Bloods really nailed the feeling of hurt, anger and disappointment of a recent break-up with someone you’re coming to terms with was probably not good for you on the group’s single “I Hate It.” But instead of centering that agony, Bloods cast it into an upbeat, incredibly catchy, fuzzy pop song whose lyrics are a laundry list of the main points of contention expressed with a charming frankness and humor that turns aggrievement into something fun and not something to sink your psyche into for the rest of your life. The music video is a collection of vignettes as good-natured send-ups of familiar internet video culture tropes: unboxing videos, beauty tip demos, the “Blape Nation” piece, cooking shorts, Tik Tok dance vids, hip-hop groups posing out and the standard, if simple and self-aware rock band video. Sure the words talk about hating how the person to whom those emotions are directed has an impact on your still and how their commitment to you was overestimated but the way Marihuzka Cornelius delivers the lines it feels like all those considerations are so whimsical now and ready to be written into the past by the very act of putting those feelings into words in a song as fun and appealing as “I Hate It.” The Australian group recently recorded its new Seattle EP (out now on Share It Music) with Steve Fisk at Jack Endino’s Sound House to give the recordings some of that cachet of honest and heartfelt angst and irreverent humor that was the hallmark of the best of the Emerald City’s music and certainly that spirit is present in this track. Watch the music video on YouTube and connect with Bloods at the links below.
Eugene Chadbourne, photo courtesy the artistEugene Chadbourne
Who:Creative Music Works Fundraiser: Special guest Eugene Chadbourne When: Thursday, 03.28, 7-9 p.m. Where: Mighty Fine Productions Why: Creative Music Works is, according to the event page, a “nonprofit organizartion providing educational and performance opportunities for musical innovators.” Meaning the organization furthers the endeavors of artists whose work often falls outside the traditional commercial and popular music environment—the people pushing the boundaries with form, method and conceptualization. CMW members Janet Feder, Mark Harris, Scott Kinnamon, Elena Carmerin Young and Isaac Linder will contribute to a performance as well as avant-garde music legend Eugene Chadbourne.
Who:Starjammer w/Bianca Mikahn When: Thursday, 03.28, 4-7 p.m. Where: 3 Kings Tavern Why: Starjammer’s “avant-garde dub reggae”/performance art/home made instrument rig glory is paired tonight with one of Denver’s poetry greats and forward thinking hip-hop experimentalists, Bianca Mikahn.
Who:Rob Sonic w/The Maybe So’s, Brett Gretzky and Hakeem Furious When: Thursday, 03.28, 8 p.m. Where: Ophelia’s Electric Soapbox Why: Rob Sonic has had a fairly distinguished career for his innovative hip-hop projects Sonic Sum and Hail Mary Mallon (which included Aesop Rock and DJ Big Wiz). What has made his various efforts interesting is his use of a fairly different palette of sounds from many of his peers. His 2018 album Defriender lays out moods and textures that wouldn’t be out of place on a post-punk or deep house track or an industrial noise song. Denver’s The Maybe So’s is a duo that also weaves in unconventional electronic music and samples of organic percussion into its flow of beats and poetry.
Friday | March 29
American Culture, photo by Tom Murphy
Who:Dilly Dally w/Chastity and American Culture When: Friday, 03.29, 8 p.m. Where: Larimer Lounge Why: On Dilly Dally’s 2015 album Sore the group sounded like a bit like a weird mixture of Bully and Courtney Barnett. But to be fair, it was probably something in the universe/confluence of influences across a broad swath of the collective musical consciousness. But with the 2018 album Heaven, Dilly Dally has expanded its range as a band and there is more brooding, atmospheric darkness flowing through its fuzz-laden riffs. It’s song “Doom” is more doom in tone and emotional resonance than a lot of what passes for such in the doom genre. But its inherently introspective yet expansive melodies keep the music from wallowing in stagnation. Along for this date is fellow Canadian band Chastity who are definitely more well within the realm of doomy noise rock. American Culture lately has straddled the line between indie pop, post-punk and psych country jam rock minus the wacktitude.
Who:Hand Habits w/Tomberlin and Porlolo When: Saturday, 03.30, 8 p.m. Where: Larimer Lounge Why: Meg Duffy may be more well-known for being a touring member of Kevin Morby’s band. But with the release of her album placeholder under the moniker Hand Habits should garner her plenty of attention for her own creative efforts. Superficially its mid-tempo moody indie folk but her words go deep into thoughts and feelings we don’t want to entertain but must face honestly. Not necessarily obvious and brutal trauma but the subtler pains that can deeply haunt you every day and from which are more elusive in evading. Disappointment in self, reflecting on one’s suddenly seemingly damning mistakes and the cognitive dissonance of the complexity of conflicting feelings about people, situations, existential ponderings and life in general that are all valid. Her tonal choices are all interesting and the perfect companion to explicating and maybe untangling and processing the aforementioned.
Robyn Hitchcock, photo courtesy the artist
Who:Robyn Hitchcock When: Saturday, 03.30, 7 p.m. Where: Swallow Hill – Daniels Hall Why: One thing that isn’t so obvious about seeing Robyn Hitchcock playing solo or with collaborators is how his simple but richly detailed guitar work is creatively varied and incorporates percussive elements with an expressive delicacy that focuses the emotional impact of his songwriting. He seems to be an endless well of interesting and poetic stories that make even what some may consider his lesser records worth a listen. Pick a point in Hitchcock’s career and you’ll find some of the best songwriting of that period whether while he was a member of The Soft Boys, his work with The Egyptians or The Venus 3. Like a magical-realist (emphasis on realist) novelist, Hitchcock’s songs offer observational insight into the human psyche through an intensely personal window.
Who:Jeff Carey, Sigtrygur Sigmarsson, Diffuser, Flesh Buzzard, Joshua Westerman. Sunk Cost and Page 27 When: Saturday, 03.30, 8 p.m. Where: Thought//Forms Why: Noise shows are pretty infrequent in Denver these days but this one is a showcase for some of the best noise acts going and not in the vein of the cliché harsh noise/shakebox feedback sculpting mode. Much more craft, imagination and originality here with Denver noise legends Page 27, former Austin-based noise prankster Sunk Cost, Adam Rojo of Voight’s Diffuser noise-scaping pieces and raw noise punk Flesh Buzzard. Among others.
Who:Black Dots, SPELLS, Lawsuit Models, Girl Scout Heroine and Good Family When: Saturday, 03.30, 7 p.m. Where: Seventh Circle Music Collective Why: A fairly traditional punk show with less of the fashion victim thing than usual. SPELLS wears costumes and get a solid B for the music but hey, that’s better than you get a lot of the time. Girl Scout Heroine includes former members of The Geds and The Blast-Off Heads.
Who:King Buffalo w/Pale Sun and The Lycan When: Saturday, 03.30, 8:30 p.m. Where: Lost Lake Why: What King Buffalo is doing, to some extent, we’ve seen a lot of over the past decade—drone-y, blues-y, doom-y psychedelia. But to give the band its due, if 2018’s Longing To Be The Mountain is any indication, it didn’t just adopt some motorik beats, it takes that sonic vehicle to places of heightened emotional impact beyond just hypnotic drive with occasional flourishes. Also it’s songwriting is much more creative and not grinding away at the same vibe and pace for an entire record. King Buffalo often reaches moments of true sonic sublimity in a way that transcends any genre associations. Pale Sun will bring a different kind of atmospheric heavy as the trio’s finely honed space rock has similar roots as King Buffalo but whose music touches subconscious places in the mind with both tone, rhythm and emotional vibrancy. Vocalist/guitarist Jeff Suthers channels the visceral quality of the music well with his singing but he’s also tapping into something in the collective consciousness in the performance as well.
Monday | April 1
Olivia O’Brien, photo courtesy the artist
Who:Olivia O’Brien w/Kevin George When: Monday, 04.01, 7 p.m. Where: Larimer Lounge Why: Olivia O’Brien was about fifteen years old when she got a boost up as a singer and songwriter after garnering the attention of Australian pop artist gnash who discovered her through her posting of a cover of one of his songs on Soundcloud. Over the past four years, O’Brien has recorded with gnash and released a string of singles. “Trust Issues” from 2016 revealed a thoughtful sensibility and self-awareness that can be uncommon in general but definitely in a teenager. O’Brien’s R&B and soul inflected pop and commanding, emotionally nuanced, stage presence will probably find a wider audience after this current tour and the April 26 release of her debut full-length Was It Even Real? For now, you can see her at a small club like Larimer Lounge.
Tuesday | April 2
Ten Fé, photo by Eleanor Hardwick
Who:Ten Fé w/Ten Miles South and Paul Kimbiris & The Dark Side of Pearl When: Tuesday, 04.02, 7 p.m. Where: Globe Hall Why: Been Moorhouse and Leo Duncan got their start busking in London before recording their 2017 debut album Hit the Light. Before taking the music on the road, the duo brought on board a band to fill out the sonic details. The group’s 2019 album Future Perfect, Present Tense sounds remarkably sophisticated for a relatively new band. Its particular incorporation of synth into songwriting might remind some listeners of The Call or later-era The Sound, but without the punk edge. That’s no knock on the music because its softness doesn’t quite wax into the 70s Laurel Canyon worship that’s been en vogue of late. Rather its the sound of a band exploring and refining where it will go next while perfecting an exquisitely lush minimalism without sacrificing the textural details that have made its songwriting noteworthy up to now.
Who:Vanilla Milkshakes digital album release show When: Tuesday, 04.02, 7 p.m. Where: Mutiny Information Café Why: Its been four years since Vanilla Milkshakes released Tall People Have No Feelings. Line up changes and a release of a cover of “Breed” by Nirvana in 2018 later, the grunge-y pop-punk band (singer/guitarist David McGhee makes no bones about being influenced by The Offspring) has released its best record with Punching Cows. Recorded with Jack Endino and guitars tracked through one of Kurt Cobain’s old amps, on the record McGhee’s vocals are clearer and stronger, the songwriting more focused. But the idiosyncratic quality of the lyrics and McGhee’s vocals, which is one reason none of this comes off like a band that would be playing that final Warped Tour. The sense of melody and tight rhythms give even the most melancholy of the songs (“Mommy Said to Get a Job” and “Green And Sober” for instance) a buoyant quality that doesn’t seem to downplay the real feelings and experiences that likely inspired the song. There are enough rough edges to keep the record interesting throughout. The band performs infrequently these days so this is a good opportunity to see the Vanilla Milkshakes in a small venue with the jokes from stage inserted between songs. Besides, drummer Frank Registrato is a wizard at helping keep things on track with no heavy hand and the sheer finesse and power of his playing.
Hop Along, photo by Matt Allen, OctFest
Who:Hop Along w/Summer Cannibals When: Tuesday, 04.02, 7 p.m. Where: Bluebird Theater Why: Frances Quinlan performed in early versions of Hop Along as a solo acoustic act for the first four or five years until putting together a fledgling band around 2009. Even before signing to Saddle Creek Records in 2014, Quinlan’s songwriting was not short on imaginative storytelling like she was imagining the lives and situations she encountered in either her everyday life in Philadelphia or on the road and extrapolating it into colorful imagery and a keen sensitivity and insight into the subjects of her songs even when the inspiration is drawn directly from her own life. Any band that names its album Bark Your Head Off, Dog (2018) has a healthy sense of humor and the absurd without drifting into self-parody.
Wednesday | April 3
Gort Vs. Goom circa 2014, photo by Tom Murphy
Who:Weird Wednesday: Gort Vs. Goom, The Far Stairs, The Pollution When: Wednesday, 04.03, 7 p.m. Where: 3 Kings Tavern Why: None more weird for Weird Wednesday. Gort Vs. Goom are like the post-Devo, prog punk version of The Fugs. The Far Stairs is a deconstructionist pop project that sounds like more well-crafted pop than most bands trying to fool us into thinking they’re not utter frauds. Plus sometimes there’s a Robyn Hitchcock cover involved which bespeaks of an unspoken artistic ambition far beyond the usual. The Pollution got back to punk through burning through on hardcore, psychedelic rock, krautrock and Kiwi rock and taking bits and pieces of each to put together a Frankenstein’s Monster of music where you can’t find the sutures.
Due to technical difficulties, it wasn’t possible to write up the first two dates of this show list in even remotely a timely manner. For now we present to you the rest of the week’s picks as we’re able to complete the writing.
Saturday | October 20, 2018
Megabog circa 2011, photo by Tom Murphy
Who:MC 50 with Starcrawler and The Yawpers When: Saturday, 10.20, 8 p.m. Where: The Gothic Theatre Why: Influential, even foundational, early punk band MC 5 is now on tour celebrating its fiftieth anniversary as MC 50 playing from the band’s respectable catalog that not only injected radical politics into rock music in an overt way but put an indelible stamp on the rawest version of the music post-1960s. The lineup for this tour will include original guitarist Wayne Kramer, former Soundgarden guitarist Kim Thayil, Fugazi drummer Brendan Canty, Faith No More bassist Billy Gould and Zen Guerilla frontman Marcus Durant.
Who:Dark Descent Records Ninth Anniversary When: Saturday, 10.20, 6 p.m. Where: Hi-Dive Why: Dark Descent Records celebrates nearly a decade of unleashing extreme metal from its headquarters in Colorado. For this edition of its annual showcase you can see Cianide, Krypts, Adversarial, Sempiternal Dusk, Spectral Voice and Blood Incantation
Who:Four Fists (P.O.S. + Astronautilus) w/Angel Davanport and Boss Eagle When: Saturday, 10.20, 8 p.m. Where: Marquis Theater Why: After guesting on each other’s albums for years, P.O.S. and Astronautilus finally teamed up for a collaborative project yielding the album 6666. It’s what you might expect when two titans of alternative hip-hop that know each other’s work and processes well put their heads and hearts together. Poignant social commentary and, refreshingly, a perspective that points to ways that people might take on social injustice and the world’s ills that they can handle. All while giving us tautly composed and imaginative beats that sound like a sampling of all modern electronic music going back to the 8-bit video game aesthetic the 80s as perhaps an abstract display of how culture is a continuum that can’t be truly broken by even influential bad actors. And if you’re not into the heady content aspect, the debut album from Four Fists is a collection of bangers.
Who:Mothers w/Megabog and Down Time When: Sunday, 10.21, 7 p.m. Where: Larimer Lounge Why: Kristine Leschper of Mothers and Erin Bergy of Megabog don’t fit in any easy, pat category as both have used elements of rock and folk in making their respective, boundary pushing pop music. Leschper and Bergy also both masterfully walk that line between accessibility, challenging their respective audiences and freely experimenting with sounds and song format.
Who:MAX w/Nina Nesbitt and EZI When: Saturday, 10.20, 8 p.m. Where: The Bluebird Theater Why: Max Schneider, aka MAX, has had a career in film, television and modeling but along the way he also established himself as an up-and-coming soul pop vocalist. Nina Nesbitt is a Scottish singer-songwriter/multi-instrumentalist who got a big break opening for Ed Sheeran on the European leg of his 2012 tour. In 2018 Nesbitt is set to release her sophomore album and there’s a good chance that you’ll get to see some of that material live for this tour. If you show up early you can catch EZI, aka Esther Zyskind who has roots in the singer-songwriter realm but these days, makes lush, moody, synth-driven pop songs.
Who:Blerd #2 When: Saturday, 10.20, 8 p.m. Where: Mutiny Information Café Why: This event says how Afro Punk is never coming to Denver and it, thus, shines a light on the most interesting and forward-thinking Denver artists of color. Tonight’s showcase includes two of the mightiest Denver musical acts with the otherworldly tones and transcendent hip-hop of R A R E B Y R D $ and The Maybe Sos, an experimental hip-hop duo comprised of notable Denver poets and musicians Bianca Mikahn and Jenee Elise Donelson. Also on the bill are Toluwa and Obi.
Sunday | October 21, 2018
Old Sport, photo by Tom Murphy
Who:UK Subs w/Agent Orange, Guttermouth and No Takers When: Sunday, 10.21, 7 p.m. Where: The Oriental Theater Why: UK Subs were one of the bands out of the early English punk milieu that incorporated aspects of the pub rock scene of the same era in the mid-to-late 70s. Beginning with its 1979 album, Another Kind of Blues, the group has released a record beginning with every letter of the English alphabet including 2016’s Ziezo. The Subs have also remained a vital live act since the 70s and haven’t exactly toned down the politics edge, decidedly working class left, of their body of work even when they have written songs about going concerns of youth and everyday life. Also headlining this bill is California surf punk band Agent Orange. Like most of the southern California punk bands that emerged from Orange County in the late 70s and early 80s, Agent Orange had that aggressive intensity that was key to hardcore but also an instinct for melody that gave its songwriting an accessibility that may in some ways have helped give birth to pop punk. Agent Orange didn’t really get stuck in a specific punk niche perhaps one aspect of why the band, like the Subs, has endured and evolved.
Who:Mom Jeans w/Just Friends, Awakebutstillinbed and Old Sport When: Sunday, 10.21, 6 p.m. Where: The Marquis Theater Why: Mom Jeans from Berkeley, California has been making some waves in underground music with its irreverent yet earnest songs. Over the past several years a blend of math rock, emo and pop punk has re-emerged in America as various musicians have drawn on the music of their younger years for inspiration and combined it with an interest in various musical styles that maybe they didn’t get to see firsthand when it was originally active. And then, of course, making it their own and using it as a vehicle for writing about similar frustrations and struggles but with a broader palette of sounds and cultural references. The group’s 2018 album Puppy Love is not short on meaningful songs with surreally humorous titles like “Jon Bong Jovi” and “You Can’t Eat Cats Kevin.” Also on the bill is like-minded Denver band Old Sport.
Monday | October 22, 2018
Pond, photo by Pooneh Ghana
Who:Pond w/Sur Ellz When: Monday, 10.22, 8:30 p.m. Where: Globe Hall Why: Pond isn’t a Tame Impala side project even though the group has shared members and the latter has taken on ex-members of the former as part of Kevin Parker’s live lineup. Tame Impala went in a more overtly experimental electronic dimension with its excellent 2015 album Currents. Pond’s more prolific career has taken interesting turns and it’s 2017 album The Weather was also much more electronic but very well within the realm of a psychedelic aesthetic. One might compare it to when Super Furry Animals went more off its own deep end than usual but rather than soul wending into dream pop.
Who:A Perfect Circle w/Tricky and Night Club When: Monday, 10.22, 6 p.m. Where: Red Rocks Why: On the surface this is an odd pairing of bands. A Perfect Circle is one of the projects of Maynard James Keenan of Tool and for earlier records, it was a hard rock and even metal band. For it’s 2018 album Eat the Elephant the group has transformed fully into an atmospheric pop band. The sound is so different yet not seemingly forced or brimming with try hard musical gestures it’s like it’s a new identity for the group achieved after years of development. Night Club is a darkwave rock band comprised of Emily Kavanaugh and former Warlock Pinchers and Foreskin 500 guitarist Mark Brooks. Though mostly known for his work in film and television these days (for example he wrote for and directed episodes of Metalocalypse), with Kavanaugh in Night Club Brooks has been part of a band that sounds like it mulched 90s EBM and Future Pop with the inspired industrial sleaze of Lords of Acid and My Life With The Thrill Kill Kult and made something that could make a virtue of the cheese factor of all that music without having to express the worst excesses. Night Club is more akin to modern Gary Numan than wack industrial rock and that makes all the difference. And Tricky is on the bill. As in former member of Massive Attack and downtempo pioneer with a respectable trip-hop career playing Red Rocks perhaps for the first time in decades.
Tuesday | October 23, 2018
88rising, photo courtesy the artists
Who:Windhand w/Satan’s Satyrs When: Tuesday, 10.23, 7 p.m. Where: Larimer Lounge Why: Richmond, Virginia’s Windhand has for nearly a decade refined its fluid doom soundscaping like a pagan metal Bardo Pond. The group recorded its 2018 album Eternal Return with Jack Endino, the architect of the so-called Seattle sound of the late 80s and early 90s. With Endino’s assistance, Windhand cast its gritty grandeur in sharper focus than ever before with the intricacies in tone and texture not essentially buried and blurred together in the mix as part of an unintentional aesthetic choice because that’s how doom is “supposed” to sound. Dorthia Cottrell’s vocals have also never sounded better, coming through the fogbank of sounds like a beacon in the night.
Who:88Rising: 88 Degrees & Rising Tour When: Tuesday, 10.23, 6 p.m. Where: Fillmore Auditorium Why: 88rising is a media company that is bringing some of its star artists on this tour showcasing its efforts as a management and marketing company, record label and video production service. Nothing too new there. But most of its artists are Asian pop, trap, hip-hop and R&B projects. For this tour you’ll get to see Rich Brian, Joji, Higher Brothers, Keith Ape, KOHH, NIKI and AUGUST 08.
Wednesday | October 24, 2018
Joan Baez, photo by Dana Tynan
Who:Joan Baez When: Wednesday, 10.24, 7 p.m. Where: The Paramount Theatre Why: Joan Baez has been an important figure in American popular music since the early 60s when she helped to popularize folk music to an increasingly commercial and widespread audience. She was an early advocate of Bob Dylan and helped to bring his own talent to national audience as well. Baez famously used her platform and her music to raise awareness of human rights and environmental issues, a course she has followed throughout her career up to and including “Nasty Man,” a protest song she wrote against Donald Trump in 2017. It was a viral hit and it was her first published and released piece of original material in over two decades. Baez followed this with her first studio album in nearly a decade with 2018’s Whistle Down the Wind, an album in which she puts her superb interpretations on the songs of other writers including an interesting choice with Anohni’s “Another World.” Currently Baez is on what is being cited as her final formal tour, dubbed “Fare Thee Well Tour.” If this is Baez’s last hurrah, it’s quite a capstone on the career of an artist possessed of a powerful voice and an uncommon sense of compassion and duty to her fellow creatures on planet earth.
EVP performs 8.26 at Hooked on Colfax, photo by Tom Murphy
If, like many of us, you aren’t super flush with money and couldn’t sell enough blood plasma this past year to afford half the ticket price of the Depeche Mode show tonight at Pepsi Center, you have plenty of options should the live music experience be what you’re seeking. Not just the Titwrench festival at the Mercury Café starting tonight August 25, continuing tomorrow, August 26, but plenty of others including the following.
One Who:Itchy-O and SPELLS When: Saturday, 8.26, 9 p.m. Where: Gothic Theatre Why: Itchy-O, the cult/sprawling experimental band/spectacle including over thirty members, has toured America, played in Tasmania and is arguably the most well-known weirdo band from Denver. Now the group is finally releasing its sophomore record, From the Overflowing, the follow up to 2014’s Burn the Navigator. Both albums have a home at Jello Biafra’s long-running indie label Alternative Tentacles but you can buy one in person this night and experience Itchy-O’s ever evolving live show. You can also catch openers, SPELLS, fronted by comedian Ben Roy who, with any luck, will do and say something memorably ridiculous.
Two Who:Sliver, Television Generation, Quantum Creep and Stasis of Seasons When: Saturday, 8.26, 9 p.m. Where: Moe’s Original Bar B Que Why: Sliver and Television generation play together often but that’s no bad thing because both groups have managed to basically reinvent grunge for the Rocky Mountain West. 20 years ago, maybe you would roll your eyes at such a throwback impulse in sound. But both bands are energetic and seem to be coming from a sincere and pure place that bypasses notions of misguided nostalgia. TG even worked with grunge scene engineer par excellence Jack Endino on its 2015 Digital Static EP. Quantum Creep is a noise pop band that is comprised of veteran members of Denver area indie rock and indie pop bands. Rather than just basically retreading prior efforts, the members of Quantum Creep challenged themselves to focus not just on solid songwriting but in expanding what indie rock can and should sound like. Also, kudos for the nerdly science reference, people!
Three Who:Laetitia Sadier Source Ensemble w/Heather Trost and Pattern Language When: Saturday, 8.26, 8 p.m. Where: Lost Lake Why: Laetitia Sadier was once the charismatic frontwoman of Stereolab, a band that combined Krautrock, avant-garde electronic music, bossa nova, punk and pop for an otherworldly listening experience with every record. Since that group split up nearly a decade ago, Sadier has forged her own music path with songs creatively worthy of Stereolab but more a reflection of her nuanced, further exploration of a cross-cultural blend of sounds and thoughtful commentary on life and the modern political landscape. Heather Trost, whom some may know for being in A Hawk and a Hacksaw, perfectly compliments Sadier’s own blend of diverse influences. The what one might call electronica exotica of Boulder, Colorado’s Pattern Language, as one can find on the 2017 EP Total Squaresville, is a great introduction to the whole evening.
Four Who:Kevin Morby and Shannon Lay When: Saturday, 8.26, 9 p.m. Where: Globe Hall Why: Before ever joining experimental folk band Woods on bass in 2009, Kevin Morby was writing his own music from a very young age. After leaving Woods in 2013 to forge his own way, Morby has proven himself to be a gifted crafter of introspective pop songs with a rare full use of low end in his compositions. Currently on tour in support of 2017’s City Music, Morby is finally writing and performing with the confidence that comes from not making music in the shadow of his previous musical projects.
Five Who: Speakeasy Series: EVP and Nighttimeschoolbus When: Saturday, 8.26, 6-9 p.m. Where: Hooked On Colfax Why: Nighttimeschoolbus is not too well known in Denver, much less elsewhere, but if quality of music is ever an indicator of success in that realm it should be. However, the duo comprised of Robin Walker and Toby Hendricks has few widely available recordings. They play few shows and don’t seem to have a shred of the careerist ambitions that bands trying to “make it” in any way seem to need to go beyond being asked by friends to play small shows. Walker, one of Colorado’s most talented musicians and vocalists, released solo albums in the past and with her indie pop band Cougarpants. Hendricks has several releases under his solo hip-hop moniker Otem Rellik. And together it’s an amalgamation of that underground hip-hop beatmaking and Walker’s avant-garde pop sensibilities. Also on this bill is EVP, another duo, but in this case, the band has elements of industrial music, witch house and post-punk. Amanda Baker’s vocals are reminiscent of Gitane Demone and the music has an 80s death rock vibe informed by a modern dance music production sensibillity.
Six Who:Reggae on the Rocks featuring Sublime With Rome, The Mighty Mighty Bosstones, Fishbone, Inner Circle, Landon McNamara and Judge Roughneck When: Sunday, 8.27, 2 p.m. Where: Red Rocks Why: In an annual tradition going back several years, Reggae on the Rocks will get started early Sunday afternoon. Whether the musical form is your thing, or whether or not all of these bands appeal to you, there’s not likely to be another chance to see punk/reggae legends Fishbone, much less a worthy band they influenced like The Mighty Mighty Bosstones on the same bill. Maybe some people will even figure out that Inner Circle has excellent songs beyond “Bad Boys.” The band, after all, has roots in the earliest days of reggae and had a whole career before 1986 when its most famous song was released. Local reggae powerhouse Judge Roughneck is also on the bill. While much local reggae is deservedly the butt of scorn and disdain, Judge Roughneck has garnered respect for its own music which never seems like a misguided appropriation.
Seven Who:Bleached w/Springtime Carnivores and The Corner Girls When: Sunday, 8.27, 7 p.m. Where: Larimer Lounge Why: Jennifer and Jessica Clavin were once members of the great art punk band Mika Miko. When they formed Bleached in the wake of the dissolution of the latter, they embraced a kind of songwriting style that reflected the myth of Southern California—bright and easy melodies—while never trying to pretend there isn’t a darker side to California or a more gritty aspect of everyday living. The group’s latest album, 2016’s Welcome the Worms, is a heavy album that manages not to weigh you down. Denver’s The Corner Girls also take a sort of punk and surf rock aesthetic and make it a vehicle for commenting on serious issues in a way that doesn’t sugarcoat anything but also doesn’t unproductively wallow in despair.
Eight Who:Silver Face w/Mugen Hoso and Palo Santo When: Monday, 8.28, 9 p.m. Where: Silver Spur Saloon Why: Tokyo’s Mugen Hoso could be a punk band or a rockabilly band but in fine Japanese tradition, distinct categories don’t matter and the art statement of kind of cutting loose in a culture that frowns on such emotive gestures is plenty rebellious on its own. Silver Face, the Denver psychedelic rock band, is also on the bill. By not trying to be a psych band in the same mold as so many bands have in the last 10 years when more people discovered that music by listening to the Black Angels and realizing that The Brian Jonestown Massacre is a great band and not just a living caricature of a band in the excellent 2004 documentary Dig!, Silver Face is writing valid songs with real roots in an earlier era of rock and roll.
Nine Who:The Cutthroat Drifters (final show) w/The Patient Zeros and To Be Astronauts When: Wednesday, 8.30, 7:30 p.m. Where: Larimer Lounge Why: Since around 2003 way too many bands have mined the “classic rock” sound and attitude. Like Civil War recreation societies for rock and roll. The results have been mixed. The guys in Cutthroat Drifters, though, never seemed to forget that it’s not enough to play music inspired by that era of great songwriting or to just live an irresponsible lifestyle. These Drifters wrote many a worthy rock and roll song of their own and the live show was surprisingly forceful with a talented vocalist and frontman in Nicolas Kjolhede who danced with an unaffected yet theatrical flair as his equally skilled bandmates provided the context for that performance to work. After nearly a decade of rocking and sweating on multiple Denver stages, this is their last show. We hardly knew ye, Drifters.
Ten Who:Wovenhand with Emma Ruth Rundle and Jaye Jayle When: Thursday, 8.31, 8 p.m. Where: The Marquis Theater Why: Wovenhand has evolved into a more noisy, haunted, post-punk band from its more Gothic Americana beginnings a decade and a half ago. Live, the band’s music is a journey through harrowing emotional landscapes guided by singer David Eugene Edwards’ dark vision aiming toward spiritual catharsis. Sharing the bill are Emma Ruth Rundle and Jaye Jayle. The two songwriters had a collaborative album earlier this year but separately, Rundle has a ghostly purity at the heart of her dark, moody songs that evokes Julee Cruise while sounding more like Marissa Nadler. As a member of Red Sparrowes with roots in folk music, Rundle masterfully navigates a broad and deep vista of emotional expression. Evan Patterson, Jay Jayle, is no stranger to heavy music himself as a member of Young Widows and Breather Resist, and his burnished blues folk is the stuff of Jodorowsky soundtracks.
Queen City Sounds and Art 
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