What:Sliver w/Sad Bug, The Slacks, Forla De La Luna, Black & White Motion Picture When: Thursday, 12.26, 7 p.m. Where: Lost Lake Why: Lately Sliver frontperson Chris Mercer has been taking vocal lessons from Ed Sheerhan so that they could stop “sounding like I’m totally ripping off Eddie Vedder.” While their songwriting reveals a deep affection for the Everclear catalog the band tries to steer Mercer away from their dreams of having “basically a Silverchair tribute band.” See for yourself if any of this is true tonight.
What:Nektromantic w/Juliet Mission and Plague Garden When: Thursday, 12.26, 9 p.m. Where: Shag Lounge Why: Nekromantic is the bi-monthly post-punk and darkwave night at the Shag Lounge but in the new year those nights will be the second and third Thursday and another night at the Skylark to be announced soon. This evening’s schedule includes a rare live band showcase with Juliet Mission, a post-punk band with roots in the late 80s and early 90s Denver underground scene as all three members were in an early line-up of jazz-inflected shoegaze band Sympathy F. Plague Garden is the post-punk side project of the members of eHpH and Paul Baker of Red Wing Black Bird.
What: Homegrown When: Thursday, 12.26, 8 p.m. Where: Grafenberg Sketch Comedy And Improv Theater Why: This is a live performance from Homegrown, a comedy troupe consisting of contributors of some of the best current comedy television series running with Anne Lane (Rick and Morty), Betsy Sodaro (Disjoined and Bob’s Burgers) and Haley Mancini (Shameless and Powerpuff Girls). Opening the night are Justin Franzen, Nick Ross and Max Schwarz opening
What:Green Druid w/Scepter of Eligos and Tricoma When: Friday, 12.27, 8 p.m. Where: Lost Lake Why: Sludge metal night at Lost Lake. Green Druid is more on the psych end of doom and Tricoma on the black metal end of the same.
Saturday | December 28
What:DeVotchKa w/The Copper Children When: Saturday, 12.28, 7 p.m. Where: Bluebird Theater Why: First of two year end shows for Denver-based, dark cabaret band DeVotchKa who have recently come back from a several years of hiatus in releasing new music with 2018’s excellent This Night Falls Forever. The band has been through several permutations of its development as a creative group from the “gypsy punk” phase early on to its now more orchestral, grand melodrama and broad emotional expression.
What:Slim Cessna’s Auto Club w/Kid Congo & The Pink Monkey Birds and Hang Rounders When: Monday, 12.30, 8 p.m. Where: Hi-Dive Why: Slim Cessna’s Auto Club is continuing its tradition of New Year’s Eve shows across two nights starting on this date with the same bill both nights. The Denver-based band is part Vaudeville act and dramatic, countrified post-punk with its stylized and compelling live show. Also on the bill is Kid Congo Powers’ classic Chicano rock band. Powers was once a member of Gun Club, The Cramps and Nick Cave and the Bad Seeds but with the Pink Monkey Birds he’s able to shape that into his own musical vision steeped in the aforementioned and glam rock. Hang Rounders is an unabashedly classic country band with a modern flavor.
What:Chimney Choir (light shadow) album release party When: Tuesday, 12.31, 9 p.m. Where: Mercury Café Why: Avant-garde pop group Chimney Choir is releasing its latest album (light shadow) tonight and as per usual, you’re in for the kind of show that pretty much no one else is doing and which will involve multi-media, physical props, costumes and more than likely some inspired audience participation aspect just for this show, probably never to be repeated again.
Who:Fever Dreams, Galleries, Baby Baby, Hair Club When: Friday, 04.13, 9 p.m. Where: Lion’s Lair Why: The psych rock and neo-classic rock wave that energized and later burned out in an underground music world in America and beyond perhaps inadvertently spawned a post-wave of rock bands who took those roots and did something more interesting and original. That’s what this show represents. Fever Dreams is a noisy psychedelic band in a gentle mode. Not dream pop because it’s more gritty than that, but fans of that music will find much to like with Fever Dreams. Galleries came out of some guys who listened to a whole lot of Led Zeppelin and fuzzy 90s rock but through the process chamber of imagination and practice Galleries manages to not really sound like their forebears.
Who:Diva 93 (Minneapolis), 269 Bone (Minneapolis), Merma & Roberta (ABQ), Polyurethane When: Friday, 04.13, 8 p.m. Where: Mutiny Information Cafe Why: Minneapolis, Minnesota-based Diva 93 sounds like a combination voice sampling, tape collage infused minimal synth band. What public access stations were to cable conglomerates in the 80s and 90s, Diva 93 is big, synth pop bands—making a virtue of lo-fi, low budget sounds with sheer creativity.
Who:Big City Drugs, DJ Erin Stereo, Mara Wiles, Louis Johnson and Adam Cayton-Holland, benefit for Corey Rhoads who needs a new kidney When: Friday, 04.13, 10 p.m. Where: Mutiny Information Cafe Why: Some heavy hitters in the local comedy and music world are coming together for this event to benefit Corey Rhoads who needs a kidney transplant. In a sane world, events like this wouldn’t be necessary but we haven’t lived in one for a long while now. So if you show up you get to see Denver-based comedy stars Adam Cayton-Holland, Mara Wiles and Louis Johnson as well as DJ sets from Erin Stereo and a musical performance from Big City Drugs, a band that is comprised of comedians but whose take on punk rock is cathartic and not trying to fit into some subgenre of punk with riveting results.
Saturday | April 14, 2018
Who:Meet the Giant, Plastic Daggers, Dead Orchids When: Saturday, 04.14, 8 p.m. Where: Lion’s Lair Why: Meet the Giant is releasing its “Drive” single this night. The Denver-based post-punk band makes some pretty lush and moody music for a three piece. “Drive” in particular is reminiscent of the criminally overlooked L.A. 80s post-punk world and bands like 3D Picnic and Opal. Except that Meet the Giant doesn’t sound dated or retro. Also on the bill are Plastic Daggers, a punk band with a drop of rockabilly in its sound without sounding like they’re trying to cop some neo-classic rock vibe, and Dead Orchids. The latter has a kind of chamber pop quality except the music sounds more like the members of the band are more than passingly familiar with Crime and the City Solution and its raw emotional quality is enhanced, not tempered, by melancholy melodies and introspective atmospherics.
Who:The Still Tide (EP release) w/Panther Martin and Bluebook When: Saturday, 04.14, 8 p.m. Where: Lost Lake Why: The Still Tide have long been one of the most interesting pop bands in Denver. So it comes as no particular surprise that the band has developed a bit of a following outside the Mile High City as well. Anna Morsett’s voice, seemingly well suited to Americana as well as rock, with her widely expressive intonations is immediately striking but inside the context of well-crafted melodies that balance a sense of yearning and acceptance. The group’s new EP, Each, After is more introspective and sparse than 2017’s Run Out but not short on that EPs energetic quality. Since art-folk band Bluebook is also on the bill, perhaps Julie Davis will join The Still Tide on a number or two.
Who:Amigo the Devil w/Jonny Fritz, Hang Rounders and DJ Brian Buck When: Saturday, 04.14, 8 p.m. Where: Hi-Dive Why: Amigo the Devil took the Gothic Americana thing and focused on the murder ballad tradition of the blues that influenced that music to produce a pleasant-sounding but disturbing body of work about the musings of serial killers and the like. Denver’s Hang Rounders aren’t exactly mining similar thematic territory, it’s just a legit country band from people who aren’t short on a healthy sense of humor and irony. But there’s really no irony here. 2017’s Outta Beer, Outta Here may have an amusing title and maybe the musicians don’t take themselves too seriously but it’s a refreshingly not pop-country or overly retro country offering. Jonny Fritz is to modern country what Ray Stevens was to an earlier era of country. That is to say he takes anecdotes and stories from life most other songwriters among his peers wouldn’t use for fodder for songs. Also, an impeccable sense of melody and the ability to engage the audience with a truly idiosyncratic performance in an established musical style. Turns out Ray Stevens is not just the novelty songsmith for which many may remember him, he’s a talented songwriter with an interesting body of work and the same could be said of Jonny Fritz.
Who:Trevor Green When: Saturday, 04.14, 12-4 p.m. Where: Mile High Spirits Why: Trevor Green is a multi-instrumentalist solo songwriter who performs with a brace of guitars, some didgeridoos and various other instruments that he brings into the mix as he performs. He looks like a guy who wandered into town from looking for the Lost Dutchman’s Gold Mine but got mixed up with Native American mystics in the desert and decided to seek his fortune in making music that reflected the sounds and ideas he learned there rather than delusions of some modern day quest for Cibola. All fanciful references aside, Green’s 2016 album Voice of the Wind is a rewarding hybrid of New Age world music and Americana-inflected rock. That Green can pull this music off live with some creative stage set-up is impressive in itself.
Sunday | April 15, 2018
Who:Trevor Green When: Sunday, 04.15, 10 p.m. Where: Mountain Sun Why: See above for 4.14.
Who:The Jinjas, JINMO (Tokyo) and Gothsta When: Sunday, 04.15, 8:30 p.m. Where: Lion’s Lair Why: JINMO is a prolific avant-garde guitar and synth composer from Tokyo who is currently touring throughout the US with musical performances and demonstrations of the methods and technology he uses to make his often ambient and soundtrack-y songs. Denver’s The Jinjas is a synth/dance rock duo. Who even knows what exactly to call Gothsta except anti-climate and environmental destruction and how she more or less describes herself as “Depression melodica, polka Euroamericana.” Which tells you you’re in for something different than any one of those singly could completely encompass.
Monday | April 16, 2018
Who:Cradle of Filth w/Jinjer and Uncured When: Monday, 04.16, 6:30 p.m. Where: Summit Music Hall Why: Cradle of Filth has been placed in various heavy metal subgenre buckets. But it doesn’t really fit the black metal mode because Dani Filth has never taken the Satanic imagery itself too seriously—it’s part of the theater and it’s amusing to somehow still rankle stuffy, conservative religious folk without really trying. Maybe Cradle of Filth was in the beginning and certainly now more akin to the kind of Gothenburg death metal sound. Except Cradle of Filth is from England and not tapping into that whole “viking metal” thing either. Is it Goth metal? What does that even really mean? Cradle of Filth is also part punk and the political subtext of much of the band’s music along with its embrace of the feminine in spirituality from its 1994 debut album The Principle of Evil Made Flesh to its most recent record, Cryptoriana – The Seductiveness of Decay from 2017. But whatever one might think of the music, Cradle of Filth brings theater to all its shows in a way that some of its more commercially successful peers don’t.
Wednesday | April 18, 2018
Who:The Breeders w/Flasher When: Wednesday, 04.18, 7 p.m. Where: Ogden Theatre Why: Kim Deal of Pixies started The Breeders in the wake of the release of Surfer Rosa as an outlet for releasing music she wrote. Early on she recruited Tanya Donelly of Throwing Muses and various other musicians to record the first album, 1990’s Pod, and the follow up EP, 1992’s Safari. While the records found an audience on college radio it wasn’t until the 1993 post-Pixies album that The Breeders found a wide audience with the release of Last Splash and its hit single “Cannonball.” While, in terms of publically-released music, The Breeders haven’t been the most prolific band all of its albums have been imbued with a swagger, honesty and sense of humor along with finely crafted, fuzzy rock songs that have a warmth and relatability that many rock bands lack. All Nerve, the group’s 2018 release, its first in a decade, is surprisingly vital and a showcase for Kim Deal’s ear for expressive nuance in tone and creative song dynamics. It’s a mature record without sounding like Deal is toning things down.