
Thursday | August 2, 2018

Who: Glasss Presents: Freak//When//Scene and Lost Dog Ensemble
When: Thursday, 08.2, 9 p.m.
Where: Syntax Physic Opera
Why: Freak//When Scene is not a band so much as a collection of musicians given a theme or a concept and, collectively, they interpret it how they will and, in the spirit of, say, Miles Davis in giving loose guidance to the members of his band to synergize and let their talents and instincts and ability to flow with one another to produce something they could never accomplish individually. Sometimes this works out beautifully, sometimes it’s just interesting to witness. For this debut of the project there will be about fifteen musicians participating including local jazz and hip-hop legend Venus Cruz, Drew Miller (of Brother Saturn), Wesley Davis (bios+a+ic), Michael Blomquist, KoKoLa and Khey-Lady (all three of experimental hip-hop group R A R E B Y R D $), Kevin Richards (Equine), Robin Walker (Shocker Mom), Liv Perils (Pearls & Perils), Vahco Before Horses (Gold Trash), Daniel Farrand, Doron Rediscovering, David Clay Bridges, Machete Mouth and David Dinsmore (Judge Roughneck, The Horns of Dilemma). Dinsmore will also perform with opening act, Lost Dog Ensemble, Denver’s premiere Tom Waits cover band.
Who: The Psychedelic Furs w/X
When: Thursday, 08.2, 7 p.m.
Where: The Ogden Theatre
Why: Two of the great bands of the 80s on one bill representing different countries and moods. The Psychedelic Furs hit the mainstream early on with its moody yet melodic post-punk with its second album, 1981’s Talk Talk Talk. Something about the way The Psychedelic Furs mythologized the zeitgeist of the era of the first generation of musicians inspired/creatively liberated by punk and taking in diverse influences and interests to make sophisticated and literate yet accessible guitar cemented it as one of the most popular acts of the era. Its song “Pretty In Pink” was adopted as the title of John Hughes’ 1986 movie about authenticity, class struggles, the vagaries of romance and friendship—all of which can be heard in the Furs’ song. But also to not let your dreams be limited by what you’re told is the horizon of expectation.
X began simply enough when John Doe and Exene Cervenka met in poetry circles and brought that sensibility to a punk rock band with roots in country and the blues. X may not have been as commercially as successful as The Psychedelic Furs but its impact on popular music since is undeniable as its imagery was striking and both Doe’s and Cervenka’s lyrics captured a Southern California, and an America, in crisis for its very soul in the 80s in the face of creeping fascism during the Reagan administration which sought to subvert official channels in funding the Contras and, as has been suggested during those investigations, manipulating the American electoral system. All while rank materialism and greed became very much a feature of the culture. X’s music, like that of the Furs, represented a romantic rejection of those questionable values, embracing instead a humanism and freedom of the human spirit that could never really manifest as wealth for the sake of wealth at the expense of the unfortunate.
What: Stomping Ground Thursdays: Deadline, Visc, Pragmatist, Ilind and Retina
When: Thursday, 08.2, 9 p.m.
Where: The Black Box
Why: This Stomping Ground Thursdays includes sets from 8-bit composer, one might say progressive dubstep producer Deadline, Pragmatist’s broken beat techno, Retina’s propulsive and textured, dark bass music and Ilind’s avant-garde/abstract electronic dance beats.
Who: American Aquarium w/Jaime Wyatt
When: Thursday, 08.2, 7 p.m.
Where: The Bluebird Theater
Why: Named after that line in Wilco’s “I’m Trying To Break Your Heart,” American Aquarium from Raleigh, North Carolina is definitely worth more than a cursory listen. Like Wilco, it’s not just a band writing music with roots in various musical traditions. American Aquarium, sure writes songs about the travails of everyday life and being a working band. But it’s 2012 album Burn.Flicker.Die may be one of the most poignant and insightful depictions of trying to be a working artist in a culture that generally treats creativity like a disposable commodity as well as the people involved in those industries. The group’s latest record, Things Change, is a uncommonly focused confrontation of personal challenges and doubts as well as providing one of the most direct criticisms of Trump’s America in the song called “The World Is On Fire.” No platitudes, no didactic utterances, just down to earth observations about what the future under the Drumpf might hold for us all.
Friday | August 3, 2018

Who: Susto w/Whitacre and Down Time
When: Friday, 08.3, 8 p.m.
Where: The Bluebird Theater
Why: Named after a folk illness in which one’s soul is separated from one’s body through emotional trauma, Susto is an Americana band from Charleston, South Carolina. Songwriter Justin Osborne had spent the years between 15 and 26 being in bands and releasing albums when he decided to quit music for a while and moved to Cuba with the intention of creating a new life for himself. But like many people who run off from their lives abruptly, Osborne found himself hanging around with musicians in Cuba and seeing live music there. He’d already started conceiving of songs when his Cuban friends encouraged him to go home and make a go at being a musician. A full band line-up and two albums later and Susto has garnered a bit of underground following for its sparkling, introspective alt-country songs. Also on this bill is Denver based American act Whitacre and indie pop group Down Time. The latter is a bit more experimental than many of its peers with a combination of delicate, finely textured songs and rich atmospheres. Will David Weaver play both drums and bass for this show? You’ll have to show up to find out.
Who: Dick Dale w/Kerry Pastine & The Crime Scene
When: Friday, 08.3, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Dick Dale is the godfather or surf rock. He influenced The Beach Boys. He influenced Jimi Hendrix. Modern guitar amplification is now a thing thanks to his unique relationship with amp makers before the modern rock era by blowing the amps with his guitar until an amp could be built that was suitable for delivering electrified rock and roll. He lives on a plot of land in the desert with his own runway reachable by plane. These things are all probably true. What is true is that Dick Dale is a a true pioneer of rock and roll and one of the few living legends from that early era that you can still see play live.
Saturday | August 4, 2018

Who: Chastity w/MOURN and American Culture
When: Saturday, 08.4, 8:30 p.m.
Where: Larimer Lounge
Why: Chastity is a post-punk band from Whitby, Ontario and its recently released album Death Lust distills the isolation, fatalism, desperation and hope for connection that comes from being a creative and imaginative person in a small city. Its incandescent, fuzzy tones recall the mood, tenor and urgency of the likes of Quicksand and Swervedriver. Its catharsis of modern anomy feels as though it is coming from deep within. On this same tour is Barcelona-based post-punk/noise rock band MOURN. Its own new record Sopresa Familia is brimming with a bright energy modulated by angular rhythms. Its unconventional dynamics might be compared to that of Portland, Oregon’s Lithics in how it drives the momentum of the music and gives it an irresistible drive. American Culture from Denver has been through a variety of changes since its inception. Drawing upon the ethos of punk and 90s indie pop, American Culture’s songs are about and are an apt soundtrack to disaffected working class youth navigating a rapidly changing culture and economic landscape and the struggles endured and the joys to be savored in the face of an uncertain future.
Who: Dylan Carlson w/Mary Lattimore
When: Saturday, 08.4, 8:30 p.m.
Where: Lost Lake
Why: Dylan Carlson is the guitarist for doom pioneers Earth. He is currently touring in support of his 2018 solo album Conquistador. In typical fashion, it is a masterful evocation of a time and frame of mind. Considering the titles of songs, Carlson seems to invoke a time when the whole dream of wealth for the average Spanish conquistador was over on the fringes of New Spain, only the reality of the reaping of the backlash of the hubris of conquest and overextension. Much more Aguirre the Wrath of God than Apocalypto. Opening for this show is harpist Mary Lattimore whose own elegant yet deeply evocative melodies and loops, captured on her own 2018 album Hundreds of Days, suggest a mythical narrative of their own.
Who: The Giraffes with Throttlebomb
When: Saturday, 08.4, 9 p.m.
Where: Bull & Bush Brewery
Why: Brooklyn’s The Giraffes occupy an unusual place in hard rock and post-punk. Like Unsane, its blunt, dark storytelling is akin to something out of an Abel Ferrara movie—sludgy, borderline nihilistic yet it sticks with you for a while afterward. Denver sludge metal band Throttlebomb opens. Not many shows in Cherry Creek and that this one is happening there is definitely out of the ordinary.
Who: The Union w/eHpH and Faces Under the Mirror
When: Saturday, 08.4, 8 p.m.
Where: 3 Kings Tavern
Why: This electro-industrial show includes metallic industrial duo The UnioN, EBM/experimental electronic project eHpH and darkwave/industrial two-piece Faces Under the Mirror.
Sunday | August 5, 2018
Who: Deafheaven w/Drab Majesty and Uniform
When: Sunday, 08.5, 7 p.m.
Where: The Oriental Theater
Why: Deafheaven’s 2013 album Sunbather seemed to be indie rock fans’ gateway to transcendental black metal if they weren’t already on to that introduction through Wolves in the Throne Room. Absurd and inaccurate comparisons to My Bloody Valentine were made. And sure, MBV may have been A influence of Deafheaven but guitarwise one might even look more to the aforementioned WITTR or Krallice. But at the heart of the band’s songwriting is a kind of pop sensibility making what could be forbidding music accessible. Its latest album, 2018’s Ordinary Corrupt Human Love has even more flourishes of combining even power pop structures and melodies with the more thorny sonics of black metal and the animalistic vocals. On this tour is darkwave alien stars Drab Majesty. Deb Demure used to tour solo early on but these days tours with Mona D on keyboards and backing vocals. The project’s 2015 Careless was an entrancing trip to a futuristic world perhaps best exemplified in the writings of Thomas R. Disch, J.G. Ballard and Pat Cadigan—not fully dystopian, not utopian, just imperfect with its own challenges imagined by some of science fiction’s most accomplished world builders. Musically think a dreamy shoegaze band and Red Lorry Yellow Lorry got together and you’re in Drab Majesty’s wheelhouse.
Monday | August 6, 2018

Who: CHVRCHES w/Pale Waves ogdentheatre.com/events/detail/353496
When: Monday, 08.6, 7 p.m.
Where: The Ogden Theatre
Why: For its third album Love Is Dead, Glasgow, Scotland’s CHVRCHES worked with outside producers for the first time. And although working with David Stewart of Eurythmics, Matt Berninger of The National and album producer Greg Kurstin (who also produced music with Adele, Pink and Lily Allen), the new albums sounds oddly less produced than even the band’s first two records. This works to its benefit because the band has already proven it can put on the gloss and high production on its own and Love Is Dead sounds more textured, more organic and though high energy, upbeat pop, more intimate without sacrificing the bright and and larger-than-life sound of its earlier work. CHVRCHES, like any great pop band, takes subject matter relatable to just about anyone and makes it mythical with words that give it the poetry and the music that sets the emotional tenor that lift the drab everyday into the realm of imagination and transcendence thereby.
Along for this tour is up-and-coming synth pop band Pale Waves from Manchester, UK. The quartet garnered a bit of buzz in 2017 for its singles “There’s a Honey” and “Television Romance.” Looking like a post-punk band from the 80s but with exuberant pop songs, Pale Waves cast an interesting contrast of image and content that suggested to fans that one needn’t let preconceived expectations determine what you can do with your art and your life. 2018 has been an active year for the band with the February release of its All the Things I Never Said EP and the forthcoming full-length My Mind Makes Noises due in mid-September. Anyone that saw the band playing small clubs in the USA in spring 2018 got to see a group with no small amount of chemistry and confidence.
Who: Geoff Tate’s 30th Anniversary of Operation Mindcrime
When: Monday, 08.6, 7 p.m.
Where: Globe Hall
Why: Queensryche’s 1988 album Operation: Mindcrime was a poignant and, so it seems, semi-prophetic tale of a man disillusioned and disgusted with the economy, political corruption and hypocrisy in the world who gets recruited into becoming a political operative and assassin for a secretive organization supposedly dedicated to overthrowing the system by the demagogic Dr. X. In a complex and dark story, that man, Nikki, is introduced to a former prostitute turned nun Sister Mary by one of Dr. X’s associates and his relationship with and affection for Mary brings him to question the nature of the organization and his own identity. Things end tragically in one of the most fascinating rock operas of all time. Very classic Frank Miller-esque. Geoff Tate, the band’s former lead singer, will perform the album in its entirety for its 30 year anniversary.
Who: T-Rextasy w/Blacker Face
When: Monday, 08.6, 9 p.m.
Where: Was at Your Mom’s House now at TBA (ask a punk)
Why: T-Rextasy is referred to as pop-punk often enough but don’t go in expecting the usual three chords and interchangeable songs about teenage heartbreak. Of course most pop-punk is about more than that as well, but T-Rextasy’s songs use the format of catchy songs, fun and humor to make poignant commentary on identity, sexism and all the things that plague the psyche no matter who you are. Its 2016 album Jurassic Punk is a collection of great pop songs informed by a radical political perspective. Soon the New York band will release its new album but you can catch that stuff live before it’s officially released in full on its current tour.
Tuesday | August 7, 2018

Who: Dentist w/Pout House and Hairclub
When: Tuesday, 08.7, 7 p.m.
Where: Lost Lake
Why: Dentist’s 2018 album Night Swimming is refreshing proof that a band can grow beyond the music trends that shaped its earlier creative development. It’s still fuzzy surf punk at its root but the riffs and experiments with atmosphere and dynamics signal a major step forward for Asbury Park trio.
Who: CHVRCHES w/Pale Waves
When: Tuesday, 08.7, 7 p.m.
Where: The Ogden Theatre
Why: See 8.6 entry above for CHVRCHES and Pale Waves.
Who: T-Rextasy w/Blacker Face
When: Tuesday, 08.7, 8 p.m.
Where: Surfside 7
Why: See 8.6 entry above for T-Rextasy.
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