Best Shows in Denver and Beyond 11/7/19 – 11/13/19

Frankie Cosmos
Frankie Cosmos performs at Bluebird Theater on November 7, photo by Jackie Lee Young

Thursday | November 7

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Stephen Steinbrink circa October 2009, photo by Tom Murphy

What: Frankie Cosmos w/Stephen Steinbrink and Ashley Koett
When: Thursday, 11.7, 7 p.m.
Where: Bluebird Theater
Why: The latest Frankie Cosmos album is called Close It Quietly (out on Sub Pop) which is a title reflecting the tender, sensitive and utterly sincere quality of Greta Kline’s songwriting and psychologically insightful lyrics. Stephen Steinbrink’s golden voice and talent for inventive soundscapes in his pop songs has been brewing for more than a decade while he toured regularly in the DIY world. His 2018 album Utopia Teased is a pinnacle of his recorded output with a diverse array of moods and textures.

What: Juan MacLean DJ set w/boyhollow and Retrofette (DJ set)
When: Thursday, 11.7, 8:30 p.m.
Where: Ophelia’s Electric Soap Box

What: HXXS (KC), Luxury Hearse, Kid Mask, Blood Wolf (NM)
When: Thursday, 11.7, 8:30 p.m.
Where: Tennyson’s Tap

Friday | November 8

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Kyle Emerson, photo by Rett Rogers

What: Houndmouth w/Kyle Emerson
When: Friday, 11.8, 8 p.m.
Where: Bluebird Theater
Why: Kyle Emerson’s new album Only Coming Down is a thoughtful collection of songs written while the songwriter was splitting his time between his adopted home of Denver and Los Angeles. Emerson is from norther Ohio but moved to Denver in his late teens/early 20s where he fell in with an up and coming psychedelic pop band Plum which made waves before moving to the City of Angels and, as is often the cliché, broke up shortly thereafter. Since then Emerson moved back to the Mile High City where he established himself as a solo artist with the release of his sophisticated and introspective, folk inflected pop album Dorothy Alice. For this set of shows he’s opening for bluesy indie rock band Houndmouth from Indiana.

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FILTH circa 2017, photo by Tom Murphy

What: Ultra Metal 2 Night 1
When: Friday, 11.8, 5 p.m.
Where: Rhinoceropolis
Why: Since Denver Noise Fest isn’t happening this year, Johnathan Cash of Sunk Cost is picking up that slack again with the biggest noise festival in Colorado across two nights at Rhinoceropolis bringing together a wide range of artists from Colorado and well beyond. Go expecting the broad spectrum of noise from the presumed harsh noise, to prepared environment soundscaping, ambient, beat-driven industrial drone, noisy post-punk, glitch, weirdo techno, post-metal, organic sound composition, sound collage, field recording processing and more. Honestly, greater diversity here in purely sonic terms than any other festival in Colorado since the last Ultra Metal. See the schedule below.

5pm – doors open
5:40pm – J. Westerman
6pm – Blarney Mumble
6:20pm – Harms
6:40pm – Kid Mask
7pm – Dragging
7:20pm – Voight
7:40pm – Pat Hopewell
8pm – Genital Stigmata
8:20pm – Culled
8:40pm – John Ingram
9pm – Sounding
9:20pm – Ritual Chair
9:40pm – Developer
10pm – Kiran Arora
10:20pm – Xome
10:40pm – Conscious Summary
11pm – Baby Daddy
11:20pm – PCRV
11:40pm – Scathing
12am – VX Bliss
12:20am – GNO
12:40am – FILTH
1am – H Lite x Techno Allah
1:20am – Clutch Plague
1:40am – J. Hamilton Isaacs

What: Clan of Xymox w/The Bellweather Syndicate and The Siren Project
When: Friday, 11.8, 7 p.m.
Where: Oriental Theater
Why: Clan of Xymox is a Dutch post-punk band that influenced a generation of second wave Goth bands with its imaginative and bracing sounds and imagery. Adam Wingard featured Xymox tracks in his 2014 action thriller The Guest.

What: Codename: Carter w/SPELLS and Zephyr
When: Friday, 11.8, 8 p.m.
Where: Hi-Dive

What: The Roots
When: Friday, 11.8, 8 p.m.
Where: The Fillmore Auditorium

Saturday | November 9

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Pedestrian Deposit circa 2012, photo by Tom Murphy

What: Ultra Metal 2 Night 2
When: Saturday, 11.9, 5 p.m.
Where: Rhinoceropolis
Why: See above regarding Ultra Metal. Schedule for night 2 below.

5pm – doors open
5:40pm – ilind
6pm – French Kettle Station
6:20pm – Goo Age
6:40pm – Earth Control Pill
7pm – Pet Sounds
7:20pm – Rush Falknor
7:40pm – Illicit Relationship
8pm – Sunk Cost
8:20pm – A Fail Association
8:40pm – Primordial Wound
9pm – T.E.F.
9:20pm – Sects
9:40pm – Jackson Pratt
10pm – Sissisters
10:20pm – Blind Date
10:40pm – Circuit Wound
11pm – Ancient, INC.
11:20pm – Tralphaz
11:40pm – Pedestrian Deposit
12am – Dromez
12:20am – Purism
12:40am – Blank Hellscape
1am – Total Mom
1:20am – Many Blessings
1:40am – Page 27

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Necropanther, photo courtesy the artists

What: Necropanther w/Methane, Incarnit, Draghoria
When: Saturday, 11.9, 8 p.m.
Where: Hi-Dive
Why: Death/thrash metal band Necropanther from Denver is celebrating the release of its latest album The Doomed City although it has those great, distorted vocals that you’d expect from a black metal outfit there’s always been something tuneful and catchy about the band’s output.

What: Pink Hawks’ Scorpio Party: Pink Hawks, Los Mocochetes, Brothers of Brass, DJ A-L
When: Saturday, 11.9, 8:30 p.m.
Where: Ophelia’s

What: Zebroids, Mr. Pacman, The Half Hearts, Ladies Night
When: Saturday, 11.9, 9 p.m.
Where: Lion’s Lair

What: Integrity w/Limbwrecker, Victim of Fire and Clusterfux
When: Saturday, 11.9, 7 p.m.
Where: Oriental Theater

What: Houndmouth w/Kyle Emerson
When: Saturday, 11.9, 8:30 p.m.
Where: Fox Theatre

Sunday | November 10

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Pile, photo by Elisabeth Fuchsia

What: Pile w/Slow Code and Moon Pussy
When: Sunday, 11.10, 8:30 p.m.
Where: Fox Theatre
Why: Pile formed in 2007, the same year as the Canadian band Women, and has exerted a similarly strong influence on underground guitar rock by going off the map of conventional structure, dynamics and tone. Its new album Green and Gray has all of its signature contorted and noisy angularity. Opening is Denver noise rock Moon Pussy whose Big Black-esque bluster is a revelation.

What: Vincent Comparetto Going Away Party
When: Sunday, 11.10, 7 p.m.
Where: Hi-Dive
Why: Vincent Comparetto has been calling Denver home for over 20 years and is now moving to New York City. He got involved in the skating community in the 90s and discovered the local world’s punk and post-punk communities and has been avidly documenting the music scene and the cityscape for years as can be found in his ‘zines Follow Focus, particulary #2 in which he shared several of his shots of shows and the arts world in Denver. Here’s a public chance to say farewell to one of local cultures most cordial and thoughtful preservers of what has been and advocates for what is going on.

What: FUTUREBIRDS w/Rowboat and Paul DeHaven
When: Sunday, 11.10, 7 p.m.
Where: Globe Hall

Monday | November 11

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Hippo Campus, photo by Pooneh Ghana

What: Hippo Campus w/The Greeting Committee
When: Monday, 11.11, 7:30 p.m.
Where: Boulder Theater
Why: Hippo Campus released two albums in 2019 as Demos I and Demos II. While they sound a bit like the titles suggest and recorded between 2017 and 2018, the spare, raw quality of the recordings actually serve to highlight the band’s songwriting further. Its 2018 album Bambi showcased its knack for expertly produced pop songs while the new batch of material is almost the polar opposite like the experiments Magnetic Fields have engaged in over the years with its creative and varied use of technology in songwriting and processing sounds. But whatever its approach, Hippo Campus has proven its mastery of dynamics and tone.

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Aquabats, photo courtesy the artists

What: The Aquabats
When: Monday, 11.11, 7 p.m.
Where: Gothic Theatre
Why: It’s odd to think that The Aquabats has been around for over twenty-five years now. Hailing from Huntington Beach, California, the quintet’s mixture of ska, punk and pop is as surreal as it is playful. Its singer The MC Bat Commander (aka Christian Jacobs) is better known for his involvement with the kids’ show Yo Gabba Gabba! these days but The Aquabats was a good natured send-up of the Orange County punk scene as the opposite of a macho, violent band. Instead The Aquabats have assumed the personae of super heroes and its multi-media presentation through its own TV shows and sillymusic videos has allowed the band to transcend not just genre appeal but appeal beyond the realm of punk and ska, which the group has long since left behind in favor of greater musical diversity in its songwriting. Go expecting more than just a musical performance, expect the full integration of that with theater and comedy routines and special guest performers along with its usual incorporation of the audience into the proceedings as well.

What: RAREBYRD$, Staple (WI), Gone Full Heathen, Heathen Burial and Denizens of the Deep
When: Monday, 11.11, 7:30 p.m.
Where: Glitter City

What: Ulthar w/Nightfell, Malum Mortuus and Saeva
When: Monday, 11.11, 8 p.m.
Where: Hi-Dive

What: Decide Today (ex-Realicide), Watabou, Church Fire and Techno Allah
When: Monday, 11.11, 8 p.m.
Where: Rhinoceropolis

Tuesday | November 12

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Emerald Siam, photo by Tom Murphy

What: Elephant Stone w/Frankie and the Witch Fingers and Emerald Siam
When: Tuesday, 11.12, 7 p.m.
Where: Hi-Dive
Why: Elephant Stone’s psychedelic pop songs have weathered the glut of wannabe psychedelic rock of the past several years by going beyond the tropes and creating transcendent melodies incorporating traditional Indian musical styles and methods for a sound that seems to drift in from some brighter realm than our own. Frankie and the Witch Fingers is a little more traditionally garage psyche but the sheer momentum of its performances elevates it beyond the languid pace and laid back style we’ve come to expect all while maintaining a delicacy of feeling. Emerald Siam from Denver has some of that psychedelic garage rock in its musical DNA but is more like a moody, dark, post-punk band that discovered that musical catharsis comes from overcoming one’s personal momentum rather than sinking deeper into it.

What: FKA Twigs
When: Tuesday, 11.12, 7 p.m.
Where: Mission Ballroom
Why: FKA Twigs brilliantly fuses downtempo with experimental electronic music. Her new album Magdalene is basically an environmental noise record with elements of R&B and soul in a pop format in the foreground.

What: Big Freedia w/Low Cut Connie
When: Tuesday, 11.12, 7 p.m.
Where: Gothic Theatre
Why: Big Freedia’s “sissy bounce” is like some hip-hop performance art spell-casting that is disorienting yet utterly riveting.

What: At the Heart of the World w/Lowfaith and Polyurethane
When: Tuesday, 11.12, 7 p.m.
Where: Rhinoceropolis

Wednesday | November 13

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The Coathangers, photo by Jeff Forney

What: The Coathangers w/Control Top and Rocket Dust
When: Wednesday, 11.13, 7 p.m.
Where: Lost Lake
Why: The Coathangers have evolved a lot since the incendiary and thrilling chaos of their earlier punk rock without losing any of that raw power. Now touring for The Devil You Know, The Coathangers have completely integrated its instinct for tearing down convention with sharply focused songwriting.

What: Sun Seeker w/Duncan Fellows
When: Wednesday, 11.13, 7 p.m.
Where: Larimer Lounge
Why: Duncan Fellows from Austin unexpectedly makes a blend of Americana, psychedelic pop and 2000s indie rock work through creative layering of instrumentation and vocals giving its songs great dynamic range and an element of unpredictability. There’s a lot of imitation in music at the moment and while Duncan Fellows may not strike some as incredibly original, give them a good listen and it becomes obvious they’re at least following their musical instincts where the mood flows rather than where pre-existing style suggests. In that way the group is a bit like Foxygen and Unknown Mortal Orchestra without sounding like either. Its use of synths as a full compositional element sets it apart from most of its peers as well as heard put to full effect on the group’s latest release the Eyelids Shut EP.

What: MONO w/Bell Witch
When: Wednesday, 11.13, 7 p.m.
Where: Ophelia’s

What: The Get Up Kids w/Kevin Devine and The Whiffs
When: Wednesday, 11.13, 7 p.m.
Where: Oriental Theater

What: Mr. Phylzzz w/Simulators, Church Van and Moon Pussy
When: Wednesday, 11.13, 8 p.m.
Where: Glitter City

Best Shows in Denver and Beyond 10/17/19 – 10/23/19

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Guerilla Toss performs at Hi-Dive on October 19, 2019, photo by Vanessa Castro

Thursday | October 17

Sun Blood Stories
Sun Blood Stories, photo by Sun Blood Stories

What: Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands
When: Thursday, 10.17, 7:30 p.m.
Where: Glitter City Studio
Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.

What: 303 Synth City: Patternshift, Malibu Nights, Niq V, Bob Sync
When: Thursday, 10.17, 7 p.m.
Where: Walnut Room

What: Brent Penny, Cuckoo, Shanea
When: Thursday, 10.17, 9 p.m.
Where: Rhinoceropolis

What: False Report (EP release) w/In My Room, Pacific Nerve, Cagemates
When: Thursday, 10.17, 7 p.m.
Where: Lost Lake

Friday | October 18

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Temples, photo by Laura Allard Fleischl

What: Temples w/Honey Harper
When: Friday, 10.18, 8 p.m.
Where: Gothic Theatre
Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.

What: Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra
When: Friday, 10.18, 7 p.m.
Where: Paramount Theatre
Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.

What: Hilary Leftwich book release of Ghosts Are Just Strangers Who Know How to Knock
When: Friday, 10.18, 7 p.m.
Where: Book Bar

What: Deep Club presents: Galcher Lustwerk w/WNGDU and Ponyrok
When: Friday, 10.18, 11 p.m.
Where: Rhinoceropolis

What: Colfax Speed Queen album release of Dirty Mirror w/The Kinky Fingers, Savage Blush and Ladies Night
When: Friday, 10.18, 9 p.m.
Where: Hi-Dive

Saturday | October 19

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Aldous Harding circa 2017, photo by Tom Murphy

What: Aldous Harding w/Hand Habits (solo)
When: Saturday, 10.19, 8 p.m.
Where: Larimer Lounge
Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.

What: Guerilla Toss w/cindygod and Corner Girls
When: Saturday, 10.19, 8 p.m.
Where: Hi-Dive
Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do? released October 18 and this is more or less the band’s tour kickoff show.

What: Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers
When: Saturday, 10.19, 8:30 p.m.
Where: The People’s Building
Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.

What: The Distillers w/Death Valley Girls
When: Saturday, 10.19, 7 p.m.
Where: Ogden Theatre
Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.

What: Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue
When: Saturday, 10.19, 9 p.m.
Where: Rhinoceropolis
Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.

What: Jonathan Richman w/Tommy Larkins
When: Saturday, 10.19, 7 p.m.
Where: Daniels Hall at Swallow Hill
Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.

Sunday | October 21

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Voight, photo by Tom Murphy

What: All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ)
When: Sunday, 10.20, 8 p.m.
Where: The Zodiac (Colorado Springs)
Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.

What: The Japanese House w/Overcoats
When: Sunday, 10.20, 8 p.m.
Where: Fox Theatre

What: Haunter, Noctambulist, Casket Huffer, Zygrot
When: Sunday, 10.20, 9 p.m.
Where: Rhinoceropolis

What: Municipal Waste, Napalm Death, Sick Of It All and Take Offense
When: Sunday, 10.20, 6 p.m.
Where: Summit Music Hall

What: Black Lips w/Blue Rose Rounders and Backseat Vinyl
When: Sunday, 10.20, 7 p.m.
Where: Larimer Lounge

Monday | October 21

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All Your Sisters circa 2016, photo by Tom Murphy

What: All Your Sisters w/Echo Beds, Midwife and B|_ank
When: Monday, 10.21, 9 p.m.
Where: Rhinoceropolis
Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.

What: Whitney w/Lala Lala
When: Monday, 10.21, 7 p.m.
Where: Ogden Theatre
Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.

What: J.S. Ondara w/Elise Davis
When: Monday, 10.21, 7 p.m.
Where: Bluebird Theater

What: Black Lips w/Blue Rose Rounders and The Corner Girls
When: Monday, 10.21, 7 p.m.
Where: Globe Hall

Tuesday | October 22

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Chelsea Wolfe, photo by Ben Chisholm

What: Chelsea Wolfe w/Ioanna Gika
When: Tuesday, 10.22, 8 p.m.
Where: Stanley Hotel
Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.

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The KVB, photo by George Katsanakis

What: The KVB w/Numb.er and Eventually It Will Kill You
When: Tuesday, 10.22, 8 p.m.
Where: Larimer Lounge
Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.

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John Paul White, photo by Alysse Gafkjen

What: Shovels & Rope w/John Paul White (of The Civil Wars)
When: Tuesday, 10.22, 7 p.m.
Where: Ogden Theatre
Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.

What: Mating Ritual, Hembree, Compass & Cavern
When: Tuesday, 10.22, 8 p.m.
Where: Lost Lake

Wednesday | October 23

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mxmtoon, photo by Nicole Busch

What: mxmtoon w/Alexander 23
When: Wednesday, 10.23, 7 p.m.
Where: Larimer Lounge
Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.

What: Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs
When: Wednesday, 10.23, 9 p.m.
Where: Rhinoceropolis
Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.

What: Agnostic Front w/The New Narrative, Clusterfux and Out For Blood
When: Wednesday, 10.23, 7 p.m.
Where: The Oriental Theater

What: Girlpool, American Grandma and Bellhoss
When: Wednesday, 10.23, 8 p.m.
Where: Lost Lake

Ambient Music Pioneer Laraaji On Sound and Spiritual Practice, Vision Songs and Laughter Meditation

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Laraaji, photo courtesy the artist

Laraaji was born Edward Larry Gordon and as a youth he learned to play a variety of instruments and did voice training before going to college at Howard University. In the 70s Gordon was living in New York City and studying Eastern spirituality and mysticism when he picked his first zither in a pawn shop. From there he modified the instrument to be electronic and performed and composed with the zither in unconventional ways. He was busking in Washington Square Park when he met Brian Eno and the two came to work on one of the first several albums in the “Ambient” series released by Eno in the 70s and 80s. 1980’s Ambient 3: Day of Radiance was markedly different from other entries in the series as the zither as processed through effects was still fairly organic and brought endlessly fascinating textures to the collaboration.

Laraaji has gone on to have quite a prolific and varied career as an artist and spiritual practitioner. He has done albums with Michael Brook, the inventor of the “infinite guitar,” with Roger Eno, Bill Laswell, Jonathan Goldman (a practioner of healing through sound) and avant-garde noise folk sculptors Blues Control. In the mid-80-s Laraaji released recordings collectively called Vision Songs and broadcast on his public access television show as a practice and example of raising spiritual consciousness through music. He also holds workshops in Laughter Meditation worldwide. Laraaji will perform at Rhinoceropolis on Saturday, July 12 with Free Music, J. Hamilton Isaacs, Goo Age and Fragrant Blossom.

We recently interviewed Laraaji via email and discussed his blending of music and spirituality, the aforementioned Vision Songs and Laughter Meditation as well as his more high profile collaborative projects.

Tom Murphy: When you were studying Eastern mysticism did you find any connections between what you learned that route and the music around you at the time? How would you describe those connections?

Laraaji: I observed that drone music at that time reflected the sensation of eternal present time which is emphasized in eastern philosophy—the continuum of consciousness. Also deep yogic level relaxation and meditation as reflected in the music of Stephen Halpern. The heightened sensation of bliss and ecstasy as reflected in the music of Iasos at the time in the late 1970’s. Terry Reilly.

How did you turn a zither into an electronic instrument? Was anyone doing anything comparable at the time you started doing that? Did you process those sounds early on or was it more for amplification?

My first autoharp/zither was acoustic. And after exploring alternative tunings I investigated ways to amplify it. [I then purchased] an electric pickup made especially for autoharps. I dove into amplified autoharp/zither research and decided to add sound treatment with the MXR 90 Phase shifter. After recording the album Day of Radiance with producer Brian Eno my interest in other [effects] pedals expanded to include chorus, delays, flangers and reverb.

How did you meet Brian Eno and as a producer how involved was in shaping the sound of Day of Radiance?

Brian introduced himself to me while I was playing Washington Square Park [in New York City in] 1978 and extended the invite to join him in his Ambient album productions. His suggestions to depend more on live studio microphones and Eventide effects, mixing as well as overdubbing a second zither helped to shape the Day Of Radiance sound.

You’ve worked with Michael Brook. How did you become familiar with his music and what lead to that collaboration?

Michael Brook was involved in my initial collab performance tours with Opal Evening, a tour project in the late 1980s to mid 1990s. Michael was a performer as well as sound engineer for the tour. As a result his live recordings of all the shows contributed to eventual record releases.

Tell us about Laughter Meditation and why you think it is beneficial to people in practicing it.

Daily Laughter as a mindful practice treats our energy presence to heightened functioning. Included in this is our immune system, our blood flow, our hormone flow, our breath flow. The reduction of stress and emotional tension through mindful laughter prepare us for meditative relaxation and stillness. In this practice our focus is not to find something funny at which to laugh but to explore self-willed laughter as a force for therapeutic recreation and and inner spiritual self connection.

Vision Songs seems like a further expansion of music and art as spiritual practice. Did you broadcast performances of that music on your public-access show in New York? Why were you drawn to that way of putting the music and those ideas out there? What about performing Vision Songs in the live show format do you find interesting and powerful now?

Vision Songs is where I was at the time in the early 1980s seriously investigating spiritual consciousness and sharing my awakening through [spontaneously] inspired songs and music with an expanding spiritual community in the USA. Sharing the songs in live show allows me to free sing the themes and lyric contents of these songs into fresh listening.

Certainly artists like John Coltrane and Alice Coltrane have had their music described as spiritual in philosophy, practice and in the impact of the music itself. Nusraat Fateh Ali Khan and others have been practitioners of Qawwali as part of their fusion of musical and spiritual practice. Who are some artists now that you feel are operating in those modes that you find compelling?

Artists who seem to be performing in these deep intentional spiritual modes [include] Don Conreux, Gong Master, Jon Serrie, Constance Demby, Stephen Halpern and Pauline Oliveros to name a few.

Best Shows in Denver 06/20/19 – 06/26/19

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Mitski performs at Red Rocks with Death Cab for Cutie on Tuesday, June 25, photo by Bao Ngo

Thursday | June 20

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Future Punx, photo courtesy the artist

What: Glasss Presents the Final Speakeasy Series Season 3: Adam Selene, Abeasity Jones and MYTHirst
When: Thursday, 06.20, 6:30 p.m.
Where: Hooked On Colfax
Why: This is the final edition of the Speak Easy Series not just Season 3 but overall. Each date has been a well-curated showcase of Denver’s underground experimental music underground with a reach covering a lot of that territory in a way few if any other events have in recent years. Tonight’s show includes some of the local scene’s hip-hop and production stars as named above.

What: SCAC with Kid Congo Powers & The Pink Monkey Birds
When: Thursday, 06.20, 8 p.m.
Where: Hi-Dive
Why: Slim Cessna’s Auto Club is the long-running, legendary Americana post-punk band with a theatrical flair and costumes to enhance a strong visual presence on stage. Joining them tonight is Kid Congo Powers & The Pink Monkey Birds. Also favoring matching outfits in the vein of influential Chicano rock bands like Thee Midnighters, the group is fronted and lead by one of rock’s great songwriters and guitarists. Kid Congo Powers brought great finesse, inventiveness and a keen ear for melody and dynamics to groups like Gun Club, The Cramps and Nick Cave & The Bad Seeds.

What: Mystery Lights w/Future Punx and Slynger
When: Thursday, 06.20, 7 p.m.
Where: Globe Hall
Why: Mystery Lights is an odd and fascinating mix of retro synth bands and proto-punk. Give its new record Too Much Tension! a listen. Like early Zen Guerilla but weirder. Future Punx is also on tour from Brooklyn with its synth funk punk akin to Les Savy Fav and The Epoxies but with more synth than the former and less pop punk than the latter. Its own 2019 album The World Is A Mess (which includes an almost brooding cover of “The World’s A Mess (It’s In My Kiss)” by X) sure does sound like some people from the future looking back on the Twentieth Century New Wave and punk era the way some indie rockers have looked back on Laurel Canyon, classic rock and 80s glam rock for inspiration and cherry picked sounds to assemble in idiosyncratic fashion.

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Hembree, photo by Stephen Shireman

What: Bloxx, Hembree and Warbly Jets
When: Thursday, 06.20, 6:30 p.m.
Where: Marquis Theater
Why: Bloxx is a four piece from London whose sound makes one think its members evolved out of the music that defined its early youth and rediscovered 90s alternative rock and mulched it all in favor of a charmingly melodic, fuzzy emo-esque songwriting style reminiscent of newer bands like Culture Abuse. Kansas City’s Hembree rides that line between post-punk and synth pop well and its 2019 album House On Fire is filled with darkly luminous yet urgent dance songs.

Friday | June 21

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Nick Murphy, photo by Willy Lukatis

What: Gasoline Lollipops., Dust Heart and Grayson County Burn Ban
When: Friday, 06.21, 7 p.m.
Where: Oriental Theater
Why: Andy Thomas has been a fixture of Denver music for close to two decades as a member of bands like Ghost Buffalo, The Knew, Tin Horn Prayer, Only Thunder and, more recently, Lost Walks. Around a decade ago he started releasing music under his own name and as Andy Thomas Dust Heart and exploring different facets of his own songwriting. He is now releasing music as simply Dust Heart and tonight he releases his single “Plastic Walls” and “The Last Gap.” Thomas’ command of the musical vocabulary of Americana and punk has long been established. With the new material the songwriter delves further into something more akin to gritty power pop with charged guitar riffs and his always emotionally resonant vocal delivery. He’ll be performing the Punk Is Dad benefit tonight at the Oriental Theater with other like-minded local acts. Look for our interview with Thomas coming soon.

What: Nick Murphy fka Chet Faker w/Beacon
When: Friday, 06.21, 7 p.m.
Where: Ogden Theatre
Why: Nick Murphy announced in 2016 that he would drop his long-running stage name of Chet Faker with the release of his next album, that being 2019’s Run Fast Sleep Naked. The Australian singer and songwriter’s mixture of R&B and downtempo electronic pop struck a chord in the first half decade of his career so far and his new album is the result of some wanderlust and making the music and putting together ideas as he went along. The album is a mixed bag but sometimes such material translates better live than as a loose concept album and you can see for yourself tonight as Murphy transforms the Ogden into a more intimate environment in which his songs can shine in the interpretation of the recorded music.

Saturday | June 22

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Oh, Rose at Treefort Music Fest, photo courtesy the artist

What: Yeasayer w/Oh, Rose
When: Saturday, 06.22, 7 p.m.
Where: Gothic Theatre
Why: Oh, Rose from Olympia, Washington has been making C86-esque pop songs for around half a decade and garnering some buzz for its emotionally warm and ebullient yet introspective songwriting. Fans of Shop Assistants and perhaps Black Tambourine will find much to like about Oh, Rose in general but especially it’s forthcoming album While My Father Sleeps due out on August 23, 2019 on Park The Van Records. The group is opening for Yeasayer whose genre bending sound makes psychedelic rock, non-Western rhythms and prog work well together by not bothering to recognize a boundary between all of that. The result is what might be considered “indie funk” but with a more imaginative live presentation of the music than those terms together might suggest.

What: Alphabeat Soup #41: Rico Eva (Riq Squavs), MYTHirst, Yung Lurch, Furbie Cakes and Love Cosmic Love
When: Saturday, 06.22, 8 p.m.
Where: Thought//Forms
Why: With the demise of Deer Pile, Alphabeat Soup, the periodic showcase of some of Denver’s most forward-thinking electronic music producers, is finding a new home at Thought//Forms.

What: TRVE DadFest
When: Saturday, 06.22, 1 p.m.
Where: Hi-Dive and Mutiny Information Café
Why: TRVE Brewing and Dad Fest combined forces for this event to bring a day and night of stars of extreme, doom and experimental (and combinations thereof) metal from Denver and beyond. But as per usual for DadFest, there will music well outside that like ethereal soundscaper Midwife, Denver noise legends Page 27 and beat-driven noise auteur Data Rainbow. Our pick for the later heavy stuff if one must choose? BIG|BRAVE’s 2019 album A Gaze Among Them is a towering locomotive of driving beats that transcends narrow concepts of doom, noise and industrial. But, really, everything on the bill is worth your time—not something one can say about every festival, tastes differing. The event happens at two venues, schedule listed below.

Hi-Dive Schedule (upstairs and downstairs as indicated)
Up: Dreadnought 7:50-8:10
Down: Noctambulist 8:15-8:35
Up: In the Company of Serpents 8:40-9:00
Down: Vale 9:05-9:25
Up: Midwife 9:30-9:50
Down: Of Feather and Bone 9:55-10:15
Up: BIG|BRAVE 10:20-10:50
Up: Wake 11:05-11:25
Up: Vanum 11:40 – finis

Mutiny Schedule
Lost Relics 2:00-2:20
New Standards Men 2:35-2:55
Chair of Torture 3:10-3:30
A Light Among Many 3:45-4:05
Livid 4:20-4:40
Whilt 4:55-5:05
909 5:20-5:40
Flesh Buzzard 5:55-6:05
Heathen Burial 6:20-6:40
Data Rainbow 6:55-7:05
Page 27 7:20-7:40

Sunday | June 23

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Howard Jones circa 2017, photo by Tom Murphy

What: A Vulture Wake w/Joy Subtraction and State Drugs
When: Sunday, 06.23, 7 p.m.
Where: Lost Lake
Why: A Vulture Wake is a sort of melodic punk super group including Chad Price of ALL and Drag the River) and members of Lagwagon and Real McKenzies. But you won’t be getting some odd pop punk or melodic hardcore redo, it’s songwriting goes a bit beyond all of that with technical proficiency used with imaginative and evocative guitar riffs. Joy Subtraction doesn’t play much these days but its punk is borderline post-punk and its sharp take on social and political issues lacks is way more clever and insightful than that of at least two or three other bands. But not just any two or three other bands.

What: Howard Jones w/Men Without Hats and All Hail the Silence
When: Sunday, 06.23, 5:30 p.m.
Where: Hudson Gardens
Why: Howard Jones is a pioneer of synth pop and one who learned to use difficult and temperamental equipment to compose some of the biggest hits of the 1980s like “Things Can Only Get Better,” “No One Is To Blame,” “What Is Love” and “Like to Get to Know You Well.” While for some these may be light pop songs Jones’ voice expressive and highly emotional deliver stood out even back then in the heyday of that music. As a live performer now Jones is surprisingly forceful and charismatic with an expertly crafted light show whose music seems prescient considering the direction synthwave and chillwave has developed.

Monday | June 24

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Ginger Root, photo by Seannie Bryan

What: Ginger Root w/Oko Tygra and Hi-Fi Gentry
When: Monday, 06.24, 7 p.m.
Where: Hudson Gardens
Why: As Ginger Root, Cameron Lew has been making lush downtempo synth pop that sets itself very much apart with an attention to the low end. It gives his songs a sonic depth and flow that credibly gives a nod to 70s dance music and soul. Frankly, some filmmakers who are trying to nail that 70s and 80s vibe should hit up Lew to score and/or music supervise their projects because more than most people making music now who probably wasn’t alive at that time, he gets it and it’s not just having access to the vintage gear. But listen for yourself to his new singles “Weather” and “Slump” here.

What: Stevie Wonder
When: Monday, 06.24, 7 p.m.
Where: Red Rocks
Why: Stevie Wonder needs no introduction as a legend of soul, funk, R&B and jazz. He’s performing at this Red Rocks show as a fundraiser for SeriesFest.

Tuesday | June 25

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Mitski, photo by Bao Ngo

What: Death Cab for Cutie w/Mitski
When: Tuesday, 06.25, 6:30 p.m.
Where: Red Rocks
Why: Mitski Miyawaki recently announced that after her fall live bookings she was taking a hiatus from the grinding, album-release-cycle-and-touring of the music industry that allows little time for cultivating one’s life and creativity separate from its considering for delivering up to an audience in a form they are expecting. Miyawaki has had a respectable career and body of work up to now including her 2018 album Be the Cowboy. The latter pushed her songwriting to new heights of creativity in telling stories, self-examination and soundscaping. And a deep level of emotional honesty. With an album as great Be the Cowboy where does a songwriter go without repeating oneself while under the gun to produce something more quickly than one’s brain is prepared to deliver? With any luck she’ll find the time away from the cultural realm that Hunter S. Thompson famously critiqued before it got as bad as it is now by writing: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good [people] die like dogs. There’s also a negative side.” Wherever Miyawaki lands we wish her good fortune and happiness while hoping she comes back with a new set of music that continues her legacy of great songs.

Death Cab for Cutie is a band that helped to define and shape what “indie rock” has meant, sounded like and looked like since at least the late 90s. Now that the group has been fairly commercially successful for several years at this point its songwriting may lack some of the urgency and poignancy of its earlier output at least the band has a few decent songs with every album since the turn of the decade.

Wednesday | June 26

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J. Hamilton Isaacs, photo by Tom Murphy

What: Harry Tuft
When: Wednesday, 06.26, 6 p.m.
Where: Four Mile Historic Park – Shady Grove
Why: Harry Tuft is the godfather of bluegrass and folk in Denver having run the Denver Folklore Center in the 60s through the 70s and as a founder of Swallow Hill. He seldomly performs but when he does his interpretations of other people’s songs and standards is always interesting and his originals worthy as well. As a champion of music for decades, Tuft ironically didn’t have many chances to play his own music until his 80s and he does so with emotional power and grace.

What: Die ANGEL, Xambuca, Equine, Ian Douglas Moore and J. Hamilton Isaacs
When: Wednesday, 06.26, 8 p.m.
Where: Thought//Forms
Why: Die ANGEL is Ilpo Väisänen of noise/drone legends Pan Sonic and Dirk Dresselhaus of avant-guitar group Schneider TM. With Die ANGELthe duo explore the kind of noise, ambient, sound environment composition that is an experience in itself in flowing sounds, tones and rumbling low end. It is a physical as well as a psychological experience that will engulf the room at Thought//Forms. Xambuca is a San Francisco-based modular synth and production artist who will bring his own depth of sonic field to the proceedings. Denver’s Equine is Kevin Richards whose avant-garde guitar work has been part of the Mile High City’s underground for nearly two decades as a member of weirdo, jazz/noise post-hardcore band Motheater and blackened noise duo Epileptinomicon. J. Hamilton Isaacs is one of the local music world’s champions of modular synth music as well as a noteworthy artist in his own right producing entrancing (no pun intended for those in the know) synth/dance music that blurs the line between ambient and more academic synth experiments.

What: No Vacation w/Okey Dokey and Hello, Mountain
When: Wednesday, 06.26, 7 p.m.
Where: Larimer Lounge
Why: No Vacation’s take on surf rock-inflected dream pop is truly elegant and transporting like they’re able to relax and let whatever is in them speak through their collective efforts. Of course a lot of practice and playing together was involved but the band makes it look effortless and easy.

Best Shows in Denver 5/23/19 – 5/29/19

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Spirit of the Beehive performs at Larimer Lounge on Saturday, May 25. Photo by Emily Burtner.

Thursday | May 23

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Church Fire, photo by Tom Murphy

What: Onkilter 1 release: Church Fire, Data Rainbow, Felix Ayodele, J. Hamilton Isaacs, Offthesky, Otem Rellik & Patrick Lee followed by DJ Ilind
When: Thursday, 05.23, 8 p.m.
Where: Syntax Physic Opera
Why: Multidim is a Denver-based experimental electronic record label that recently released its debut compilation of some of the Mile High City’s most interesting and inventive projects. The compilation, as well as this showcase, will donate all proceeds to the non-profit Youth On Record, an organization whose mission is to provide at risk youth with music education from performance, composition, production and the business end of things as well.

What: Glasss Presents the Speakeasy Series Season 3: Equine and Julien Miller
When: Thursday, 05.23, 6:30 p.m.
Where: Hooked On Colfax
Why: This latest edition of the Speakeasy Series features guitar wizard Kevin Richards’ project Equine. By introducing left field methods, chord structures, signal manipulation and unconventional composition methods in general, Richards is pushing the frontier of the styles and sonics of guitar-base sound art.

What: Necromantic
When: Thursday, 05.23, 9 p.m.
Where: Shag Lounge
Why: Necromantic is an old school Goth DJ night with plenty of the best of the newer darkwave and industrial music mixed in. Each second and fourth Thursdays of every month you can partake of the evening’s main DJs as well as select guests to bring a little bit of that old Denver flavor back into downtown.

Friday | May 24

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Refused circa 2012, photo by Tom Murphy

What: The Hives and Refused w/Bleached
When: Friday, 05.24, 9 p.m.
Where: Gothic Theatre
Why: Two power houses of punk and garage rock, Refused and The Hives respective, will make this a memorable night where you will probably be not just pleasantly surprised but inspired by the sheer energy and charisma of both bands. Refused in particular pioneered multiple genres of punk on its 1998 masterpiece The Shape of Punk to Come. Bleached includes former members of irreverent noise punks extraordinaire Mika Miko. And the group went through a phase of exploring various sounds before fully developing its knack for intimate pop songs with some bite, attitude and punk energy.

What: Tommy Wright III
When: Friday, 05.24, 9 p.m.
Where: Rhinoceropolis
Why: Tommy Wright III must be considered one of the early progenitors for the style of underground hip-hop that one hears echoing in the work of the various members and associates of A$AP, Odd Future and Migos. The creatively profane lyrics and subject matter of his songs, the lo-fi-but-deep production style with the finely treated loops as heard in so much modern trap is present in one form or another in Wright’s 90s output through today. This is a rare chance to see the legendary producer live in Denver and witness his mastery of outsider gangster rap up close and personal.

What: Cloud Rat, Gadget, Immortal Bird and 908
When: Friday, 05.24, 8 p.m.
Where: Syntax Physic Opera
Why: Sort of a deathgrind show given Gadget from Sweden and Cloud Rat from Michigan are on the bill. 908 from Colorado Springs definitely fits into what will be a night of short, furious sets.

Saturday | May 25

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Rowboat, photo by Tom Murphy

What: Slugger and Michael Thompson
When: Saturday, 05.25, 2-4 p.m.
Where: Wax Trax – Sidewalk outside
Why: Slugger is basically showing where psychedelic rock can go when the musicians focus on the songwriting over adhering to some style. Michael Thompson of Arc Sol will also perform a solo set of his songs informed by a broad range of unusual music.
What: LUTHI at Denver Day of Rock
When: Saturday, 05.25, 6-7 p.m.
Where: 16th Street Mall
Why: The Denver Day of Rock will have plenty of bands, local and otherwise, to see throughout the day and evening all along the 16th Street Mall. In the early evening you can catch LUTHI from Nashville, Tennessee. The seven-piece band perform music that’s a compelling blending of funk, downtempo pop and what might be called post-Daft Punk psychedelia. There’s some unusual X-factor about the band that keeps it well apart from “party” bands in general while also providing suitable music for a dance party.

What: Jello Biafra’s Incredibly Strange Dance Party
When: Saturday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Jello Biafra needs no introduction and this is an edition of his Incredibly Strange Dance Party where he’ll bring some of the most bizarre dance tracks to DJ at the Lion’s Lair and knowing Biafra he may even join in on the dancing, adding to the strangeness.

What: Spirit of the Beehive w/Strange Ranger, Cuckoo and Rowboat
When: Saturday, 05.25, 8 p.m.
Where: Larimer Lounge
Why: Spirit of the Beehive could be something like a light psych indie rock band but its aesthetic has a bit of a collage element and its songs sound out of phase with the contemporary world and its sometimes ennervating cultural climate. It’s music is a side step into spaces more dreamlike and mysterious. The rock instruments integrating perfectly with the warping and wefting electronic compositions is beautifully disorienting. In 2018 the band released Hypnic Jerks, a title and songs suggesting the band is coming at the world from a different angle than a lot of people. Like Unknown Mortal Orchestra but more grounded in American 90s weirdo indie pop.

What: Lav Andula, Asymptote, I Hate It Here, Causer and Tepid
When: Saturday, 05.25, 9 p.m.
Where: Rhinoceropolis
Why: A night of experimental techno and noise including the debut of Tepid, the solo project of Voight’s Nick Salmon.

Sunday | May 26

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Shocker Mom, photo by Tom Murphy

What: Shibui Denver #3; Shocker Mom, Space Geist and DJ Vahco
When: Sunday, 05.26, 7 p.m.
Where: Mutiny Information Café
Why: Shibui Denver is a monthly event last Sundays of the month at Mutiny Information Café. It’s designed to start and end early and aims to showcase some of the best Denver underground acts and the occasional touring band that fits the format of being a little different. Tonight’s featured guests are Shocker Mom, Robin Walker’s ambient beat driven pop act whose album >^^< will be included in our much belated Favorite Albums of 2018 listing. Walker has been a prolific songwriter and collaborator in Denver as a solo artist under her given name, while a member of indie pop duo Cougar Pants, in hip-hop outfit Nighttimeschoolbus, sitting in with rapper Time and folk pop artist Jason Horodyski. Vahco Before Horses heads Glasss Records through which he boosts, produces and finds spaces to showcase the music of some of Denver’s most forward thinking underground artists. This night he will DJ Denver bands and several from the Glasss Roster. Space Geist is a solo guitar band in which riffs will be looped and manipulated in post to produce, with any luck, disorienting tones and rhythms.

What: Alien Weaponry w/Dreadnought and Palehorse/Palerider
When: Sunday, 05.26, 6:30 p.m.
Where: Bluebird Theater
Why: Alien Weaponry is a band from Waipu, New Zealand. While operating somewhat in the realm of melodic thrash its lyrics are often in Maori because its three members are of that extraction and it suits the music in a way for which English sometimes seems inadequate. Opening the show are psychedelic doom folk band Dreadnought and heavy ambient noise/industrial dark psychedelic band Palehorse/Palerider also from the Mile High City.

Tuesday | May 28

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Sebadoh, photo by Justin Pizzoferrato

What: Sebadoh w/Flower and Race to Neptune
When: Tuesday, 05.28, 7 p.m.
Where: Globe Hall
Why: Sebadoh didn’t invent lo-fi rock but in the early 90s it helped to chart the direction much of that style of music would go by incorporating field recordings alongside off the cuff recording and an emphasis on feeling over precise capture of “professional” fidelity in the studio. Naturally the band went on to take that aesthetic into actual recording studios but the spirit of play and fidelity to emotional honesty and spontaneous energy remained. Currently Sebadoh is touring in support of its newly released record Act Surprised. Flower was and is now again from New York City that in the 80s reflected the city of legend and its mixture of evolving Bohemian subcultures, melting pot ethnicity, gritty urban decay, a sense of possibilities and the avant-garde alongside emerging popular culture. Musically that meant Flower was well within the realm of post-punk at the time. It wasn’t so far in the past that The Ramones, Patti Smith Group, Television, Blondie, Talking Heads, Suicide and countless others had built the foundation of what punk could be and even less far back since the bands that emerged out of that milieu, directly inspired by it in various ways like the No Wave groups, Sonic Youth, SWANS, Live Skull, Bush Tetras, Arthur Russel, Liquid Liquid, ESG, The Lounge Lizards and other unfortunately less-well-known bands that made up the ecosystem of the New York underground. Flower formed in 1986 while Richard Balulyut was still in college and its sound fit into the rich diversity of the then NYC scene. The group split in 1990 soon after which Balulyut and two of his brothers formed indie/alternative rock band Versus which went on to some acclaim in the 90s. The latter band reconvened in 2017 and it dawned on Balulyut that he could write new music in the more post-punk, some might now say darkwave, style of Flower and now the band is on tour in support of its new material and there’s a better than half a chance you’ll get to see some of its older material live as well.

What: Closet Witch, Law of the Night and Bi-Proxy
When: Tuesday, 05.28, 7 p.m.
Where: Mutiny Information Café
Why: Kind of a grind-y hardcore night including a set from Closet Witch from southeast Iowa. Molly Piatetsky’s feral vocals are something to witness.

Update: This show was combined with another at Syntax Physic Opera at 8 p.m. with a line up that is now Full of Hell, Primitive Man, Genocide Pact, In The Company of Serpents and Closet Witch.

Wednesday | May 29

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Skeletonwitch, photo by Nico Poalillo

What: Sleep w/Big Business
When: Wednesday, 05.29, 7:30 p.m.
Where: Boulder Theater
Why: Sleep is one of the most influential bands out of the world of doom metal. Though its sound was lumped in with “stoner rock,” which seems apt seeing as it’s until recently latest album was called Dopesmoker comprised of a single track over an hour long. Its psychedelic, towering drones live up to the hype as do the more concise songs, like those on the 1992’s Sleep’s Holy Mountain. Sleep is almost as heavy as it gets and its high volume show as engulfing as you would hope for. Big Business is a sludge rock band well suited to the bill. The members of the band were part of The Melvins for around a decade and recently released a new record. The Beast You Are is a collection of dynamic, triumphant songs with unconventional melodies and an elevated updraft of tone. Big Business has always been, if nothing else, heavy but buoyant. On The Beast You Are, Big Business experiments further in the songwriting with its use of space and pacing. There’s still the headlong rush you’d expect from the band but also an imaginative application of its palette of sound that has kept the band from being predictable, an uncommon quality in heavy music. For Big Business it is not enough to pummel with its colossal sound but to have emotional and thoughtful intentionality behind it.

What: Skeletonwitch w/Soft Kill and Wiegedood
When: Wednesday, 05.29, 7 p.m.
Where: The Marquis Theater
Why: Skeletonwitch has been perfecting and then evolving its technical melodic death metal sound since its inception in 2003. Its latest record, 2018’s Devouring Radiant Light finds the band bringing in even more unconventionally atmospheric elements into its brutal and unrelenting soundscape. All while maintaining the dark imagery and animalistic, distorted vocals like they are telling stories of a mythical past in our current impending, post-apocalypse after climate change has cleansed the earth of much of human civilization.

Best Shows in the Denver Area 3/21/19 – 3/27/19

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R A R E B Y R D $ performs at Mercury Café on March 23. Photo by Tom Murphy

Thursday | March 21

What: Throwing Thimgs, Bert Olsen (tour kickoff), Sad Dance Party and Zealot
When: Thursday, 03.21, 7 p.m.
Where: Seventh Circle Music Collective
Why: Bert Olsen is taking its post-punk/death rock pop songs beyond Denver for a tour and kicking it off with this show alongside other musical misfits like Zealot, a pop band that is deep under the influence of The Mountain Goats—texture rich melodies, irrepressibly upbeat and crackling with wiry energy.

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Rubblebucket, photo by Rob Abelow

What: Rubblebucket w/Twain and Toth
When: Thursday, 03.21, 7 p.m.
Where: Fox Theatre
Why: Rubblebucket reached deep into its members hearts in search of the material for Sun Machine, which discusses the struggles of life, death, heartbreak, despair, a yearning for rebirth into a next, better chapter of life while sitting in the depths of one’s psyche. The live presentation of this material, alongside the group’s fine earlier work, is done with an exuberant sense of theater.

What: Equine Tour Kickoff w/Death In Space, J. Hamilton Isaacs, Radiant Filth
When: Thursday, 03.21, 8 p.m.
Where: Thought//Forms
Why: Equine will be taking his abstract guitar compositions on the road for a series of shows out to the east coast. Calling it ambient or “prepared guitar” isn’t quite accurate as Kevin Richards brings to bear a technical knowledge of tone and chord structure applied to his imaginative ear for an interesting and compelling arrangement. To launch him on his way are local peers in the like-minded Death In Space whose own guitar and loop experiments will be on full display as well as J. Hamilton Isaacs and his way of making analog synths make playful and bright dance beats and melodies.

What: Bright Light Social Hour w/Rubedo and Other Worlds
When: Thursday, 03.21, 8 p.m.
Where: The Gothic Theatre
Why: Austin’s Bright Light Social Hour will treat you to an uplifting blend of ethereal tones and motorik beats. If psychedelic rock went a little bit synth pop and the emphasis was on soothing vibes rather than simply pursuing wild sonic gyrations, it might sound like what Bright Light Social Hour has perfected. Denver’s Rubedo is one of the opening acts. The trio has evolved its sound, aesthetic and conceptual thrust over the years. But lately it’s been a nice balance of heartfelt, soulful vocals and blues-inflected art work with intricate yet intuitive changes throughout its songs. It’s a band whose themes are essentially uplifting and on accentuating the positive but never with a heavy-handed and corny take.

Friday | March 22

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Marchfourth, photo by Andrew Wyatt

What: MarchFourth w/Southern Avenue
When: Friday, 03.22, 8 p.m.
Where: Fox Theatre
Why: MarchFourth predates by several years but is otherwise spiritual kin to Denver’s Itchy-O. Both used to have “Marching Band” as part of their name due to the robust horn and percussion sections of both bands. But wheres Itchy-O embodies a more experimental, darker, post-apocalyptic ritualistic side of the music, MarchFourth plays an eclectic kind of instrumental funk. Both are an eye-catching spectacle the likes of which you’re not likely to quite see with a more conventional band format. At a MarchFourth show you’ll also see acrobats, dancers and stiltwalkers with members dressed in a dazzling array of color and personalized detail.

What: Rubie Gold, nIGHTtIMEsCHOOLbUS and Talk Perfect
When: Friday, 03.22, 8 p.m.
Where: Mutiny Information Café
Why: nIGHtIMEsCHOOLbUS is the downtempo hip-hop collaboration between Otem Rellik’s Toby Hendricks and Robin Walker of Shocker Mom. Emotionally tender, borderline ambient beats and warm vibes.

Saturday | March 23

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Rachael Pollard, Bonnie Weimer on left, Johnny Sherry behind. Photo by Tom Murphy, May 2008

What: Spine, Raw Breed, Cadaver Dog, Videodrome and Mob
When: Saturday, 03.23, 7 p.m.
Where: Seventh Circle Music Collective
Why: Aggressive hardcore night at 7C with some of Denver’s best as well as Spine from Kansas City/Chicago. If those guys drive to practice that truly is hardcore.

What: R A R E B Y R D $ tape release w/Bulldozer Boy
When: Saturday, 03.23, 9:30 p.m.
Where: The Mercury Café
Why: R A R E B Y R D $ is releasing its debut tape MIXTO$ at this show as well as other merch. The album was released digitally in 2018 under a slightly different name on Glasss Records but underwent a remixing via Tyler Breuer whose work as a musician and producer in various bands in Denver brought a different sensibility and ear to the proceedings. The experimental hip-hop trio will celebrate the occasion with a show including downtempo-jazz beatmaker Bulldozer Boy.

What: Get Your Ears Swoll: Night 4: Sweetness Itself, Rachael Pollard and Death In Space
When: Saturday, 03.23, 8:30 p.m.
Where: The People’s Building
Why: Get Your Ears Swoll is a monthly music event at The People’s Building in Aurora. Rachael Pollard has been playing her fragile, playful, thoughtful, introspective songs in and around Denver for twenty years or more. The music feels like you’re getting glimpses into a private universe of talking animals, rainbow bridges to other dimensions and some of the most confessional poems written by anyone. Her shows invite you to connect with the better part of your own psyche. Death In Space could be anything at this point since Aleeya Wilson has integrated synths and guitar with loops. Only expect something interesting and sonically spare but not simplistic.

Sunday | March 24

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Liz Phair, photo courtesy the artist

What: Liz Phair w/Califone
When: Sunday, 03.24, 7 p.m.
Where: The Ogden Theatre
Why: Had Liz Phair only released her 1993 album Exile in Guyville, her place in music history would have been set. The album was a deep, sophisticated, at times profane, feminist exploration of the dynamic in far too many music and creative scenes then and now in which men dominate and sideline women (or anyone that can be sidelined for reasons of identity) in subtle and not subtle ways. Her stories are so vivid and capture a truth so poignant they sound personal but they were not, Phair was just particular adroit in her portraits verbally and emotionally. Since then Phair has written straight ahead pop songs, fuzzy alternative rock, soundtracks and done sound design work so that her more recent albums seem like experiments integrating her career as a musician. Live she’s not the type to refuse to play her classic, beloved material and her sense of humor and sensitivity makes for a captivating time.

What: Carla Bley, Andy Sheppard and Steve Swallow
When: Sunday, 03.24, 5:30 and 8 p.m.
Where: Dazzle
Why: Carla Bley was a major figure in 60s free jazz and her 1971 album with Paul Haines (father of Emily Haines of Metric), Escalator Over The Hill. Called a “jazz opera,” Escalator combined avant-garde jazz and folk and one has to assume it exerted influence on the spontaneous compositions of French prog band Magma. While Bley has played in various configurations large and small this Denver show, her first in around thirty years, will be a trio performance with Andy Sheppard on saxophone and Steve Swallow on bass.

Monday | March 25

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Paperbark, photo by Tom Murphy

What: Carla Bley, Andy Sheppard and Steve Swallow
When: Monday, 03.25, 5:30 and 8 p.m.
Where: Dazzle
Why: For Carla Bley see above.

What: Centered Volume 5: Paperbark, Entrancer, Street Soul Nekyia and Pameshen
When: Monday, 03.25, 8 p.m.
Where: Syntax Physic Opera
Why: Jacob Isaacs has been putting together some of the greatest, underground showcases for artists of synthesizer music in the Denver area with his Centered series. This edition includes modular synth artist Paperbark. John Mulville lived in Denver for a handful of years where he became entrenched in the avant-garde and ambient scene with his atmospheric work that projected a tactile sensibility like sculpture done with sound. Entrancer’s own modular synth work has absorbed the influences of old school avant-garde electronic music as well as techno. Both Paperbark and Entrancer also draw inspiration from the production side of hip-hop and while it may not be so obvious in their work with more adventurous hip-hop artists embracing noise and experimental music of late the connection seems obvious especially when the waves of this music hits you in the live setting where its visceral impact is undeniable.

Wednesday | March 27

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Jerry Paper, photo by Monika Mogi

What: Jerry Paper w/Ava Luna and Ashley Koett
When: Wednesday, 03.27, 7 p.m.
Where: Larimer Lounge
Why: Lucas Nathan was involved in making noise and psychedelic music before he finally decided to start making electronic music to disabuse himself of his prejudices against it. Because of that his music has a truly unusual and original take on what is essentially sample-based composition and retro-futurist weirdo hip-hop.

What: Palehorse/Palerider, Nox Novacula, No Gossip In Braille, Voight
When: Wednesday, 03.27, 8 p.m.
Where: Hi-Dive
Why: Post-metal, post-deathrock, post-punk, post-shoegaze. The kind of bill that should happen all the time but rarely does when artists so unlike each other (beyond all being some kind of rock) have sounds that compliment each other well.

What: Deafheaven, Baroness and Zeal & Ardor
When: Wednesday, 03.27, 6:30 p.m.
Where: The Ogden Theatre
Why: Baroness is on the verge of releasing its latest double album Gold & Grey. The band that has distinguished itself in the realm of sludge metal with intricate and imaginative guitar work and solid vocal harmonies has said that the new record will be the last in its series of color-themed titles. Seeing as guitarist and singer John Baizley is one of the most distinguished and sought-after visual artists in metal and music generally, it’ll be interesting to see what themes emerge from here. Until then you will likely be able to hear a good deal of the new material on this tour with blackened shoegaze band Deafheaven and experimental black metal outfit Zeal & Ardor.

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Eugene Chadbourne, photo courtesy the artist

What: Eugene Chadbourne / Ryan Seward, Bret Sexton / Farrell Lowe
When: Wednesday, 03.27, 8 p.m.
Where: Thought//Forms
Why: Eugene Chadborne has been one of the important figures of avant-garde/free jazz for over four decades. Born in Mount Vernon, New York (just north of NYC), Chadbourne grew up in Boulder, Colorado before leaving for Canada to avoid the draft for the Vietnam War. Can hardly blame him. When he came back to America, he moved to NYC where he worked with Henry Kaiser and John Zorn and was encouraged by Anthony Braxton to keep with playing music rather than enter into a career as a journalist. Chadbourne’s prolific output, not fully documented on his Wikipedia page of course, has encompassed a broad range of musical styles and ideas. He has collaborated with Fred Frith, Sun City Girls, Camper Van Beethoven and Charles Tyler (who worked with Albert Ayler and Ornette Coleman). For this performance, Chadbourne will perform with Colorado based improvisational/spontaneous composition artist Ryan Seward with a performance from other Denver area heavy hitters in the local avant-garde scene, who frequently perform with Seward, Bret Sexton and Farrell Lowe. Chadborne will also play a fundraiser for the nonprofit Creative Music Works on Thursday and we’ll provide the information on that event in our next show listing.

Best Shows in Denver 11/22/18 – 11/28/18

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Pale Waves performs Monday, November 26, at The Bluebird Theater with Kailee Morgue and The Candescents. Photo by Brian Griffin.

Thursday | November 22, 2018

 

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Mac Sabbath, photo by Jeremy Saffer

Who: Mac Sabbath w/Franks & Deans bluebirdtheater.net/events/detail/359843
When: Thursday, 11.22, 8 p.m.
Where: The Bluebird Theater
Why: Mac Sabbath performs Black Sabbath covers, with fast food themed lyrics, in the guise of fast food characters from some chain gone dark. Are they really aliens from another dimension like Bizarro or escaped mental patients? Who can say, really. But when Black Sabbath gives you the nod of approval maybe your weirdo cover band has some legitimacy. The group has two official music videos released since its inception in 2014 and a flexi disc for the “Pair-a-Buns” single and nothing else yet since singer Ronald Osborne has declared a complete denial of the existence of technology after the 70s. Why not record or, even more quaint, an 8-track? We may yet see such releases from the mysterious band. But for now, and for purposes of the sheer spectacle of the thing, Mac Sabbath is best seen live.

Sunday | November 25, 2018

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J. Hamilton Isaacs, photo by Tom Murphy

Who: Elvis Costello & The Imposters
When: Sunday, 11.25, 7 p.m.
Where: The Fillmore Auditorium
Why: Elvis Costello is probably too famous for any introduction. What he contributed/contributes to music is a gift for perfectly capturing a mood, a moment, a frame of mind with detail and humanity. This doesn’t always mean he’s writing songs that fit in with what some people might think of as the “appropriate” way to think and feel about the subject of the song. You may even listen to one of his songs and think, to put it charitably,“What a jerk!” But that’s the point. Whether a character created for the song or a bit of an abstraction of his actual thoughts, Costello’s songs are compelling because whether or not you share the sentiments the songs are poetic and believable pulling up just shy of being sentimental even if he does often employ a sense of nostalgia. His character sketches are vivid and resonate with an emotive familiarity. Currently the songwriter is touring with his band The Imposters in support of Costello’s 2018 album Look Now.

Who: Centered: Steve Hauschildt, Reighnbeau and J. Hamilton Isaacs
When: Sunday, 11.25, 7 p.m.
Where: Savoy at Curtis Park
Why: Steve Hauschildt probably became first known to a national audience during his 2006-2013 run with experimental electronic trio Emeralds. The group fused ambient music with pop and the minimalist end of Twentieth Century classical music. As a solo artist, Hauschildt has delved further into exploring the possibilities of minimalism in composition and creating an sound environment with depth and texture. His 2018 album Dissolvi is reminiscent of a Squarepusher record with the beautiful level of tonal detail but after any deep house influence. Not an ambient dance record, per se, but it could be considered one of the best. Reighnbeau from Santa Fe, NM is a band that includes Bryce Hample, Colleen Johnson and Madeleine Johnston. So for the uninitiated, heavy hitters in underground ambient and experimental pop. Its sound tends toward an organic tone while employing plenty of sonic material that could only come from a computer or other electronic device. The group has a layered sound suggesting a complex mixture of emotions. J. Hamilton Isaacs has been a fixture of Denver’s experimental music scene for over a decade whether he is often acknowledged for it or not. His own beat-driven electronic experiments blend together sequencing/sampling and modular synthesis. Always different, always interesting.

Who: Textures: Wonderlust, Chromadrift, Crimson Highways
When: Sunday, 11.25, 7:30 p.m.
Where: Mutiny Information Café
Why: This months’ Textures Ambient Showcase features post-rock/ambient soundscape artist Chromadrift whose Drew Miller also composes soundtrack-y music in a more abstract shoegaze vein as Brother Saturn. Also, Daniel Mescher as Crimson Highways uses loops and electronics to compose impressions and textured emotional colorings to transport you away from the tonight’s cold.

Monday | November 26, 2018

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Author & Punisher, photo courtesy Relapse Records

Who: Pale Waves w/Kailee Morgue and The Candescents
When: Monday, 11.26, 7 p.m.
Where: The Bluebird Theater
Why: Manchester, UK band Pale Waves doesn’t overtly flout conventional song structure and what makes for solid pop melodies. But the band’s early material, upbeat in tone and pacing, hit some of the same emotional touchstones as artists like CHVRCHES and Lorde. But Pale Waves look like an updated version of a dark post-punk band from the 80s and many of its songs, particularly on the 2018 full-length debut My Mind Makes Noise., explore themes of loss, existential uncertainty and identity with an assurance and sensitivity one might not expect from a pop band with a strong visual aesthetic. About the title, singer Heather Baron-Gracie told us that it is an acknowledgment of how our minds are filled with ideas and emotions and it can sometimes be overwhelming but that we can, to some extent, also choose which noises we amplify and feed. In providing interesting contrasts that challenge assumptions (Goth-ish-presenting band making emotionally rich pop songs, pop songs with deeply melancholic themes), Pale Waves demonstrates to people who care to pay attention that one needn’t adhere to narrow expectations in music or in one’s own life.

Who: Echo & The Bunnymen w/Enation
When: Monday, 11.26, 7 p.m.
Where: The Paramount Theatre
Why: Echo & The Bunnymen didn’t just write that song in Donnie Darko, what was it, “The Killing Moon”? Or for an earlier generation, didn’t just do that Doors cover for the soundtrack to The Lost Boys. “People Are Strange,” though. At any rate, Echo & The Bunnymen for post-punk connoisseurs was one of the most consistently interesting bands of the 80s because until it’s 1987 self-titled album, the one that broke the band to the mainstream, of course, with the hit “Lips Like Sugar,” the group had had a string of fascinating, critically acclaimed records. There was an elegance of sentiment, a poetic sensibility and a deeply imaginative quality to the band’s music. Like it was tapping into the unconscious and creating its own mythology cast in dreamlike detail—shrouded in indigo lights and fog, early morning sunlight and mist. The first four Echo & The Bunnymen records are post-punk canon and for the rest of its career there’s been plenty of strong material, even on 1990’s fan-reviled, Ian McCulloch-less album Reverberation. McCulloch remains an enigmatic, romantic weirdo mystic of rock and roll which some my find confounding at times but, really, don’t we all need someone out there maintaining their own mythology in that way that is not harmful but gives hope to anyone who dared to dream of a more interesting world and had the guts to see making it a reality as an iconic band.

Who: The Body, Author & Punisher and Many Blessings
When: Monday, 11.26, 7 p.m.
Where: Larimer Lounge
Why: Two of the best bands that don’t fit too well into the world of metal or heavy music but don’t really fit into any other realm of music either except for maybe noise are sharing the stage tonight. And with Denver’s Many Blessings, a solo noise project of Primitive Man’s Ethan McCarthy. The Body from Providence, Rhode Island have long blurred any lines between doom, grindcore, hardcore, noise, industrial, electronic pop and ambient music. Just depends on the album. The group has been fairly prolific across its 19 years of existence but perhaps none more so than 2018 when the band produced a split industrial group Uniform as Mental Wounds Not Healing, an early 2018 record I Have Fought Against It, But I Can’t Any Longer (a grinding dirge that never seems to get boring) and the fall release O God who avenges, shine forth. Rise up, Judge of the Earth; pay back to the proud what they deserve. Live, the band unleashes intense energy while keeping it weird. No mean feat and The Body does so brilliantly. Author & Punisher is a one-man industrial band. Tristan Shone is an artist and a mechanical engineer who builds his unique instrumentation. One his early tours he definitely played DIY spaces in Denver but has made a bit of a name for himself outside noisenikdom and recognized for his innovative methods of composition. His latest album, 2018’s Beastland out on Relapse Records, is simultaneously possibly his most accessible and challenging record to date. As a frame of reference, imagine a late 80s Ministry and late 90s Neurosis collaboration album.

Tuesday | November 27, 2018

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Street Sects, photo courtesy the artist

Who: Street Sects w/Ten Foot Beast
When: Tuesday, 11.27, 8 p.m.
Where: Streets of London
Why: Street Sects fills the room with fog in order to disorient you already before its barrage of sounds, lights, rhythm and, on occasion, a bladeless chainsaw brought forth to make for a performance designed to take you out of your comfort zone. Is it noise? Industrial? Inspired by confrontational punk? Perhaps specifically by tales of Alan Vega swinging that bike chain at early Suicide shows in New York? Who can say. What is certain is that while its live shows are not short on visceral thrills, its records stand on their own as well. Its latest record, 2018’s The Kicking Mule is like a futuristic industrial noir with darkly amusing and hardboiled titles like “269 Soulmates,” “Suicide By Cop,” “Dial Down the Neon” and “Still Between Lovers.”

Who: Sharone (“I Love You, Goodbye” single release) w/Melody In Heart, Blake George, Sean Hennigan
When: Tuesday, 11.27, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: Sharone Borik debuted as a talented singer-songwriter before launching her dark, hard rock band Sharone & The Wind in 2016. For this night, Borik is releasing her new solo single “I Love You, Goodbye.” Given Borik’s gift for songwriting and performing with a theatrical flair it should be interesting to see how she presents her solo work this time around.

Who: Glenn Jones and Janet Feder
When: Tuesday, 11.27, 7 p.m.
Where: Baur’s
Why: Two of guitar’s avant-garde greats on one bill. Glenn Jones has been a member of experimental rock band Cul de Sac since 1990 but he was also a collaborator and friend of John Fahey and he has written a film score for Roger Corman. His solo work is often very much in the folk vein but more elaborate and imaginative than too much of what passes as folk these days. Janet Feder was born in Boulder, raised in Denver, and has been pushing the guitar envelope in a variety of ways with form and composition for decades now. While her work might rightfully fall under the umbrellas of prog, the avant-garde, experimental folk and modern classical music, her actual songwriting is fairly organic and highly imaginative. This is a rare chance to see both artists on the same bill.

Wednesday | November 28, 2018

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Cult Leader, photo by Bobby Cochran

Who: Blockhead w/Yppah, Arms and Sleepers, Mikey Thunder and Jordan Polvina
When: Wednesday, 11.28, 8 p.m.
Where: Cervantes’ Other Side
Why: Tony Simon has been making some of the most interesting and transporting beats in hip-hop for nearly 20 years including his collaborations with Aesop Rock, Ilogic and Murs. His solo releases on the respected Ninja Tune imprint paint a tapestry of New York daydreams of the Big Apple of myth and journeys far beyond to places exotic to a city dweller. His compositions, part immersed in classic sampling tradition of taking bits of jazz and funk records and recontextualizing them, part weaving in experimental electronic music—his own and those possibly borrowed., are immediately captivating and mostly on the downtempo vibe. Live the music can be a bit like the DJ on a laptop sort of affair but on the sound system at Cervantes’ it’ll have a full sound.

Who: Cult Leader, God Mother, Call of the Void and Kenaima
When: Wednesday, 11.28, 8 p.m.
Where: Lost Lake
Why: Salt Lake City’s sludge-grind band Cult Leader recently released its second album A Patient Man. While some of the material is what you might expect of a highly energized band out of its expected realm of music, the group took some hauntingly introspective turns on the record including the track “To: Achlys,” which sounds more like a dire, metallic, brooding post-punk song akin to a late 80s Swans song with a visually stunning music video depicting a man seeking solace in the arms of a stylized figure that resembles a Kali-esque death goddess. The group has been making waves lately and in December is taking Denver-based organo-industrial legends Echo Beds on a short tour. On the bill for this night is the great Denver death-grind outfit Call of the Void and adrenalized mathrcore band Kenaima.

Who: Screwtape EP release w/Noogy, World Movement, Dox and HYFY
When: Wednesday, 11.28, 6 p.m.
Where: The Oriental Theater
Why: Screwtape, one of Denver’s greatest political hardcore bands, is finally releasing its second EP and celebrating the occasion at this show at The Oriental Theater with some of its like-minded peers. By hardcore don’t take that to mean a young band imitating some earlier era of the music but taking those roots as inspiration for making something vital and of the now.