Best Shows in Denver 3/28/19 – 4/3/19

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Dilly Dally performs Friday 3/29 at Larimer Lounge. Photo by Michelle Homonylo

Thursday | March 28

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Eugene Chadbourne, photo courtesy the artistEugene Chadbourne

Who: Creative Music Works Fundraiser: Special guest Eugene Chadbourne
When: Thursday, 03.28, 7-9 p.m.
Where: Mighty Fine Productions
Why: Creative Music Works is, according to the event page, a “nonprofit organizartion providing educational and performance opportunities for musical innovators.” Meaning the organization furthers the endeavors of artists whose work often falls outside the traditional commercial and popular music environment—the people pushing the boundaries with form, method and conceptualization. CMW members Janet Feder, Mark Harris, Scott Kinnamon, Elena Carmerin Young and Isaac Linder will contribute to a performance as well as avant-garde music legend Eugene Chadbourne.

Who: Starjammer w/Bianca Mikahn
When: Thursday, 03.28, 4-7 p.m.
Where: 3 Kings Tavern
Why: Starjammer’s “avant-garde dub reggae”/performance art/home made instrument rig glory is paired tonight with one of Denver’s poetry greats and forward thinking hip-hop experimentalists, Bianca Mikahn.

Who: Rob Sonic w/The Maybe So’s, Brett Gretzky and Hakeem Furious
When: Thursday, 03.28, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Rob Sonic has had a fairly distinguished career for his innovative hip-hop projects Sonic Sum and Hail Mary Mallon (which included Aesop Rock and DJ Big Wiz). What has made his various efforts interesting is his use of a fairly different palette of sounds from many of his peers. His 2018 album Defriender lays out moods and textures that wouldn’t be out of place on a post-punk or deep house track or an industrial noise song. Denver’s The Maybe So’s is a duo that also weaves in unconventional electronic music and samples of organic percussion into its flow of beats and poetry.

Friday | March 29

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American Culture, photo by Tom Murphy

Who: Dilly Dally w/Chastity and American Culture
When: Friday, 03.29, 8 p.m.
Where: Larimer Lounge
Why: On Dilly Dally’s 2015 album Sore the group sounded like a bit like a weird mixture of Bully and Courtney Barnett. But to be fair, it was probably something in the universe/confluence of influences across a broad swath of the collective musical consciousness. But with the 2018 album Heaven, Dilly Dally has expanded its range as a band and there is more brooding, atmospheric darkness flowing through its fuzz-laden riffs. It’s song “Doom” is more doom in tone and emotional resonance than a lot of what passes for such in the doom genre. But its inherently introspective yet expansive melodies keep the music from wallowing in stagnation. Along for this date is fellow Canadian band Chastity who are definitely more well within the realm of doomy noise rock. American Culture lately has straddled the line between indie pop, post-punk and psych country jam rock minus the wacktitude.

Who: Furbie Cakes, Space Monkey Mafia (MN), MTHirst, Fancy Pantz, Shocker Mom, Luxury Hearse and Wooflet
When: Friday, 03.29, 8 p.m.
Where: Your Mom’s House
Why: A show chock full of weirdo electronic bands, ambient and noise. And then Shocker Mom who is making the most heartwarming and healing sad beats currently being made.

Saturday | March 30

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Hand Habits, photo by Jacob Boll

Who: Hand Habits w/Tomberlin and Porlolo
When: Saturday, 03.30, 8 p.m.
Where: Larimer Lounge
Why: Meg Duffy may be more well-known for being a touring member of Kevin Morby’s band. But with the release of her album placeholder under the moniker Hand Habits should garner her plenty of attention for her own creative efforts. Superficially its mid-tempo moody indie folk but her words go deep into thoughts and feelings we don’t want to entertain but must face honestly. Not necessarily obvious and brutal trauma but the subtler pains that can deeply haunt you every day and from which are more elusive in evading. Disappointment in self, reflecting on one’s suddenly seemingly damning mistakes and the cognitive dissonance of the complexity of conflicting feelings about people, situations, existential ponderings and life in general that are all valid. Her tonal choices are all interesting and the perfect companion to explicating and maybe untangling and processing the aforementioned.

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Robyn Hitchcock, photo courtesy the artist

Who: Robyn Hitchcock
When: Saturday, 03.30, 7 p.m.
Where: Swallow Hill – Daniels Hall
Why: One thing that isn’t so obvious about seeing Robyn Hitchcock playing solo or with collaborators is how his simple but richly detailed guitar work is creatively varied and incorporates percussive elements with an expressive delicacy that focuses the emotional impact of his songwriting. He seems to be an endless well of interesting and poetic stories that make even what some may consider his lesser records worth a listen. Pick a point in Hitchcock’s career and you’ll find some of the best songwriting of that period whether while he was a member of The Soft Boys, his work with The Egyptians or The Venus 3. Like a magical-realist (emphasis on realist) novelist, Hitchcock’s songs offer observational insight into the human psyche through an intensely personal window.

Who: Jeff Carey, Sigtrygur Sigmarsson, Diffuser, Flesh Buzzard, Joshua Westerman. Sunk Cost and Page 27
When: Saturday, 03.30, 8 p.m.
Where: Thought//Forms
Why: Noise shows are pretty infrequent in Denver these days but this one is a showcase for some of the best noise acts going and not in the vein of the cliché harsh noise/shakebox feedback sculpting mode. Much more craft, imagination and originality here with Denver noise legends Page 27, former Austin-based noise prankster Sunk Cost, Adam Rojo of Voight’s Diffuser noise-scaping pieces and raw noise punk Flesh Buzzard. Among others.

Who: Black Dots, SPELLS, Lawsuit Models, Girl Scout Heroine and Good Family
When: Saturday, 03.30, 7 p.m.
Where: Seventh Circle Music Collective
Why: A fairly traditional punk show with less of the fashion victim thing than usual. SPELLS wears costumes and get a solid B for the music but hey, that’s better than you get a lot of the time. Girl Scout Heroine includes former members of The Geds and The Blast-Off Heads.

Who: King Buffalo w/Pale Sun and The Lycan
When: Saturday, 03.30, 8:30 p.m.
Where: Lost Lake
Why: What King Buffalo is doing, to some extent, we’ve seen a lot of over the past decade—drone-y, blues-y, doom-y psychedelia. But to give the band its due, if 2018’s Longing To Be The Mountain is any indication, it didn’t just adopt some motorik beats, it takes that sonic vehicle to places of heightened emotional impact beyond just hypnotic drive with occasional flourishes. Also it’s songwriting is much more creative and not grinding away at the same vibe and pace for an entire record. King Buffalo often reaches moments of true sonic sublimity in a way that transcends any genre associations. Pale Sun will bring a different kind of atmospheric heavy as the trio’s finely honed space rock has similar roots as King Buffalo but whose music touches subconscious places in the mind with both tone, rhythm and emotional vibrancy. Vocalist/guitarist Jeff Suthers channels the visceral quality of the music well with his singing but he’s also tapping into something in the collective consciousness in the performance as well.

Monday | April 1

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Olivia O’Brien, photo courtesy the artist

Who: Olivia O’Brien w/Kevin George
When: Monday, 04.01, 7 p.m.
Where: Larimer Lounge
Why: Olivia O’Brien was about fifteen years old when she got a boost up as a singer and songwriter after garnering the attention of Australian pop artist gnash who discovered her through her posting of a cover of one of his songs on Soundcloud. Over the past four years, O’Brien has recorded with gnash and released a string of singles. “Trust Issues” from 2016 revealed a thoughtful sensibility and self-awareness that can be uncommon in general but definitely in a teenager. O’Brien’s R&B and soul inflected pop and commanding, emotionally nuanced, stage presence will probably find a wider audience after this current tour and the April 26 release of her debut full-length Was It Even Real? For now, you can see her at a small club like Larimer Lounge.

Tuesday | April 2

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Ten Fé, photo by Eleanor Hardwick

Who: Ten Fé w/Ten Miles South and Paul Kimbiris & The Dark Side of Pearl
When: Tuesday, 04.02, 7 p.m.
Where: Globe Hall
Why: Been Moorhouse and Leo Duncan got their start busking in London before recording their 2017 debut album Hit the Light. Before taking the music on the road, the duo brought on board a band to fill out the sonic details. The group’s 2019 album Future Perfect, Present Tense sounds remarkably sophisticated for a relatively new band. Its particular incorporation of synth into songwriting might remind some listeners of The Call or later-era The Sound, but without the punk edge. That’s no knock on the music because its softness doesn’t quite wax into the 70s Laurel Canyon worship that’s been en vogue of late. Rather its the sound of a band exploring and refining where it will go next while perfecting an exquisitely lush minimalism without sacrificing the textural details that have made its songwriting noteworthy up to now.

Who: Vanilla Milkshakes digital album release show
When: Tuesday, 04.02, 7 p.m.
Where: Mutiny Information Café
Why: Its been four years since Vanilla Milkshakes released Tall People Have No Feelings. Line up changes and a release of a cover of “Breed” by Nirvana in 2018 later, the grunge-y pop-punk band (singer/guitarist David McGhee makes no bones about being influenced by The Offspring) has released its best record with Punching Cows. Recorded with Jack Endino and guitars tracked through one of Kurt Cobain’s old amps, on the record McGhee’s vocals are clearer and stronger, the songwriting more focused. But the idiosyncratic quality of the lyrics and McGhee’s vocals, which is one reason none of this comes off like a band that would be playing that final Warped Tour. The sense of melody and tight rhythms give even the most melancholy of the songs (“Mommy Said to Get a Job” and “Green And Sober” for instance) a buoyant quality that doesn’t seem to downplay the real feelings and experiences that likely inspired the song. There are enough rough edges to keep the record interesting throughout. The band performs infrequently these days so this is a good opportunity to see the Vanilla Milkshakes in a small venue with the jokes from stage inserted between songs. Besides, drummer Frank Registrato is a wizard at helping keep things on track with no heavy hand and the sheer finesse and power of his playing.

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Hop Along, photo by Matt Allen, OctFest

Who: Hop Along w/Summer Cannibals
When: Tuesday, 04.02, 7 p.m.
Where: Bluebird Theater
Why: Frances Quinlan performed in early versions of Hop Along as a solo acoustic act for the first four or five years until putting together a fledgling band around 2009. Even before signing to Saddle Creek Records in 2014, Quinlan’s songwriting was not short on imaginative storytelling like she was imagining the lives and situations she encountered in either her everyday life in Philadelphia or on the road and extrapolating it into colorful imagery and a keen sensitivity and insight into the subjects of her songs even when the inspiration is drawn directly from her own life. Any band that names its album Bark Your Head Off, Dog (2018) has a healthy sense of humor and the absurd without drifting into self-parody.

Wednesday | April 3

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Gort Vs. Goom circa 2014, photo by Tom Murphy

Who: Weird Wednesday: Gort Vs. Goom, The Far Stairs, The Pollution
When: Wednesday, 04.03, 7 p.m.
Where: 3 Kings Tavern
Why: None more weird for Weird Wednesday. Gort Vs. Goom are like the post-Devo, prog punk version of The Fugs. The Far Stairs is a deconstructionist pop project that sounds like more well-crafted pop than most bands trying to fool us into thinking they’re not utter frauds. Plus sometimes there’s a Robyn Hitchcock cover involved which bespeaks of an unspoken artistic ambition far beyond the usual. The Pollution got back to punk through burning through on hardcore, psychedelic rock, krautrock and Kiwi rock and taking bits and pieces of each to put together a Frankenstein’s Monster of music where you can’t find the sutures.

Best Shows In Denver 8.16.18 to 8.22.18

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Sandra Collins performs in Denver on Saturday night, August 18, at a venue to be announced

Thursday | August 16, 2018

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The cover of Returning to a Scorched Earth by A Light Among Many

Who: A Light Among Many album release, Sonic Vomit, Green Druid and Vexing
When: Thursday, 08.16, 6:30 p.m.
Where: Hi-Dive
Why: A Light Among Many is the doom drone solo project of Franklin Binder. Using voice, guitar and loops, Binder articulates the spirit of the desolate stretches of Colorado’s high plains stitched with lonely highways and an unseen networks of ley lines. His music has a haunted and tortured yet transcendent menace like a violent storm hovering on the horizon, circling loci of civilization, touching down periodically as a reminder of the primacy of nature over humankind’s hubristic plans. ALAM’s new album Returning to a Scorched Earth drops tonight at the Hi-Dive. It is a beautifully despairing composition of rage at mankind’s abusive stewardship of the earth.

Who: Musical Mayhem: Equine, Space Jail, Full Bleed
When: Thursday, 08.16, 8:30 p.m.
Where: Lion’s Lair
Why: Musical Mayhem is now happening at the Lion’s Lair. The monthly event curated by Claudia Woodman is a good way to see some of the more unusual or experimental bands not necessarily seeing a lot of time at most clubs. Equine is the soundscaping/future jazz/avant-garde guitar solo project of former Motheater and Epileptinomicon guitarist Kevin Richards whose been having quite a prolific year recently in terms of releases and collaborations with each of his shows being fairly different from one another. Space Jail is what might be described as a psychedelic downtempo space rock band. Full Bleed fortunately doesn’t fit an easy formula either with elements of more tripped out stoner rock and soundsculpting use of distortion. What does that mean? They use distortion to give a drawn out sound texture and evolving qualities of sound that seem to impact your body and ears with modulating levels of volume and physicality. When one learns to control these qualities more it can be an interesting musical and experiential effect on its own despite not necessarily being a feature of most music that fits into a mainstream songwriting context.

Friday | August 17, 2018

 

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Old Crow Medicine Show, photo by Danny Clinch

Who: Esmé Patterson and The Still Tide
When: Friday, 08.17, 6 p.m.
Where: Levitt Pavilion
Why: Esmé Patterson will bring her thought-provoking and evocative art folk/pop to Levitt Pavilion tonight to share the stage with The Still Tide. The latter is sometimes referred to as dream pop or indie rock and as vague genre designations they both fit. But singer and guitarist Anna Morsett’s emotionally dynamic voice and stage presence elevates the already excellent songwriting.

Who: Old Crow Medicine Show with I’m With Her (featuring Sara Watkins, Sarah Jarosz and Aoife O’Donovan)
When: Friday, 08.17, 7 p.m.
Where: Red Rocks
Why: Old Crow Medicine Show’s existence predates the most recent wave of old timey/string band/folk Americana music and it could be argued it’s 2004 hit “Wagon Wheel” (co-written by Bob Dylan and OCMS’s Ketch Secor) helped to popularize that music with the mainstream and influenced a generation of like-minded musicians in its wake. Mumford and Sons covered the song several years later. Nevertheless, Old Crow Medicine Show sounds like it could have come up during the folk revival of the 60s and 70s. Its 2018 album Volunteer is a lively blend of bluegrass and classic country. I’m With Her is a trio of some of the best Americana artists in the land right now all of whom have highly respectable careers outside of the band.

Who: All Out Helter 10 year anniversary, day 1 w/Muscle Beach and Record Thieves
When: Friday, 08.17, 8 p.m.
Where: Hi-Dive
Why: All Out Helter is a band that has too much of a hard rock edge to be purely punk and with its progressive politics firmly in place and eloquently expressed, the band’s firebrand energy is very welcome in an era when too many bands shy away from having anything to say without blunting the impact a little for the infirm of heart and mind. To celebrate its first decade as a band, All Out Helter is playing two nights at the Hi-Dive. On this first night a similarly unpigeonholable heavier hardcore band Muscle Beach will share the stage with the veteran group as well as melodic hardcore outfit Record Thieves.

Who: Luke Vibert with Sortof Vague, Seied and Kanyon Walker
When: Friday, 08.17, 9 p.m.
Where: The Black Box
Why: Acid jazz/techno artist Luke Vibert, sometimes collaborator with Aphex Twin, will perform tonight at The Black Box. Vibert’s prolific and diverse career has included some time playing in punk band, a hip-hop crew and the electronic composition for which he’s most well known. His most recent record Smell The Urgency might be described as acid hip-hop as it has more in common with the likes of J. Dilla, Flying Lotus and Jonwayne with its favoring chill yet otherworldly beats.

Who: King Buffalo w/Green Druid, Emerald Siam
When: Friday, 08.17, 8:30 p.m.
Where: Globe Hall
Why: King Buffalo from Rochester, New York makes the kind of vibey psychedelic music that has some connection to the hybrid of atmospheric doom and trippy pop. What sets the band apart from many of its peers, though, is partly the expansive, drifty melodies that have more in common with the early period of The Verve than some later era lazy shoegaze wannabe act. But its basslines are exceptional and set the pace and the mood with a fluid strength that channels the songwriting into interesting sonic spaces. That quality can also be found in Denver atmospheric rock band Emerald Siam. While the latter has some roots in psychedelic garage rock and the retrofuturist soundscaping of The Jesus and Mary Chain its more recent music has struck deep into musical darkness with an uncommon originality born of not wanting to sit comfortably in someone else’s shoegaze or psych subgenre.

Saturday | August 18, 2018

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Lamb of God/Burn the Priest, photo by Travis Shinn

Who: Slayer, Avenged Sevenfold, Lamb of God, Anthrax, Behemoth and Testament
When: Saturday, 08.18, 3:30 p.m.
Where: Fiddler’s Green
Why: This is supposed to be Slayer’s final tour. We’ll see. Nevertheless, the legendary thrash band will share Fiddler’s Green with some of the greats of thrash in New York’s Anthrax and the Bay Area’s Testament. As well as newer bands that managed to come out of the 90s as metal but not nü metal. Poland’s Behemoth on the surface seems to be the most out of place with its occult-y black metal but its root is the same kind of death metal and thrash that Slayer helped to influence. Both Avenged Sevenfold’s and Lamb of God’s sound can also be traced to the first wave of thrash. LoG has recently hinted that it will perform as Burn the Priest with a release harkening back to the time when it performed under that name as a band that was experimenting with a hybrid of death metal and hardcore. In May 2018, as Burn the Priest, Lamb of God released Legion: XX, an album of covers of hardcore, thrash, sludge rock, industrial bands as well as a cover of Big Black’s “Kerosene,” whatever genre that might really be if any. Chances are you’ll get to see a bit of that with this tour.

Who: All Out Helter 10 year anniversary, day 1 w/The Windermeres and Black Dots
When: Saturday, 08.18, 8 p.m.
Where: Hi-Dive
Why: This second night of All Out Helter’s 10 year anniversary weekend at the Hi-Dive includes performances from two of Denver’s better punk bands The Windermeres and Black Dots.

Who: Sandra Collins
When: Saturday, 08.18, 10 p.m.
Where: Venue to be announced
Why: Sandra Collins made a name for herself as a talented trance artist in the world of 90s rave and electronica long before electronic dance music became synonymous with the acronym EDM. Really her roots in that music pre-date the widespread use of the aforementioned terminology. Whatever designations have been applied to Collins’ music her skills as a producer, remixer and DJ have long been widely respected and she was inarguably the first female DJ in electronic dance music to gain wide popularity. Her ear for solid, evolving rhythms intersected with rhythmic melodies and textures has made for a large body of work as a live DJ and on recordings like one of trance’s creative landmarks, 2000’s Tranceport.3. In 2013 Collins’ career was documented in Kandeyce Jorden’s 2013 film Girl (in 2018 the film started steaming on iTunes, Google Play and Amazon). Still traveling the world and doing sets, Collins remains one of the few superstar artists in an especially male-dominated realm of music but one that has become increasingly less so in part due to her encouragement and example.

Who: Bluebook w/Erica Ryann
When: Saturday, 08.18, 8 p.m.
Where: Aurora Fox
Why: There are pretty much never any shows in Aurora of this kind going on. Experimental folk/downtempo duo Bluebook at downtown Aurora’s classic theater on Colfax? Hopefully the harbinger of more interesting stuff to come to A-town.

Who: Amen Dunes w/Okay Kaya
When: Saturday, 08.18, 8:30 p.m.
Where: Globe Hall
Why: Amen Dunes is often presented as merely some of of psychedelic indie rock artist. But if his latest album, 2018’s Freedom, is any indication he’s been ahead of that curve for some time. If clumsy comparisons must be made his songwriting is as unique, as interesting and as unusual as that of Devendra Banhart or going back some decades, Roxy Music. There is an organic yet otherworldly and sultry quality to the songwriting. It’s also earnest in its emotional outpouring recalling a more mellow Soft Boys or solo Robyn Hitchcock.

Who: Fed Rez (album release) w/Los Mocochetes, R A R E B Y R D $, The Original Ills, DJ Bloodpreshah
When: Saturday, 08.18, 7 p.m.
Where: Lost Lake
Why: Fed Rez’s version of hip-hop is one that doesn’t get hung up over genre conventions. Its sample-based compositions don’t shy away from acerbic observations but always informed by a sense of humor that is clever rather than cruel. The quartet releases its latest album this night, On the Regs. To usher in the new record Fed Rez has brought together some of Denver’s finest, like-minded musical entities including Latin funk band Los Mocochetes and dream beat, future jazz, post-apocalypse world beat phenoms, R A R E B Y R D $.

Sunday | August 19, 2018

 

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Rope Trick Effect (pictured; Molly Zackary), photo by Kit Chalberg

Who: Rope Trick Effect and Halo Halo
When: Sunday, 08.18, 7 p.m.
Where: Mutiny Information Café
Why: Rope Trick Effect and Halo Halo could loosely be called jazz-fusion. If that fusion included R&B, torch song lounge, punk and the expected prog when one speaks of fusion. But don’t expect Mahavishnu Orchestra style musical gyrations so much as something you might expect to share a bill with Leonard Cohen in the early 80s. Rope Trick Effect vocalist Molly Zackary is billing the show as #jazznotjazz #sorrynotsorry because of the short shrift that the original jazz scene in Denver gets from most of the local media and, well, music fans too who may not know such a thing exists in the Mile High City. As with everything else Zackary has done in music in Denver, as a music instructor and musician, there is a great deal of musical prowess and emotional power involved in Rope Trick Effect. Its 2017 EP is so solid and refined it could have come out on Blue Note. But see for yourself at this free and children friendly/but not wack show at Denver’s underground/above ground culture hub, Mutiny Information Café.

Tuesday | August 21, 2018

 

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Winter & Triptides, photo by Gabe Fernandez

Who: Winter with Vinyl Williams and Corsicana
When: Tuesday, 08.21, 7 p.m.
Where: Lost Lake
Why: Samira Winter grew up in Curitiba, Brazil, the daughter of an American father and a Brazilian mother, but went to college in Los Angeles. The mix of cultures has given her pop songs a decidedly different flavor beyond the bilingual lyrics. With her band, named Winter, Samira has crafted lushy atmospheric pop gems and the band’s 2018 album Ethereality is most suitably titled. It’s reminiscent of late 2000s dream pop and chillwave with a lo-fi aesthetic giving the songs hazy edges of nostalgic whimsy. Winter is also set for a late September release of a collaborative album as Winter & Triptides called Estrela Mágica that sounds like a long lost Latin psych/folk record of the 1970s.

Who: The WHEAL and Voight
When: Tuesday, 08.21, 9 p.m.
Where: Blue Ice
Why: The WHEAL came all the way from Paris, France to perform at Blue Ice. The project supposedly has roots and a lineage in 80s electronic music and post-punk.Whatever its origins, The WHEAL is a modern darkwave band that uses ambient tracks, drum machines and synth compositions to create a dense and deep soundscape. Paired with The WHEAL on the bill is Denver’s Voight, a band whose own fusion of electronic/minimal synth and searing post-punk guitar sounds is unique in the Mile High City.

Wednesday | August 22, 2018

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Bad Bad Hats, photo by Zoe Prinds-Flash

What: Centered Volume 3: Ian Sherlock, Mobdividual, Lepidoptera and J. Hamilton Isaacs
When: Wednesday, 08.22, 7 p.m.
Where: Bar Max
Why: This third edition of Jacob Isaacs’ Centered series, which features underground, experimental electronic artists from around the country as well as Colorado, will include local artists Mobdividual, Lepidoptera and Isaacs himself along with Syracuse, New York-based ambient/environmental sound artist Ian Sherlock. Taking place in the basement of Bar Max, the event will make it easy to escape the bustle of Colfax and take in some great, minimalist soundscapes.

Who: Bad Bad Hats w/Cumulus
When: Wednesday, 08.22, 7 p.m.
Where: Hi-Dive
Why: Minneapolis-based indie rock band Bad Bad Hats recently released its new album, Lightning Round. Singer Kerry Alexander has long written music playing with and often subverting pop clichés. Lightning Round is no different with, according to an August 2018 interview with Rolling Stone, Alexander examining the love as drug metaphor as someone who hasn’t indulged in the song “Nothing Gets Me High.” Alexander imagines possibilities in cultural artifacts and their impacts on our lives and popular culture as with “1-800.” Across her career Alexander has commented insightfully on the emotionally/psychologically fraught moments in any relationship as it starts and develops but especially so on Lightning Round with “Absolute Worst” and “Girl.”