Best Shows in Denver and Beyond 10/17/19 – 10/23/19

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Guerilla Toss performs at Hi-Dive on October 19, 2019, photo by Vanessa Castro

Thursday | October 17

Sun Blood Stories
Sun Blood Stories, photo by Sun Blood Stories

What: Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands
When: Thursday, 10.17, 7:30 p.m.
Where: Glitter City Studio
Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.

What: 303 Synth City: Patternshift, Malibu Nights, Niq V, Bob Sync
When: Thursday, 10.17, 7 p.m.
Where: Walnut Room

What: Brent Penny, Cuckoo, Shanea
When: Thursday, 10.17, 9 p.m.
Where: Rhinoceropolis

What: False Report (EP release) w/In My Room, Pacific Nerve, Cagemates
When: Thursday, 10.17, 7 p.m.
Where: Lost Lake

Friday | October 18

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Temples, photo by Laura Allard Fleischl

What: Temples w/Honey Harper
When: Friday, 10.18, 8 p.m.
Where: Gothic Theatre
Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.

What: Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra
When: Friday, 10.18, 7 p.m.
Where: Paramount Theatre
Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.

What: Hilary Leftwich book release of Ghosts Are Just Strangers Who Know How to Knock
When: Friday, 10.18, 7 p.m.
Where: Book Bar

What: Deep Club presents: Galcher Lustwerk w/WNGDU and Ponyrok
When: Friday, 10.18, 11 p.m.
Where: Rhinoceropolis

What: Colfax Speed Queen album release of Dirty Mirror w/The Kinky Fingers, Savage Blush and Ladies Night
When: Friday, 10.18, 9 p.m.
Where: Hi-Dive

Saturday | October 19

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Aldous Harding circa 2017, photo by Tom Murphy

What: Aldous Harding w/Hand Habits (solo)
When: Saturday, 10.19, 8 p.m.
Where: Larimer Lounge
Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.

What: Guerilla Toss w/cindygod and Corner Girls
When: Saturday, 10.19, 8 p.m.
Where: Hi-Dive
Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do? released October 18 and this is more or less the band’s tour kickoff show.

What: Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers
When: Saturday, 10.19, 8:30 p.m.
Where: The People’s Building
Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.

What: The Distillers w/Death Valley Girls
When: Saturday, 10.19, 7 p.m.
Where: Ogden Theatre
Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.

What: Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue
When: Saturday, 10.19, 9 p.m.
Where: Rhinoceropolis
Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.

What: Jonathan Richman w/Tommy Larkins
When: Saturday, 10.19, 7 p.m.
Where: Daniels Hall at Swallow Hill
Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.

Sunday | October 21

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Voight, photo by Tom Murphy

What: All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ)
When: Sunday, 10.20, 8 p.m.
Where: The Zodiac (Colorado Springs)
Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.

What: The Japanese House w/Overcoats
When: Sunday, 10.20, 8 p.m.
Where: Fox Theatre

What: Haunter, Noctambulist, Casket Huffer, Zygrot
When: Sunday, 10.20, 9 p.m.
Where: Rhinoceropolis

What: Municipal Waste, Napalm Death, Sick Of It All and Take Offense
When: Sunday, 10.20, 6 p.m.
Where: Summit Music Hall

What: Black Lips w/Blue Rose Rounders and Backseat Vinyl
When: Sunday, 10.20, 7 p.m.
Where: Larimer Lounge

Monday | October 21

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All Your Sisters circa 2016, photo by Tom Murphy

What: All Your Sisters w/Echo Beds, Midwife and B|_ank
When: Monday, 10.21, 9 p.m.
Where: Rhinoceropolis
Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.

What: Whitney w/Lala Lala
When: Monday, 10.21, 7 p.m.
Where: Ogden Theatre
Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.

What: J.S. Ondara w/Elise Davis
When: Monday, 10.21, 7 p.m.
Where: Bluebird Theater

What: Black Lips w/Blue Rose Rounders and The Corner Girls
When: Monday, 10.21, 7 p.m.
Where: Globe Hall

Tuesday | October 22

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Chelsea Wolfe, photo by Ben Chisholm

What: Chelsea Wolfe w/Ioanna Gika
When: Tuesday, 10.22, 8 p.m.
Where: Stanley Hotel
Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.

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The KVB, photo by George Katsanakis

What: The KVB w/Numb.er and Eventually It Will Kill You
When: Tuesday, 10.22, 8 p.m.
Where: Larimer Lounge
Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.

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John Paul White, photo by Alysse Gafkjen

What: Shovels & Rope w/John Paul White (of The Civil Wars)
When: Tuesday, 10.22, 7 p.m.
Where: Ogden Theatre
Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.

What: Mating Ritual, Hembree, Compass & Cavern
When: Tuesday, 10.22, 8 p.m.
Where: Lost Lake

Wednesday | October 23

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mxmtoon, photo by Nicole Busch

What: mxmtoon w/Alexander 23
When: Wednesday, 10.23, 7 p.m.
Where: Larimer Lounge
Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.

What: Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs
When: Wednesday, 10.23, 9 p.m.
Where: Rhinoceropolis
Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.

What: Agnostic Front w/The New Narrative, Clusterfux and Out For Blood
When: Wednesday, 10.23, 7 p.m.
Where: The Oriental Theater

What: Girlpool, American Grandma and Bellhoss
When: Wednesday, 10.23, 8 p.m.
Where: Lost Lake

Best Shows in Denver 3/28/19 – 4/3/19

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Dilly Dally performs Friday 3/29 at Larimer Lounge. Photo by Michelle Homonylo

Thursday | March 28

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Eugene Chadbourne, photo courtesy the artistEugene Chadbourne

Who: Creative Music Works Fundraiser: Special guest Eugene Chadbourne
When: Thursday, 03.28, 7-9 p.m.
Where: Mighty Fine Productions
Why: Creative Music Works is, according to the event page, a “nonprofit organizartion providing educational and performance opportunities for musical innovators.” Meaning the organization furthers the endeavors of artists whose work often falls outside the traditional commercial and popular music environment—the people pushing the boundaries with form, method and conceptualization. CMW members Janet Feder, Mark Harris, Scott Kinnamon, Elena Carmerin Young and Isaac Linder will contribute to a performance as well as avant-garde music legend Eugene Chadbourne.

Who: Starjammer w/Bianca Mikahn
When: Thursday, 03.28, 4-7 p.m.
Where: 3 Kings Tavern
Why: Starjammer’s “avant-garde dub reggae”/performance art/home made instrument rig glory is paired tonight with one of Denver’s poetry greats and forward thinking hip-hop experimentalists, Bianca Mikahn.

Who: Rob Sonic w/The Maybe So’s, Brett Gretzky and Hakeem Furious
When: Thursday, 03.28, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Rob Sonic has had a fairly distinguished career for his innovative hip-hop projects Sonic Sum and Hail Mary Mallon (which included Aesop Rock and DJ Big Wiz). What has made his various efforts interesting is his use of a fairly different palette of sounds from many of his peers. His 2018 album Defriender lays out moods and textures that wouldn’t be out of place on a post-punk or deep house track or an industrial noise song. Denver’s The Maybe So’s is a duo that also weaves in unconventional electronic music and samples of organic percussion into its flow of beats and poetry.

Friday | March 29

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American Culture, photo by Tom Murphy

Who: Dilly Dally w/Chastity and American Culture
When: Friday, 03.29, 8 p.m.
Where: Larimer Lounge
Why: On Dilly Dally’s 2015 album Sore the group sounded like a bit like a weird mixture of Bully and Courtney Barnett. But to be fair, it was probably something in the universe/confluence of influences across a broad swath of the collective musical consciousness. But with the 2018 album Heaven, Dilly Dally has expanded its range as a band and there is more brooding, atmospheric darkness flowing through its fuzz-laden riffs. It’s song “Doom” is more doom in tone and emotional resonance than a lot of what passes for such in the doom genre. But its inherently introspective yet expansive melodies keep the music from wallowing in stagnation. Along for this date is fellow Canadian band Chastity who are definitely more well within the realm of doomy noise rock. American Culture lately has straddled the line between indie pop, post-punk and psych country jam rock minus the wacktitude.

Who: Furbie Cakes, Space Monkey Mafia (MN), MTHirst, Fancy Pantz, Shocker Mom, Luxury Hearse and Wooflet
When: Friday, 03.29, 8 p.m.
Where: Your Mom’s House
Why: A show chock full of weirdo electronic bands, ambient and noise. And then Shocker Mom who is making the most heartwarming and healing sad beats currently being made.

Saturday | March 30

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Hand Habits, photo by Jacob Boll

Who: Hand Habits w/Tomberlin and Porlolo
When: Saturday, 03.30, 8 p.m.
Where: Larimer Lounge
Why: Meg Duffy may be more well-known for being a touring member of Kevin Morby’s band. But with the release of her album placeholder under the moniker Hand Habits should garner her plenty of attention for her own creative efforts. Superficially its mid-tempo moody indie folk but her words go deep into thoughts and feelings we don’t want to entertain but must face honestly. Not necessarily obvious and brutal trauma but the subtler pains that can deeply haunt you every day and from which are more elusive in evading. Disappointment in self, reflecting on one’s suddenly seemingly damning mistakes and the cognitive dissonance of the complexity of conflicting feelings about people, situations, existential ponderings and life in general that are all valid. Her tonal choices are all interesting and the perfect companion to explicating and maybe untangling and processing the aforementioned.

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Robyn Hitchcock, photo courtesy the artist

Who: Robyn Hitchcock
When: Saturday, 03.30, 7 p.m.
Where: Swallow Hill – Daniels Hall
Why: One thing that isn’t so obvious about seeing Robyn Hitchcock playing solo or with collaborators is how his simple but richly detailed guitar work is creatively varied and incorporates percussive elements with an expressive delicacy that focuses the emotional impact of his songwriting. He seems to be an endless well of interesting and poetic stories that make even what some may consider his lesser records worth a listen. Pick a point in Hitchcock’s career and you’ll find some of the best songwriting of that period whether while he was a member of The Soft Boys, his work with The Egyptians or The Venus 3. Like a magical-realist (emphasis on realist) novelist, Hitchcock’s songs offer observational insight into the human psyche through an intensely personal window.

Who: Jeff Carey, Sigtrygur Sigmarsson, Diffuser, Flesh Buzzard, Joshua Westerman. Sunk Cost and Page 27
When: Saturday, 03.30, 8 p.m.
Where: Thought//Forms
Why: Noise shows are pretty infrequent in Denver these days but this one is a showcase for some of the best noise acts going and not in the vein of the cliché harsh noise/shakebox feedback sculpting mode. Much more craft, imagination and originality here with Denver noise legends Page 27, former Austin-based noise prankster Sunk Cost, Adam Rojo of Voight’s Diffuser noise-scaping pieces and raw noise punk Flesh Buzzard. Among others.

Who: Black Dots, SPELLS, Lawsuit Models, Girl Scout Heroine and Good Family
When: Saturday, 03.30, 7 p.m.
Where: Seventh Circle Music Collective
Why: A fairly traditional punk show with less of the fashion victim thing than usual. SPELLS wears costumes and get a solid B for the music but hey, that’s better than you get a lot of the time. Girl Scout Heroine includes former members of The Geds and The Blast-Off Heads.

Who: King Buffalo w/Pale Sun and The Lycan
When: Saturday, 03.30, 8:30 p.m.
Where: Lost Lake
Why: What King Buffalo is doing, to some extent, we’ve seen a lot of over the past decade—drone-y, blues-y, doom-y psychedelia. But to give the band its due, if 2018’s Longing To Be The Mountain is any indication, it didn’t just adopt some motorik beats, it takes that sonic vehicle to places of heightened emotional impact beyond just hypnotic drive with occasional flourishes. Also it’s songwriting is much more creative and not grinding away at the same vibe and pace for an entire record. King Buffalo often reaches moments of true sonic sublimity in a way that transcends any genre associations. Pale Sun will bring a different kind of atmospheric heavy as the trio’s finely honed space rock has similar roots as King Buffalo but whose music touches subconscious places in the mind with both tone, rhythm and emotional vibrancy. Vocalist/guitarist Jeff Suthers channels the visceral quality of the music well with his singing but he’s also tapping into something in the collective consciousness in the performance as well.

Monday | April 1

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Olivia O’Brien, photo courtesy the artist

Who: Olivia O’Brien w/Kevin George
When: Monday, 04.01, 7 p.m.
Where: Larimer Lounge
Why: Olivia O’Brien was about fifteen years old when she got a boost up as a singer and songwriter after garnering the attention of Australian pop artist gnash who discovered her through her posting of a cover of one of his songs on Soundcloud. Over the past four years, O’Brien has recorded with gnash and released a string of singles. “Trust Issues” from 2016 revealed a thoughtful sensibility and self-awareness that can be uncommon in general but definitely in a teenager. O’Brien’s R&B and soul inflected pop and commanding, emotionally nuanced, stage presence will probably find a wider audience after this current tour and the April 26 release of her debut full-length Was It Even Real? For now, you can see her at a small club like Larimer Lounge.

Tuesday | April 2

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Ten Fé, photo by Eleanor Hardwick

Who: Ten Fé w/Ten Miles South and Paul Kimbiris & The Dark Side of Pearl
When: Tuesday, 04.02, 7 p.m.
Where: Globe Hall
Why: Been Moorhouse and Leo Duncan got their start busking in London before recording their 2017 debut album Hit the Light. Before taking the music on the road, the duo brought on board a band to fill out the sonic details. The group’s 2019 album Future Perfect, Present Tense sounds remarkably sophisticated for a relatively new band. Its particular incorporation of synth into songwriting might remind some listeners of The Call or later-era The Sound, but without the punk edge. That’s no knock on the music because its softness doesn’t quite wax into the 70s Laurel Canyon worship that’s been en vogue of late. Rather its the sound of a band exploring and refining where it will go next while perfecting an exquisitely lush minimalism without sacrificing the textural details that have made its songwriting noteworthy up to now.

Who: Vanilla Milkshakes digital album release show
When: Tuesday, 04.02, 7 p.m.
Where: Mutiny Information Café
Why: Its been four years since Vanilla Milkshakes released Tall People Have No Feelings. Line up changes and a release of a cover of “Breed” by Nirvana in 2018 later, the grunge-y pop-punk band (singer/guitarist David McGhee makes no bones about being influenced by The Offspring) has released its best record with Punching Cows. Recorded with Jack Endino and guitars tracked through one of Kurt Cobain’s old amps, on the record McGhee’s vocals are clearer and stronger, the songwriting more focused. But the idiosyncratic quality of the lyrics and McGhee’s vocals, which is one reason none of this comes off like a band that would be playing that final Warped Tour. The sense of melody and tight rhythms give even the most melancholy of the songs (“Mommy Said to Get a Job” and “Green And Sober” for instance) a buoyant quality that doesn’t seem to downplay the real feelings and experiences that likely inspired the song. There are enough rough edges to keep the record interesting throughout. The band performs infrequently these days so this is a good opportunity to see the Vanilla Milkshakes in a small venue with the jokes from stage inserted between songs. Besides, drummer Frank Registrato is a wizard at helping keep things on track with no heavy hand and the sheer finesse and power of his playing.

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Hop Along, photo by Matt Allen, OctFest

Who: Hop Along w/Summer Cannibals
When: Tuesday, 04.02, 7 p.m.
Where: Bluebird Theater
Why: Frances Quinlan performed in early versions of Hop Along as a solo acoustic act for the first four or five years until putting together a fledgling band around 2009. Even before signing to Saddle Creek Records in 2014, Quinlan’s songwriting was not short on imaginative storytelling like she was imagining the lives and situations she encountered in either her everyday life in Philadelphia or on the road and extrapolating it into colorful imagery and a keen sensitivity and insight into the subjects of her songs even when the inspiration is drawn directly from her own life. Any band that names its album Bark Your Head Off, Dog (2018) has a healthy sense of humor and the absurd without drifting into self-parody.

Wednesday | April 3

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Gort Vs. Goom circa 2014, photo by Tom Murphy

Who: Weird Wednesday: Gort Vs. Goom, The Far Stairs, The Pollution
When: Wednesday, 04.03, 7 p.m.
Where: 3 Kings Tavern
Why: None more weird for Weird Wednesday. Gort Vs. Goom are like the post-Devo, prog punk version of The Fugs. The Far Stairs is a deconstructionist pop project that sounds like more well-crafted pop than most bands trying to fool us into thinking they’re not utter frauds. Plus sometimes there’s a Robyn Hitchcock cover involved which bespeaks of an unspoken artistic ambition far beyond the usual. The Pollution got back to punk through burning through on hardcore, psychedelic rock, krautrock and Kiwi rock and taking bits and pieces of each to put together a Frankenstein’s Monster of music where you can’t find the sutures.