, menacing, atmospheric wail of wiry energy unleashing and transforming the angst and anxiety of this era. The band’s live shows bring some mystery and emotionally-charged physicality to the stage in a way not many bands these days do.
Who:Gringo Star w/Turvy Organ and Shuttles When: Tuesday, 09.25, 7 p.m. Where: Lost Lake Why: Before it became too fashionable, Atlanta’s Gringo Star was perfecting its signature psych/soul garage rock sound. What seems lost in some of the assessments of the band, that is hinted at through its numerous music videos, is how the group’s music tells stories from the perspective of urban, Southern youth and its use of musical forms from other parts of the country (surf rock, California psych, Memphis soul/garage rock etc.) as the palette of its imaginative expression. The band’s 2018 album Back to the City finds it in a more wistful mood with a sense of nostalgia that is far more interesting, genuine, personal and poignant than has often been the case in a lot of music of late.
Wednesday | September 26, 2018
Who: The Miseducation of Lauryn Hill 20th anniversary w/Talib Kweli and Shabazz Palaces When: Wednesday, 09.26, 5:55 p.m. Where: Red Rocks Why: In 1998 Lauryn Hill announced herself as a solo artist of note with the release of The Miseducation of Lauryn Hill after having parted ways with her former band, the popular and influential R&B hip-hop group The Fugees. On the strength of promotional singles and name recognition alone, the record was probably destined to top the Billboard charts. But the record struck a chord with a strong yet nuanced evocation of the experience of women’s experiences as well as Hill’s sheer stylistic range. And Hill didn’t write the album with the commercial audience in mind. Yes, it’s well-produced and written, of course, but it’s also a raw and honest record that is accessible to a broad audience because of those qualities. The record has rightfully come to be seen as a classic of neo soul but it’s also one of the greatest albums of the 90s for the vitality of its creative vision. As a bonus you get to see Talib Kweli and Shabazz Palaces. Kweli is one of America’s most important social critics and one of its greatest hip-hop artists. Ishmael Butler of Shabazz Palaces could have merely been a legendary of alternative hip-hop as a member of Digable Planets. But in Shabazz Palaces with Tendai Maraire he is exploring experimental realms of sound, noise and rhythm that is pushing the boundaries of what hip-hop can sound like, look like and be.
Who:Glasss Presents the Speakeasy Series Season 2: Equine, Death In Space, Shawn Mlekush and JAMF When: Thursday, 06.14, 7 p.m. Where: Hooked On Colfax Why: This edition of the series focused on more experimental artists mostly from the Denver area includes Equine, the guitar and sometimes beats and other refinements project of former Epileptinomicon and Moth Eater musician Kevin Richards. Death In Space is Aleeya Wilson’s guitar and electronics project. Her December 2017 release Demo EP2 basically combined lo-fi slowcore with minimal synth techno but you never really know exactly what you’re in for at one of Wilson’s shows, which is no knock. Shawn Mlekush is one of the minds behind experimental synth band Jackson Induced Mutant Laboratory and his solo work has a similar quality of meditative, melancholy ambient guitar, synth and loops like you’re getting a peek into someone’s solitary but restful vacation in the subtropics in early Spring when pretty much no one takes time off to get away. It gives the music a quality that is truly out of step with the hurried pace of modern life in post-industrial America.
Who:Reuben and the Dark w/Florea and Bright Silence (solo) When: Thursday, 06.14, 7 p.m. Where: Larimer Lounge Why: Reuben and the Dark is certainly operating in the realm of indie folk with its soaring melodies and uplifting song dynamics. But the Canadian band’s lyrics are brimming with a sweeping emotionalism that work in perfect sync with an inventive and fluid rhythm scheme working underneath the foreground of frontman Reuben Bullock’s expressive vocal delivery. The band’s 2018 album Arms of a Dream has a refreshing array of songwriting styles and its music video and lyrics for “All Or Nothing” challenges culturally entrenched ideas of gender roles and how we relate to one another.
Saturday | June 16, 2018
Who:Bacon Brothers When: Saturday, 6.16, 8 p.m. Where: Stanley Hotel Why: Michael and Kevin Bacon are rightfully better known for their work in cinema and television. Michael, the older brother, for his scoring countless TV and movie soundtracks and Kevin as an iconic actor whose distinguished career spans the past four decades beginning with his role as Chip Diller in 1978’s National Lampoon’s Animal House. The brothers have played music together from a young age but their band didn’t take on a formal existence until 1995. The band’s country rock and folk songs has more than its fair share of soul in part due to Kevin’s resonant voice which has just enough grit to give it some character. Of course live there will be plenty of banter and humor and an ease of connection between the Bacon Brothers so that the band never comes across as some vanity act in the way we’ve seen with some other people from the acting world who try their hands at music.
Who:Speedy Ortiz w/Anna Burch and Xetas When: Saturday, 06.16, 8:30 p.m. Where: Larimer Lounge Why: Since starting Speedy Ortiz as a solo project in 2011, Sadie Dupuis has established herself as one of modern indie rock’s most interesting voices. She was drawing upon the fuzz pop sound of the 90s late alternative rock era before it became a feature of a not small stripe of underground American rock in recent years before it was even remotely trendy. But Dupuis is a multidimensional artist whose work reflects various creative interests that influenced her art including comic, collage and tarot art and their associated signifiers/symbolism. Speedy Ortiz was on the edge of releasing its new album in 2016 or early 2017, a collection of songs about the usual, everyday concerns given poetic and creative life through the lens of Dupuis’ imagination. But the results of the election gave the band pause because, according to a February 2018 interview with Dupuis with Consequence of Sound, the more personal aspect of the songs seemed to lose meaning given the seriousness of the moment. So the group scrapped the album. 2018’s Twerp Verse is a fairly different record from all previous Speedy Ortiz releases in tone and overall subject matter. The songwriting chops and keen ear for evocative melodies are there but the lyrics are so vividly incisive it makes you appreciate even more how articulate Dupuis has been all along in her music career. Read the words to any song from the album and you have to be in awe at Dupuis’ ability to write fairly pointed words that tell it like it is without reeling back in an attempt to let certain people feel okay with their abuse and creepiness—all of course written into well-crafted pop songs. Bravo.
Who:Mike Huckaby (Detroit), Mark Hosler, Normal Ones and Sassmouth
When: Saturday, 06.16, 8 p.m.
Where: Mercury Café
Why: Mike Huckaby is one of the great modern practioners of techno and seeing one of his sets along would make this show worthy of attendance especially at the Mercury which has a great sound system but doesn’t host as many live music shows as it once did. But also on this bill is Mark Hosler of Negativland who will bring something unique and unusual to perform.
Who:Scrunchies (MN), Surf Mom, Rat Bites, Bad Year When: Saturday, 06.16, 6-10 p.m. Where: Broadway Bar & Bites Why: Scrunchies are an all female punk band from Minneapolis that just released its new album Stunner. Fans of Seven Year Bitch, Bikini Kill, Bratmobile and early Sleater-Kinney would do well to check this band out. But if you show up you’ll also get to see Surf Mom, arguably Denver’s best fuzz rock/punk duo as well as Rat Bites, the latest project to include former Rainbow Sugar, Sin Desires Marie and Old Time Relijun drummer Germaine Baca.
Sunday | June 17, 2018
Who:Iceage w/Mary Lattimore When: Sunday, 06.17, 7 p.m. Where: The Bluebird Why: Iceage has never fit fully into any specific musical subgenre despite the best attempts to do so. New Brigade had too much atmosphere to be a hardcore record but enough edge and intensity to appeal to fans of hardcore. You’re Nothing was refreshingly like a melodic, raging noise rock album. With Plowing Into the Field of Love, though, began a change toward expanded musicality and songs that recalled the ragged punk and decadence sound of Crime and the City Solution and Nick Cave. Beyondless, Iceage’s 2018 album, finds the band pushing more into that realm and the expressive range of the music has been enhanced with expansive, drifty dynamics that might draw comparisons with psychedelic rock bands like The Brian Jonestown Massacre except that the BJM is likely not an influence. Rather an attempt to express and navigate contorted and conflicting emotions and sense of being at ease with uncertainty even as it floods and crashes into your world.
Monday | June 18, 2018
Who:CHRCH w/Body Void, Boar Worship, Terminus and Matriarch When: Monday, 06.18, 8 p.m. Where: Hi-Dive Why: CHRCH’s cavernous soundscapes are reminiscent of those of SunnO))) but it has a more organic, feral quality to its sonic palette. Eva’s vocals pierce the lingering, pummeling flood of cthonic drone of the band as though carving an incantation on rapidly cooling lava with sheer power of her words. Meaning there’s something magical, dark and powerful about the band’s music and its new album Light Will Consume Us All captures that as well as it can outside of the live setting. Fortunately, you’ll have a chance to see CHRCH for yourself tonight at the Hi-Dive with some of extreme music’s heaviest.
Who:Quiet Slang w/Abi Reimold When: Monday, 06.18, 7 p.m. Where: Globe Hall Why: James Alex is best known in recent years as the exuberant frontman of punk/pop band Beach Slang. Although a punk veteran going back to 1990 with his old band Weston, Alex struck a chord with the utter sincerity and emotional glow of Beach Slang. Probably some people thought it was overcompensating positivity but the band’s songs deal with the deep heartbreak and disappointment and other struggles of life, it’s just that the presentation is that of an amplified enthusiasm. With Quiet Slang, Alex tries on a more subdued presentation and it might be said it’s sort of an acoustic take on Beach Slang with the usual thoughtful lyrics and heartfelt delivery. Alex’s music is clearly one meant to reach out for connection to other people who want something real in a cynical world where we’re encouraged to hide genuine feelings in order to avoid hurt. Alex encourages himself and others to risk that hurt because the alternative is a soul dead world where everyone plays it safe and never really gets to experience a vibrantly full life.
Tuesday | June 19, 2018
Who:Belle & Sebastian w/Japanese Breakfast When: Tuesday, 06.19, 7 p.m. Where: Ogden Theatre Why: Belle and Sebastian is practically the template for bedroom pop if written by especially imaginative and thoughtful people. Belle and Sebastian’s body of work sometimes sounds like Stuart Murdoch spent a lot of time creating the back stories of the people he encountered in the street or at the grocery store during his seven years recovering from Chronic Fatigue Syndrome prior to starting the band. But the level of detail and psychological insight is what has long made the band’s music relevant past any connection to any trend. Early in 2018 the group released its latest set of songs on three EPs called How to Solve Our Human Problems Part 1, Part 2 and Part 3.
Sharing the bill with Belle and Sebastian is Japanese Breakfast. The band based out of Eugene, Oregon is a bit different from singer/guitarist Michelle Zauner’s previous rock band Little Big League. With Japanese Breakfast Zauner used pop songcraft to address issues of exoticism, sexism and talking about heavy life issues with a refreshing honesty and poignancy. The group’s second album, 2017’s Soft Sounds from Another Planet shed any creative artifice further while also bringing to the songwriting a focus and musical inventiveness that made it one of the most interesting guitar pop records of recent years. Zauner and company take the musical ideas further than you would expect, giving its music a timeless quality that many of its trendier peers won’t enjoy. But all informed by Zauner’s native compassion and wry, but never distancing, sense of humor.
Who:JJUUJJUU w/déCollage and King Eddie When: Tuesday, 06.19, 7 p.m. Where: Lost Lake Why: Phil Pirrone of JJUUJJUU is the mastermind behind the psychedelic music festival Desert Daze and its wandering offshoot Desert Daze Caravan. His band, rather than a prime example of the tamed, watered down “psych rock” of recent trendiness, is more experimental and more genuinely aimed at taking the listener on a mind-altering journey through the use of drones, raw noise, evolving melodies and hypnotic rhythms. It’s still rock but refreshingly weird and fans of New Fumes’ and Black Angels’ gift for pushing their own envelope by going outside conventional uses of sound will find much to appreciate here. Local support from local psych music visionaries should set the stage perfectly with experimental pop band déCollage and its freeflowing, freeassociating visuals and sound and King Eddie’s cosmic rock excursions.
Who:Snail Mail w/Bonny Doon and Down Time When: Wednesday, 06.20, 7 p.m. Where: Larimer Lounge Why: Lindsey Jordan has made quite a name for herself at age 19 for crafting winsome, noisy pop songs of uncommon emotional complexity. Her debut full-length Lush came out in early June 2018 to great critical acclaim. Many of Jordan’s songs have a simply melody throughout but she’s capable of expanding the sonic range on a dime with her guitar work as can be heard clearly in her single “Heat Wave.” Drawing obvious comparisons to Liz Phair and other talented 90s songwriters that got their start in the 90s articulating inner space so vividly, Jordan’s project Snail Mail has plenty of room to build on an already strong creative foundation.
Who:Gomez w/Eldren When: Wednesday, 06.20, 7 p.m. Where: Ogden Theatre Why: Gomez hit it big with its 1997 debut album Bring It On. At a time when it might have been easy to try to ride the late Britpop wave, Gomez sounded more like a twangy American alternative rock band. But with more creativity than many of its States-side contemporaries. While the band’s sound has evolved over the years, gaining an almost orchestral quality as of its latest album, 2011’s Whatever’s On Your Mind, its core gift for making music that has a distinctly Americana flavor but made by guys from England has remained. For this tour the band will perform Bring It On in its entirety as well as choice cuts from across its long career.
Who:Karl Blau w/Patrick Dethlefs and Evan Holm When: Wednesday, 06.20, 8 p.m. Where: Hi-Dive Why: Karl Blau’s contribution to American pop music probably won’t be fully appreciated any time soon as the prolific artist always seems to be on to a new experiment in songwriting and soundscaping. Pick up any record across his career and you’ll find something worthwhile and inventive even if it’s well within the realm of accessible pop music. His Kelp Lunacy Advanced Plagiarism Society series was a brilliant example of artist-driven releases as a subscription service to Blau’s diverse musical imagination. A master of the loop pedal and rhythm generally, Karl Blau’s songwriting knows few bounds and his performances always containing something ahead of the curve. A frequent collaborator with Phil Elverum (The Microphones and Mount Eerie) and Laura Veirs, Blau pushes pop music in interesting directions whether the rest of the pop music world has yet to catch on.
Who:Glasss Presents The Speakeasy Series Season 2: Left Handed Electronics, Grrrl, Bianca Mikahn When: Thursday, 05.24, 7 p.m. Where: Hooked On Colfax Why: Bianca Mikahn’s combination of almost free verse poetry and beats should be well within the canon of hip-hop and ultimately is. But her delivery and her crafting of her songs has as much in common with the kind of hippie-ish, open mic, slam poetry world as it does with any hip-hop context. Mikahn’s ability to critique society at large while speaking to those issues with a compassion and positive spirit minus any note of insincerity sets her apart from most other artists. That her beats contains elements of noise and melodic ambient music makes her immediately accessible music an otherworldly dimension even as the songs are grounded in fairly earthbound experiences.
Who:High Plains Honky 7” release w/Casey James Prestwood and the Burning Angels Band and Danny Dodge & The Dodge Gang When: Thursday, 05.24, 8 p.m. Where: Hi-Dive Why: If Ronnie Milsap had gone a little more honky tonk with a grittier voice, the results might sound a bit like High Plains Honky. The group is releasing its latest seven inch record tonight at the Hi-Dive joined by a couple of other bands who are no slouches in the local country scene. Maybe comparing a Denver band to a best selling artist like Milsap seems like a bit much to some but what made him such a compelling songwriter beyond the masterful combination of musicianship and an ear for catchy and evocative melodies is the vivid storytelling. High Plains Honky have both qualities as well as no holding up of the nose at pop conventions used in a country context. “Goin’ All The Way” and “I Know Where You Go,” the two sides of the record, seem so relatable even if country music isn’t your thing. A tastefully tiny hint of psychedelia haunts the edges of the music and the aspirational, anthemic quality of the stories suggest a deep knowledge of personal reality but needing to write the songs to escape being too bogged down by current circumstances to go after what you really want while also honoring the emotions subsequent to the potential disappointment, pain and lack of resolution that is a part of everyday life. High Plains Honky invites its listeners to dream just a little bit and to embrace their heartsickness.
Who:DOA and MDC When: Thursday, 05.24, 8 p.m. Where: Streets of London Why: In the annals of hardcore outside of American coastal cities, DOA and MDC have to be considered two of the most important acts out of that movement. DOA from Vancouver, British Columbia, was one of the hardest touring bands for years, spreading the gospel of hardcore across the continent and whose album Hardcore ’81 is, perhaps apocryphally, is often cited as the first use of the term in connection to the musical movement. DOA’s political songs struck personal tones in Joe Keithley’s deft songwriting allowing the band’s music to have an appeal beyond agreeing with every iota of the band’s politics. MDC started in Austin, Texas as The Stains with similarly political punk songs that were more left than most of its peers at the time. It didn’t hurt that singer Dave Dictor seemed to havea personal agenda to push the envelope with fans in his stage persona as the ultimate freak and always with the aim of challenging reductive notions of animal and human rights. Listen to that first MDC album and it’s clear that Dictor was an unabashed critic of police brutality and creeping fascism in a way that makes those songs and their specific anti-authoritarian tone even more relevant now.
Who:The Blackouts w/Adrian Conner (Hell’s Belles) and We Are Invisible and Wild Call When: Thursday, 05.24, 8 p.m. Where: 3 Kings Tavern Why: The Blackouts are an all female rock band that really shows how you can have a fairly straightforward hard rock band and not fall to the boring tropes that happen with too many bands with roots in punk and metal. Adrian Conner from the great all-female AC/DC cover band Hell’s Bells is also playing this show as well as Wild Call, a band whose forthcoming album is reminiscent of White Hills and Medicine.
Who: Amy Shark and Tomi globehall.com/event/1663566-amy-shark-denver When: Thursday, 05.24, 7 p.m. Where: Globe Hall Why: Amy Shark is a pop songwriter from Australia whose 2016 single “Adore” caught the attention of tastemakers in Australia and the song was reissued by Sony Music Australia. That Shark was either in her late 20s or 30 when the song came out explains a bit how her voice and the perspective present in the song had a bit of depth and more of the weight of experience than would be the case of a pop artist a decade or more younger. Shark’s debut full-length, Love Monster, will drop in July 2018 so you can catch her live tonight at Globe Hall before everyone has heard of her.
Friday | May 25, 2018
Who:Amber Mark w/Demo Taped and Adiel Mitchell When: Friday, 05.25, 8 p.m.
Where: Marquis Theater Why: Amber Mark seemed to come out of nowhere when she uploaded her song “S P A C E” to Soundcloud in February 2016. Her voice strong and assured, drawing immediate comparisons to Sade for those qualities and a soulfulness one rarely hears in someone just twenty-two years old. But Mark had something to say and in subsequent singles like “Monsoon,” Mark revealed herself to be a brilliantly poetic songwriter. The 3:33 a.m. EP followed in 2017 and in 2018 Mark released the EP Conexão. Joining her on the Denver date of the tour is Adam Alexander, aka Demo Taped. His electronic pop songs are bright and upbeat but the subject matter of his songs run a broad range of subjects including struggles with anxiety and insecurity. His nuanced and layered songwriting manifested especially strongly on his 2018 EP Momentary.
Who:Orbit Service, Church Fire, The Drood and DJ Mudwulf When: Friday, 05.25, 9 p.m. Where: Lion’s Lair Why: Denver ambient/space rock legends Orbit Service don’t play many shows these days and even less often at a dive bar like Lion’s Lair. The project’s primary figure, Randall Frazier, has been responsible for maintaining and putting together some of the best live sound in Denver rooms like Walnut Room and Ophelia’s Electric Soapbox as well as championing experimental music in the local scene and collaborating with Edward Ka-Spel of Legendary Pink Dots fame. And that would be reason enough to go to this show but also on the bill are Church Fire, a band one might describe as industrial synth pop but its inspired and emotionally fiery performances elevates what could be considered excellent dance music to a higher level. Also, The Drood, a dark, psychedelic, avant-garde prog band.
Who:How To Measure the Weather: Tobias Fike, Ryan Wade Ruehlen, Kari Treadwell, Scott Ferguson When: Friday, 05.25, 6:30 – 7:30 p.m. Where: Emmanuel Gallery Why: This show has been described as a “migratory sound installation” meaning the performers, members of the Flinching Eye Collective, will move their respective sound-making rigs to take advantage of the Emmanuel Gallery on Auraria campus, one of the oldest buildings in Denver, and its architecture to provide a truly unique, one-off environmental sonic experience.
Who:Muscle Beach w/Colfax Speed Queen, Kenaima and Voight When: Friday, 05.25, 8 p.m. Where: Hi-Dive Why: Confrontational, arty hardcore. Furious post-psych garage punk. Crushing, post-hardcore noise rock. Emotionally-charged, industrial post-punk. Also, four of Denver’s best, most interesting and always compelling and entertaining live bands.
Who:Super Bummer album release w/Eye and the Arrow and King Eddie When: Friday, 05.25, 8 p.m. Where: Syntax Physic Opera Why: Super Bummer may be both one of the most ironic and yet accurate names in Denver underground music. The band’s melancholy compositions sure do articulate life’s downbeats with sincerity and self-deprecating humor—a rare combination. Its new album, Big Ambition, out on GROUPHUG, comes out tonight at Syntax where the band will share the stage with the broodingly melodic Americana band Eye and the Arrow and King Eddie, whose 2017 album Holographic Universe is a rabbit hole of beautifully enigmatic sounds and ideas to get lost in across its nine tracks.
Who:La Luz w/Savila and The Kinky Fingers When: Friday, 05.25, 8:30 p.m. Where: Larimer Lounge Why: La Luz may have originally been (and continue to be) inspired by 60s surf rock giants and the great girl groups of the era. But the Los Angeles-based group have long since made their own mark in music, especially with its 2018 album Floating Features, out on Hardly Art. Spooky and soulful, La Luz have mastered the art of nuanced emotional textures and mood so that its songs can be urgent and spend passages of sound swirling in the sweeping heat of a memory that unexpectedly rushes back into your consciousness triggered some moment or detail you encounter in the present. Denver’s The Kinky Fingers possess similar powers of evoking vivid emotions and imagery with their own surf-rooted rock songs.
Saturday | May 26, 2018
Who:Victoria Lundy, Snails and Oysters, Sporehive, Denizens of the Deep and Floating Cave, DJ sets by Franklin Bell and visuals by Orchidz3ro When: Saturday, 05.26, 2:30 p.m. Where: Mutiny Information Café Why: An entire afternoon of some of Denver’s most interesting experimental and avant-garde bands. For instance, Snails and Oysters used to be just Joe Mills but is now a duo creating organic ambient music using rock instruments in unconventional ways. A project that cites psych folk legend Sandy Bull, the artist that did an arrangement of Carl Orff’s symphonic opera masterpiece “Carmina Burana” for five-string banjo and released it on a debut album in 1963, is definitely not coming from predictable places. While every act on the bill is worth checking out and nothing really much like each other, the star of the show is Victoria Lundy who at one time people might have said is better known for being the Theremin player in The Inactivists. But by now she has established herself locally as a gifted composer of electronic and ambient music with the Theremin and synth. One thing that sets Lundy apart is that her music tends to be free of transient, modern culture reference tropes and is rooted in 20th century classical and the first wave electronic music avant-garde. And yet, Lundy makes her music accessible and emotionally engaging. There is plenty of intellect going into the making of the music and the craft and technology but the art comes from the heart.
Who:102 Wires When: Saturday, 05.26, 5 p.m. Where: Bar Max Why: This is a celebration of the possibilities of guitar in music beyond the typical use of the instrument in popular or even experimental music. Read our interview with organizer Kevin Richards here.
Sunday | May 27, 2018
What:A Life Celebration For Steve Gordon When: Sunday, 05.27, 1 – 4 p.m. Where: Mercury Café Why: This will be an event honoring the late, great, Steve Gordon. Steve was a visual artist, sculptor and musician who contributed greatly to the local avant-garde improvisational and ambient music scenes in Denver. Steve passed away in early May following a prolonged battle with cancer but as a widely admired figure, his legacy of excellence, originality, humanity and humor will continue to have an impact in the Denver art world for years to come. For the event friends and collaborators will share stories, music, poetry, food and drink. Read Lauri Lynnxe Murphy’s excellent piece on Steve for Westword here and our own interview with the artist from November 2017 here.
Who:Textures featuring Tunica Externa, paperbark, Lepidoptera When: Sunday, 05.27, 7 p.m. Where: Mutiny Information Café Why: This will be John Mulville’s last show in Denver for a while as he’s moving back to Minneapolis for the duration. His ambient project paperbark has brought some of the most compelling, textured to grace Denver spaces in recent years. Generating sounds with treated modular synth tones, Mulville’s compositions suggest natural spaces with a physicality suggested by the earlier reference to texture. It’s like you experience a tactile sensation through a creative crafting of atmosphere. Though Mulville will be back through town, we won’t have the luxury of catching any of his soothingly hypnotic sets regularly.
Who:ManifestiV, Bloodied, eHpH and Keldari Station When: Sunday, 05.27, 7 p.m. Where: Seventh Circle Music Collective Why: ManifestiV from Vallejo, California sounds like it came out of the intersection of the burner community that embraces both industrial music, electronic dance and New Age concepts in the use of sound. But it works though at times you expect it to be the soundtrack to some kind of hippie-esque cyberpunk video game. But who wouldn’t want to play that game? Denver’s Keldari Station sounds like it’s coming from a similar place but its own music is more pop, has more elements of dub and old school glam rock. eHpH, like the other bands on this bill, is a duo with a penchant for dark, atmospheric music. Except this duo has managed to combine EBM with industrial rock without sounding like they’re trying to fit in with the tired old Goth scene sound of the 90s and 2000s. The band’s music is more experimental, more nuanced in its emotional expressions, than bands who really want to be a new version of Suicide Commando.
Tuesday | May 29, 2018
Who:King Tuff w/Cut Worms and Sasami When: Tuesday, 05.29, 7 p.m. Where: Globe Hall Why: At the end of his last tour, Kyle Thomas was sick of the party monster persona he had cultivated for years as King Tuff. The pressure to live up to something you’re not because it benefits you professionally and to some extent artistically erodes you more than a little on the inside and Thomas was feeling it. “I was a lost soul,” Thomas posted on his website regarding the release of his 2018 album The Other. “I didn’t know who I was anymore.” The new record is certainly a bit of a departure for Thomas. Any trace of the garage rock that informed his earlier releases is pretty much gone. There is a soulfulness and an overt spirit of experimentation running through all the songs for the release. In moments its tinge of futuristic funk and glam prog are reminiscent of I Robot period The Alan Parsons Project.
Also playing this show is Cut Worms. The band’s main creative force is Max Clarke who seems tapped into a mid-60s pop sort of sound and aesthetic. There is a simplicity and clarity of melody and songwriting that we’ve heard plenty of, likely, in this era of mining past decades for artistic inspiration. But especially on Clarke’s 2018 album Hollow Ground the subject matter isn’t so clean and tidy and his songs, like the era it perhaps sonically echoes, reflect a self-aware sense of social anxiety, a painful yearning but struggling with real or endlessly imagined inability to not fuck things up somehow and a willingness to stumble and scrape through even if life doesn’t always, or never does, turn out as planned or hoped. The brilliance comes in striking that balance—being real alongside the sounds of a time many romanticize in spite of the dark and grisly underbelly of people’s lives and the culture itself.
Who:Broncho w/The Paranoyds and Valen When: Tuesday, 05.29, 8:30 p.m. Where: Lost Lake Why: Broncho formed in 2010 in the wake of the dissolution of indie pop weirdos Starlight Mints. Ryan Lindsey of the latter, went on to play guitars, keys and perform lead vocal duties in Broncho. The four-piece has always been kind of an outsider in the music world in that it never really fit in with any emerging trend and was probably too weird to hit it big time in the mainstream. But Lindsey knows he doesn’t belong there. At this point, Lindsay has already done his time deconstructing pop in Starlight Mints and it’s obvious that subverting the tropes of indie, garage and psych rock this past decade isn’t as interesting as it might have been a few years ago. 2016’s Double Vanity found Broncho excavating and exploring some of the sonic ideas that Phil Elverum was onto on those final two The Microphones records, 2001’s The Glow Pt. 2 and 2003’s Mount Eerie. But without imitating Elverum’s richly imaginative and innovative soundscaping. With any luck, this version of Broncho will represent the band’s next phase of its injecting the pop format with expansive ideas and sounds.
Wednesday | May 30, 2018
Who:Gang of Youths w/Hannah Wicklund & The Steppin Stones When: Wednesday, 05.29, 7 p.m. Where: Globe Hall Why: Gang of Youths’ 2017 sophomore album Go Farther in Lightness garnered near universal acclaim in the band’s home country of Australia. Rightfully so. It has the poetic insight and depth of early Bruce Springsteen and more recent from Titus Andronicus. Like both of those artists, Gang of Youths has a gift for taking the mythical/universal aspect of everyday experiences and giving it a poignantly personal expression. There’s a song called “What Can I Do If the Fire Goes Out?” that goes beyond that whole rediscovering your bliss and your passion nonsense. But it’s a whole record of songs that might seem like a collection of trite platitudes but in the end are the exact opposite. It’s highly energetic indie rock but the emotional and intellectual content run a lot deeper with Gang of Youths.
Who:Nunofyrbeeswax w/Open to the Hound, Claudzilla and Rat Bites When: Wednesday, 05.30, 8 p.m. Where: 3 Kings Tavern Why: Berlin’s Nunofyrbeeswax brings together aspects of indie pop, naïve lo-fi rock and outsider pop in its music. Good thing its on a bill with local weirdos in keytar punk Claudzilla, gritty indie pop outfit Open to the Hound and Germs-esque noise punkers Rat Bites.
Who:Ufomammut w/White Hills and Tjutjuna When: Wednesday, 05.30, 8 p.m. Where: Hi-Dive Why: Saying Ufomammut is a doom metal band from Italy is a bit like saying that Neurosis is a post-hardcore band from the Bay Area. Clearly Neurosis found some kinship with the trio from Tortona, Italy because Neurot Recordings issued the group’s most recent four records in the USA. Ufomammut’s music has elements of doom and sludge metal but its psychedelic drones and industrial sounds have more in common with the other bands on the bill than a straightforward doom band.
New York City’s White Hills has been exploring past settled territories of modern psychedelic rock since its 2003 inception. The duo of Dave W and Ego Sensation use drum machins and sampled rhythms to set a frame in which each can weave a mind-altering and hypnotic soundscape of vivid tones and dark atmospheres. The band’s storytelling and Dave’s vocals are reminiscent of what one might hear on a Legendary Pink Dots or Skinny Puppy album in which there’s no rockist self-aggrandizement or empty calories rhetoric. Dave has something to say, observations to make and narratives to give in his songs that are frankly worth listening to in themselves but couched in an immersive experience in the listening and especially so in the live setting. The group’s 2017 album Stop Mute Defeat, out on Thrill Jockey, is a major leap forward in terms of capturing the band’s masterful use of mood, texture and atmosphere to craft psychological experiences in the form of song.
Denver’s Tjutjuna rarely plays live shows these days, but the band and its talent for krautrock-inspired mind-expanding drones and percussion was always ahead of the curve of so-called “psychedelic rock” bands in the Mile High City. Like White Hills, Tjutjuna is no stranger to employing motorik beats except with a live drummer and the clear melding of the aesthetics of psych, noise and the avant-garde sets the group galaxies ahead of indie rockers who recently discovered how to maybe use reverb pedals with chorus. Quaint. Tjutjuna? Not so much.
Who:Musical Mayhem: Jim Davies (GA), Universal Devils and Enji When: Thursday, 03.08, 9 p.m. Where: The Skylark Lounge Why: This half of March’s programme for Musical Mayhem at the Skylark includes Georgia-based weirdo songwriter Jim Davies, solo videogram soundtrack-esque multi-instrumental looper Enji and Universal Devils. The latter is Tricky Dick Wicket, the drummer for Little Fyodor & Babushka band for over a decade. Universal Devils is his solo project in which he plays guitar, drums and other instruments in a kind of truly unique mix of metal and country and blues. Calling it “avant-garde” doesn’t quite do it justice because it’s accessible with pretty conventional songwriting even if the sounds used in the way they’re used are far from mundane.
Who:Elettrodomestico (Jane Wiedlin and Pietro Straccia) When: Thursday, 03.08, 8:30 p.m. Where: BarFly Why: Jane Wiedlin is doing a Q&A before this performance for the screening of Bill & Ted’s Excellent Adventure. Afterward, her band Elettrodomestico will perform in BarFly, the bar/venue attached to Alamo Drafthouse on West Colfax. The band formed in December 2016 following The Go-Go’s’ “Farewell Tour” (the great new wave band will perform again in 2018) when Wiedlin and Italian musician Pietro Straccia bonded over their mutual love the then recently passed David Bowie. The band the duo started is pretty different from The Go-Go’s and Bowie except for a knack for writing energetic pop songs with a little grit and thoughtfulness and mood to give the music some depth thematically and musically. To the credit of both artists Elettrodomestico is in no way riding anyone’s legacy or coattails. Rather, like Cindy Wilson formerly of the B-52s, it’s a reinvention and one worth listening to separate from any past associations.
Friday | March 9, 2018
Who:Terminals, Gort Vs. Goom, New Standards Men, Pygmy Grizzly, Frank Bell When: Friday, 03.09, 9 p.m. Where: Bar Bar Why: This appears to be a bill of instrumental-focused, experimental music rooted in rock sounds and aesthetics bands. Terminals is sort of an improv post-rock/post-industrial band with guitars, synths, drums, bass. No set is ever the same but the group is more than capable of generating deep atmospheric magic. Gort Vs. Goom is a drums and electric bass duo who make the kind of music that could be described as what might happen if the Melvins set out to make a surf band dedicated to Minutemen. Sure the guys in GVG have vocals but it’s almost like surreal slam poetry. New Standards Men are probably a post-punk band but their sound sounds like it drew heavy influence from some of the more experimental bands on the Thrill Jockey imprint. Like Tortoise or A Minor Forest but with some expansive noise tones in the mix.
Who:Larians (Noah Simons solo), Houseplants, Jumanjihad When: Friday, 03.09, 9 p.m. Where: Denver Bicycle Café Beer Hall Why: Noah Simons is perhaps best known for being the charismatic singer of post-punk band Male Blonding. But his musical interests range pretty far and his solo project Larians, which hasn’t performed live since maybe an RTD (Ready To Dance) event at Rhinoceropolis in 2014, is more in an experimental electronic music and dubtechno vein. Think something like Plaid’s tranquil melodics and use of synth strings alongside Burial-esque bass sculpting and persistent yet dissolving and reconfiguring atmospheres as an element of the beat. How will this all sound at Denver Bicycle Café rather than the main room at The Black Box? You’ll have to show up to find out. But for a taste of what Larians is about, Simons released the excellent “Dwell Led” single in February 2018.
Saturday | March 10, 2018
Who:Kikagaku Moyo w/Tjutjuna and DJ Rett Rogers When: Saturday, 03.10, 8 p.m. Where: Hi-Dive Why: Kikagaku Moyo is a Tokyo-based psychedelic rock/avant-garde band. With its roots in a project between Go Kurosawa and Tomo Katsurada busking the streets of Japan’s most populous metropolis, Kikagaku Moyo has, to some extent, gone against the grain of Japanese culture in the way Ghost did when it started up in the 80s similarly playing music on the streets, subways and ruins of ancient temples in and around Tokyo. Kikagaku Moyo got its proper start as a band when Go’s brother Ryu returned from learning sitar from one of the world’s masters, Manilal Nag in India. Incorporating elements of noise and ambient music, Kikagaku Moyo’s songs express a broad range of sonic experimentation from extended psych freakout jams to tranquil yet haunted folk songs. Unlike many bands that have dipped into the realm of psychedelia and prog, this Japanese quintet doesn’t get stuck in a single or predictable mode. Sharing the stage this night is Denver-based experimental psych band Tjutjuna. Also with musical inspirations traceable to the more out 70s prog and Japanese psych/noise bands like Acid Mothers Temple, Tjutjuna’s hypnotic oeuvre set itself apart from the trendy psych stuff that seemed to hover at the edges of all popular rock music from 2008 onward.
Who:Daikaiju w/TripLip, Dr. Zilog and Smellephant
When: Saturday, 03.10, 7 p.m.
Where: 7th Circle Music Collective
Why: Daikaij is to surf rock what Crash Worship was to noise and post-punk—as experienced, as much an exuberant collective cult ritual as music. Catch the band tonight at 7th Circle or Sunday at the Triple Nickel in Colorado Springs.
Who:King Eddie (video release) w/déCollage When: Saturday, 03.10, 10 p.m. Where: BarFly Why: Tonight King Eddie releases the video for “Enter the Man” from its 2017 boundary pushing psychedelic rock album Holographic Universe. Both that band and the playfully surrealistic psychedelic pop band déCollage will perform before a screening of Renée Laloux’s 1973 animated science fiction classic Fantastic Planet. King Eddie sounds like maybe the music had its origins in writing what had become a trendy psych rock but Jay Mars and his bandmates injected heaps of imagination into the songwriting and arrangements to produce a body of work that synthesizes pop, psych and the avant-garde with the aesthetics of the virtual reality visuals that have become a bit of a specialty for Mars.
Wednesday | March 14, 2018
Who:Uppermost w/Snubluck and Zurc When: Wednesday, 03.14, 7 p.m. Where: Lost Lake Why: Behdad Nejatbakhshe, aka Uppermost, left his life trajectory into a career as a lawyer to pursue making music. Eight albums in, with the forthcoming Perseverance due out March 23, Uppermost has created a body of work that is a synthesis of pure electronic production and more analog musical elements. For instance on his 2017 album, the loosely space-themed Origins, the producer incorporated live guitar and orchestral arrangements in the recording process. The songs tend to have a bright, upbeat quality with a quality that suggests peaceful spring days and gentle breezes. That Uppermost is inspired by the likes of Burial, Flume and Bonobo should come as no surprise since his own compositions have a soothing yet energetic quality as well. With Perseverance, Uppermost has crafted a body of songs that have an expansive spaciousness with a daydream-y quality that first came back into vogue with the so-called chillwave artists—bright tones, hypnotic yet uplifting atmospheric swells and smooth but irresistible low end. The record feels built for summer nights at casual hangouts with friends and is arriving just in time.
Who:Cars & Trains and Curta album release w/Utajahs and Nighttimeschoolbus visuals by Skyrider When: Wednesday, 03.10, 8 p.m. Where: 7th Circle Music Collective Why: Curta’s new record, End of Future Park, sounds like the natural progression from its dystopian predecessor, 2015’s Replica. Curta’s music has always seemed to sit somewhere between the no-rules-use-of-sounds beatmaking of turn of the century alternative hip-hop, industrial, noise and collage sound composition. End of Future Park is no different but with that album, rapper Jake Danna captures the time between 2016 and 2017 (and, let’s be real, 2018 so far) when underground culture seemed to be under attack and the erosion of all civil institutions and of civility itself and the postmodern nihilism as expressed in a completely understandable cynicism that has blighted the public and personal discourse seemingly everywhere you go. Across the whole record, Danna confronts his own cynicism and there’s a bit of a different feel to this record than a lot of music coming out of late in a way more people probably need to hear—a tone of wanting to find and create a self and a society where that deep rooted cynicism isn’t entirely justified. The record comes out on March 19, 2018 but you can probably pick up a copy at this show where also on the bill is Nighttimeschoolbus, the duo that answers the question of what happens when an idiosyncratic indie pop artist teams up with a masterful alternative hip-hop producer.
Who:L.A. Witch w/Honduras and Palo Santo When: Thursday, 11.16, 7 p.m. Where: Lost Lake Why: L.A. Witch’s 2017 self-titled album has a kind of post-Loaded-era Velvet Underground stark shimmery pop grit coupled with a languid psych spookiness. In the songs there is a strong, often urgent, rhythm giving the songs some oomph even when they’re introspective. Any roots the band may have in surf rock or psych garage or whatever trendy of the sounds of the past five to ten years, it has definitely moved on. “Drive Your Car” could be an updated Wipers song. Singer/guitarist Sade Sanchez has a smoky cool voice reminiscent of a world weary Hope Sandoval. Whatever comparisons seem valid, L.A. Witch has turned tired conventions on their head into an incredibly compelling sound. Denver’s Palo Santo is cut from a similar cloth in every way with haunting yet fiery guitar work and Mimi Nissan’s trance-state style vocals.
Who:Revolting Cocks (Big Sexy Land Tour) and Front Line Assembly w/CHANT, DJ Slave 1 and Ritual Aesthetic When: Thursday, 11.16, 7 p.m. Where: Summit Music Hall Why: This show signals the end of the train of noteworthy industrial bands, newer and more established, that came through Denver in 2017. Revolting Cocks started with Front 242’s Richard 23 and Luc Van Acker writing music produced by Al Jourgensen, who was often a collaborator. While clearly irreverent at its heart given the band’s name and album titles like Beers, Steers, and Queers and Linger Ficken’ Good the former of which includes a cover of Olivia Newton John’s “(Let’s Get) Physical,” the latter a cover of “Do Ya Think I’m Sexy?” by Rod Stewart, Revolting Cocks have interesting and respectable and influential original music across its spate of albums. The current lineup includes Richard 23 and Van Acker, of course, but also former Ministry and Blackouts bassist Paul Barker and longtime Cocks partner in crime, Chris Connelly whose 2008 memoir Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock was a candid, amusing and revelatory account of being in the industrial and alternative music world in general from the 80s forward.
Front Line Assembly’s vision of dystopian global civilization has unfortunately borne out since it sprang to life in 1986. Up to that time frontman Bill Leeb had been a member of Skinny Puppy and his subsequent music in FLA continued that quality that’s difficult to completely nail to a sub-genre of industrial music. The samples put into the music mirrored the influence of hip-hop production on Skinny Puppy, the extensive use of electronic instruments and synths right in line with that like the EBM bands of that day as well as FLA’s imaginative blending of it all to comment on the nature of technology and its impact on human civilization and our everyday lives. Turns out it has continued to be a fruitful subject for not only FLA but science fiction writers mining that rich dystopian nugget of inspiration.
Who: Cindy Wilson (of B-52s) w/Olivia Jean and Battle Pussy
When: Thursday, 11.16, 8 p.m.
Where: The Marquis Theater
Why: Cindy Wilson is a member of influential new wave band The B-52s and her unique vocal style alongside that of bandmates Kate Pierson and Fred Schneider made for some arresting melodies amid the incredibly dance-worthy pop songs that were so idiosyncratic in the specific subject matter, no one else could have made it. And yet there was a universal quality to that individual vision that resonated with the oddball and eccentric inside of most people. Currently, Wilson is touring her solo material. Earlier in 2017 Wilson released a fairly experimental, electronic pop EP called Supernatural and on December 1st she is putting out her debut solo album Change, some 41 years into her music career. If the song “Mystic” is any indication, Wilson still has plenty of relevant and inventive music left in her.
Who:Today’s Paramount, Samvega, Alex Culbreth, Buffalo Party, Mynewt When: Thursday, 11.16, 7 p.m. Where: 7th Circle Music Collective Why: Samvega from Napa Valley, California doesn’t fit in a simple box: Its music is heavy, it’s psychedelic, it’s avant-garde and bluesy. Melissa and Mercedes Baker are unconventionally charismatic singers who sound like and come off like they spent a couple of decades touring with Heart and went on to do something weirder. The band’s 2016 album The King is Asleep was one of that year’s most interesting rock albums for its diversity and obvious care for making it a unique from the songwriting to the painting for the cover art. Also on the bill is experimental rock band Today’s Paramount. They look like they might be in a ska band, and maybe on the side some of them are, but their weirdo take on prog, jazz and psych is not like much of anything going on in Denver.
Who:Melkbelly w/Super Bummer, Princess Dewclaw When: Thursday, 11.16, 7 p.m. Where: Larimer Lounge Why: Initially, Melkbelly may sound like yet another modern rock band copping the vibe of 90s post-grunge underground music. But Melkbelly is way weirder than that and its jazz underpinnings and willingness to sculpt pure noise into something musical is what makes its 2017 album Nothing Valley so listenable to anyone looking for a band that isn’t trying to go full retro these days. One might liken Melkbelly’s sound to stuff like Magik Markers or Shearing Pinx but Melkbelly is often more melodic than that even if it sounds like it too took some cues from Unwound’s sonic fearlessness. Opening are excellent Denver bands Super Bummer with its melancholic, lo-fi, soaring songs of heartbreak and isolation and Princess Dewclaw, who seem to have found a new way to combine noise rock, punk, synthesizers and elemental vocals into something both confrontational and rivetingly fragile.
Who:Roska with Rabit, Trisicloplox, Ulmo, Rameau Contnrol, Laru and ilind When: Thursday, 11.16, 9 p.m. Where: The Black Box Why: Rameau Control you can’t really fit into a narrow category of electronic music from melodic bass, dub techno, straight techno to whatever. Calling this bill merely “experimental electronic” does a disservice to the individual artists who all come at electronic music partly from a dance perspective but also as composers of music that absorb ideas and exchange methods and sounds with like-minded artists and co-influencing each other whether from Denver or otherwise. For example, ilind is Isaac Linder who often played Denver DIY venues as a noise and performance artist but one who was into house music.
Friday: November 17, 2017
Who:Tommy Stimson’s Cowboys in the Campfire When: Friday, 11.17, 7 p.m. Where: Bruz Beers Why: Cowboys in the Campfire is Tommy Stimson of The Replacements fame (he has also played in numerous other bands including Guns N’ Roses) and Chip Roberts of Uncle Sippy playing songs together as the name suggests but usually electric. Country punk? For fans of NRBQ? Whatever it is, it’s Stimson and Roberts playing lively, fun songs in a duo format in small venues, record stores, private homes and various other situations across the country this tour. Next time you see Stimson play it’ll probably be in a large theater or bigger so hey, make it to this and you might even get to interact with the musicians, something that would probably never happen at Red Rocks or The Fillmore without paying for some kind of wack VIP access ticket.
Who:Flobots w/Wesley Watkins & Grumpy Uncle (Wesley Watkins and Kalyn Heffernan) When: Friday, 11.17, 8 p.m. Where: Larimer Lounge Why: Yes, the famous hip-hop band from Denver, Flobots, playing at Larimer Lounge. The opening act, though, is a collaboration between former Night Sweats trumpet player, and leader of The Other Black, Wesley Watkins and Kalyn Heffernan of Wheelchair Sports Camp. So expect something wonderfully weird but with solid songcraft and inspired lyrics.
Who:The Blasters night 1 w/Reno Divorce When: Friday, 11.17, 9 p.m. Where: Lion’s Lair Why: The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Reno Divorce, a rootsy punk band from Denver, opens this night of a two night residency at Lion’s Lair.
Who:Lost Walks w/Midwife When: Friday, 11.17, 9 p.m. Where: Mercury Café Why: Lost Walks is sort of a high concept Americana-esque band. High concept in that there is a prepared theatrical element to the live shows as the band collaborates with a visual arts group. Also, the lyrics, steeped in a pastoral and noir literature aesthetic, lend themselves to dramatic performance and grand, emotive gestures from the band’s various vocalists including former Bad Luck City frontman, Dameon Merkl. The band’s debut album, 2017’s Wolf, Woman, Man, is a fascinating contrast of bright, dark, moody, reflective and observational. Opening the show is avant-folk artist Midwife whose own 2017 debut, Like Author, Like Daughter, is one of the the best albums of the year for its delicate, fragile evocation of emotions so broad and deep that it always catches you by surprise with its subtle but irresistible power.
Who:Slow Magic w/Point Point and Qrion When: Friday, 11.17, 8 p.m. Where: Gothic Theatre
Why: Slow Magic exists outside of time. The interdimensional creature occasionally releases albums like 2017’s ultra-chillout pop extravaganza Float. You can witness the superstring hopper yourself tonight at The Gothic Theatre.
Who:Big Lo (Florida), RAREBYRD$, iiwii and Brett Gretsky When: Friday, 11.17, 8 p.m. Where: Tennyson’s Tap Why: An experimental hip-hop show at Tennyson’s Tap isn’t unheard of and this time it’s Big Lo from Florida whose beats include a mix of samples and turntablism to create a sense of introspection in the face of impending danger. Before and since moving from Saint Louis to Denver, Rooster Jake has been involved in various hip-hop and experimental projects over the years, his latest being iiwii. Brett Gretzky recently migrated to Denver from Saint Louis as well bringing their mixture of hip-hop and soul. RAREBYRD$ will break your heart with sincerely, deeply felt yet gentle expressions of the lowest points a person can reach in the psyche and still come back with one’s soul intact. They use drum machines, synths and sequencers but it always sounds like it’s coming right out of their imagination and plugged into the P.A..
Who:Ice Troll, Never Kenezzard, Heathen Burial and White Dwarf When: Friday, 11.17, 8 p.m. Where: Pit Stop Tavern Why: Doom shows don’t happen in far West Denver much but tonight doom orchestra Ice Troll will play Pit Stop Tavern along with sludge metal thrashers Never Kenezzard, noisy death metal trio Heathen Burial and stoner rock outfit White Dwarf.
Saturday: November 18, 2017
Who:Dead Boys 40th Anniversary tour w/The Roxy Suicide When: Saturday, 11.18, 8 p.m. Where: Streets of London Why: For four years Dead Boys were one of the most outrageous and influential of the early punk bands. With just two albums under its belt, 1977’s Young Loud and Snotty and 1978’s We Have Come for Your Children, Dead Boys set a high bar for inventive guitar work between Cheetah Chrome and Jimmy Zero, a primitivistic yet inspired rhythm section in Johnny Blitz and Jeff Magnum and literate yet gritty lyrics from charismatic frontman Stiv Bators. The original band split in 1979 but in its wake a lot of the more interesting and scary punk bands of the 80s emerged. In 2017 the band officially re-formed and issued a re-recording of Young Loud and Snotty called Still Snotty: Young, Loud and Snotty at 40 with its new lineup including Chrome and Blitz as well as new members Jason Kottwitz on guitar, Ricky Rat on bass and frontman Jake Hout. The original record was meant as a demo and the new record is of a much higher quality if missing the genius alchemy of the original band. But you’re not getting a second rate re-tread this time around. This version of the Dead Boys may be older but it still packs a punch.
Who: Galaxy Express 555 (MN), Hippies Wearing Muzzles, J. Hamilton Isaacs When: Saturday, 11.18, 6:30 p.m. Where: Historic Grant Avenue Church Why: Galaxy Express 555 is Christopher Farstad’s project that incorporates elements of ambient music, experiential sound environment composition, sampling and loops to create music that has the effect of being a soundtrack to some non-dystopian future society of wide open spaces and minds. Hippies Wearing Muzzles is a modular synth project from Denver. J. Hamilton Isaacs is basically Dugout Canoe so you know the beats and analog synth combination will be beautifully transporting yet feel grounded at the same time. All of this is taking place in church where the natural acoustics will give otherwise electronic music a warmth it doesn’t often project.
Who:Glasss Presents: The Speakeasy Series featuring Equine w/Mondo Obscura When: Saturday, 11.18, 7 p.m. Where: Hooked on Colfax Why: This is the latest in Glasss’s Speakeasy Series in the basement of Hooked on Colfax. This time with ambient duo Mondo Obscura and experimental guitar minimalist Equine. Kevin Richards of the latter played drone guitar for years as Temples after having spent several years in weirdo post-hardcore outfit Motheater where he made strange jazz chords fit into a punk context. This show will be a collaborative set between the two projects.
Who:King Eddie – Holographic Universe Album release w/Kyle Emerson, Panther Martin and déCollage DJ set, visuals by DenVR When: Saturday, 11.18, 8:30 p.m. Where: Hi-Dive Why: King Eddie is releasing its debut album Holographic Universe and celebrating the occasion with friends Kyle Emerson (whose pastoral psych pop songs are graced with Emerson’s insightful, observational lyrics) and Panther Martin (if indie rock could have come out of late 1970s New York City, it might have sounded like Panther Martin). King Eddie’s songs sound like the band synthesized modern psychedelic rock with math rock rhythms as though assembling a beat over which the band created a colorful and transporting imagery. Reed Fuchs of déCollage will do one of his unique DJ sets and be prepared for some truly unusual and inspired images from DenVR.
Who:It’s Just Bugs, Nearby Liars, Mouthfeel, Falsetto Boy When: Saturday, 11.18, 9 p.m. Where: The Skylark Lounge Why: This’ll be a weird one for some people because few of the bands are anything alike. It’s Just Bugs is an industrial hip-hop band. Nearby Liars are somewhere between slowcore and late 90s emo with all the glitter and drifty, sweeping, swelling, dramatic emotional experiences you’d want vicariously from that kind of music to purge the Fall blues. Mouthfeel includes members of Wrinkle, Altered State and Laurium. Falsetto Boy is some post-emo, lo-fi singer songwriter type of music.
Who:The Blasters w/O.G. Country When: Saturday, 11.18, 9 p.m. Where: Lion’s Lair Why:The Blasters were and are a respected blues-roots band from Los Angeles where it rubbed shoulders with the punk world, paisley underground and early alt-country acts. The Blasters’ sheer skill and energy made a big impression on everyone that saw them even if the band never quite became a household name. Its 1980 debut album American Music really was a demonstration of how much American music the Alvin brothers, Bill Bateman and John Bazz had absorbed, learned, reinterpreted, amalgamated and reinvented. O.G. Country from Denver, opens this second night of a two night residency at Lion’s Lair.
Who:Liam Gallagher w/Warbly Jets When: Saturday, 11.18, 8 p.m. Where: Gothic Theatre Why: Oasis’ 1995 hit “Wonderwall” made way too many people think maybe they too can sing in a pop band. Part of it was Liam Gallagher’s borderline tone deaf vocal delivery. But Gallagher is a gifted, powerful singer with some charming rough edges to his voice. And to his personality, for that matter. His conflict with brother Noel was the stuff of tabloid news. But one thing we can thank Oasis for was in finishing off some real dreck in popular music by offering something better and more genuine because you knew the Gallagher brothers weren’t faking it. Endless naff covers of “Wonderwall” plaguing karaoke nights and dire YouTube videos aside, Liam Gallagher’s real legacy was not just his music but some truly amazing moments of comedy and inspiredly uncharitable bits of rhetoric over the years as well as tender and earnest expressions of appreciation for other artists even when, such as the case with The Verve in recent years, those expressions come off as a bit of a headscratcher. He probably had a good laugh about that. Gallagher’s debut solo album, As You Were, came out in October 2017. It’s a bit reminiscent of 60s blue eyed soul and David Bowie’s more R&B moments but the songwriting is solid.
Opening the show is Warbly Jets from Los Angeles. It’s self-titled debut album is a bit slick and polished for a bunch of young musicians who clearly have it in them to go full on into the kind of gritty yet tuneful rock and roll that inspired them. But that’s what happens in the music industry often enough and you just have to check out the band in their, one would presume, element, on stage. With any luck you’ll see a band that has shed the self-conscious quality of the record and even where it might be derivative, play like the band believes in itself.
Sunday: November 19, 2017
Who:Chad VanGaalen w/NE-HI When: Sunday, 11.19, 8 p.m. Where: Hi-Dive Why: Chad VanGaalen may not necessarily be known for this now but at some point in the future he may be more widely acknowledged as one of the most influential guitarists and producers of his generation. His bedroom recordings for Infiniheart was picked up by SubPop in 2005. His gift for articulating the anxiety and alienation of the modern era clearly struck a chord and his subsequent music has explored some dark and some merely troubling corners of the human psyche with an ear for the perfect harmonic atmospherics and texture. In 2008, Van Gaalen began his relationship with the math rock/post-punk band Women, a band now oft-cited by younger guitar bands as an influence for its creative use of tone, angular rhythms and dynamics. Members of Women are now in Preoccupations. VanGaalen’s 2017 album Light Information sounds like he’s been listening to a lot of Mission of Burma, Helium, 80s minimal synth music and various Jay Reatard projects but the alchemy of that and his own well-developed aesthetic has rendered the songs into something that sounds like something from a long time ago in a place some of us wish existed. It has the kind of vintage sheen like a Ti West film.
Chicago’s NE-HI put out one of the years most repeatedly listenable albums of the year with OFFERS. It’s labyrinthine melodies and straightforward rhythms are a winning combination because it transforms lo-fi garage rock into something extraordinary. Comparisons could be made to Palm, Pavement and Parquet Courts. But its urgent jangle is coming from a different place and that’s what sets the band apart.
Who:Tori Amos w/Scars on 45 When: Sunday, 11.19, 6:30 p.m. Where: Paramount Theatre Why: Tori Amos was one of the earliest artists to attain mainstream commercial success to sing about sexual abuse, her struggle to attain her own creative liberation in a sexist music industry that often could (and often can, truth be told) value women as objectified entities that must fit a fairly narrow mold to present to potential audiences. And otherwise just refreshingly vulnerable and honest depictions of life. Though Amos spent much of the rest of her career exploring and writing thoughtfully on these subjects, in the 2000s, Amos put more focus on more mythical expressions, giving her work new dimensions only hinted at in her earlier work. 2017’s Native Invader is about how we can heal ourselves and the world through facing our challenges and conflicts honestly—which has more or less been Amos’ core message as a songwriter since her solo debut album, 1992’s Little Earthquakes.
Tuesday: November 21, 2017
Who:In the Company of Serpents, Goya, Matriarch and Palehorse/Palerider When: Tuesday, 11.21, 7 p.m. Where: Hi-Dive Why: A handful of Denver’s best heavy bands are on this bill. Matriarch is a doom/drone band whose 2015 album Magnumus: The 44th Scribe and Lorde of the Hallucinauts has two tracks. And it’s not an EP. It’s also just two lengthy songs that take you on a journey of crushing epics like the soundtrack to Vikings exploring the lands of Irish legend set in South America. Blend all that imagery together and that’s the Matriarch sound. In the Company of Serpents has cracked the monolith of its own sound this past year and the result is 2017’s Ain-Soph Aur, where the band’s songwriting beyond devastating riffs emerges for some of ITCOS’ best songs to date. Palehorse/Palerider is the kind of band where people who have generally played more punk-oriented music got into the soundcaping possibilities of heavy music whether metal or the deep atmospherics of the best shoegaze and post-rock music. Its own 2017 epic masterpiece is Burial Songs.
Who:Mom Jeans. (Side One Dummy), Prince Daddy & The Hyena (NY), Kississippi (PA), Old Sport and Blue Lane Frontier When: Tuesday, 11.21, 7 p.m. Where: 7th Circle Music Collective Why: The lazy thing to do would be to say this is an emo show. Mom Jeans from Berkeley, California is unabashedly so and thus part of that band’s appeal. And more like the late 90s, borderline indie rock variety with the spidery, jangly guitar work. Old Sport from Denver is on the more math-y end of emo with intricate guitar work and song dynamics that sound like someone is thinking in terms of film editing with dramatic drop-outs and sparkling guitar melodies, emotionally charged vocals and a variety of rhythm and texture not common enough in punk generally. Kississippi from Philadelphia is fronted by singer and primary songwriter Zoe Reynolds whose lyrics possess an impressive insight into her own emotional landscape and the ability to translate that into instantly relatable songs.
Wednesday: November 22, 2017
Who:Git Some, Zebroids, Fast Eddie, Jane Doe When: Wednesday, 11.22, 9 p.m. Where: The Oriental Theater Why: Post-hardcore band Git Some has been around for well over a decade when it started in Chicago in the early 2000s. Through various line-up changes members of the band (Charles French and Neil Keener) have also become members of Wovenhand, bringing another level of grit and intensity to a project not short on that already. It’s essentially noise rock with a sense of humor. Speaking of humor, punk band Zebroids is essentially a ridiculous joke of a punk rock band with absurd lyrics and an equally absurd stage presence. Nevertheless, the band is a lot of fun. Jane Doe is a combination of dark, starkly intense poetry, jagged noise rock and free jazz sensibilities. Fronted by the charismatic Becca Mhalek, Jane Doe is one of Denver’s best kept secrets. For now. Fast Eddie is a hard rock band from Denver which includes Micah Morris who some may know as one of the main people behind Barf magazine. Silly name, perhaps, with some fairly absurdist content, but the magazine has provided some of the better content about Denver music and beyond of recent years
Who:Cannibal Corpse w/Power Trip, Gatecreeper and Of Feather and Bone When: Wednesday, 11.22, 7 p.m. Where: Summit Music Hall Why: Cannibal Corpse has been getting under the skin of cultural conservatives and squeamish faux-do-gooders for years with music that itself isn’t something we’re going to hear much of any time soon on commercial radio. But the lyrics, quotable by gore horror fans and metalheads for years, almost gleefully crafted to outrage with being so cartoonishly over the top, is what has landed Cannibal Corpse in some hot water with would-be censors. But the live show isn’t littered with corpses and zombies or anything like that so just go expecting one of death metal’s greatest bands. Opening the show are Dallas-based thrash band Power Trip, Arizonan death metallers Gatecreeper (whose music video for “Desperation” from 2016’s Sonoran Depravation is a harrowing depiction of violence and a bit of a commentary on what leads to that sort of thing), and Denver’s deathgrind powerhouse, Of Feather and Bone.