Due to the Coronavirus-related cancellations we will include the shows we already had planned for coverage but indicate that they are cancelled as appropriate and as that information is available.
Thursday | March 12
What:Thundercat w/Guapdad 4000 When: Thursday, 3.12, 7 p.m. Where: Ogden Theatre Why: Stephen Lee Bruner, aka Thundercat, has been the go-to bass playing genius in the hip-hop world and beyond for over a decade including performing on albums by Kendrick Lamar, Erykah Badu, Kamasi Washington and Flying Lotus. His own music is equally distinguished for its surreal creativity.
What:Harry Tuft and Brad Corrigan (of Dispatch) When: Thursday, 3.12, 6:30 p.m. Where: Swallow Hill Quinlan Cafe Why: Harry Tuft was instrumental in cultivating and fostering the folk music scene in Denver through first the Denver Folklore Center and then through Swallow Hill. He is also one of the great interpreters of that music and a talented artist in his own right and this intimate show will be a good setting to catch him in action.
What: CancelledThe Decibel Magazine Tour: Mayhem and Abbath w/Gatecreeper and Idle Hands When: Friday, 3.13, 6 p.m. Where: Ogden Theatre Why: Mayhem is the legendary/notorious black metal band from Norway whose early history was the subject of the 2019 biopic Lords of Chaos. But the current band is equal parts occult rock theater and crushing black metal of devastating power.
What:Robyn Hitchcock When: Friday, 3.13, 7 p.m. Where: Daniels Hall at Swallow Hill Why: Robyn Hitchcock first came to public attention as a member of post-punk band Soft Boys in the early 80s but later in the decade through to today he has established himself as one of the most consistently creative, thoughtful and wryly humorous songwriters of the modern era. With an eclectic songwriting style that weaves in elements of jangle rock (which he helped to pioneer) and psychedelia, Hitchcock’s observational story songs articulate vividly snapshots of the core human zeitgeist of the moment through his lens of an Englishman who has remained open to the world.
Why:Concert for Indigent Defense/Death Penalty Repeal Party: Tokyo Rodeo, Cyclo Sonic and The Slacks When: Friday, 3.13, 9 p.m. Where: Skylark Lounge Why: Tokyo Rodeo is a rock band that by not tying its songwriting to a trendy aesthetic or some classic style has been able to cultivate its own voice in writing songs that delve into the personally meaningful in the musical language of a rock and roll universality. Cyclo-Sonic is a Denver punk super group with former members of Rok Tots, The Fluid, Frantix and The Choosey Mothers. But pedigree is not enough. Fortunately Cyclo-Sonic’s unvarnished rock theater and strong songwriting recommends itself.
What:Snakes w/Colfax Speed Queen and No Gossip in Braille When: Friday, 3.13, 8 p.m. Where: Hi-Dive Why: Snakes is a band that includes George Cessna as well as Brian Buck of High Plains Honky and Kim Baxter of several bands including Gun Street Ghost. Sharing the stage for this inaugural show is psychedelic garage rock powerhouse Colfax Speed Queen and the radically vulnerable post-punk stylings of No Gossip in Braille.
Saturday | March 14
What:Ladies Night, Ned Garthe Explosion, Slugger, Despair Jordan When: Saturday, 3.14, 8 p.m. Where: Hi-Dive Why: Ned Garthe Explosion could have a career as a comedy band but its songwriting is too strong and clever for being a mere novelty act. Its nearly unhinged psychedelic rock is always surprisingly compelling. Slugger somehow managed to emerge over the last few years influenced by 70s rock and psychedelic garage rock without sounding like a rehash of a rehash, instead, vital and visceral.
Sunday | March 15
What:Bolonium, Damn Selene and Gort Vs. Goom When: Sunday, 3.15, 7 p.m. Where: Hi-Dive Why: Bolonium is part weirdo pop band and game show including a section involving audience participation. Damn Selene’s mixes underground hip-hop, darkwave, noise and industrial music. Gort Vs. Goom is like if the Minutemen fully embraced prog rock and Blue Oyster Cult.
What: POSTPONEDÁsgeir When: Sunday, 3.15, 7 p.m. Where: Bluebird Theater Why: Ásgeir is an Icelandic songwriter whose blend of folk with electronic production has garnered him a bit of an audience in his home country and abroad. His falsetto combines a sense of intimacy and transcendence couched in transporting tones and grounding musical textures. Currently the artist is touring in support of his latest album Bury the Moon.
Monday | March 16
What:Cancelled Wax Lead, Vio\ator, Voices Under the Mirror and Voight When: Monday, 3.16, 7:30 p.m. Where: Seventh Circle Music Collective Why: Minneapolis-based post-punk band Wax Lead brews its catharsis from lushly brooding female vocals and bass-driven minimalism and a willingness to pointedly tackle social and political issues. Also on the bill is the great, Denver-based industrial post-punk band Voight and one of the few good local EBM acts Voices Under the Mirror and its emotionally rich vocals and songwriting.
What: CANCELLED or POSTPONEDKronos Quartet When: Tuesday, 3.17, 7:30 p.m. Where: Newman Center Why: Kronos Quartet has helped to make classical music cool and relevant since its founding in Seattle in 1973 through creative interpretation of foundational works and the contemporary avant-garde. The Quartet has also been known to indulge in fascinating covers of music in genres beyond its presumed wheelhouse as well as working with noted artists like Laurie Anderson and Pat Metheny.
What: CANCELLEDJonathan Wilson w/Other Worlds When: Wednesday, 3.18, 7 p.m. Where: Bluebird Theater Why: Songwriter, multi-instrumentalist and producer Jonathan Wilson (Erykah Badu, Father John Misty, Laura Marling etc.) brings a lot of skill, experience and talent to bear on his new album Dixie Blur which he didn’t record at his studio in Los Angeles, where he has produced plenty of high quality material, but in Nashville to be closer to his Southern roots as a musician who grew up in North Carolina. Whether setting matters much in an ultimate sense, the record and lead single “Oh Girl” is informed by a warmth and sensitivity that elevates songs that are already noteworthy for their diverse dynamics and broad palette of emotional coloring.
What:Church Fire When: Thursday, 11.14, 6:30 p.m. Where: Ross-Broadway Library Why: Denver-based synth-noise-pop doom darlings Church Fire are playing this event sponsored by Titwrench as part of its Surfacing series highlighting female and LGBTQ underground and experimental artists. It’s after hours at the library in the Baker District and free.
What:Roller Disco 3 When: Thursday, 11.14, 9 p.m. – 2 a.m. Where: Roller City
What:Whipporwill w/Courtney Hartman When: Friday, 11.15, 6 p.m. Where: Washington’s (Fort Collins) Why: Fort Collins based alternative folk band Whippoorwill distilled its past few years of experiencing the turmoil of the land and the culture into its new album The Nature of Storms. On its 2017 tour the band experienced tornadoes, floods, forest fires, blizzards and the destructive nature of the Trump presidency itself and the polarized social and political climate surrounding it. With the personal lives of its members in disarray as well the trio pulled together and crafted one of the most affecting releases of the year that exceeds expectations for terms like “alternative folk” as the band seems to be channeling the pain and agony of the times into songs that if not exactly exorcising those emotions, brings a compassionate energy to the proceedings. This show celebrates the release of that record and hopefully soon the band will play regional shows in support followed by a tour soon enough.
What:Noise Vs. Doom IV When: Friday, 11.15, 7 p.m. Where: Seventh Circle Music Collective Why: This is the fourth edition of the Noise Vs. Doom event featuring bands that fall loosely into either category. Tonight’s lineup includes Denver noise legends Page 27, doom collective Ice Troll and avant-garde composer Victoria Lundy. Schedule below.
Clark Nova 6-615
Ice Troll 6:30 -6:50
minus X 7:00 – 7:20
Prayer Hands 7:30 -7:50
Haunted Sound Lab 8pm -8:20
Distance Research 8:30-9:00pm
9:15-9:45 Victoria Lundy
10-10:20 Page 27
10:30-11pm Deer Creek
DJ sets PterrorFranklin Soundsystem
(Frank Bell / James Jewkes )
What:No Swoon, Kissing Party and Voight When: Saturday, 11.16, 7 p.m. Where: Rhinoceropolis Why: No Swoon’s recently released self-titled full length is an example of how 2010s darkwave as evolved beyond the obvious classic reference points into the realm of sophisticated pop songcraft. Its vibrant tones and sense of sonic space is reminiscent of Chromatics but not tapping into feelings of nostalgia as much as a reflective yearning and introspection. Kissing Party is an indie pop band from Denver that has reliably been releasing quality material since the mid-2000s seeming to perpetually be able to draw on a sense of youthful romance and ideal love. Voight has been performing its brand of industrial post-punk noise-gaze since 2015 and is in the process of completing its new album due out in 2020.
What:GYES: Lady Gang, Preparation and Gothsta When: Saturday, 11.16, 8 p.m. Where: The People’s Building Why: The final Get Your Ears Swoll at the People’s Building in Aurora featuring experimental loop and psychedelic folk artist/one-woman band Lady Gang and Gothsta who plays truly unusual covers in a playful style that lives up to the name. The latter is organizer Claudia Woodman who will rename the event for the same location on a different day of the month in 2020.
What:Hi-Dive 16th (and 7th) anniversary w/Wobbles, Rattlesnake Milk, Zebroids, George Cessna, Permanent Boner and DJ Marika When: Saturday, 11.16, 8 p.m. Where: Hi-Dive Why: Hard to believe the H-Dive has been around for sixteen years at this point but it remains a place to see some of Denver’s best underground bands and up and coming artists from around the world. This show brings together stalwarts of the club including Zebroids who are more an obnoxious collective of yobs than strictly a ridiculous but oddly good punk band and George Cessna whose sonically inventive songwriting blows expectations of the son of Slim Cessna in a great way.
What:Noise vs. Doom IV When: Saturday, 11.16, 8 p.m. Where: Seventh Circle Music Collective Why: Second night of Noise Vs. Doom with performances from vinyl-collage sound processor Atari, ambient noise sculptor Blank Human and experimental noise rock prog punk band Action Friend from Los Angeles, formerly from Denver. This evening’s schedule below.
6:30 -6:50 Mismo
7:45 -8:05 Atari
8:15- 8:35 Flood Ov Blood
8:45 -8:55 – DJ Yeldarb Franklin
9-9:20 Clutch Plague
10-10:20 Blank Human
10:30 -10:50 Cosmic Abyss
11pm Action Friend (Los Angeles CA)
DJ sets Mudwulf + Dj Zombie
What:DBUK When: Saturday, 11.16, 7 p.m. Where: Tuft Theater at Swallow Hill
Sunday | November 17
What:Vetiver w/Joe Sampson When: Saturday, 11.16, 8 p.m. Where: Ophelia’s Electric Soap Box Why: Before it became very much a part of the current stream of “indie” music, Andy Cabic was crafting exquisite psych folk songs that incorporated electronic elements in a fully integrated way. His 2019 album Up On High is a fairly stripped down affair but the delicately intricate rhythms and textures with Cabic’s expressive vocals are still there creating an unconventionally atmospheric quality akin to something one might have heard on a Byrds or early Dead record. Maybe something Mitch Easter would have produced in the 80s. But the sensibility is very modern and its emotional immediacy is immediately compelling. Opening the show is Joe Sampson, one of Denver’s most gifted songwriters who some may remember from his days in A Dog Paloma but in the last decade plus he’s been woodshedding his own material while also having played in Bad Weather California.
What: A$AP Ferg and Ski Mask the Slump God w/Murda Beatz, MadeinTYO, Pouya, Danny Towers, DJ Scheme When: Monday, 11.18, 6 p.m. Where: Mission Ballroom Why: A$AP Ferg is one of the most influential and creative artists in the world of trap and Ski Mask the Slump God is one of the great innovators in that genre but one who incorporates even more elements of punk and metal into his animated material and performances. Sometimes live rap shows are disappointing but this should very much be an exception.
Tuesday | November 19
What:Nots, Slugger and Dearborn When: Tuesday, 11.19, 8 p.m. Where: Lost Lake Why: Nots is the noise punk band from Memphis, Tennessee that is currently touring in support of its new album 3 out on Goner Records. Guitarist and singer Natalie Hoffman was once the bass player of Ex-Cult where she stood out as a charismatic performer with wiry energy in a band not short on those qualities.
What:An Evening With Helmet When: Wednesday, 11.20, 7 p.m. Where: Summit Music Hall Why: Helmet is the legendary noise rock/posthardcore band from New York whose 1992 album Meantime yielded a hit single “Unsung” during that period when anything a little different stood a chance of making it to the radio. The group’s blunt and angular riffs and aggressive groove has proven influential on a certain segment of heavy music since.
What:Curse w/Echo Beds, Church Fire and Gruesome Relics When: Thursday, 10.03, 9 p.m. Where: Rhinoceropolis Why: Baltimore’s Curse has been touring the US for the past eight years playing its alchemical mix of doom, darkwave analog synth pop, electro-acoustic industrial beats and hardcore. Its commanding and spirited performances and DIY ethos has earned the band a fanbase in the American underground where its gritty, emotionally charged and dream-like music needn’t appeal to a narrow spectrum of musical tastes. Also on the bill are like-minded Denver locals. Echo Beds and Church Fire both bridge the worlds of hardcore, industrial and darkwave with both groups incorporating live drums and physical sound generation with an electronic music aesthetic.
What:Bleached w/Dude York and Pout House When: Thursday, 10.03, 7 p.m. Where: Globe Hall Why: Seattle’s Dude York recently released its new album Falling out on Hardly Art. The band’s been writing fun, thoughtful music since its inception but on the new record the songwriting seems somehow fuller and the tone nostalgic like the members of the band have reached a point in their life that everyone gets to where you can embrace the music of your youth that maybe in your late teens or twenties you rejected a bit because you outgrew it. Except that you can appreciate it on your terms as someone who has some life experience and has more insight as to why you you can either still love that music or aspects of it or appreciate how it made you feel even if that music doesn’t have that level of impact on you now. The problem with a lot of rock music is that it gets emotionally stuck in a rut of stunted adolescence. Falling sounds like a band that acknowledges the importance on a deeply personal level of not letting your heart fully harden to weather the blows of life with a shield of knowing jadedness when some sensitivity and openness would be a better way to navigate the world with curiosity and humanity intact. Bleached not so long ago went through its own transformation after some years of exploring what it wanted to sound like, even as the songwriting was always strong, to get into a groove of gritty, atmospheric pop that grew out of the Clavin sisters’ past in noise punk band Mika Miko and the garage surf sound of the early 2010s.
What:Half Moon Run w/Tim Baker (former Hey Rosetta!) When: Friday, 10.04, 8 p.m. Where: Bluebird Theater Why: Tim Baker the charismatic singer for Hey Rosetta! released his debut solo album Forever Overhead. When the band went on indefinite hiatus in October 2017 Baker went on tour as a solo artist playing the unconventional types of venues he had probably when he was coming with the songs that were the backbone of the early era of his Hey Rosetta!. The songs are the warm, introspective but yearning, anthemic pieces that garnered the band a wide audience from early on. The album seems to sketch a journey of personal rediscovery and reconnecting with the everyday experiences and epiphanies that make for vivid lyrics that resonate with feelings we’ve all had.
What:Ride w/The Spirit of the Beehive and One Flew West When: Friday, 10.04, 7:30 p.m. Where: Boulder Theater Why: Ride was one of the earliest of the UK shoegaze bands. Its sound was aswirl with elements of a colossal neo-psychedelia but rocked with a momentous drive. Currently the group is touring in support of its 2019 album This is Not a Safe Place.
What:Pythian Whispers album release w/RAREBYRD$, SOMNILOQUIST and nervesandgel When: Saturday, 10.05, 8 p.m. Where: Rhinoceropolis Why: SOMNILOQUIST is an ambient/drone artist from Albuquerque whose 2019 album Perpetual Fall is a collection of vivid sonic sketches of a scene, a sensation, a mood captured by the song titles including the humorously titled “How Long Are You Going to Leave Those Jack-o-Lanterns on Your Porch?” Majestic, enigmatic, impressionistic, introspective but always conveying the emotional experiences behind them eloquently. Nervesandgel hasn’t performed a show in over six years but the Denver-based experimental electronic artist has a vast back catalog that explores depths of experimenting with the form of ambient music and psychedelia beyond the tropes implied by the latter designation. He, Johnny Wohlfahrt, has releases on various imprints including a record out on indie pop label Best Friends Records but most of his work is self-released including the darkly moving Cometcrash and the more than three hour long epic 333. He may make ambient music but his performances are always richly emotional. R A R E B Y R D $ took the root of underground hip-hop and imbued it with personal mythology and a willingness to push the weird end of electronic beat-making to craft some of the most entrancing and evocative, sometimes inspirationally brash, sometimes cathartically heartbreaking happening in the world right now. Pythian Whispers is a Denver-based ambient band that Queen City Sounds and Art editor and writer Tom Murphy started as a solo project in 2009 but which became a band in 2011 when David Britton joined followed by various other long term and short term collaborators including renowned photographer/film-maker Charles DeGraaf, Titwrench MC Piper Rose, former Dangerous Nonsense bassist and current Umbras Animas member Harmony Fredere, Brad Schumacher of Night Grinder, Melissa Bell formerly of Rasputina and Howling Hex, Victoria Lundy of The Inactivists, Darren Kulback formerly of Hot White now Quits and The Lifers, former Action Friend drummer Paul Alexander, Misun Oh formerly of French Chemists, Tripp Wallin of The Lifers, comic artist Sara Century, photographer Joel Dallenbach and likely more. The band’s new album Lullabies For the Way of St. James is its first full length album since 2012’s The Dark Edge of Hippie Life. The band will have enamel band logo pins for sale for $12 that come with a download or a bundle with a forthcoming cassette with extra tracks for maybe $20.
What:Franksgiving: Church Fire, Little Fyodor, Ralph Gean and Gort Vs. Goom When: Saturday, 10.05, 9 p.m. Where: Lion’s Lair Why: Franklin Bell is a local character and weird music afficionado who DJs many events featuring gloriously odd music. This is his yearly benefit for the Crohn’s Foundation of America. It features some of Denver’s best including tribal industrial dance phenoms Church Fire, punker than your average fashion victim punk band Little Fyodor & Babushka Band, Denver’s OG rock and roll hero Ralph Gean and irreverent bass thrash post-punkers Gort Vs. Goom.
What:Sam Fender w/Noel Wells When: Sunday, 10.06, 7 p.m. Where: Globe Hall Why: You may not know who Sam Fender is now but the singer/songwriter from the UK has had his musical star on the ascent for several years now and his new album Hypersonic Missiles hit the number one sport on the UK Albums Chart last month. His earnest songwriting and candid portraits of working class life, the struggles, the aspirations, the frustrations and the triumphs, elevate his upbeat and anthemic songwriting to something more ambitious and meaningful than much of what is passing for pop and rock music in the mainstream these days.
What:Dave Bixby w/Midwife and Scott Seskind — canceled When: Sunday, 10.06, 7 p.m. Where: Rhinoceropolis Why: In 1969 Dave Bixby released his debut Ode to Quetzalcoatl, inspired by a spiritual revelation after wrecking his mind with drugs and transcending that experience. His second album, Second Coming, commissioned by a cult called The Movement, was released in 1970 and he subsequently disappeared from the world of music until 2011. This is a rare chance to catch this legend of psychedelic folk. [This show was canceled due to Dave’s gear being stolen. Possible reschedule at some point]
What:Emotional Oranges w/Chiiild When: Monday, 10.07, 7:30 p.m. Where: Fox Theatre Why: Chiiild is the kind of R&B we need now that is identifiable as such but which has absorbed modern music and while maintaining an appreciation for the eccentric sound and musical ideas from yesteryear with no prejudice toward where it belongs in conventional notion of genre. The group’s songs sound like they were written without notions of musical tradition weighing it down, only the pressure of writing meaningful and transporting music the way its obvious influences weren’t aiming to borrow so heavily from an earlier era either.
What:Tame Impala w/Altin Gün When: Monday, 10.07, 7 p.m. Where: Mission Ballroom Why: Tame Impala could have done fine for itself basically soundtracking modern yacht rock for young people and had a commercially successful music career. But Kevin Parker’s songwriting reveals some more imaginative combinations of sounds and moods layered into the music so that even if sometimes a song will remind those in the know of a later era Supertramp track with more luxuriant synth work it’s an example of Parker’s penchant for weaving together modern sensibilities and pop songcraft from previous or current times with equal aplomb.
What:Stereolab w/Wand When: Monday, 10.07, 7 p.m. Where: Ogden Theatre Why: Stereolab took French pop, Krautrock, avant-garde synth music, dub and psychedelia and infused it with the radical left politics to make some of the most compelling yet accessible music of the 1990s and 2000s. Reunited after a decade apart “The Groop” will not fail to dazzle.
What:Tyler, The Creator w/Blood Orange and Goldlink When: Monday, 10.07, 6 p.m. Where: Red Rocks Why: Tyler the Creator made a name for himself crafting experimental hip-hop as a member of Odd Future and under his own creative moniker. But in recent years, particularly with his 2019 album Igor, he’s been writing works that explore themes of identity and a deep examination of what drives our desires. While nothing new per se, for this record Tyler has dispensed with the aggressive character that was a manifestation of his anxieties and insecurities writ larger than life in favor of a compelling vulnerability with production that complements that unmasked sensitivity perfectly. Also on the tour is Blood Orange whose own experimental beat-crafting and creative approaches to cultural narratives reached a peak thus far with 2018’s Negro Swan with its lush jazz and downtempo sound and lyrics that took an honest yet nuanced look into the way society and conventional mores impact racial, gender and sexual identity. Heavy stuff for a show at Red Rocks and yet both artists make these subjects accessible and fun without downplaying their seriousness.
What:Claudio Simonetti’s Goblin performs Deep Red for movie screening When: Monday, 10.07, 7 p.m. Where: Oriental Theater Why: Claudio Simonetti is a founding member of Italian progressive rock band Goblin and for this show he and his band will perform a live soundtrack to the 1975 Dario Argento splatter horror thrill Deep Red.
What:Jakob Ogawa w/Niña When: Wednesday, 10.09, 7 p.m. Where: Larimer Lounge Why: Swedish singer-songwriter Jakob Ogawa’s songwriting seems steeped in jazz-inflected pop but there’s something unusual about the angle with which he approaches the music. Almost like it incorporates elements of childhood music and fairy tales into the mix. For instance the music video for his single “April” features a sasquatch type figure who wakes up one morning and has some adventures including trying out surfing and night driving. Some fishing, visiting the graves of pets. Hanging out in a hammock. It’s subtle but it really does tell you Ogawa’s gift for chill synth pop and his own idiosyncratic vocals is coming from a place of individual imagination that immediately sets him apart from the rest of the modern crop of indie pop artists.
What:Derelicts w/Cyclo-Sonic, Clusterfux and The Lurchers When: Friday, 08.16, 8 p.m. Where: Streets Denver Why: The Derelicts are a bratty punk band from Seattle legendary for its unhinged stage shows in a scene know for them. Lead singer Duane Bodenheimer grew up in Denver and was part of the punk world here before moving to Seattle to join this infamous outfit. Clusterfux are the legendary Denver street punk band that has been going since the early 90s.
What:Flying Lotus in 3D w/Brandon Coleman Spacetalker, Salami Rose Joe Louis, PBDY When: Friday, 08.16, 8 p.m. Where: The Mission Ballroom Why: Flying Lotus returns with his visually stunning “in 3D” performance in support of his new album Flamagra. The sets often involve a bit of a stage set where Steven Ellison aka Flying Lotus controls the sound and perhaps aspects of the visuals for an engulfing audio-visual experience. See below for a taste from 2017. Though Flying Lotus has crossed over between experimental electronic and EDM and funk and hip-hop his imaginative soundscaping continues to evolve in ever more colorful directions with an ear and eye for the presentation of that music for people who show up to craft a mutually inspiring performance.
Saturday | August 17
What:Sigilcraft with Tom Banger The Art of Making Things Happen: Using Art, Sound and Video to Create Change When: Saturday, 08.17, 2-4 p.m. Where: Mercury Café Why: Tom Banger, former punk/experimental/underground music promoter in Denver through the 80s and into the 90s will demonstrate the use of creative endeavor to enact change in one’s life and beyond. See event page for details including suggestions for bringing imagery from magazines or books in the crafting of the aforementioned sigil. Banger will also present artifacts of his music promotion past at the Central Library on Monday 8/19.
What:Physical Wash, Voight, Entrancer and Staggered Hooks When: Saturday, 08.17, 9 p.m. Where: Rhinoceropolis Why: Physical Wash is the solo project of High Functioning Flesh’s Susan Abstract. Both are melodic and in the classic industrial/EBM mold but whereas HFF is more akin to the likes of Nitzer Ebb and Front 242, Physical Wash is a little weirder and more in the vein of late 80s Skinny Puppy.
What:The Rotten Blue Menace w/The Repercussions, Noogy, Tuck Knee When: Saturday, 08.17, 7 p.m. Where: Seventh Circle Music Collective Why: The Rotten Blue Menace was one of Denver’s greatest ska punk bands in the vein of Choking Victim and Against All Authority before going more or less inactive a few years back. Here’s a chance to see the band at the venue you could most often catch its spirited performances.
What:Denver Art Rock Collective All Stars: Inactivists, Little Fyodor, Gort Vs. Goom, Cattle Axe and The Plastic Rakes When: Saturday, 08.17, 8 p.m. Where: Streets Denver Why: Denver Art Rock Collective is a loose affiliation of bands that don’t really fit into any distinct musical categories but are united by having an eccentric artistic vision behind the music and this event features some of the group’s greatest bands. Naturally punk/noise pioneer Little Fyodor will bring the weirdness as well as great songcraft, Gort Vs. Goom is the Blue Oyster Cult, Melvins and Devo hybrid no one was expecting or asking for but which we need in this bland era and The Inactivists return after who knows how long a hiatus to lay out twisted pop songs too clever for their own good but also catchy enough that in a parallel universe the band would have had a string of hit records. The Plastic Rakes includes former Mourning Sickness guitarist Matt Maher and Cattle Axe includes former New Ancient Astronauts and Superbuick guitarist/vocalist Kasey Elkington.
What:The Claypool Lennon Delirium w/Uni When: Saturday, 08.17, 8 p.m. Where: Ogden Theatre Why: Les Claypool and Sean Lennon’s band together, The Claypool Lennon Delirium, is making some of the most transporting, conceptual psychedelia being made by anyone right now and at the live show you’ll also probably get treated to some inspired reworkings of their respective individual catalog but also some Beatles material as they did “Tomorrow Never Knows” in their current style when the band stopped through to play The Fox Theatre in 2017.
What:Snail Mail w/Choir Boy When: Saturday, 08.17, 8 p.m. Where: Bluebird Theater Why: Lindsey Jordan will eventually outgrow her current phase of songwriting with the gentle guitar work, albeit highly refined and sophisticated, that’s a little too much like that of many of her indie rock peers. But her lyrics reveal someone who is capable of articulating great, vivid nuances of feeling and unconventional thinking.
Sunday | August 18
What:Old Man Gloom w/Oryx and Echo Beds When: Sunday, 08.18, 8 p.m. Where: Marquis Theater Why: Old Man Gloom is sort of an extreme/atmospheric metal/post-hardcore super group comprised of members of Isis, Converge, Sumac and Cave-In. Its music is haunting, psychedelic and unrelenting. Oryx is an extreme metal band from Denver that is sometimes lumped in with doom and if you’re into doom you won’t be disappointed but Oryx’s presentation and creativity within that realm of music sets it apart from many of its peers. Echo Beds is the organic-industrial post-punk band whose confrontational sound and political lyrics are both harrowing and transcendent.
What:Y La Bamba and Esmé Patterson When: Sunday, 08.18, 6 p.m. Where: Larimer Lounge Why: Y La Bamba is a band from Portland, Oregon that is impossible to pigeonhole as folk or world music or “Latin” or post-punk or experimental pop because it’s all of that to varying degrees. It’s music, though, is a sonically rich and engrossing band whose ability to craft a vivid mood and deeply emotional listening experience that’s transporting and grounding at once is impressive. Esmé Patterson in her now long-standing solo career is an artist whose work is rooted more in feeling and concept than genre. Patterson made her mark in indie folk band Paper Bird but her solo records have all explored the nature of identity and relationships and her live performances seem to experiment with the very format of what a live band can look like and how it can present itself without limiting itself to past expectations.
What:Phantogram w/Bob Moses When: Sunday, 08.18, 8 p.m. Where: The Mission Ballroom Why: Phantogram’s synth pop is cinematic and sweeping in scope and presentation even back when the band wasn’t playing rooms as big as The Mission Ballroom. More than some of its early peers, Phantogram created a sound that felt like it was engaging your imagination as much as your emotions and bringing you along for its ride into broad vistas of sound and inspiration while speaking to a broad spectrum of the human experience. Its newer music seems to be expanding into more soulful territory though no album has been forthcoming since 2016’s Three. Its “Into Happiness” single, though, more than hints at its next musical direction.
Monday | August 19
What:Calexico and Iron & Wine w/Madison Cunningham When: Monday, 08.19, 8 p.m. Where: Denver Botanic Gardens Why: Calexico and Iron & Wine last collaborated on a recording with 2005’s In the Reigns EP. But in 2018 Sam Beam, Joey Burns and John Convertino were able to get together to write and record the eight songs that make up their new record together, 2019’s Years to Burn. It’s the kind of album that sounds like its intricate details were somehow well mapped out and intuitive. Like friends who get each others instincts and share sensibilities and aesthetics. Which given these artists seems obvious. And it’s an album on which thoughts and observations are explored with a sense of life’s complexities and ambiguities and the comfort that can come with being able to navigate through tentative times in your life and in the world if you’re not too set in your ways and hardened to your own heart and the world around you.
What:Punk Show and Tell with Tom Banger When: Monday, 08.19, 6 p.m. Where: Central Library Floor 7 Training Room Why: Denver punk promoter/musician/underground culture legend Tom Banger will present artifacts from his life and times in that world with actual items from his library donated to the Denver Public Library as part of its history collection. It’s a rare and curated glimpse into Denver’s cultural heritage and its connection with underground music and culture around the world.
Tuesday | August 20
What:Big|Brave w/Deaf Kids, Yakuza, Human Tide, Gruesome Relics and Volunteer Coroner When: Tuesday, 08.20, 8 p.m. Where: Rhinoceropolis Why: It might be an exaggeration to call this the extreme metal show of the month much less the year. But it does include experimental drone metal trio Big|Brave and its contorted atmospherics and emotionally charged vocals, Deaf Kids’ polyrhythmic, psychedelic industrial punk and Yakuza’s menacing, sludgy, dark and heavy yet ethereal drones. And that’s only half the bill.
What:Deathwish w/Cadaverine, Zygrot and Victim of Fire When: Tuesday, 08.20, 7 p.m. Where: Seventh Circle Music Collective Why: Deathwish is the thrash punk band from Madison, Wisconsin, not the UK thrash band from the 80s. But if you’re a fan of the latter it seems like you’d be into the Wisconsin band as both have a similar proclivity for confrontational vocals, burning guitar riffs and a disdain for mainstream normalcy.
Wednesday | August 21
What:David Dondero and Patrick Dethlefs When: Wednesday, 08.21, 8 p.m. Where: Hi-Dive Why: David Dondero is a lifer whose music reflects a dedication to telling the truth about various corners of human existence and experience through poignant stories delivered with his signature voice warm and sensitive and on the verge of quavering, accompanied by intricate guitar work played with a dynamic urgency. Patrick Dethlefs is a Denver-based singer songwriter whose highly emotive songwriting is thought-provoking and inspires a compassionate examination of your own feelings and reactions to the events in your life through his own openness in singing about his own travails and reflections.
What:FEELS w/Midwife, Sweetness Itself and The Lifers When: Friday, 05.10 8 p.m. Where: Syntax Physic Opera Why: FEELS recently put out its sophomore effort Post Earth. Like its 2016 self-titled debut, the new album makes it obvious the group was the next step in musical evolution out of the garage, psych, fuzz rock era of a few years back that had grown stagnant and utterly predictable. FEELS has always been too weird for that seeming to be rooted in a style of songwriting that was more introspective and bedroom confessional punk poetry than trying to fit into some scene. Unless that scene was one where your eccentric, authentic self was cultivated and nourished. So yeah, while Post Earth may have some familiar elements it just comes off like a band trying to figure out what it wants to be by trying a lot of different things and thing coming back to embracing what makes its individual members shine in sync with each other to make the kind of punk that has more in common with the first wave where almost anything goes and no one is insisting on aesthetic orthodoxy than the niche subgenres that have come in between then and now. That uniqueness translates to a uniquely energetic live show as well.
What:Call of the Void w/Green Druid, Casket Huffer and BleakHeart When: Friday, 05.10, 8 p.m. Where: Hi-Dive Why: Call of the Void celebrates the release of its new album Buried in Light with this show with some of Denver’s heaviest. Call of the Void has been, no pun intended, grinding it out since 2011 when it was called Ironhorse. But the quartet has always been more than grindcore and more than death metal. Its song dynamics, its lyrics and vocals are closer to bands like Neurosis and Isis than some of its more obvious peers and influences. Buried in Light feels like more of a science fiction album about life post impending human colony collapse.
Saturday | May 11
What:GYES 6: Gort Vs. Goom, How to Think, Lady of Sorrows and Full Bleed When: Saturday, 05.11, 8:30 p.m. Where: The People’s Building Why: There are no “cool” bars nearby, the neighborhood is still sketchy sandwiched between CU Medical Centroplex, rapid development sprawl stumbling in from the west, the dystopian built-on-flight-fuel-soaked-ground of the Stapleton Development to the north and to the south the part of Aurora that is largely forgotten. Northwest Aurora, one of the few parts of central-ish Denver metro that has stubbornly resisted the influence of Nü Denver because it’s not along easily accessed by main arterial streets beyond Colfax. And yet, due to not predatory development The People’s Building exists and has events that you might want to go to including Get Your Eyes Swoll. Because of the booking involved it’s usually something very underground and definitely outside the mainstream. There’s probably literally no branch of Denver Metro underground music happening in public spaces in Aurora in general much less the Northwestern portion of the city tucked into Denver’s armpit like an infected splinter some fool has been trying to ignore for years until it became in demand once the vultures swooped in to buy out all the lower middle class homeowners with their dubious offers about buying ugly houses and the like. So for now, head east and maybe, just maybe, see prog punk weirdo duo Gort Vs. Goom and Lady of Sorrows who will bring her operatic, darkwave soundscaping to Denver’s dankest suburb.
What:Velveteers vinyl release w/The Kinky Fingers and Television Generation When: Saturday, 05.11, 9 p.m. Where: Silo Sound Why: Velveteers thankfully came along a few years back to save rock and roll from its tired tropes and cartoonish, patriarchal clap trap with a buzzsaw, thunderous vengeance and fiery live show. And you get to see The Kinky Fingers who make a great case that even when most bands are boring us with trendy post-psych burnout bullshit, one can take a style and inject it with elegance and imagination and make it worth our while to continue to go and see. Television Generation is the greatest power pop, grunge-not-throw-back-but-throw-forward wiseacre cultural commenting smart snark band in Denver. And that’s saying something.
What:iZCALLi album release w/Don Chicharron and The Hollow When: Saturday, 05.11, 8 p.m. Where: The Oriental Theater Why: You could do worse with your Saturday night than go see iZCALLi celebrate the release of its latest album. The band is fairly straight ahead rock and roll but with personality and some warped tones and dangerous flourishes in its party time jams. Good thing because otherwise Don Chicharron would wipe the floor with them with their own celebratory psychedelic room-wreck-ed-ness. Both have plenty of Latin music influence built in to keep going wack-full-gringo with Stevie Ray Vaughan worship or some shit. The Hollow doesn’t suck either. They’ll bring some of the metal and scrape the earth with it but Spencer Townshend Hughes and company know how to sculpt a tune with more grace and artfulness than a bunch of the clumsy metaphors in this write-up.
What:Disposal Notice, Eraserhead Fuckers, Wolfblitzer, hxcmidi When: Saturday, 05.11, 9 p.m. Where: Rhinceropolis Why: hxcmidi may look like she’s about to get up and throw down some yikes-level bedroom hip-hop but Aisha has a lot more in common with Realicide and thus the name—psyche sundering, harsh electronic beat and samples backed hardcore that shatters gentrified consciousness. Eraserhead Fuckers, now that guy looks like he’s going to show us all how to make a sweet Power Point and use FTP to load it to our pathetic starter websites and then laugh about it all later while getting “crunk” with his friends (a term about which they will all laugh like meme-lord gamers). But his lyrics shit through with incisive sounds and ideas are the shank the MAGA-hat wearing lunkheads and their cross-generational brethren need in this time of crisis.
What:DJ & Live PA sets by: Trisicloplox, $addy, Kid Mask, TimeLord SFX, Blank Human When: Saturday, 05.11, 8 p.m. Where: Thought//Forms Gallery Why: Okay, so you don’t want to have your mind blown by any of the above in their specific ways yet you want to get out to the chillzone without being put soundly to sleep. Technically this is a noise show but one with a stacked line-up of people who know how to transform the whole genre into mind-altering realms of sound and beat-driven injections of inspired strangeness. None of the acts are alike but share the same spirit of being furiously against boredom and musical mundanity.
Sunday | May 12
What:Tim Hecker & Konoyo Ensemble When: Sunday, 05.12, 8 p.m. Where: Bluebird Theater Why: For this first show in Colorado (probably) since March 2012 when Hecker performed in the Odd Fellows Hall in Boulder at an event sponsored by Communikey (now mostly defunct, boundary pushing electronic music group and festival), there will probably be more illumination than at an Autechre show or even the aforementioned performance where the light came from Hecker’s gear and the fire “Exit” sign. If footage of recent shows are any indication, it’ll be a fog-enshrouded affair with beams of light but none of it distracting from Hecker’s deep soundscapes and imagination-stirring, environmental drones. His recent Konoyo and Anoyo albums are less relatively pop-oriented than their immediate predecessor and not granulated like a sonic fog-sandstorm of the 2011’s Ravedeath, 1972. More like Hecker is giving us modern music with a similar mindset that informed the KPM 1000 catalog and Harold Budd and Eno collaborating again to go full abstract journey into sonic analogs of conscious awareness beyond the Bardo Thodol.
What:Cowgirl Clue, Venus305 and EVP When: Sunday, 05.12, 7 p.m. Where: Lost Lake Why: Forget the pictures of Ashley Rose Calhoun holding a BC Rich guitar. You could make something better at home with the proper routing tools, some basic electronic skills, soldering and some YouTube tutorials. And let’s hope she did and she’s using it as some kind of controller at some point. Kudos to her for putting on the cover of her album something colorful and strange. At any rate, her free-associating samples/synth track dance pop is playfully and unabashedly eccentric and like an update on electroclash. The local openers, Venus305 and EVP are like-minded weirdoes with confrontational performance styles that bring some edge to industrial dance and hip-hop-inflected pop.
Monday | May 13
What:Julia Jacklin w/Black Belt Eagle Scout When: Monday, 05.13, 7 p.m. Where: Larimer Lounge Why: Julia Jacklin’s vocal style is reminiscent of late 70s/early 80s Marianne Faithful with the sort of controlled, breathy yet tight and directed couplets. On her 2019 sophomore album Crushing, Jacklin evokes a smoky atmosphere enshrouding an introspective meditation on existential independence and rankling at the social expectations that undermine one’s sense of self. As facile as it is to say considering both songwriters are from Australia but fans of Aldous Harding will find much to appreciate with Julia Jacklin’s delicate and nuanced hand at songwriting and creatively poetic sensibilities. That and Jacklin just lays out how people need to step off and stop trying to make her fit into some mold that makes them feel comfortable with their own shortcomings and vices and let her figure out who she wants to be and where she wants to go on her own terms. Crushing is a heartfelt declaration of independence in one’s own heart and mind.
Tuesday | May 14
What:The Lemonheads with Tommy Stinson When: Tuesday, 05.14, 7 p.m. Where: Bluebird Theater Why: Like other bands of the era, The Lemonheads predated the alternative music eruption of the early 90s and were part of it on its own terms. Even though the band had signed to Atlantic for the release of its 1990 album Lovey it didn’t strike it big like it might have had the record come out a year or two later. The mixture of Americana, hard rock and punk coupled with Evan Dando’s gift for writing hooks and melodic songs with some bite and personal insight was very much what would be in great demand from 1991 onward but somehow The Lemonheads were never fully able to capitalize on what was becoming a trend but was also the group’s signature sound and sensibility. And yet, Lemonheads garnered some modest mainstream popularity before going on hiatus with Dando embarking on a solo career in 1998. The band has reunited as of 2005 and the songwriting has become tighter with essentially an edgier power pop sound but with Dando’s typically thoughtful, self-effacing words about heartache and loss. Tommy Stimson you should know from being the bass player of The Replacements but he also did his time in Guns ‘n Roses as well. As a solo artist, he’s a songwriter of no small gifts himself.
What:Garbage w/Pleasure Venom When: Tuesday, 05.14, 7 p.m. Where: Summit Music Hall Why: One of the great bands of the late alternative rock era that managed to remain great through to now. Shirley Manson is truly one of the most commanding singers fronting any band now and often disarmingly so because is able to belt out the tunes but with a nuance and delicacy of feeling that makes her performances so powerful.
Wednesday | May 15
What:Hatebreed w/Obituary, Madball, Prong, Skeletal Remains When: Wednesday, 05.15, 5:30 p.m. Where: The Ogden Theatre Why: Hatebreed is well known for being one of the torchbearers of 90s metalcore with its aggressive tones and spiky grooves. But one thing that seems obvious taking a sampling of its music throughout its career is that there’s a bit of the influence of Mike Scaccia-period Ministry. The willingness to let sounds hang atmospherically over the top of a driving, splintery, industrial riff. It’s an interesting contrast to the sort of tough guy image projected into the songwriting and presentation. In some ways Hatebreed is an interesting bridge in sound between Obituary’s driving death metal and Prong’s clipped dynamics and industrial dance/death disco sensibilities.
What:Walk Off the Earth w/Matt and Kim, Gabriela Bee of the Eh Bee Family When: Wednesday, 05.15, 6:30 p.m. Where: Red Rocks Why: Walk Off the Earth isn’t for everyone—that kind of folksy pop/indie rock/self-aware humor, posi-tip, quirky songwriting with elevated moods and a penchant for doing covers of songs that one would assume done out of a sense of irony but not so with Walk Off the Earth. At the end of 2018, though, the group lost its longtime member Mike “Beard Guy” Taylor due to natural causes and there was some speculation that the band was going on hiatus. But the quartet is now devoting the tour in honor of the memory of Taylor. Knowing the group, it’ll be as joyous as it has ever with a similarly exuberant set from indie rock party band openers Matt and Kim.
Who:Creative Music Works Fundraiser: Special guest Eugene Chadbourne When: Thursday, 03.28, 7-9 p.m. Where: Mighty Fine Productions Why: Creative Music Works is, according to the event page, a “nonprofit organizartion providing educational and performance opportunities for musical innovators.” Meaning the organization furthers the endeavors of artists whose work often falls outside the traditional commercial and popular music environment—the people pushing the boundaries with form, method and conceptualization. CMW members Janet Feder, Mark Harris, Scott Kinnamon, Elena Carmerin Young and Isaac Linder will contribute to a performance as well as avant-garde music legend Eugene Chadbourne.
Who:Starjammer w/Bianca Mikahn When: Thursday, 03.28, 4-7 p.m. Where: 3 Kings Tavern Why: Starjammer’s “avant-garde dub reggae”/performance art/home made instrument rig glory is paired tonight with one of Denver’s poetry greats and forward thinking hip-hop experimentalists, Bianca Mikahn.
Who:Rob Sonic w/The Maybe So’s, Brett Gretzky and Hakeem Furious When: Thursday, 03.28, 8 p.m. Where: Ophelia’s Electric Soapbox Why: Rob Sonic has had a fairly distinguished career for his innovative hip-hop projects Sonic Sum and Hail Mary Mallon (which included Aesop Rock and DJ Big Wiz). What has made his various efforts interesting is his use of a fairly different palette of sounds from many of his peers. His 2018 album Defriender lays out moods and textures that wouldn’t be out of place on a post-punk or deep house track or an industrial noise song. Denver’s The Maybe So’s is a duo that also weaves in unconventional electronic music and samples of organic percussion into its flow of beats and poetry.
Friday | March 29
Who:Dilly Dally w/Chastity and American Culture When: Friday, 03.29, 8 p.m. Where: Larimer Lounge Why: On Dilly Dally’s 2015 album Sore the group sounded like a bit like a weird mixture of Bully and Courtney Barnett. But to be fair, it was probably something in the universe/confluence of influences across a broad swath of the collective musical consciousness. But with the 2018 album Heaven, Dilly Dally has expanded its range as a band and there is more brooding, atmospheric darkness flowing through its fuzz-laden riffs. It’s song “Doom” is more doom in tone and emotional resonance than a lot of what passes for such in the doom genre. But its inherently introspective yet expansive melodies keep the music from wallowing in stagnation. Along for this date is fellow Canadian band Chastity who are definitely more well within the realm of doomy noise rock. American Culture lately has straddled the line between indie pop, post-punk and psych country jam rock minus the wacktitude.
Who:Hand Habits w/Tomberlin and Porlolo When: Saturday, 03.30, 8 p.m. Where: Larimer Lounge Why: Meg Duffy may be more well-known for being a touring member of Kevin Morby’s band. But with the release of her album placeholder under the moniker Hand Habits should garner her plenty of attention for her own creative efforts. Superficially its mid-tempo moody indie folk but her words go deep into thoughts and feelings we don’t want to entertain but must face honestly. Not necessarily obvious and brutal trauma but the subtler pains that can deeply haunt you every day and from which are more elusive in evading. Disappointment in self, reflecting on one’s suddenly seemingly damning mistakes and the cognitive dissonance of the complexity of conflicting feelings about people, situations, existential ponderings and life in general that are all valid. Her tonal choices are all interesting and the perfect companion to explicating and maybe untangling and processing the aforementioned.
Who:Robyn Hitchcock When: Saturday, 03.30, 7 p.m. Where: Swallow Hill – Daniels Hall Why: One thing that isn’t so obvious about seeing Robyn Hitchcock playing solo or with collaborators is how his simple but richly detailed guitar work is creatively varied and incorporates percussive elements with an expressive delicacy that focuses the emotional impact of his songwriting. He seems to be an endless well of interesting and poetic stories that make even what some may consider his lesser records worth a listen. Pick a point in Hitchcock’s career and you’ll find some of the best songwriting of that period whether while he was a member of The Soft Boys, his work with The Egyptians or The Venus 3. Like a magical-realist (emphasis on realist) novelist, Hitchcock’s songs offer observational insight into the human psyche through an intensely personal window.
Who:Jeff Carey, Sigtrygur Sigmarsson, Diffuser, Flesh Buzzard, Joshua Westerman. Sunk Cost and Page 27 When: Saturday, 03.30, 8 p.m. Where: Thought//Forms Why: Noise shows are pretty infrequent in Denver these days but this one is a showcase for some of the best noise acts going and not in the vein of the cliché harsh noise/shakebox feedback sculpting mode. Much more craft, imagination and originality here with Denver noise legends Page 27, former Austin-based noise prankster Sunk Cost, Adam Rojo of Voight’s Diffuser noise-scaping pieces and raw noise punk Flesh Buzzard. Among others.
Who:Black Dots, SPELLS, Lawsuit Models, Girl Scout Heroine and Good Family When: Saturday, 03.30, 7 p.m. Where: Seventh Circle Music Collective Why: A fairly traditional punk show with less of the fashion victim thing than usual. SPELLS wears costumes and get a solid B for the music but hey, that’s better than you get a lot of the time. Girl Scout Heroine includes former members of The Geds and The Blast-Off Heads.
Who:King Buffalo w/Pale Sun and The Lycan When: Saturday, 03.30, 8:30 p.m. Where: Lost Lake Why: What King Buffalo is doing, to some extent, we’ve seen a lot of over the past decade—drone-y, blues-y, doom-y psychedelia. But to give the band its due, if 2018’s Longing To Be The Mountain is any indication, it didn’t just adopt some motorik beats, it takes that sonic vehicle to places of heightened emotional impact beyond just hypnotic drive with occasional flourishes. Also it’s songwriting is much more creative and not grinding away at the same vibe and pace for an entire record. King Buffalo often reaches moments of true sonic sublimity in a way that transcends any genre associations. Pale Sun will bring a different kind of atmospheric heavy as the trio’s finely honed space rock has similar roots as King Buffalo but whose music touches subconscious places in the mind with both tone, rhythm and emotional vibrancy. Vocalist/guitarist Jeff Suthers channels the visceral quality of the music well with his singing but he’s also tapping into something in the collective consciousness in the performance as well.
Monday | April 1
Who:Olivia O’Brien w/Kevin George When: Monday, 04.01, 7 p.m. Where: Larimer Lounge Why: Olivia O’Brien was about fifteen years old when she got a boost up as a singer and songwriter after garnering the attention of Australian pop artist gnash who discovered her through her posting of a cover of one of his songs on Soundcloud. Over the past four years, O’Brien has recorded with gnash and released a string of singles. “Trust Issues” from 2016 revealed a thoughtful sensibility and self-awareness that can be uncommon in general but definitely in a teenager. O’Brien’s R&B and soul inflected pop and commanding, emotionally nuanced, stage presence will probably find a wider audience after this current tour and the April 26 release of her debut full-length Was It Even Real? For now, you can see her at a small club like Larimer Lounge.
Tuesday | April 2
Who:Ten Fé w/Ten Miles South and Paul Kimbiris & The Dark Side of Pearl When: Tuesday, 04.02, 7 p.m. Where: Globe Hall Why: Been Moorhouse and Leo Duncan got their start busking in London before recording their 2017 debut album Hit the Light. Before taking the music on the road, the duo brought on board a band to fill out the sonic details. The group’s 2019 album Future Perfect, Present Tense sounds remarkably sophisticated for a relatively new band. Its particular incorporation of synth into songwriting might remind some listeners of The Call or later-era The Sound, but without the punk edge. That’s no knock on the music because its softness doesn’t quite wax into the 70s Laurel Canyon worship that’s been en vogue of late. Rather its the sound of a band exploring and refining where it will go next while perfecting an exquisitely lush minimalism without sacrificing the textural details that have made its songwriting noteworthy up to now.
Who:Vanilla Milkshakes digital album release show When: Tuesday, 04.02, 7 p.m. Where: Mutiny Information Café Why: Its been four years since Vanilla Milkshakes released Tall People Have No Feelings. Line up changes and a release of a cover of “Breed” by Nirvana in 2018 later, the grunge-y pop-punk band (singer/guitarist David McGhee makes no bones about being influenced by The Offspring) has released its best record with Punching Cows. Recorded with Jack Endino and guitars tracked through one of Kurt Cobain’s old amps, on the record McGhee’s vocals are clearer and stronger, the songwriting more focused. But the idiosyncratic quality of the lyrics and McGhee’s vocals, which is one reason none of this comes off like a band that would be playing that final Warped Tour. The sense of melody and tight rhythms give even the most melancholy of the songs (“Mommy Said to Get a Job” and “Green And Sober” for instance) a buoyant quality that doesn’t seem to downplay the real feelings and experiences that likely inspired the song. There are enough rough edges to keep the record interesting throughout. The band performs infrequently these days so this is a good opportunity to see the Vanilla Milkshakes in a small venue with the jokes from stage inserted between songs. Besides, drummer Frank Registrato is a wizard at helping keep things on track with no heavy hand and the sheer finesse and power of his playing.
Who:Hop Along w/Summer Cannibals When: Tuesday, 04.02, 7 p.m. Where: Bluebird Theater Why: Frances Quinlan performed in early versions of Hop Along as a solo acoustic act for the first four or five years until putting together a fledgling band around 2009. Even before signing to Saddle Creek Records in 2014, Quinlan’s songwriting was not short on imaginative storytelling like she was imagining the lives and situations she encountered in either her everyday life in Philadelphia or on the road and extrapolating it into colorful imagery and a keen sensitivity and insight into the subjects of her songs even when the inspiration is drawn directly from her own life. Any band that names its album Bark Your Head Off, Dog (2018) has a healthy sense of humor and the absurd without drifting into self-parody.
Wednesday | April 3
Who:Weird Wednesday: Gort Vs. Goom, The Far Stairs, The Pollution When: Wednesday, 04.03, 7 p.m. Where: 3 Kings Tavern Why: None more weird for Weird Wednesday. Gort Vs. Goom are like the post-Devo, prog punk version of The Fugs. The Far Stairs is a deconstructionist pop project that sounds like more well-crafted pop than most bands trying to fool us into thinking they’re not utter frauds. Plus sometimes there’s a Robyn Hitchcock cover involved which bespeaks of an unspoken artistic ambition far beyond the usual. The Pollution got back to punk through burning through on hardcore, psychedelic rock, krautrock and Kiwi rock and taking bits and pieces of each to put together a Frankenstein’s Monster of music where you can’t find the sutures.
Who:Endless, Nameless tour kickoff w/Soulless Maneater, Lightstory, Giardia and Sliver When: Thursday, 02.28, 7 p.m. Where: Seventh Circle Music Collective Why: Math rock band Endless, Nameless is headed to SXSW and to launch the group on its way some of its friends and peers are playing this show including gloom and angst festooned post-punk band Soulless Maneater, psych jazz abstract metal trio Giardia as well as post-grunge poseurs Diet Nirvana. But, really, Sliver is a great band inspired by grunge-era bands, Wipers and DC punk.
Who:Starjammer w/Joshua Trinidad When: Thursday, 02.28, 9 p.m. Where: 3 Kings Tavern Why: Squidds Madden has been bringing his gift for improvisation to various funk, rock, jazz and ska bands over the past two decades. But Starjammer is his one man avant-garde dub reggae project in which he pilots an integrated multi-instrumental vehicle. Lately he’s been crafting stories to go along with performances and this is one of a handful of events where he’s trying that out while bringing in some of the greatest players in Denver to round out the bill. Tonight it’s trumpet player extraordinaire Joshua Trinidad who some may know for his masterful turns in Wheelchair Sports Camp and GoStar.
Friday | March 1
What:Decibel Tour: Cannibal Corpse, Morbid Angel, Necrot and Blood Incantation When: Friday, 03.01, 6 p.m. Where: The Oriental Theater Why: Cannibal Corpse is known for having some of the most cartoonishly brutal and horrifying lyrics in metal. But it’s all in fun and if one can’t appreciate the absurd, even in bad taste, maybe you take yourself too seriously. The death metal legends share the stage tonight with one of the pioneers of death metal from, where else, Tampa, Florida (where Cannibal Corpse is now based): Morbid Angel. Opening the night is Blood Incantation, a Colorado band with a cult following in the death metal realm. While clearly self-aware, Blood Incantation is a powerful live act whose songs push the genre in interesting directions rather than get stuck like it’s 1985.
Who:Venus305 physical album release w/Gold Trash, EVP, Düll Haus and Techno Allah When: Friday, 03.01, 9 p.m. Where: Thought//Forms Why: Molly McGrath is perhaps better known for her rock band Surf Mom. But for Venus305 she’s left behind the guitar and punk-esque vocals for electronic dance tracks and a vocal style more fitting for the type of downtempo and what one might call progressive lounge that is the music of Venus305. Also on the bill for this release show of the project’s physical album is screamy electroclash Gold Trash, industrial punk/dance duo EVP, the glitchcore for the dancefloor sounds of Techno Allah and Düll Haus, a band that seems to navigate the sonic territory traversing minimal synth dance and IDM.
Who:The Scientist w/Dr. Israel and DJ Imeh When: Friday, 03.01, 8 p.m. Where: Ophelia’s Electric Soapbox Why: The Scientist learned his craft partly under the tutelage of dub legend King Dubby and went on to contribute greatly to the genre himself—which is reason enough to go if you’re into the roots of sound sculpting production.
Who:eHpH, TetraKroma, Redwing Blackbird When: Friday, 03.01, 9 p.m. Where: The Skylark Lounge Why: None more synth on this night. eHpH makes a good case for why EBM and industrial rock isn’t essentially dead these days because the duo brings an emotional resonance to the music that isn’t just trying to be as angsty and nihilistic as possible. TetraKroma, that’s a lot of analog synths for making dark dance music but the depth of sound makes it obvious having the layers in hardware are worth it. Redwing Blackbird mixes samples and low-end heavy tracks to make some gritty EBM like early Front 242 but darker.
Saturday | March 2
Who:Teenage Fanclub w/The Love Language When: Saturday, 03.02, 8 p.m. Where: The Bluebird Theater Why: Teenage Fanclub came out of the fertile musical ground of C86 influenced by the bands that influenced the jangle, twee and garage rock of that era. Its second album, 1991’s The King, came out on Creation Records, the imprint better known for being home to shoegaze giants of that period like My Bloody Valentine and Slowdive. But Creation also nurtured the cooler end of power pop (later Creation signed Oasis but that’s a whole other story). In the USA, Teenage Fanclub hit the college radio charts in a big way with its later 1991 album Bandwagonesque. At the time there was a revival in the interest in power pop pioneers Big Star and its soulful and melancholic catalog—a band that somehow sounded mournful and sad even when it rocked in a celebratory fashion on its songs. Bandwagonesque evoked Big Star powerfully on songs like “What You Do To Me” and “The Concept.” But Teenage Fanclub had its own voice and its sophisticated songwriting evolved over its now long career. 1993’s Thirteen sounded like the band had absorbed a bit too much of grunge or grebo or whatever and yet its delicate psychedelia and emotionally vibrant vocals remained part of the sound. 1995’s Grand Prix dispensed with the grunge affectations going forward. Teenage Fanclub doesn’t get nearly enough credit for being an important band in the development of Britpop but probably because there’s too much rock and roll in its songwriting and not enough of the dance music/Madchester element. It is precisely because of that disconnect with that 90s trend that the group’s music has aged well.
Who:GoStar When: Saturday, 03.02, 9:30 p.m. Where: Dazzle Why: If a trumpet-guitar-and-percussion-driven jazz fusion band of the early 70s (Bitches Brew period Miles, Mahavishnu Orchestra) adopted mind-altering psychedelic flourishes and then traveled forward in time to hang with Arrested Development and A Tribe Called Quest in the early 90s before hopping again and landing in the 2010’s, that band would sound like GoStar.
Who:Lords of Acid w/Orgy, Genitorturers and Little Miss Nasty When: Saturday, 03.02, 6 p.m. Where: The Gothic Theatre Why: There will be a lot of ridiculous antics and NSFW stuff at this show. Including from headliner Lords of Acid. The band’s songs are all about hedonistic activities and aspirations up to the line of self-parody. Its industrial dance music and live show is also good fun and maybe vocalist and band leader Praga Khan will push someone off stage into the audience for an impromptu and unexpected stage dive. But even if he doesn’t, Khan is a charismatic and entertaining frontman who draws you into the playful chaos of the band’s music.
What:Nightshift When: Saturday, 03.02, 9 p.m. Where: The Meadowlark Bar Why: Nightshift is an all vinyl dance party on first Saturdays curated by Meghan Meehan and Laura Conway, focused on synth pop, disco and new wave.
Who:Duos From The Abyss: Gort Vs. Goom, The Swamp Rats, Triplip, Still Frames When: Saturday, 03.02, 6 p.m. Where: Tennyson’s Tap Why: None of these bands are particularly from the abyss unless you’re only into punk that doesn’t color widely outside the musical lines. Gort Vs. Goom is the They Might Be Giants of Blue Oyster Cult tribute bands. Triplip is the Daikaiju of prog. Gort is not a tribute band but that’s the sort of mashup that comes to mind, among other things, seeing one of the duo’s sets.
Monday | March 4
Who:Hunter Dragon album release of Universal Basic Income w/Lazarus Horse and Shockermom When: Monday, 03.04, 8:08 p.m. Where: Syntax Physic Opera Why: Hunter Dragon’s catalog is vast and widely varied in his methods and songwriting styles. But it’s unified by an imagination focused on a future that could or should exist now. Whether that’s a desolate post-disaster setting or, as the title of his new album suggests, a future where everyone can use the time they would normally expend on scrambling to survive on whatever suits their natural interests and talents. The new songs have a meditative, spacious folk quality. For the occasion of this release show Hunter has brought on board Lazarus Horse (a band that sounds like it realized that even the cooler weirdo psychedelic rock of the 2000s and 2010s would be and is played out and injected a lot more imagination and unusual rhythmic and tonal ideas into the mix) and Shockermom. The latter has been writing the soundtrack to everyone’s emotional return to peace and tranquility during the collective long dark night of the soul that’s been coursing through the world like a psychic cognate of the collapse of the global ecosystem. Essential listening.
Tuesday | March 5
Who:Daughters w/Gouge Away and HIDE When: Tuesday, 03.05, 7 p.m. Where: The Gothic Theatre
Why: Daughters are the legendary post-hardcore noise rock band whose mournful and abrasive music sounds like the purging of the world’s anguish. Except Daughters make it darkly beautiful. Gouge Away is a forceful, cathartic hardcore band that isn’t trapped in early 80s SSD worship. HIDE is a performance art-oriented industrial duo from Chicago whose visceral, ritualistic live show will probably confuse punk purists but which will fit right in with everyone on the bill.
Who:Albert Hammond Jr. w/In The Valley Below When: Tuesday, 03.05, 7 p.m. Where: The Bluebird Theater Why: Albert Hammond Jr. is best known for his membership in The Strokes. But his solo career has yielded better songs than The Strokes have in years. There’s a bright and fresh quality to his upbeat pop songs and his performances that are likeable even when it sometimes sounds like he’s leaning on past creative laurels. Opening the show is synth pop band In the Valley Below from Grand Rapids, Michigan. Its bass and melody-driven songs differentiate it from what one would assume are its peers in bands like CHVRCHES, Phantogram and Poliça while sharing a sense of elevating moods and positive energy.
Wednesday | March 6
What:Weird Wednesday: Acidbat, Satin Spar, Ruehlen/Seward When: Wednesday, 03.06, 9 p.m. Where: 3 Kings Tavern Why: Acidbat doesn’t play many shows in general much less outside of some super underground show. His ambient yet beat driven, glitchy IDM is more imaginative than a lot of music out of that milieu. Also on this night’s Weird Wednesday is avant-garde improvisational/spontaneous composition duo Ruehlen/Seward.
What:2X4 Duo Fest: Smashy Claw, Sugar Skulls and Marigolds, Gold Trash and Gort Vs. Goom When: Thursday, 09.27, 7:30 p.m. Where: Syntax Physic Opera Why: This second annual edition of 2X4 Duo Fest features four duo bands (thus the name, of course). For this edition, as with the 2017 event, organizer Logan Rainard of Gort Vs. Goom assembled a genre-diverse bill. His own band, Gort Vs. Goom would have been considered punk 40 years ago before what that was supposed to sound like got more or less settled by some codification of the genre. Bass, drums, vocals and raw power with some nods to prog and art rock. Gold Trash is part noise, part electroclash and general pop chaos. Sugar Skulls and Marigolds would probably fit easily into a broadly metal world except the band’s musical range includes their “acoustic” set which sounds more like ghostly post-punk. Smashy Claw is what would happen if a couple of very self-aware geeks decided to get into writing eccentric alternative pop songs. Only if those geeks weren’t wasting our time with filking and had a real knack for good songwriting.
Who:Too Many Zooz w/Honeycomb When: Thursday, 09.27, 7 p.m. Where: The Bluebird Theater Why: Too Many Zooz is a percussion and horns-driven jazz band that performs a style of music it calls “brass house” in that it employs acoustic instruments to make sounds that are like the use of samples in an electronic hip-hop beat. The group has performed with Beyoncé on the strength of its chops and creativity and its own albums and shows are an impressive display of what one can do with instruments you’re using to seeing in other contexts once you engage your imagination to see their possibilities in others. The group recently released a video for the single “Car Alarm” in which the trio brilliantly plays around, yes, a car alarm and makes it work.
Who:Slothrust w/Summer Cannibals and Iress When: Thursday, 09.27, 8 p.m. Where: Lost Lake Why: Boston’s Slothrust combines a kind of jazz-inflected R&B mixed with fuzzy rock. It’s sound has been compared to the 90s revival of the past few years but the structure of its songs often have more in common with hip-hop than grunge and its quieter more introspective side with soulful folk. Its new record, 2018’s The Pact, brings these sides together well in a well-sequenced album that has the eclectic musicality and depth of expression in its thoughtful lyrics that we’ve come to expect from the band.
Also on this tour is Summer Cannibals from Portland, Oregon. The band’s sound defies easy categorization beyond hard rock but it has some loose around the edges wildness akin to Babes in Toyland and L7. Except Jessica Boudreaux’s voice is both melodic while cutting through the fuzzy sparks of the band’s driving forward momentum. Some might call Summer Cannibals garage punk but it’s guitar work is much more compelling than most of that wave of music and its musical vision more coherent as well.
Who:Gary Numan w/Nightmare Air and DJ Slave 1 When: Friday, 09.28, 8 p.m. Where: Gothic Theatre Why: For those somehow not familiar, Gary Numan beyond his 1979/1980 Top 40 hit “Cars,” was a pioneer of the use of synthesizer as a compositional element in pop music. His old band Tubeway Army was a post-punk project and that sort of moody, brooding element continued on into Numan’s career under his own name. Throughout the 80s, Numan explored themes of alienation, the impact of technology on human civilization and psychology and the ways technology could be used to write and produce music. Numan also experimented with integrating other styles of music outside his perceived repertoire and his body of work and through the 90s were an obvious influence on industrial music generally and industrial rock specifically. In the 2000s Numan has delved further into conceptual work in his songwriting especially his two most recent albums, 2013’s Splinter (Songs from a Broken Mind) and 2017’s Savage (Songs from a Broken World). Numan is no stranger to using dystopian science fiction ideas or even simply examination of possible futures extrapolated from the present in his music but Savage is one wherein he posits a near future where global warming has caused a worldwide desert. In seeking answers what remains of humanity seeks answers in ancient religion rather than trying to deal with the world as it is with disastrous results. As with most science fiction a warning with some uncomfortable truths about humans contained within it and a suggestion to seek creative solutions rather than what we think is tried and true.
Who:Guerilla Toss w/Black Belt Eagle Scout and H Lite When: Friday, 09.28, 8 p.m. Where: Hi-Dive Why: Guerilla Toss came up through the underground/DIY music world of Boston and New York where it experimented with musical ideas and concepts, developing what might be described as weirdo electro No Wave funk. Except that wouldn’t encompass completely a sound and performance style that includes the threads of punk fury and wiry energy, noise, prog and the avant-garde. The group recently released its latest album Twisted Crystal, an album that seems to transform some of the band’s frantic, nervous energy into dense yet beautifully expansive atmospheres while using its angular dynamics straight into those more fluid. It’s a fascinating mixture of ideas and sounds that is both alien and comforting in a way that a surreal cartoon or live action show from your youth can be.
Who:Modern Goon, Luxury Hearse, A Light Among Many, New Standards Men album release When: Friday, 09.28, 9 p.m. Where: Denver Distillery Why: New Standards Men released it’s new album People Wonder digitally on September 24. But it’s celebrating the release of the record with this show with like-minded peers at Denver Distillery. The Denver-based band has been releasing some of the more interesting experimental heavy guitar music of recent years in the Mile High City but the material on the new album has as much in common with 90s, dark math rock legends like A Minor Forest and Don Caballero as it does with even an adventurous doom band of today though some of that style of deep droning is present on the songs “Tanned Womb” and “Thirteen Alaskan Islands/Pacific Blood.” But it’s the sparkle and drift over the driving fuzz that makes the music breathe and invites the imagination to project onto its soundscape.
Who:Flahoola, To Be Astronauts, Denver Meatpacking Company When: Friday, 09.28, 8 p.m. Where: The Skylark Lounge Why: Denver Meatpacking Company may hearken back to early alternative rock in the grunge vein but it does so with a charming self-consciousness that transcends any mere nostalgic kick. Flahoola as well but their sound is more like an early 2000s melodic stoner rock band that injects more energy into the rhythm.
Who:Weaponizer and Necropanther When: Friday, 09.28, 9 p.m. Where: Tooey’s Off Colfax Why: Two of the best bands from Denver that in another era would have been considered thrash but thrash already happened and today’s metal bands that aren’t going for pure throwback cachet have been influenced by a broad spectrum of music, heavy and otherwise. Weaponizer’s more gritty style is like a more menacing, grind-esque, speed metal. Necropanther’s sound is closer to melodic death metal but a little too animalistic in the vocals for all of that.
Saturday | September 29, 2018
What:Whaaat!? A Festival for Games and Experimental Interaction When: Saturday, 09.29, 9 a.m. to 4 p.m. Where: ATLAS Institute at CU Boulder Why: This is a one day event dedicated to experimental games (arcade/video, tabletop et. al.) with featured speakers on the subject of gaming and development. Mattie Brice is not just a game designer but an activist in the games industry whose work includes Mainichi, in which players take on the role of the daily life of a transgender person. Her work has also been important on the subject of diversity in the gaming world generally. Pippin Barr, like Brice, is a game designer and educator who teaches game design and programming. Barr’s games are often unconventional and challenge traditional notions of what computer games can be including The Artist is Present, inspired by and involving performance artist Marina Abramović’s piece of the same name. The event gives attendees a chance to witness and participate in cutting edge games and interact with some of the minds behind them. Those interested should register at www.whaaat.io.
Who:Ned Garthe Explosion, Oxeye Daisy and Church Fire When: Saturday, 09.29, 8 p.m. Where: Hi-Dive Why: Ned Garthe Explosion makes a good case for why modern psychedelic rock isn’t dead. Even from early on, the show itself has been chaotic and colorful enough to be worthy of the term psychedelic in not only sound, content and presentation. And yet, the songwriting has always been solid and interesting. Oxeye Daisy has seemingly leapt past 90s alt-rock nostalgia into a musical zone that, sure, bears the influences of that era, that is more energized atmospheric pop than anything throwback. Its sound is very much of the present and fans of Wye Oak and Japanese Breakfast should take note. Church Fire has secretly and not so secretly been one of Denver’s most engaging live bands for not just its irresistible dance beats but its willingness to go beyond the map of middle-of-the-road accessibility mixing in noise, industrial dynamic edge and Shannon Webber’s impassioned vocal delivery.
What:Industrial Music For the Masses Vol. 2: DJ Ed Gein and eHpH When: Saturday, 09.29, 9 p.m. Where: Milk Bar Green Room Why: Denver EBM/industrial rock band eHpH has been hitting a strong creative vein of late crafting vibrant and engrossing atmospheric electronic music shot through with a palpable emotional power. Always interesting, the duo is now starting to hit its stride as a band.
Who:Belly Eater, Curt Oren, Real Dom, $addy, Oxygen Thief and Dr. Hamburger When: Saturday, 09.29, 8 p.m. Where: Thought//Forms Gallery Why: Fairly broad spectrum of noise and related music at this show. Belly Eater from Ohio is sort of a noisy, Atari Teenage Riot-esque breakcore punk band. Chicago’s Curt Oren does avant-garde audio-acoustic music including processed saxophone. Real Dom from Iowa threads together synthwave and noise. $addy makes bizarro video game music for stuff way more interesting and haunting than Sad Satan and without the disturbing baggage of the latter. Oxygen Thief is true bedroom techno dungeonwave, or something. Dr. Hamburger has landed in Denver from Rochester, New York to share his processed real time environment noise. Somehow none of these acts sound anything alike and the bill is better for it.
Who:Chelsea Wolfe w/Russian Circles When: Friday, 09.28, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Chelsea Wolfe’s knack for making deep, dark, loud music was built on a foundation of the dynamics and sonics of acoustic, old world folk music. Along with her channeling her experiences with sleep paralysis, anxiety and other psychological trauma into her art, Wolfe’s music has an unexpected depth and emotional intensity beyond anyone trying to pen her music in as doom or Goth or neofolk or anything so narrowly defined. For this tour she’s sharing dates with instrumental metal group Russian Circles whose own music seems to come from a primordial place from which all ancient religions and rituals find their root. Although associated with metal, Russian Circles sounds like its music origins are steeped in posthardcore and, like Wolfe, ancient, certainly pre-Christian, folk music.
Who:Lyrics Born w/Indigenous Peoples, AG Flux and Bukue One When: Saturday, 09.29, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Tsutomu Shimura used to call himself Asia Born because he was actually born in Tokyo. But early in his career he changed his hip-hop moniker to Lyrics Born so that the perception of his work would be a product of its own merit rather than through some essentialist filter. To his credit, Lyrics Born’s fluid delivery and vocal centered, funk-driven, songs bring an experimental dimension to a style of hip-hop that sounds like something from a classic 80s era rather than something that is pushing stylistic boundaries. Lyrics Born is now touring on his first album in a few years, Quite a Life.
Who:Cuckoo, Magpies (MT), Grave Moss and Surrender Signal When: Saturday, 09.29, 9 p.m. Where: The Skylark Lounge Why: Magpies got started in Havre, Montana, close to the Canadian border, in 2006 and given its bright, introspective indie rock probably didn’t find too big an audience at home before moving to Missoula in 2012 where, like most bands that don’t have some kind of marketing budget or an influential PR team, it plays to small rooms regularly. But the band did what not every group does, it went on tour and has released multiple albums including 2017’s Annex. Brooding, fuzzy and anthemic, it’s something for fans of Rainer Maria and Eleventh Dream Day.
Rounding out the bill are three Denver bands that resist pat classification. Cuckoo may have at one point sounded a little like a math rock version of a hardcore band but now that math-y side has become more dominant with intricate guitar work in the context of a spare and simple songwriting context. Grave Moss is sort of like a death rock band if that band wasn’t brooding so much as burning with nervous energy and dynamics. Surrender Signal’s mixture of introspective moods, cool melodies peppered with atonal highlights and emotional urgency is reminiscent of acts on the Teenbeat imprint and early Merge Records.
Who:Courtney Barnett w/Waxahatchee When: Saturday, 09.29, 8 p.m. Where: The Ogden Theatre Why: Courtney Barnett’s witty, self-effacing songwriting goes beyond merely clever wordplay and a poignant observation here and there. It’s often as though she’s tapping into a modern contemporary zeitgeist or able to express her experiences, feelings and imagined scenarios in a way that is immediately relatable to anyone that has taken some time to ponder what life is all about or at least be amused by circumstances that resist immediate interpretation. Throughout her career, Barnett has been especially adept at humanizing anxiety as experienced. Barnett doesn’t treat the experience as simply a condition to be treated in a clinical fashion, rather she articulates with telling details and humor how that emotional wrecking ball affects one’s life in a myriad of ways, shining a compassionate light on its several darkened corners of in the psyche. You can pick up anywhere in Barnett’s catalog and get a record worth taking the time to delve into but her 2018 album, Tell Me How You Really Feel, is a seemingly more subdued affair sonically speaking if not so much in the words. When you call songs “I’m Not Your Mother, I’m Not Your Bitch” and “Crippling Self-Doubt and a General Lack of Confidence” you’re not mincing words and on the new record Barnett spares us the niceties in favor of personal truth.
Katie Crutchfield of Waxahatchee is no stranger to laying bare a powerful vulnerability in her own songwriting and performances. Her own storytelling has a warmth and intimacy that when coupled with the spacious, expansive quality of the music an impact that lingers with you long after the song is over. Crutchfield transmogrifies the fear, uncertainty and anxiety at the heart of the experiences of most people living today in this crumbling and increasingly demanding civilization into anthems of to soothe and comfort without sugarcoating the way things are. Waxahatchee released the Great Thunder EP in 2018.
Sunday | September 30, 2018
Who:Courtney Barnett w/Waxahatchee When: Sunday, 09.30, 7 p.m. Where: The Ogden Theatre Why: For Waxahatchee and Courtney Barnett see above for 09.29.
Who:Earthless w/Mad Alchemy and Green Druid When: Sunday, 09.30, 7 p.m. Where: The Marquis Theater Why: San Diego’s Earthless is on a surface level a sort of bluesy psychedelic rock band akin to Mountain or Uriah Heep. Except with a modern sensibility like its members have already heard and been imprinted a bit by peers like Dead Meadow and Sleep. But Earthless’ embrace of the imagery of natural mysticism and the aesthetics of kosmische musik gives its music an air of otherworldliness even as it employs rock and roll sounds and rhythms that may be familiar to many of its listeners. Its new album, 2018’s Black Heaven, has the band following the rabbit hole of its musical intuition down paths it might not have taken if the songwriting was consciously crafted with standard song structure.
What:Textures: Chromadrift, Blank Human and Ancient Inc. When: Sunday, 7:30 p.m. Where: Mutiny Information Café Why: This latest edition of the Textures ambient showcase features dream pop/guitar drone artist Chromadrift, Blank Human’s modular synth compositions (Blank Human’s Dan Coleman is also in experimental electronic/industrial duo Luxury Hearse) and Ancient Inc., a project that uses field recordings, ancient acoustic instruments and production to create its textured sonic atmospheres.
Who: Brighter Death Now w/Theologian, Echo Beds, Page 27 and Gruesome Relics When: Sunday, 9 p.m. Where: TBA Why: As Brighter Death Now, Roger Karmanik has been a prolific and influential maker of forbidding industrial soundscapes and noise. His now defunct record label Cold Meat Industry introduced the world to some of the most innovative and challenging music of its time from 1987 to 2013. This is a rare chance to see the Swedish artist live in Denver with a handful of like-minded local acts.
Monday | October 1, 2018
Who:The Presets w/Blood Red Shoes When: Monday, 10.01, 7 p.m. Where: The Bluebird Theater Why: The Presets from Sydney, Australia is a duo making the kind of electronic pop that on the surface is fun, high energy dance music. But their latest album, 2018’s Hi Viz makes it more obvious the depth of influence and innovation going on underneath what seems obvious. “Beethoven” and other tracks are reminiscent of the dark, cavernous, mysterious club vibe that was an aspect of the music of Underworld in the 90s—a calming tone amid urgent rhythms. Along with fellow Sydney electronic artist Flume, The Presets helped to bring Australia’s dance music world to a global audience. Even though Hi Viz, as the name suggests, was aimed at broadening the duo’s potential fan base with a diversity of musical ideas loaded into the tracks, the experiments also made for one of the more interesting electronic albums of this year thus far.
Who:The Breeders w/Sasami and Boyhollow When: Monday, 10.01, 7 p.m.
Where: The Bluebird Theater Why: Alternative rock band The Breeders came through Colorado in the spring touring in support of its 2018 album All Nerve. While one of the band’s stronger efforts of the past twenty years it also includes an interesting pick of a cover song with “Archangel’s Thunderbird” by classic psychedelic prog band Amon Duul II. The band is also bringing along Sasami as in Sasami Ashworth, former member of Cherry Glazerrr, on her solo tour in the wake of the release of a couple of acclaimed singles.
Who:Lucy Spraggan w/The Dollhouse Thieves, Sarah Slaton When: Monday, 10.01.18 7 p.m. Where: Lost Lake Why: Lucy Spraggan is a singer/songwriter from the UK who was already making a name for herself as an artist of note before auditioning for The X Factor and, in fact, had already signed to Columbia before any episode in which she appeared aired to the public. Spraggan is an LGBTQ activist in the UK and she and her partner foster disadvantaged children and that points to the compassion and and emotional strength of her songwriting. 2017’s I Hope You Don’t Mind Me Writing is brimming with the aforementioned along with an irreverent and sometimes self-deprecating sense of humor. Spraggan’s new album is set for release in 2019 but for this tour you may get to hear some of that material.
Who:IDLES w/Bambara When: Monday, 10.01.18, 7 p.m. Where: Larimer Lounge Why: IDLES from Bristol, UK put out an album in 2018 called Joy as an Act of Resistance. A bold title and one the band was able to live up to at a time when too much of punk is fairly traditionalist in most ways. Musically it’s more experimental than a lot of punk and could be considered post-punk but the vibe is there and the critique of cultural distraction as aspirational reward, fake do-gooders, self-destruction and toxic masculinity is refreshing. Also on the tour is Brooklyn, New York’s Bambara. There’s a lot of darkwave-inspired bands and a new post-punk revival that’s been going on for nearly a decade but Bambara manages to stand out with some genuinely deep personal darkness in the vocals and sonics reminiscent of Red Lorry Yellow Lorry and The Birthday Party in post-come down mode. It’s own 2018 album, Shadow On Everything, delivers on the promise of that title.
Tuesday | October 2, 2018
Who:<PIG>, eHpH, Offerings to Odin, and DJ n810 When: Tuesday, 10.02, 7 p.m. Where: 3 Kings Tavern Why: Raymond Watts of <PIG> has been an influential figure on the sound and aesthetics of industrial music going back to the early-to-mid 80s as a producer, an artist and a sound engineer. While touring with Einsturzende Neubauten he had to tangle with a challenging live sound situation with that band’s use of large art pieces and experiments as noisemakers as well as more conventional instrumentation. He contributed to some of KMFDM’s most interesting work and with <PIG> he was an innovator in both industrial rock and finely sculpted ambient music. For this tour it’s mostly going to industrial rock but Watts’ stage performance draws on the antics of Freddie Mercury and Rob Halford and the aesthetics of a Kenneth Anger’s 1963 film Scorpio Rising. Or if not, that’s what it looked like while he was touring with Ohgr over the summer of 2018.
Who:Vase Vide w/Patrick Hale Coyle and Housekeys When: Tuesday, 10.02, 8 p.m. Where: Thought//Forms Gallery Why: Vase Vide is yet more proof that Colorado Springs is “hiding” some of Colorado’s most interesting bands. Sure, synth pop, but too weird and inherently experimental for just that. Daniel Oglesby’s and Kellie Palmblad’s vocal layers and treatments are certainly accessible but challenge conventional notions of what forms pop music can take. Along with the music and visual presentation of the band, Vase Vide may not be so well-known in Denver but the quality of the imagination going into its music and concept should garner the group national and international attention.
Wednesday | October 3, 2018
What:Weird Wednesday: Enji, Dr. Hamburger and Gothsta When: Wednesday, 10.03, 9 p.m. doors/9:15 show Where: 3 Kings Tavern Why: October’s Weird Wednesday will be extra weird with video game electronics/guitar looping from Enji who will probably perform in an unusual mask. Gothsta is Weird Wednesday host Claudia Woodman’s keytar band and so a bit of glam presentation and the odd but on point cover. Dr. Hamburger is Cameron Farrash from Rochester, New York whose layers of textured beats, drone, harsh noise and ambient tones creates a surreal, even otherworldly ambiance.
Who:Glasss Presents Speakeasy Series Season 2: Atari and Pythian Whispers When: Thursday, 04.19, 7 p.m. Where: Hooked On Colfax Why: This latest edition of the Speakeasy Series Season 2 will be an early and short show from Denver ambient artists Atari and Pythian Whispers. Being in the latter, no comment. Atari, though, is David Bridges, a DJ who manufactures records to create truly unique beats in an analog format. He uses some electronic components in his beatmaking but its that he has been known to cut records apart and put them together in different arrangements for a show or recording. The result sounds like tape collage, ambient industrial but the craft involved is a step beyond what most musicians making similar music would be willing to undertake.
Who:Glasss Presents: Gold Trash, Church Fire, EVP and Mirror Fears When: Thursday, 04.19, 8 p.m. Where: Syntax Physic Opera Why: Sort of an all-star experimental electronic pop lineup. Mirror Fears set a high bar for emotional intensity and a complete synthesis of dream pop, industrial and noise with her 2018 album Eaten. Church Fire similarly doesn’t skimp on the emotional singing in its live show and on its albums but its style is more embodied in the band name because Shannon Webber has a fiery performance style that is impossible to ignore. EVP channels a lifetime of anger into its music even though some of it sounds like it could be a companion piece to what Grimes has been up to lately. Gold Trash sounds a bit more raw and chaotic than the other acts on the bill, it’s sound seeming to have been informed by the sonic brutality and, yes, trash culture embrace vibe of both Atari Teenage Riot and Royal Trux.
Friday | April 20, 2018
Who:Front 242 w/Blackcell, EVP and DJ Slave 1 When: Friday, 04.20, 7 p.m. Where: Summit Music Hall Why: Front 242 was the first band from Belgium most people outside of Belgium had ever heard about. Which is interesting because Front 242 remains a bit of a cult band. But the group pioneered the style of electronic industrial music called Electronic Body Music, or EBM. Developing alongside peers like Skinny Puppy, Ministry, Nitzer Ebb, D.A.F. and Front Line Assembly, who were making likeminded music from the early to mid-80s going forward, Front 242 enjoyed a brief period of commercial success by the early 90s. Its single “Rhythm of Time” appeared in the 1992 thriller Single White Female boosting the band’s profile at a time when alternative rock had opened the doors into the mainstream for all sorts of leftfield music that could fit under that umbrella including Front 242.
After 1991’s Tyranny For You, Front 242’s musical style evolved rapidly and dramatically as embodied on a twin 1993 release of both 06:21:03:11 Up Evil and 05:22:09: 12 Off. The big beats that were the driving engine of the band’s earlier music seemed gone but not the robotic, distorted vocals. The tracks seemed less stark and revealed the influence of more sample based composition. Through the rest of the decade and into the 2000s, when Front 242 released music it was obvious the group was learning from the new electronic groups or the era including the IDM, “Big Beat” and house/techno/rave artists that dominated the electronic music world of the 90s and 2000s. Front 242 hasn’t released a new full album worth of material since 2003’s excellent Pulse, its then first album in a decade. But that means that if you’re going to the show you’ll probably get a nice slice of its classic material.
Who:Afroman w/David Frederick, SwizZy B and guests When: Friday, 04.20, 4:15 p.m. Where: Gothic Theatre Why: Since April twentieth in Denver is basically a punchline for a fake holiday there are too many events “celebrating” legal recreational cannabis. Afroman, more than many artists of the past two decades, made more of his 2001, what might be considered a novelty, hit “Because I Got High” than anyone had in years. Since then Afroman has been kind of a mascot for legalization of cannabis so even if this show is basically about that it should be entertaining anyway.
Who:Zigtebra, Gort Vs. Goom and f-ether When: Friday, 04.20, 9 p.m. Where: The Skylark Lounge Why: Chicago’s Zigtebra has blended the aesthetics of 8-bit video game music composition, EBM and indie pop. It’s the sophisticated lo-fi musical equivalent of inspired collage art. Gort Vs. Goom is a bass and drums prog punk band. Probably sounds counterintuitive but this duo makes it work and comes off more like Minutemen than Primus. F-ether’s musical output is fairly diverse. But one might describe the overarching sound as one of minimal synth environments reminiscent of a less abstract Pole or of early IDM artists. Except there’s more modern glitchcore to some of his denser songs. But all within the realm of modern underground dance music.
Who:Coastlands w/Altas and The Leshen When: Friday, 04.20, 8 p.m. Where: Streets of London Why: Coastlands is a Portland, Oregon-based post-rock band. It’s sound is more melancholy and downtempo than its more rock-oriented kin. More Hammock than Explosions in the Sky. Also playing this show is Denver’s Altas. The instrumental rock band is like its own traveling sonic cinema rooted in guitar and synthesizer music. The group’s 2014 album Epoca De Bestias was full of songs that suggested short, epic science fiction films in miniature themselves. As in not inspired by film but inspiring them. We’ve heard lots of post-metal/heavy post-rock and The Leshen fits under that umbrella fine. But intentionally or otherwise the duo has brought in elements of industrial and sludgy blues rock without compromising an interesting sound.
Who:Cigarettes After Sex When: Friday, 04.20, 8 p.m. Where: Boulder Theater
Why: Despite a completely underwhelming showing opening for Garbage in the summer of 2016 and a fairly sparse eight years of output prior merely hinting at what was ahead, Cigarettes After Sex released a respectable self-titled full-length in 2017. It can sound of a piece and yet the dusky tone and Greg Gonzalez’s androgynous vocals are engaging and interesting enough to warrant repeated listens. Even if the live show hasn’t improved, but chances are it has, being enveloped in the ghostly embrace of this music should reward the effort to show up.
Who:4/20 Funk Fest: Rowdy Shadehouse w/Log and DJ Lucky Luck When: Friday, 04.20, 7 p.m. Where: Globe Hall Why: At least if you come to this show, overtly state them aside, it’ll be enough of a celebration of the bombastic and absurd to be fun. Jon Thursday’s melodramatic, hypersexualized stage persona may split the crowd but at least it won’t be boring or forgettable. His band Rowdy Shadehouse has been through some lineup changes but Thursday is able to bring together some real talents to execute his version of funk.
Who:Esmé Patterson w/Slow Caves and Silver & Gold When: Friday, 04.20, 8 p.m. Where: Downtown Artery | Fort Collins Why: Esmé Patterson will bring her literary and penetratingly insightful pop songs to the Downtown Artery for a show with hometown heroes, the surf-y garage rock band Slow Caves and Greeley’s Silver & Gold, a band that sounds like it worked through its emo, alt-country and neo-classic rock roots to make a the kind of alt/indie rock band with an earnest energy and big hooks.
Saturday | April 21, 2018
Who:MC Chris w/Bitforce and An Hobbs When: Saturday, 04.21, 8 p.m. Where: Cervantes’ Masterpiece Ballroom Why: MC Chris and his music has been a part of a certain segment of modern American counterculture through his association with Adult Swim through the Aqua Teen HungerForce, Sealab 2011 and The Brak Show. Among other projects. Though MC Chris is with some people synonymous with nerdcore, his music goes beyond nerd culture and the nerdly events at which he has performed. Yes, there are 8-bit sounds all over his music and references to video games and RPGs but his production and songwriting is much broader and sophisticated than a narrow subgenre straightjacket could fully encompass. In that way his songs have more in common with other hip-hop than nerdcore. MC Chris’s music may be steeped in and a product of nerd culture but not limited by it. His most recent album, 2017’s Marshmellow Campground, is an irreverent collection of songs about the perils and challenges of childhood and its rituals and experiences that many of us share.
Who:Sugar Skulls & Marigolds album release w/Muscle Beach and Cult of the Lost Cause When: Saturday, 04.21, 8:30 p.m. Where: Hi-Dive Why: Sugar Skulls & Marigolds is celebrating the release of its new record, ‘Til Death Do Us Part on Sailor Records. The hard rock duo would probably be considered metal by most people that see them but for the past few years, and probably from the beginning, the band has created some songs that transcend limiting genre labels by taking the harder edged sounds into more atmospheric vistas. When Sugar Skulls & Marigolds opened for Xasthur in 2017, it was supposed to be an “acoustic” show but it just sounded like a great shoegaze or dream pop band with more grit than usual and revealed these guys had more to offer than being just a talented extreme metal band. The new record is finds both creative impulses informing each other for one of the most interesting heavy albums of the last few years. Also, two of the best heavier bands in Denver or anywhere share the bill with the more punk oriented Muscle Beach and the more instrumental metal/posthardcore Cult of the Lost Cause.
Who:The Book of Love w/Eloquent and The Siren Project When: Saturday, 04.21, 7 p.m. Where: Herman’s Hideaway Why: The Book of Love is a band from the 80s and early 90s synth pop world that like groups from that era like Let’s Active and Game Theory who were maybe big on college radio with flirtations with mainstream success, including two tours with Depeche Mode in the mid-80s, but never quite broke through to the audience one might think would be obvious. It wasn’t for lack of quality material and its music was not even as dark as that of Depeche Mode. So The Book of Love became a bit of a cult band in the Goth world of the 90s even after its initial 1994 breakup. Since 2013, The Book of Love has been touring on the strength of its back catalog. Joining The Book of Love for this show is Denver-based Euro-dream-pop-post-punk band The Siren Project, a band that has also yet to garner the attention it richly deserves for its body of work that conjures imagery of hanging out in a fog-enshrouded café in some romantic city on the Continent contemplating the meaning of life and dreams of the future.
Who:Diners, Dingbat Superminx, Petite Garçon, Wrinkle and The Tickles When: Saturday, 04.21, 8 p.m. Where: Dateline Gallery Why: The term indie pop may have lost some of its meaning or significance since the early 2000s when some of the most inspired and idiosyncratic pop music made was coming out in the underground. Well, these bands all embody that spirit of not looking to the mainstream to define what makes pop music and Wrinkle, even though clearly a punk band, is not short on hooks. Denver’s Petite Garçon is mostly difficult to categorize except that its songcraft is a not so self-conscious to be a deconstruction of pop but a use of that structure employing sounds in a way most bands in the classic mold would not. It’s also a chance to see a show at the excellent Dateline Gallery so it is for sure all ages.
Who:Oddfellas, Drink Drank PUNK, Sliver, The Pollution and Church Van When: Saturday, 04.21, 9 p.m. Where: Bar Bar Why: Is this a punk show? Pretty much except that Sliver draws a great deal from DC posthardcore and late 80s and early 90s grunge and northwest punk in general: Nirvana (from whose song the band got its name, natch), Tad and Wipers. And The Pollution includes DC punk band United Mutation’s bass player Jay Fox and thus an unusual and interesting mix of punk, psych and krautrock.
Sunday | April 22, 2018
Who:3Teeth w/Ho99o9 and Street Sects When: Sunday, 04.22, 6:30 p.m. Where: The Marquis Theater Why: 3Teeth wears some of its influences on its sleeve pretty heavily: Nine Inch Nails, KMFDM, Stabbing Westward and Marilyn Manson. But it lacks the utter camp of Manson and KMFDM. Just abrasive, crunchy industrial rock guitar and a bit of a throwback to the 90s in that regard yet still not really coming off like a band tapping into nostalgia. Street Sects is almost a performance art band in how confrontational it sounds and the nature of its fog-enshrouded live shows. Like a breakcore band with more identifiable and visceral low end. Ho99o9 is what might be called an industrial hip-hop act. Obvious comparisons have likely been made with Death Grips and Dälek, none of the three groups sound at all like each other except in their use of sounds in a hip-hop context most other hip-hop artists wouldn’t use like industrial beats and darker undertones in the synth lines. Maybe Sole, The GZA, Eyedea & Abilities, Earl Sweatshirt, Tyler the Creator, Vince Staples and the like. Wherever Ho99o9 fits in, its menacing and socially critical music has been the perfect soundtrack to the last few years. It’s latest release is 2017’s United States Of Horror, a title that just about sums up the national and international mood of late.
Who:Joe Jack Talcum w/Coolzey, Mister Zach and Daywish When: Sunday, 04.22, 7 p.m. Where: Herman’s Hideaway Why: Joe Genaro aka Joe Jack Talcum is perhaps most widely known as the guitarist and one of the vocalists in punk rock band Dead Milkmen. But since 1984 he’s written songs and albums and performed live as a solo artist. Not folk, not conventionally singer-songwriter, but more akin to Robyn Hitchcock or Billy Bragg in that he can be political but also write about love and life in a way that goes beyond tropes. And hey, he may do a Dead Milkmen song or two.
Monday | April 23, 2018
Who:Carpenter Brut w/Jean Jean When: Monday, 04.23, 7 p.m. Where: Gothic Theatre Why: Franck Hueso, aka Carpenter Brut, is a French synth artist who has been on the forefront of making the kind of music that one might have heard in 80s horror and science fiction movies, and thus perhaps an explanation of part of the project’s name by invoking director John Carpenter whose own synth-based soundtracks for his own films are a clear inspiration to Carpenter Brut and his musical peers in Perturbator, Magic Sword and Kavinsky. On the 2015 release Trilogy, the titles suggestive of horror storylines and the strong, bright compositions nail the combination of camp and compelling songwriting. Hueso has done some soundtrack work but the vast body of his songs are separate from that context and those songs suggest narratives and aesthetic that recent films like Drive, The Guest and others have manifested. 2018’s Leather Teeth pushes the absurdity factor further in terms of subject matter (“Inferno Galore” and “Hairspray Hurricane” being clear indicators) but Hueso’s mastery of the musical form has progressed even further and the live show looks like an immersive experience.
Who: Khruangbin w/The Mattson 2 bluebirdtheater.net/events/detail/348081 When: Monday, 04.23, 7 p.m. Where: Bluebird Theater Why: Khruangbin’s website airkhruang.com offers visitor a playlist for a trip from any place in the world to another which one can also save to Spotify. Asked for various aspects of the trip, the curated selections are uncannily apt. It also more than hints at the band’s cross-cultural appeal. The trio got started when bassist Laura Lee and guitarist Mark Speer were on tour with Yppah in 2010 during that artist’s run with Bonobo and recognized similar musical interests. After recruiting drummer Donald “DJ” Johnson the group started writing its earliest songs and garnered some attention for its early singles. With what looks and sounds to English-speaking eyes and ears as an exotic name the expectation for the project might have been some resurrection of non-Western versions of Western pop. Instead, Khruangbin’s sound is that of downtempo jazz, surf-rock-esque-yet-smooth-and-moody guitar and smoky funk. Currently touring in the wake of the release of its 2018 album Con Todo El Mundo, Khruangbin has brought along like minded, San Diego-based duo, Mattson 2, a band comprised of identical twin brothers Jared and Jonathan Mattson. The brothers released a collaborative album with Chaz Bundick of Toro Y Moi fame in 2017 and in March 2018, an album of covers of Japanese jazz originals called Vaults of Eternity: Japan.
Who:Impiety, Gravehill and Divine Eye When: Monday, 04.23, 8 p.m. Where: Hi-Dive Why: Impiety started in 1990 as a kind of black metal band. But in Singapore being in such a band was probably a dicey proposition and remains so in a country that banned “Puff the Magic Dragon” in 1963 and the 2001 Janet Jackson album All for You due to its racy album cover and lyrics. Nevertheless, Impiety and other extreme metal bands have operated out of Singapore for years. Since its earliest releases, Impiety has evolved a bit from its early black metal roots to its current deathgrind style. But its musical vision of audio-violence and lyrics that combine an irreverent attitude toward organized religion with cartoonishly occult imagery will ensure Impiety will alienate casual metal fans. Gravehill from Anaheim, California and its 2018 album The Unchaste, The Profane & The Wicked is a bit of a throwback to a time when thrash and death metal weren’t so far apart in sound and the brutal imagery of the lyrics.
Tuesday | April 24, 2018
Who:Das Mörtal w/Church Fire When: Tuesday, 04.24, 9 p.m. Where: Streets of London Why: Das Mörtal often gets lumped in with the modern synthwave movement and not without reason. His sensibilities as a songwriter are, according to a July 2017 interview with Get Some Magazine, inspired in part by 80s movie soundtracks as well as 8-bit and 16-bit video game music. But this project sounds less like other synthwave stars like Carpenter Brut, Com Truise, Kavinsky and Perturbator and more like a pop-oriented rock band like Cut Copy whose New Order and OMD influences showed pretty strongly on its 2004 album Bright Like Neon Love. And like Cut Copy, Das Mörtal has evolved into his own sound as evidenced by his 2017 album Always Loved. With nods to mid-90s IDM and mid-80s EBM, Always Loved is packed with songs that pick up where nostalgia isn’t enough of an appeal with an updated take on electronic dance music grounded in songwriting rather than merely well-crafted beats.
Wednesday | April 25, 2018
Who:King Krule w/Standing On the Corner When: Wednesday, 04.25, 7 p.m. Where: Ogden Theatre Why: In a time when genre bending and multi-genre artists are becoming more common, King Krule is a standout. Like Deerhunter more than a decade ago, King Krule’s music invites you into a universe of its own as it is not simply rock or a subgenre of electronic pop music or hip-hop. It has elements of all of that and more but is not limited by a need to fit in with something other than Archy Marshall’s expansive imagination. 2013’s 6 Feet Beneath the Moon probably got interpreted as being part of the psych-and-punk-garage revival of the time. But Marshall sounded like he was channeling Old Dirty Bastard singing for a weirdo jazz band making its own version of indie rock. Four years later, The Ooz finds the band weaving in more musical DNA to mutate its sound further. Bossa nova and dub underpin the “Dum Surfer” single and the beatmaking compositional element is stronger across the whole album, giving it a soft and hypnotic quality even in its moments of peak emotional intensity.
Who:Whores, Bummer, Bland Canyon When: Wednesday, 04.25, 8 p.m. Where: Hi-Dive Why: Whores is a sludgy noise rock trio from Atlanta. Reminiscent of Big Business, KARP (naturally) and a less sonically surreal Jesus Lizard, Whores perform with the edgy energy of a posthardcore band rather than with the quickened tar pace of many bands projecting a similar aesthetic. Not as overtly so, Whores shares KARP’s proclivity for humor and irony. After all, on its latest album, 2016’s Gold. there are song titles like “I See You Are Also Wearing A Black T-Shirt” and “Mental Illness As Mating Ritual.” Bummer is a sludge rock band from Kansas City that sounds like what would have happened had Ministry followed a trajectory suggested by the Filth Pig album. Bland Canyon from Denver comes right out of the local post-hardcore scene with former Mustangs and Madras members Nick Krier and Tom Chagolla as well as Matty Clark from Trees. Danny Aranow from Sugar Skulls & Marigolds and Justin Hackl who has played in several local bands including in Native Daughters with Chagolla. It’ll be heavy but also oddly catchy.
Who: Dreamdecay, Product Lust, Weaken, Old Sport When: Wednesday, 04.25, 8 p.m. Where: Bar Bar Why: Dreamdecay is a noise post-punk band from Seattle. Its urgent, thorny songs don’t fit in with the hardcore scene one might expect the band to come from though it probably plays a number of those kinds of shows. Its grittily atmospheres and meditation on the quandaries of existence in a pre-apocalyptic society should appeal to fans of Silver Daggers, Live Skull and Arab on Radar. Its 2017 album YÚ isn’t all the same tempo, tone or texture throughout making it rewarding repeat listening experience. All the bands on this bill have their roots in punk but did us the favor of exploring sounds, rhythms and styles beyond the outworn fashion of punk circa any “classic” year of the past.
Who:Big K.R.I.T. W/Cyhi the Prynce, Childish Major When: Wednesday, 04.25, 7 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Justin Scott a.k.a. Big K.R.I.T. has always used interesting beats to go along with his words and he has aimed at making poignant observations about life that transcend the specific context and situations he references. And he’s mostly made good on that ambition. For his 2017 album, 4eva Is A Mighty Long Time, Scott delivered twenty songs divided into two sides of the record, the Big K.R.I.T. side and the Justin Scott side, with each embodying a side of Scott’s songwriting identity. The title is a clear nod to Prince’s “Let’s Go Crazy.” Though that song is a celebratory party song it is also a fascinatingly thoughtful and insightful exploration of what one must do to propel yourself out of life’s lowest moments. It is that spirit that flows through Scott’s record as well with an eclectic array of music to set the mood for both the party and contemplation of the meaning of it all.
Who:Musical Mayhem: Jim Davies (GA), Universal Devils and Enji When: Thursday, 03.08, 9 p.m. Where: The Skylark Lounge Why: This half of March’s programme for Musical Mayhem at the Skylark includes Georgia-based weirdo songwriter Jim Davies, solo videogram soundtrack-esque multi-instrumental looper Enji and Universal Devils. The latter is Tricky Dick Wicket, the drummer for Little Fyodor & Babushka band for over a decade. Universal Devils is his solo project in which he plays guitar, drums and other instruments in a kind of truly unique mix of metal and country and blues. Calling it “avant-garde” doesn’t quite do it justice because it’s accessible with pretty conventional songwriting even if the sounds used in the way they’re used are far from mundane.
Who:Elettrodomestico (Jane Wiedlin and Pietro Straccia) When: Thursday, 03.08, 8:30 p.m. Where: BarFly Why: Jane Wiedlin is doing a Q&A before this performance for the screening of Bill & Ted’s Excellent Adventure. Afterward, her band Elettrodomestico will perform in BarFly, the bar/venue attached to Alamo Drafthouse on West Colfax. The band formed in December 2016 following The Go-Go’s’ “Farewell Tour” (the great new wave band will perform again in 2018) when Wiedlin and Italian musician Pietro Straccia bonded over their mutual love the then recently passed David Bowie. The band the duo started is pretty different from The Go-Go’s and Bowie except for a knack for writing energetic pop songs with a little grit and thoughtfulness and mood to give the music some depth thematically and musically. To the credit of both artists Elettrodomestico is in no way riding anyone’s legacy or coattails. Rather, like Cindy Wilson formerly of the B-52s, it’s a reinvention and one worth listening to separate from any past associations.
Friday | March 9, 2018
Who:Terminals, Gort Vs. Goom, New Standards Men, Pygmy Grizzly, Frank Bell When: Friday, 03.09, 9 p.m. Where: Bar Bar Why: This appears to be a bill of instrumental-focused, experimental music rooted in rock sounds and aesthetics bands. Terminals is sort of an improv post-rock/post-industrial band with guitars, synths, drums, bass. No set is ever the same but the group is more than capable of generating deep atmospheric magic. Gort Vs. Goom is a drums and electric bass duo who make the kind of music that could be described as what might happen if the Melvins set out to make a surf band dedicated to Minutemen. Sure the guys in GVG have vocals but it’s almost like surreal slam poetry. New Standards Men are probably a post-punk band but their sound sounds like it drew heavy influence from some of the more experimental bands on the Thrill Jockey imprint. Like Tortoise or A Minor Forest but with some expansive noise tones in the mix.
Who:Larians (Noah Simons solo), Houseplants, Jumanjihad When: Friday, 03.09, 9 p.m. Where: Denver Bicycle Café Beer Hall Why: Noah Simons is perhaps best known for being the charismatic singer of post-punk band Male Blonding. But his musical interests range pretty far and his solo project Larians, which hasn’t performed live since maybe an RTD (Ready To Dance) event at Rhinoceropolis in 2014, is more in an experimental electronic music and dubtechno vein. Think something like Plaid’s tranquil melodics and use of synth strings alongside Burial-esque bass sculpting and persistent yet dissolving and reconfiguring atmospheres as an element of the beat. How will this all sound at Denver Bicycle Café rather than the main room at The Black Box? You’ll have to show up to find out. But for a taste of what Larians is about, Simons released the excellent “Dwell Led” single in February 2018.
Saturday | March 10, 2018
Who:Kikagaku Moyo w/Tjutjuna and DJ Rett Rogers When: Saturday, 03.10, 8 p.m. Where: Hi-Dive Why: Kikagaku Moyo is a Tokyo-based psychedelic rock/avant-garde band. With its roots in a project between Go Kurosawa and Tomo Katsurada busking the streets of Japan’s most populous metropolis, Kikagaku Moyo has, to some extent, gone against the grain of Japanese culture in the way Ghost did when it started up in the 80s similarly playing music on the streets, subways and ruins of ancient temples in and around Tokyo. Kikagaku Moyo got its proper start as a band when Go’s brother Ryu returned from learning sitar from one of the world’s masters, Manilal Nag in India. Incorporating elements of noise and ambient music, Kikagaku Moyo’s songs express a broad range of sonic experimentation from extended psych freakout jams to tranquil yet haunted folk songs. Unlike many bands that have dipped into the realm of psychedelia and prog, this Japanese quintet doesn’t get stuck in a single or predictable mode. Sharing the stage this night is Denver-based experimental psych band Tjutjuna. Also with musical inspirations traceable to the more out 70s prog and Japanese psych/noise bands like Acid Mothers Temple, Tjutjuna’s hypnotic oeuvre set itself apart from the trendy psych stuff that seemed to hover at the edges of all popular rock music from 2008 onward.
Who:Daikaiju w/TripLip, Dr. Zilog and Smellephant
When: Saturday, 03.10, 7 p.m.
Where: 7th Circle Music Collective
Why: Daikaij is to surf rock what Crash Worship was to noise and post-punk—as experienced, as much an exuberant collective cult ritual as music. Catch the band tonight at 7th Circle or Sunday at the Triple Nickel in Colorado Springs.
Who:King Eddie (video release) w/déCollage When: Saturday, 03.10, 10 p.m. Where: BarFly Why: Tonight King Eddie releases the video for “Enter the Man” from its 2017 boundary pushing psychedelic rock album Holographic Universe. Both that band and the playfully surrealistic psychedelic pop band déCollage will perform before a screening of Renée Laloux’s 1973 animated science fiction classic Fantastic Planet. King Eddie sounds like maybe the music had its origins in writing what had become a trendy psych rock but Jay Mars and his bandmates injected heaps of imagination into the songwriting and arrangements to produce a body of work that synthesizes pop, psych and the avant-garde with the aesthetics of the virtual reality visuals that have become a bit of a specialty for Mars.
Wednesday | March 14, 2018
Who:Uppermost w/Snubluck and Zurc When: Wednesday, 03.14, 7 p.m. Where: Lost Lake Why: Behdad Nejatbakhshe, aka Uppermost, left his life trajectory into a career as a lawyer to pursue making music. Eight albums in, with the forthcoming Perseverance due out March 23, Uppermost has created a body of work that is a synthesis of pure electronic production and more analog musical elements. For instance on his 2017 album, the loosely space-themed Origins, the producer incorporated live guitar and orchestral arrangements in the recording process. The songs tend to have a bright, upbeat quality with a quality that suggests peaceful spring days and gentle breezes. That Uppermost is inspired by the likes of Burial, Flume and Bonobo should come as no surprise since his own compositions have a soothing yet energetic quality as well. With Perseverance, Uppermost has crafted a body of songs that have an expansive spaciousness with a daydream-y quality that first came back into vogue with the so-called chillwave artists—bright tones, hypnotic yet uplifting atmospheric swells and smooth but irresistible low end. The record feels built for summer nights at casual hangouts with friends and is arriving just in time.
Who:Cars & Trains and Curta album release w/Utajahs and Nighttimeschoolbus visuals by Skyrider When: Wednesday, 03.10, 8 p.m. Where: 7th Circle Music Collective Why: Curta’s new record, End of Future Park, sounds like the natural progression from its dystopian predecessor, 2015’s Replica. Curta’s music has always seemed to sit somewhere between the no-rules-use-of-sounds beatmaking of turn of the century alternative hip-hop, industrial, noise and collage sound composition. End of Future Park is no different but with that album, rapper Jake Danna captures the time between 2016 and 2017 (and, let’s be real, 2018 so far) when underground culture seemed to be under attack and the erosion of all civil institutions and of civility itself and the postmodern nihilism as expressed in a completely understandable cynicism that has blighted the public and personal discourse seemingly everywhere you go. Across the whole record, Danna confronts his own cynicism and there’s a bit of a different feel to this record than a lot of music coming out of late in a way more people probably need to hear—a tone of wanting to find and create a self and a society where that deep rooted cynicism isn’t entirely justified. The record comes out on March 19, 2018 but you can probably pick up a copy at this show where also on the bill is Nighttimeschoolbus, the duo that answers the question of what happens when an idiosyncratic indie pop artist teams up with a masterful alternative hip-hop producer.