What:Colorado Crew Denvoid Pt. 2 book release When: Friday, 12.20, 6-8:30 p.m. Where: Mercury Café Why: This event will present the follow up to Bob Rob Medina’s 2015 book Denvoid and the Cowtown Punks which documented the Denver punk and underground music scene from 1982-1987. This volume, Colorado Crew: Denvoid Pt. 2 covers the years 1988-1996 in which punk changed, the major current strands of music in Denver emerged into strong, coherent form and the early phase of artist run DIY spaces developed into the form we know now.
What:Emerald Siam w/Echo Beds and Clusterfux When: Friday, 12.20, 8 p.m. Where: Hi-Dive Why: The musical accompaniment to Colorado Crew: Denvoid Pt. 2 mentioned above with bands whose members were part of that late 80s through mid-90s scene.
What:Grimy (Bryan Wendzel) and Cabron (Bob Rob Medina) When: Saturday, 12.21, 1 p.m. Where: Chain Reaction Records Why: Early afternoon show connected to the release of Colorado Crew: Denvoid Pt. 2 featuring death-grind band Grimy and author Bob Rob Medina’s San Diego-based punk outfit Cabron playing a rare show (as well as another later this night).
What:The Rocky Mountain Synthesizer Meetup Presents: Synth Patrol When: Saturday, 12.21, 1-3 p.m. Where: Little Horse Books & Vintage Why: Early afternoon concert featuring live vinyl sampling from Aefonic (Brian Horsfield), Cold Future (Victor John), monoscene (Christoph Scholtes) and Newecho (Mark Mosher).
What:Jon Snodgrass and Jux County When: Saturday, 12.21, 5-8 p.m. Where: Mutiny Information Café Why: Another show connected to the release of Bob Rob Medina’s book Colorado Crew: Denvoid Pt. 2 including performances from longtime punk stalwart Jon Snodgrass and Jux County, one of the early cowpunk/alt-country bands from the mid-80s and who still occasionally play shows.
What:FOUR! (reunion), Cyclo-Sonic, Mind Rider (Sonny Kay), Cabron When: Saturday, 12.21, 9 p.m. Where: 1010 Workshop Why: The final event related to the release of Colorado Crew: Denvoid Pt. 2 with performances from bands including people featured in the book with pop-punk legends FOUR!, garage punk band Cyclo-Sonic which includes members of The Fluid, Choosey Mothers and Rok Tots, Sonny Kay (Savalas, Angel Hair, The VSS) and Bob Rob Medina (Savalas, Cabron). Rumor has it Medina and Kay will perform a Savalas song.
What:Causer, Equine, Tears to Li6ht When: Saturday, 12.21, 8 p.m. Where: Glitter City Why: Equine is an avant-garde guitar drone solo project of Kevin Richards. Causer is one of the most compelling and inventive newcomers to Denver’s noise scene with their mix of confrontational performance art and noise collage. Tears to Li6ht is a melodic ambient/experimental pop project.
What:Umbras Animas w/Lady of Sorrows, John Gross, Mismo and Pythian Whispers When: Sunday, 12.22, 7 p.m. Where: Rhinoceropolis Why: Umbras Animas is bringing its latest drone and shadow pupper theater performance to Rhinoceropolis along with one of the Godfathers of Denver noise John Gross, operatic darkwave synth pop project Lady of Sorrows and soundtrack/soundscape projects Mismo and Pythian Whispers (full disclosure, Queen City Sounds and Art writer Tom Murphy’s band).
Who:Starjammer featuring Kuf Knotz When: Thursday, 04.25, 4 p.m. – ? Where: 3 Kings Tavern Why: Starjammer, the avant-garde dub reggae one-man/device band, will be playing two sets tonight in phases like a rocket launch. The Launch Pad Prep runs from 4-7 and the Late Night Lift Off starts at 9 and runs until the musical equivalent of escape velocity is reached. Or at least until you have to leave whether you want to or not.
Who:Bowshock and El Tigr3 When: Thursday, 04.25, 6:30 p.m. Where: Hooked On Colfax Why: This week’s Speakeasy Series presented by Glasss Records includes Bowshock, the experimental improv psych jazz reggae band.
Who:The Yawpers release of Human Question w/In the Whale and Fast Eddie When: Friday, 04.26, 8 p.m. Where: Gothic Theatre Why: The Yawpers have been writing solid, rough around the edges, southern fried punk rock and roll for years. While earlier releases honestly cataloged singer Nate Cook’s headlong dive into desperation and self-destruction, Human Question, with the image of an immolating figure walking out of the fields into the forest on the cover, is more introspective and taking into consideration a subject as the title suggests—what is the purpose and significance of living in the world as a creature fully capable of being self-aware, reflective and capable of extremes of behavior and of consciously choosing a path other than the most immediate and obvious. The record is a collection of rockers but, especially with the single “Carry Me,” The Yawpers prove that they are capable of more than rocking and that even at the root of that is a raw and nuanced cauldron of emotion and now more an ability to write from a place beyond primal urges with a finely tuned discernment as articulated with fiery displays of musical and poetic catharsis.
Who:Superorganism w/Simpson When: Friday, 04.26, 8 p.m. Where: Gothic Theatre Why: Originating in London, Superorganism is an international, multi-ethnic indie pop band whose members met through various internet channels and mutual friends. Its sound might be described as electronic music pitched to sound like something made using unorthodox, highly tactile instruments. In some ways the group’s 2018 self-titled debut is reminiscent of Kala-period M.I.A. with its fusion of styles and sounds and strong visual element to its performances.
What:PRF BBQ Day 1 When: Friday, 04.26, 8 p.m. Where: Black Sky Brewery Why: This is a three day music festival featuring some of the better Denver underground bands. On this night you can catch Dead Characters, New Standards Men, Modern Goon and Clutch Plague.
Who:Lotus When: Friday, 04.26, 8 p.m. Where: Summit Music Hall Why: Certainly Lotus’ fan base is largely comprised of those with a love of all things jam band. And Lotus’ free flowing groove and sprawling improvisations fit in that pocket as well. But there’s something more experimental to the band’s music slightly beneath the surface. Its 2018 album Frames Per Second showcases this well with unusual jazz structures and dynamics, moody bass lines, vocal processing, playful and colorful synth work. Like the inevitable musical offspring of Steely Dan and Jean-Michel Jarre, Lotus sounds like a band with chops playing fairly straightforward yet intricate grooves but there is a layer of subversiveness to keep it interesting beyond technical flourishes.
What:Lotus w/Ghostland Observatory, Jade Cicada and Magic Beans When: Saturday, 04.27, 5 p.m. Where: Red Rocks Why: If Lotus wasn’t responsible for this line-up directly, someone somewhere put together a great bill of bands who share a similar sensibility in adventurous electronic music suited to a large stage format. What:DMX w/DJ Chonz When: Saturday, 04.27, 7 p.m. Where: Summit Music Hall
What:Weird Touch When: Saturday, 04.27, 9 p.m. Where: Syntax Physic Opera Why: It’s one of many hip DJ nights probably more focused on indie releases than average that we’re fortunate to have in Denver.
What:The North Ensemble When: Saturday, 04.27, 7:30 p.m. Where: Trident Why: An avant-garde improvisational show in the back room/outdoors area in the back of Trident. Boulder likes to act like it’s weird but stuff like this is the rare occasion when it is in a productive way.
What:PRF BBQ Day 2 When: Saturday, 04.27, 4:30 p.m. Where: The Bakery Why: Simulators will rip your face off with their angular noise rock and when Moon Pussy finishes the process with its cybernetic psychedelic post-punk you will be glad you went unless you’re into safe, boring music. The other bands are probably worth it too. Schedule below.
Who:La Dispute w/Gouge Away and Slow Mass When: Sunday, 04.28, 6:30 p.m. Where: Summit Music Hall Why: Maybe it’s because Jordan Dreyer was a writer before ever making music. Maybe it’s because La Dispute’s take on post-hardcore and emo isn’t tied to the usual sounds and progressions. Sure you can hear bits of the influence of At The Drive-In and Refused but on another level the band’s music sounds like a heavier Bright Eyes or even Slint—that sense of desolation and desperation. Also on this bill/tour are two other bands within the realm of punk that are a bit different yet share some of the same sensibilities with Gouge Away, a band that combines an atmospheric heaviness with eruptive energy and an unexpectedly forceful frontperson in Christina Michelle. Slow Mass is one of the better bands out there that has fused emotionally taut math rock with fluid post-hardcore.
What:Shibui Denver #2 – Victoria Lundy and Blank Human When: Sunday, 04.28, 7 p.m. Where: Mutiny Information Café Why: Denver avant-garde veteran Victoria Lundy may play some of her classical material on Theremin or some of her spookier faire with the same as well as synth. Blank Human is a drone/ambient project from Dan Coleman also of Luxury Hearse.
What:PRF BBQ Day 3 When: Sunday, 04.28, 4 p.m. Where: The Bakery Why: Final evening of PRF BBQ including a performance from glam/psych post-punk stars Teacup Gorilla.
400 – 430 – Flowlines
445 – 515 – 50 Miles of Elbow Room
530 – 600 – Little Beards
615 – 645 – Falsetto Boy
745 -815 – Church Van
830 – 900 – Teacup Gorilla
915 – 945 – Purple Honey
1000 – The Gary
Who:Beach Fossils w/George Clanton When: Monday, 04.29, 7 p.m. Where: Oriental Theater Why: Beach Fossils is from Brooklyn but capture a more West Coast breeziness in its melancholic surf pop confections. Unlike artists mining similar territory, Beach Fossils’ songwriting in its emotional colorings. That Slowdive’s Rachel Goswell contributed to the group’s 2017 album Somersault gives the direction Beach Fossils have been going some cachet by lending some of her low key yet evocatively powerful vocals to the record. George Clanton brings his lush, IDM-esque, deeply atmospheric electronic pop along for this leg of the tour as well.
Tuesday | April 30
Who:Bayonne and Palm Daze When: Tuesday, 04.30, 7 p.m. Where: Lost Lake Why: Roger Sellers as Bayonne uses minimalist layers of texture-as-percussion and simple melodies to craft atmospheric pop that recalls late 2000s chillwave and its capacity to seemingly dispel anxiety and angst. His latest record, 2019’s Drastic Measures, should be on anyone’s short list for summer listening and to save for the winter months when it seems like warmer times are a distant memory.
What:Sage Francis & B. Dolan: Epic Beard Men and Vockah Redu and Wheelchair Sports Camp When: Tuesday, 04.30, 7 p.m. Where: Cervantes’ Other Side Why: Sage Francis and B. Dolan, two giants alternative hip-hop and superb lyricists, are touring in their collaborative alternate personas Epic Beard Men. The masterful phrasing won’t be in short supply tonight with Denver’s Wheelchair Sports Camp and its jazz and beats rooted offerings.
Who:Interpol w/Car Seat Headrest, Japanese Breakfast and Sunflower Bean When: Wednesday, 05.01, 5:30 p.m. Where: Red Rocks Why: Interpol could just tour on the strength of its fan base and pick some weird music industry management openers (and maybe that is part of this booking) but instead the post-punk stars are having three of the best indie rock bands opening the show. Between Car Seat Headrest’s lo-fi, emotionally raw math rock, Sunflower Bean’s driving, brooding post-punk and Japanese Breakfast’s highly imaginative and powerful guitar rock soundscaping the opening sets alone are worth the price of admission but then you get to see Interpol whose back catalog has held up better than that of many of its peers from the late 90s and early 2000s.
What:Lil Pump w/Lil Skies When: Wednesday, 05.01, 6 p.m. Where: Fillmore Auditorium Why: Lil Pump turned 18 last August so expecting wisdom and thoughtfulness even on his 2019 album Haverd Dropout might be a bit much. He’s got a long way to go before his mumble trap is in the same league as Migos or his raps and performance in the same realm as Vince Staples or anyone in the A$AP crew or Odd Future. But it’s obvious he’s borrowed a lot from all of them. Nevertheless, Lil Pump is likeable enough despite his deficits and as he grows as an artist and as a human hopefully he’ll grow in more interesting and original directions so that the implicit faith that collaborators like Kanye West, Lil Wayne and 2 Chainz put in his sophomore album. It’s clear Pump is a weirdo so with any luck he’ll embrace that side of himself and give us a third album on which he truly lets his freak flag fly.
What:Weird Wednesday: Orbiting Olympia, Elk Minister, Tears to Light When: Wednesday, 05.01, 9 p.m. Where: 3 Kings Tavern Why: Weird Wednesday this month features Orbiting Olympia which is a grand alchemy of Eve Orenstein’s opera training and Sean Faling’s mastery of synthesizers both analog and otherwise. Elk Minister is a multi-instrumentalist, self-styled mystic and songwriter who has been sitting on his material for years. His visual presentation on his social media accounts look like he’s come back from some junkyard holy site with the appropriate twenty-third century raiment.
What:Lizzo w/Tayla Parx When: Wednesday, 05.01, 7 p.m. Where: Ogden Theatre Why: The show is sold out but if you can get in you can catch rising hip-hop/pop star Lizzo before she starts playing much larger venues (like her October date in Denver at the Fillmore) from now on. Her 2019 album Cuz I Love You has the kind of frisson that sounds, at times and certainly the “Juice” single, like something that might have come out of a late 70s-period Studio 54 playlist. Except not dated. And across the record Lizzo shows off her chops as a vocalist of great emotional power and a songwriter with a keen ear for dynamics. Fans of Prince are well-advised to give Lizzo’s new album a deep listen because it’s worth it.
Who:Wild Lives w/Cheap Perfume, Bad Year and An Antiquated Bluff When: Thursday, 12.20, 7 p.m Where: Lost Lake Why: It’s all rock bands of one stripe or another but at least it’s not all the same kind of rock band. Wild Lives is more of a straight-ahead rockist punk band and one that doesn’t mince words about where its political sentiments lie. It’s charming single “Fuck Sheriff Joe Arpaio” is up there with “Westboro Baptist Church” by I Can Lick Any Sonofabitch in the House and that’s no faint praise. Cheap Perfume is also deft at such articulation of modern, principled, but not uselessly polite, outrage. For example “It’s Okay (To Punch Nazis)” in the wake of, well, the “Greatest Generation’s” sacrifices be damned, the re-rise of fascist types in the USA and elsewhere. Bad Year is the local equivalent of a pop punk supergroup including former Pin Downs guitarist and Denver scene veteran extraordinaire Sara Fischer and Chuck Coffey of SPELLS guitarist/former member of Mail Order Children, Call Sign Cobra and more bands than most other people might join. And An Antiquated Bluff, the solo project of Josie Cool who has also spent time in multiple noteworthy punk and post-hardcore bands as well as a stint in experimental rock band Teacup Gorilla. Is Josie is doing the songwriting it’s always worth your time.
Who:Television Generation, Mr. Atomic, The Rainbow Treatment When: Monday, 12.20, 8 p.m. Where: Hi-Dive Why: Oh sure 90s has reincarnated in the 2010s in various places but that seems less strange than the recent embrace of 60s and 70s music. At any rate, in Denver two of the best are Television Generation and Mr. Atomic. Both fuzzy, both tapping into grunge but in the case of TG, it’s in the context of well-crafted pop songs melded with a genuinely thorny angst and expunging of generational despair. Which we’ve not had enough of in such bracing doses in recent years. Mr. Atomic is able to summon similarly emotionally rich realms of sound but it’s songwriting bears signs of being influenced by the likes of Weezer and 90s pop punk before it departed nearly forever into wackdom by the turn of the century.
Friday | December 21, 2018
Who:Equine, Evil Ear (IL), Death in Space, Felony Charge When: Friday, 12.21, 7 p.m. Where: Thought//Forms Gallery Why: This a show that’s mostly ambient and avant-garde guitar drones. Equine is former Motheater and Epileptinomicon guitarist Kevin Richards’ solo guitar and electronics project wherein he explores various aspects of soundscaping and composition. Evil Ear is chill electronic soundscapes and sonic textures in the context of what sounds like loop manipulation. Death in Space is…supposedly quite different from the rest of her musical career in which Aleeya Wilson uses guitar and loops to make an abstract kind of punk and experimental guitar rock and noise. If her all synth project Spargob is any analog it’ll be interesting either way. Felony Charge sounds like a weirder kind of deathgrind band.
Who:Sliver w/Stereoshifter, AFD (Amazing Flying Dumbasses), Swamp Rats and Bert Olsen When: Friday, 12.21, 7 p.m. Where: Marquis Theater Why: This is a donation based show to benefit Sox Place and Urban Peak, two non-profits that aid homeless youth. For the bill, Chris Mercer of punk/grunge-esque band Sliver brought together other artists who feel as strongly as he does about homelessness in our community. Mercer himself spent some time homeless and has a direct experience of what might actually help homeless young people and the homeless in general not just out of that experience but also in getting out of homelessness with humanity compassion and understanding. Fortunately, the bill is a great cross-section of the better punk and rock acts in Denver out of the underground playing a more commercial venue with a robust sound system so yes, a benefit show, but one that one would want to go to in order to experience some of the best bands Denver has to offer.
Who:Jade Cicada and Detox Unit w/Craftal, Schmoop, visuals from Steven Haman and B1n4ry When: Friday, 12.21, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Jade Cicada aka Skyler Golden is performing this event alongside Detox Unit. Both artists are very much of the moment in terms of more experimental electronic dance music with some of the affectations one might expect from someone who had eclectic tastes and musical instincts developing out of that scene in the 2000 and 2010s. But one also hears elements of UK garage and the sample-based composition of underground hip-hop artists and the like from the late 90s and early 2000s. As with the latter, the free association use of bits of music to create new emotional resonances in the recontexualization of the familiar alongside original content.
Saturday | December 22, 2018
Who:Telefon Tel Aviv w/GILA and Stratusphere When: Saturday, 12.22, 9 p.m. Where: The Black Box Why: Joshua Eustis probably plays to much larger audiences as a contributor to the live versions of Puscifer and Nine Inch Nails. But with Telefon Tel Aviv, which he formed in 1999 with the late Charles Cooper, Eustis has been making some of the more fascinatingly detailed and textured IDM of the past twenty years. Eustis hasn’t released a full album since 2009’s Immolate Yourself, which predated Cooper’s untimely death that January, but his multiple collaborations and remixes since that time are noteworthy as they are sparse including wortk with Lusine, Vatican Shadow, SONOIO and These Hidden Hands. As Eustis, he’s had a role in the 2013 Nine Inch Nails album Hesitation Marks and The Black Queen’s 2016 album Fever Daydream. But for this show you’ll get to see the brilliant kind of minimalist techno/IDM that helped establish him as an artist of note.
Who:Barf Fest III: RL Cole & The Hell You Say, Fast Eddy, Love Gang, Colfax Speed Queen, Palo Santo, Mike Rose & The Early Mornings When: Saturday, 12.22, 7 p.m. Where: Hi-Dive Why: Barf magazine is an irregularly released publication that showcases what some might see as low culture aesthetics in Denver but done with such humor, care and consideration for the underground music and art scene in Denver that it could never be dismissed. This third festival showcasing the kinds of bands from the realms of local psychedelic garage rock and blues is easily one of the best slices of that side of the Denver scene that has happened all year.
Sunday | December 23, 2018
Who:Faceman’s Parade of Lights feat. Tivoli Club Brass Band and Sirens of the North When: Sunday, 12.23, 8 p.m. Where: Ophelia’s Electric Soapbox Why: Steve “Faceman” can be relied upon to come up with a ridiculous yet beautiful concept for a show on the regular. Someone should catalog all the creative ideas, sculptures and sets, and the unlikely legit execution of his ideas someday in a book. Like the 100 Year Storm show of 2016 in which he brought in some 100 bands to play the Oriental Theater in early November of that year. Difficult to say exactly what will make up his own version of The Parade of Lights so best to see for yourself. Whatever the exact concept it will be entertaining.