Best Shows in Denver February 2022

Dinosaur Jr, photo by Cara Totman

Tuesday | 02.08
What: Everything is Terrible KIDZ KLUB Tour
When: 7 and 10 p.m.
Where: Sie Film Center
Why: Los Angeles-based video collage and and performance collective Everything Is Terrible! Brings its latest live show and presentation of some of the best of the worst video clips found at thrift stores, garage sales, odd ends of video websites and the like to Sie Film Center. This tour is called KIDZ KLUB so surely some of the most demented yet often earnest bits of trash Americana will make its way into the show perhaps themed after some of the surreal and you want to think are manufactured parody but aren’t passages of video made for children and for educational purposes. But who can say and with the costumes and other outright strangeness that comes with an EIT live show it’ll all be maximum weird in a time when normie culture insipidity is the norm and we need stuff this eccentric and inspired as a reminder that accidental creativity can be fun when recontextualized and presented with a spirit of fun and an odd sense of humor and irony.

Wednesday | 02.09
What: Action Bronson & Earl Sweatshirt w/The Alchemist and Boldy James
When: 7 p.m.
Where: Mission Ballroom
Why: Earl Sweatshirt has been one of the most innovative hip-hop artists of recent years mixing a more traditional hip-hop beat making approach with utilizing ideas and sounds well outside the usual spectrum of that style of music making. Some of his albums at times sound more like a noise record than anything you hear much outside the most experimental of underground hip-hop projects. The Alchemist is also one of the cutting edge beat makers of today and his 2021 album with Armand Hammer pushed the art form to new vistas of soundscaping to bolster that duo’s own masterfully creative rapping and production. Action Bronson may not quite be in that league as an innovator but his forcefulness as a rapper and performer is unquestionable.

Spyderland at Down in Denver Fest September 2021

Friday | 02.11
What: Church Fire, Spyderland, Glass Human and Partyteeth
When: 9 p.m.
Where: The Squire Lounge
Why: Church Fire has spent the better part of the past decade honing its vital fusion of darkwave, political punk and electronic dance music and today remains a forceful live act that should probably be known outside of Denver but for now you can still catch them at small stages mostly in and around Denver and the eastern slope of Colorado. Spyderland brings some songwriting heft to its eclectic and inventive pop songs combining Marie Litton’s experience in bands like Clever Elsie, Ghost Buffalo and Lil’ Thunder with Drew McClellan’s knack for hybridizing genres and production methods to make for music that has tactile presence while inviting its listeners to dream beyond one’s immediate limitations.

Saturday | 02.12
What: Down In Denver Fest Presents: Emerald Siam w/Zealot and Gila Teen
When: 10 p.m.
Where: Broadway Roxy
Why: This is a fundraising event for the 2022 edition of Down In Denver Fest. Last year some local underground music luminaries put together a festival pretty much last minute with a focus on local artists in a way other festivals were not. It featured all the bands playing this event as well as groups from a broad spectrum of time having put into the local scene and genres. At a time when local culture is neglected and otherwise treated as fodder for digital marketing platforms rather than cultivated and curated in a manner outside that technocratic way of thinking an event like Down In Denver Fest is necessary. So for this night you get the brooding and triumphant psychedelia of Emerald Siam, Zealot’s playfully thought-provoking pop and Gila Teen’s emo-enriched post-punk noise rock.

Friday | 02.11
What: Satellite Pilot, King Ropes, Flora de la Luna
Where: Lion’s Lair
Why: Bozeman, Montana’s King Ropes are a bit like the Dead Milkmen of lo-fi psych Americana whose 2021 album Way Out West straddles the line between the early, on-the-verge-of-collapsing charm of early Mercury Rev and the irreverent humor and oddly respectable musical chops of Dead Milkmen.

Saturday | 02.12
What: The Backseat Lovers
When: 7 p.m.
Where: Ogden Theatre
Why: The Backseat Lovers from Provo, Utah strike that delicate balance between folk pop, hazy, late afternoon psychedelic rock and Americana. It’s a blend that might not work or sound like too much music in the larger indie world. But there’s enough grit in the band’s music and an earnestness in its performances to set it apart from other bands in a similar spectrum of style. Its dynamics and balance of force and delicacy allows its songs to go from hushed, contemplative moods to heightened emotional flares of intensity with a rare grace. The band is set to go back into the studio to record its next album so this would be a good time to catch it in high form performing its earlier music and maybe catch some of the new material before these guys put it through the studio process.

Saturday | 02.12
What: Bluebook, American Culture and Alison Lorenzen
When: 8 p.m.
Where: Hi-Dive
Why: Bluebook has had an interesting arc of musical evolution since its inception in the 2000s and lately its experimental, baroque pop has emerged as theatrical and dramatic with Julie Davis striking a commanding and focused figure with a band that creates a mysterious atmosphere. So with punk-infused indie pop band American Culture on the bill seems like an odd pairing but one fitting since American Culture frontman Chris Adolf is a bit of a musical rebel whose own vision places a premium on authenticity and not fitting in with expectation. Its 2021 album For My Animals on the respected Happy Happy Birthday To Me Records imprint is possibly Adolf’s most fully realized album to date with expert players to help manifest meaningful and powerful pop music in an era of entirely too much blandness.

The Siren Project in April 2010, photo by Tom Murphy

Saturday | 02.12
What: The Siren Project w/The Midnight Marionettes and Katastrophy
When: 7 p.m.
Where: Globe Hall
Why: The Siren Project is one of the longest running bands in the Denver post-punk and Gothic-industrial underground with roots in the 90s, influenced by both alternative rock, European folk music and downtempo electronic music. Charismatic frontwoman Malgorzata Wacht and longtime keyboard player Alex Seminara weave a beguiling and unique style of thrillingly dramatic and lush dark pop with a strong strain of romanticism and self-affirmation.

The Wombats, photo by Tom Oxley

Monday | 02.14
What: The Wombats w/Clubhouse
When: 7 p.m.
Where: Ogden Theatre
Why: UK indie band The Wombats like many bands began work on their new album in 2019 and had to piece together the songwriting and recording as best they could from 2020 through 2021 due to the ongoing global pandemic. But Fix Yourself, Not the World was finally released in January 2022 and it’s the sort of cinematic pop with a literary flair we’ve come to expect from the band. The lead single “Method to The Madness” builds into a glorious torrent of sound like a manifestation of our collective frustrations unleashed. And the album appears to be a struggling against and an acceptance of the things we can’t change but learn to work around or take into account in our attempts to move forward through life.

Wednesday | 02.16
What: Public Opinion, Destiny Bond, No Roses and The Clue
When: 7 p.m., $10
Where: Mutiny Information Cafe
Why: Local hardcore show. Destiny Bond has a bit of D-beat flavor.

Thursday | 02.17
What: Abandons, New Standards Men and Hoverfly
When: 9 p.m.
Where: Lion’s Lair
Why: If heavy instrumental music is something you’re into Abandons has been making some of the more dynamic and moody variety thereof for a few years or so. More post-rock than doom and extreme metal but there’s a plenty of that in the mix too. Fortunately for this show you also get to see those instrumental heavy music experimental tricksters New Standards Men whose twin albums I Was a Spaceship and Spain’s First Astronaut answer the question not enough people were asking in wondering where art rock bands into Zappa, Isis, Amphetamine Reptile noise rock, post-hardcore, John Zorn and ambient music were hiding.

Thursday | 02.17
What: Screwtape, MSPAINT, Cyst and CFX Project
When: 7 p.m.
Where: Seventh Circle Music Collective
Why: MSPAINT from Hattiesberg, MS sound for all the world like a noisy post-punk band that came out of a brilliant blend of hardcore, Protomartyr-esque art punk and Sleaford Mods attitude. One wonders also if they were into mclusky or Future of the Left at some point in their creative trajectory. You also get to see one of Denver’s top five punk bands in Screwtape who always put on a ferociously energetic show.

Cautious Clay, photo courtesy the artist

Thursday – Saturday | 02.17 – 02.19
What: Cautious Clay w/Ivy Sole and Julius Rodriguez
When: 8 p.m.
Where: Belly-Up (02.17) and Bluebird Theater (02.1802.19)
Why: Cautious Clay’s wide emotional range as a vocalist and his introspectively and poignantly observed lyrics coupled with the eclectic beats and instrumentation of his songs is instantly captivating. Through a series of EPs over the past few years as well as his 2021 album Deadpan Love, Clay has revealed himself to be one of the most creatively vibrant artists in recent years whose music spans beyond R&B and hip-hop as the jazz influences in his music synergize well with ambient and psychedelic pop undertones. Catch Clay during his run through Colorado at the Belly-Up in Aspen and The Bluebird Theater in Denver (dates and links above).

Saturday | 02.19
What: Machine Girl w/Evic Shen and Polly Urethane
When: 8 p.m.
Where: Hi-Dive
Why: Machine Girl is pretty much impossible to pigeonhole with any simple genre designation. Fans of digital hardcore, breakcore/glitchcore, industrial in the more modern mode will definitely find something to like about its surreal and colorful production and refreshingly coherent songwriting for a world of music that makes a virtue of the musical equivalent of radical jump cuts in tempo and tenor. People into Ho99o9, Atari Teenage Riot, Ghösh, 100 gecs and their ilk should at least give this band a listen. It’s like the next generation or two out from whatever it was HEALTH did in the 2000s and witch house from the same era. Yet it has some stylistic resonances with all of that. Rumor has it that at a Machine Girl show at a DIY venue people danced so hard part of the floor caved in so Machine Girl goes hard. If a legit horror movie could be made up of memes and rapid cycling anime footage it would sound like the duo’s 2020 album U-Void Synthesizer. Denver’s own dream pop/industrial project Polly Urethane is clearly a good fit for the bill.

Enumclaw, photo courtesy the artists

Sunday | 02.20
What: Naked Giants w/Enumclaw
When: 7 p.m.
Where: Larimer Lounge
Why: Naked Giants are a lively and playful rock band whose roots in grunge and psychedelic rock are obvious without preventing the trio to lay out some nice surprises where they go way beyond expectations they set for themselves at the show. Enumclaw shares a similar irreverent spirit and effusive punk energy but their guitar work has more in common with The Smiths and The Cure than Nirvana or Mudhoney or even Jay Reatard. Their combination of authenticity and eccentricity as a live band is proving to be uncommonly compelling.

The Weather Station, photo by Jeff Bierk

Monday | 02.21
What: The Weather Station w/Helena Deland https://globehall.com/event/the-weather-station-helena-deland-presented-by-kgnu
When: 7 p.m.
Where: Globe Hall
Why: Tamara Lindeman of The Weather Station has the rare gift of being able to project an ethereal thoughtfulness and fragile elegance and emotional strength at once. The group’s 2021 album Ignorance brings forth a full range of sounds and orchestrated emotions for one of the most satisfying listens of any album that we at Queen City Sounds basically slept on last year. Catch The Weather Station ahead of the March 4 release of its new album How Is It That I Should Look at the Stars.

Wallice, photo by Jerry Maestas

Thursday | 02.24
What: Still Woozy w/Wallice https://www.missionballroom.com/event/405967-mission-ballroom-denver-tickets
When: 7 p.m.
Where: Mission Ballroom
Why: Still Woozy is part of a big wave of bedroom pop of the past decade but like the better artists out of that world he has some musical chops with a background in classical guitar and formal educaton in electronic music that aren’t so obvious and fortunately get focused in songwriting. After spending a few years in the math rock band Feed Me Jack, Sven Gamsky departed in 2016 to start making music under the moniker Still Woozy. Making a virtue of what might be seen as a limited format, the music out of Still Woozy has a simple charm informed by a subtle sophistication in the songwriting. In 2021 he released his debut album If This Isn’t Nice, I Don’t Know What Is. Opening the show is Wallice whose own roots in jazz training have been channeled into finely crafted and poignant pop songs. Her single “Punching Bag” garnered her early attention as a poetically succinct summation of a friendship gone awry and how our digital footprints can complicate life when we’d really rather just part ways with someone. The track appeared on her 2021 EP Off the Rails which included songs that showcased Wallice’s growth as a songwriter beyond the style of contemporary indie pop. “Michael” really nails how all the tired narratives a young woman or really anyone else has had to suffer from a certain kind of male is just unwelcome. Some things never change but thanks to Wallice all the same for articulating this so well and Philip Stilwell for giving the song visual form.

Godspeed You! Black Emperor at Ogden Theatre in 2018, photo by Tom Murphy

Friday and Saturday | 02.25 and 02.26
What: Godspeed You! Black Emperor
When: 8 p.m. (02.25) and 7:30 p.m. (02.26)
Where: Gothic Theatre (02.25) and Boulder Theater (02.26)
Why: Godspeed You! Black Emperor are pioneers of post-rock but also a band whose left anarchist politics are part of its operating as a group and its music therefore is orchestrated and organic while sounding as planned as a classical piece of music. But the group does not skimp on evoking feelings and pairs the emotional content of its songs with the visual representation thereof often as projections on the stage as a stirring visual component. Godspeed’s 2021 album G_d’s Pee at State’s End! reintroduced a strong component of musique concrète to help ground and reinforce its more than usual tumultuous, brash and direct compositions.

Saturday | 02.26
What: Blood Incantation
When: 7 p.m.
Where: Gothic Theatre
Why: Experimental death metal band Blood Incantation will perform its 2022 ambient album Timewave Zero in its entirety and then engage in some improv for this show. Will there be any of the death metal its more conventionally-minded fans might crave? Who can say but the guys in the band are into enough unusual and experimental music that likely the ambient album will be worth a listen. Heck, if Wolves in the Throne Room could put out Celestite at the peak of their popularity, Blood Incantation can drop something like Timewave Zero at one of the peaks of its own renown.

Saturday | 02.26
What: Dinosaur Jr w/Pink Mountaintops
When: 7 p.m.
Where: Ogden Theatre
Why: Dinosaur Jr influenced more music than is generally taken into account and clearly an inspiration to the entire shoegaze movement of the 90s, all of alternative rock and even current psychedelic guitar bands from the more indie variety to those heavier. J. Mascis honed in on the tender feelings and angst people often shuffle aside trying to get through life and gave voice and dignity to feelings that many people would otherwise find shameful. Along the way Dinosaur Jr also managed to never release an album that wasn’t always surprisingly well crafted with imaginative guitar rock in a seemingly endless knack for reinventing the language of the instrument in the context of tasty hooks and evocative storytelling. And as a live band always intense yet seeming to tap into a daydreamy quality.

Saturday | 02.26
What: Denial Of Life w/Implied Risk, Moral Law and Ukko’s Hammer
When: 10 p.m.
Where: HQ
Why: Tacoma, Washington’s Denial of Life brings its thrash punk stylings to HQ for a late night set with local hardcore bands of similar spirit including the D-beat super group Ukko’s Hammer.

Best Shows in Denver 05/17/18 – 05/23/18

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Le Butcherettes perform Friday, May 18, 2018, with Hot Snakes and Git Some at The Oriental Theater. Photo by Lyndsey Bynes

Thursday | May 17, 2018

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Brian Jonestown Massacre circa 2012, photo by Tom Murphy

Who: Brian Jonestown Massacre w/Pale Sun
When: Thursday, 05.17, 7 p.m.
Where: The Gothic Theatre
Why: Brian Jonestown Massacre didn’t kick off any of the handful of psychedelic rock revivals since the 60s but it is one of the few bands that had the emotional resonance and quality of songwriting that made the original wave so interesting. The BJM also brought to the music a musical sensibility that didn’t emerge and synthesize until the 90s after the impact of the alt-country and Paisley Underground of the 80s refined psych, until after house and electronica generally, shoegaze and slowcore brought about different ways to use drones, atmospheres and beats in different contexts. The BJM freely absorbed all of that sort of thing and produced more consistently interesting rock music than most bands of its era. On later records, Anton Newcombe even brought in musical ideas that one might usually attribute to synth pop and krautrock for a hybrid music that pushed far past the bevy of modern psych bands it directly influenced. Pick up pretty much any of their early records and you’ll hear those echoes across a broad stripe of modern rock music. Pick up any of the band’s albums and you’ll hear something interesting that not anyone else is doing quite as well if at all. This show will probably be a more classic Jonetown Massacre set but that just means a good deal of emotionally changed, tonally nuanced songs that come from the heart. Even people who are stuck on the depiction of Newcombe in the great 2004 documentary film Dig! have to admit that he at least seemed like a sincere artist even at his lowest points. Opening is Denver-based shoegaze band Pale Sun, which includes former members of two of the best bands out of that realm of music that never quite hit national prominence in guitar genius and singer Jeff Suthers of Bright Channel and Moonspeed and multi-faceted drummer Kit Peltzel formerly of Space Team Electra and Snake Rattle Rattle Snake.

Who: Bevin Luna album release w/Jen Korte & The Loss and Wildflowers
When: Thursday, 05.17, 8 p.m.
Where: Hi-Dive
Why: Like most of the musicians/bands that come out of Memphis, Bevin Luna’s songwriting is quite eclectic but not in that trying-to-please-too-many-people way. You get the feeling that Luna had to prove herself to some unforgiving audiences before she moved to Denver and started playing in the local scene in 2005. It’s rock haunted by country, traditional blues, folk and played with the energy of what a punk band should be. While not as swamp-haunted as, say, Gun Club or as countrified as Green On Red, Bevin Luna’s songwriting has roots in similar musical territory. Her new album, Baby Dragon, is fuzzier than some of her earlier music and the raw quality of the recordings really enhances Luna’s natural grit.

What: Glasss Presents the Speakeasy Series Season 2: R A R E B Y R D $, Shocker Mom, Pearls & Perils
When: Thursday, 05.17, 7 p.m.
Where: Hooked On Colfax
Why: Oh, sure, these artists play more than a few shows together. But it’s an example of some of the best bands/artists going playing shows in less-than-fancy situations to friends regardless of whether strangers will get it, thankful for friends showing up and putting on a great show anyway. To call any of these projects “hip-hop” would be technically accurate but wouldn’t encompass the imaginative soundscaping and beats and the use of natural dance moves in performing the music in a way. A short list of the most emotionally moving vocalists in Denver now would have to include KokoLa and Key Lady from R A R E B Y R D $, Robin Walker who is Shocker Mom and Olivia Perez who is Pearls and Perils. Fans of downtempo, lushly produced hip-hop and R&B should make the effort to check out these artists whether tonight or another time.

Friday | May 18, 2018

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Hot Snakes, image by Rick Froberg

Who: Hot Snakes, Le Butcherettes and Git Some
When: Friday, 05.18, 8 p.m.
Where: The Oriental Theater
Why: Hot Snakes’ Jericho Sirens, out March 2018 on Sub Pop, is the band’s first album since 2004’s excellent Audit in Progress. And, of course, it’s less playful than Rick Froberg’s and John Reis’s other projects (Obits, Rocket From the Crypt), and has perhaps more in common with their pioneering noise rock band Drive Like Jehu. Angular, at times clashingly atonal, jagged breakdowns, the songs somehow have an anthemic quality that one might attribute to a pop punk band. Except that Jericho Sirens is a seething commentary on how every part of our culture and world civilization in general seems to be on the verge of collapse with public and political rhetoric amping up a kind of Manichaean world view in which one must pick a side or one will be presumed for you. The title of the album, alone, brilliantly and poetically clues one in on the constant state of alert that is encouraged in everyone everywhere all the time now. On this leg of the tour is Le Butcherettes, a band whose own music embodies the violence and contrasts of modern Mexico while examining the nature of identity and the role it plays in our lives and how notions of such can warp perception and impose a harmful cognitive framework. But all headiness and doom and gloom aside, both Hot Snakes and Le Butcherettes are bands whose live show is so viscerally entertaining that even if you don’t look beyond the surface level you won’t regret going. That bands aren’t creating essentially content-free art right now, though, is incredibly refreshing. Git Some, from Denver, is cut from a similar cloth and even if you see Luke Fairchild moving around like a marionette drive by forces beyond his control, what he’s singing about also cuts to the quick of the harrowing reality of modern human, especially North American, life.

Saturday | May 19, 2018

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Marisa Anderson, photo by Jason Quigley

Who: Godspeed You! Black Emperor w/Marisa Anderson
When: Saturday, 05.19, 8 p.m.
Where: Ogden Theatre
Why: Marisa Anderson’s guitar compositions channel the sound of the natural world around her. Pastoral in tone with a detail of sound that suggests emotions rendered as sonic texture. Her forthcoming album, Cloud Corner (due out June 15, 2018 through Thrill Jockey), is like a step into that part of America that is off the main roads and outside the thought patterns and resultant culture that pushes us all to go, go, go at the expense of our own long term psychological health. It is music that if we take it in on its own terms reminds us to make time for being human and not the servants of modern post-industrial society. So it makes sense that Anderson is opening for one of the few bands that has maintained some sense of mystique and one that makes futuristic music commenting on world culture using a more classic music approach but not held back by a sensibility and tradition that emphasizes canon through interpreting the works of past masters. Godspeed! You Black Emperor shows how a group of small, committed people can use their talent and work to use conventional tools to demonstrate unorthodox, and even rebellious, ideas. Its 2017 album Luciferian Towers was released along with a statement reflecting a radical, yet completely sensible, view on international human rights. Maybe the band thought it better to think ahead than let the horrible leaders of the world try to dictate all its narratives.

Sunday | May 20, 2018

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Mary Lattimore, photo by Rachael Pony Cassells

Who: Mary Lattimore w/Hannah Samano and Bellhoss
When: Sunday, 05.20, 7 p.m.
Where: Lost Lake
Why: Mary Lattimore branches out on her latest album, Hundreds of Days. It’s still the beautifully detailed, intricate ambient melodies that have distinguished her earlier releases. This time out she has experimented more with electric and electronic instruments and equipment as well as her own voice to augment her masterful harp work. Lattimore’s playing has garnered her chances to tour (as a live performer) and collaborate with the likes of Jarvis Cocker, Thurston Moore, Julianna Barwick and gigs doing soundtrack work for the biographical documentaries about Marina Abramović (2012’s The Artist is Present) and Fred Rogers (Won’t You Be My Neighbor, also from 2012). Lattimore’s broad expressive range and ability to write pieces with a keen ear for the percussive and tonal quality of her instruments is impressive. And timeless. Except for the electronic elements it would be difficult to place Lattimore’s music in time and seeing it live or even listening to it on a recording. Of course if you go see it live you will also get to see how visceral an instrument a harp can be even as its ethereal tones seem to float off into infinity.

What: Noise Night at Syntax Physic Opera: Ambigere (WA), Rasmussen, eMMAoWEN, Mirror Fears, Clutch Plague and Sunk Cost
When: Sunday, 05.20, 8 p.m.
Where: Syntax Physic Opera
Why: Ultra Metal presents this edition of Noise Night at Syntax. Noise isn’t for everyone but this lineup will be a much more than the cliché of harsh noise and simple pedal chaining. Rasmussen is a member of local noise legends Page 27 but his solo work is often ambient or even in the realm of dance music. Sunk Cost is Ultra Metal founder Johnathan Cash’s harsh noise project and to some it may sound like tuning in to amplified dead stations on the radio. But there is some soundsculpting going on and the visceral impact of those sounds through a P.A.. Mirror Fears is generally known for her brilliantly crafted, melancholic experimental, industrial pop music but as part of her overall musical identity there is the sensibility of noise and the use of sound in ways that simply don’t fit into a standard pop context. Clutch Plague has a more old school industrial, beat driven sound. EMMAoWEN uses soundscaping, harsh noise and sampling to make impactful commentary on culture and touring act, Ambigere from Olympia, Washington, creates sonically tactile environments that are technically ambient but clearly on the harsh end of that spectrum because there’s nothing soothing about it.

Tuesday | May 22, 2018

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Japandroids circa 2012, photo by Tom Murphy

Who: Wolf Parade w/Japandroids w/Adrian Teacher and The Subs
When: Tuesday, 05.22, 7 p.m.
Where: The Ogden
Why: Canadian post-punk band Wolf Parade went on indefinite hiatus in 2010 after producing a few of the most interesting rock albums of that time. Rather than the dance punk or Joy Division-esque mode of post-punk, Wolf Parade’s dusky atmospherics were more akin to those of Crime and the City Solution and Nick Cave. Singer and keyboardist Spencer Krug’s multifaceted career in and out of Wolf Parade included stints in noteworthy indie bands Frog Eyes, Sunset Rubdown and Swan Lake as well as his solo project Moonface. Guitarist/vocalist Dan Boeckner subsequently formed Handsome Furs as well as The Divine Fits (the latter with Britt Daniel of Spoon). Wolf Parade announced its hiatus was over in January 2016 and in 2017 it released Cry Cry Cry on Sub Pop. In support of the album, with clear stylistic nods to recently passed rock icons with David Bowie’s lush and emotionally rich songwriting and Tom Petty’s knack for pop storytelling, the band is currently on tour with another of Canada’s most dynamic rock bands of the moment: Japandroids.

From Vancouver, British Columbia, Japandroids played its own brand of punk and what one might call post-garage with a fiery energy at pretty much every show. Influenced by the likes of The Sonics and Gun Club, Japandroids put out an impressive, albeit relatively small, body of work at two full-length albums and two EPs (collected into a compilation humorously titled No Singles) before going on hiatus itself in 2013. And, purely coincidentally, announced it was back together in 2016 with Near to the Wild Heart of Life, which the band said in interviews was its first attempt to craft an album in a more traditional sense rather than written piecemeal in a headlong rush of being a band in its earlier days. If it didn’t have quite the urgency or ferocity of 2010’s Post-Nothing or 2012’s Celebration Rock, the traces of the record’s Replacements-esque, anthemic power pop was already present on the early material. Japandroids now just sounds bigger to match the intensity with which Brian King and David Prowse continue to bring to the live show.

Who: Kimbra w/Son Lux
When: Tuesday, 05.22, 7 p.m.
Where: The Bluebird Theater
Why: Kimbra earned her bona fides by making soulful and eclectic indie rock that reminded fans and critics of other artists. Fortunately, Kimbra had the chops and talent to warrant glowing comparisons. Her debut album, 2011’s Vows, was a combination of upbeat lounge jazz and electronic pop and reminiscent of an Amy Winehouse record. And the album was critically acclaimed, garnering Kimbra the attention of future high profile collaborators like Mark Foster, Flying Lotus and Thundercat, the latter of which performed on Kimbra’s 2014 album The Golden Echo. With the 2018 album Primal Heart, Kimbra has broadened her songwriting palette and vocal range, now establishing a style that’s not so easy to compare to her peers and influences.

Who: Y La Bamba w/Malahierba, Stelth Ulvang, DJ A-Train
When: Tuesday, 05.22, 8 p.m.
Where: Hi-Dive
Why: Y La Bamba’s Luz Elena Mendoza was born in San Francisco to parents from Mexico and coming up she took in the folk music and folklore of Mexico. She mostly grew up in Oregon and when she formed Y La Bamba in Portland, Mendoza found musicians who shared her musical tastes and inclinations. But rather than a straightforward folk and Americana act, Y La Bamba included, of course, lyrics in Spanish as well as subtle use of electronic instruments to enhance a sense of the otherworldly present in the group’s vocal harmonies and acoustic instrumentation. In a way, the music suggests the feeling one gets from reading the more mystical works of Zora Neal Hurston in which the material world is very tactile but informed by the presence of the spiritual world in the subject matter and the tone of Hurston’s writing. As with Hurston, Mendoza channels her ancestors and their cultural traditions but bringing her own rich imagination and intelligence to bear in her creative interpretation and expression and extension of those ineffable influences.

Wednesday | May 23, 2018

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Wye Oak, photo by Shervin Lainez

Who: Wye Oak w/Corsicana
When: Wednesday, 05.23, 7 p.m.
Where: The Bluebird Theater
Why: Wye Oak is the rare band that has recognized a rut as it’s threatening to happen. With its 2011 album Civilian, the duo’s music was finding placement in film and television and that would have reinforced a creative tendency by rewarding creation using a generally specific method. So the band took some time off from Wye Oak with drummer Andy Stack moving away from Baltimore in search of being around a different sort of artistic climate in Texas and Portland. Guitarist and vocalist Jenn Wasner put time into Dungeonesse, an electronic pop and R&B project with producer Jon Ehrens. When Wye Oak was working on new music it took a different direction with less emphasis on Wasner’s admittedly imaginative and evocative guitar work and more on beats and textured, composed melodies. Thus the 2014 album Shriek and Tween, the 2016 album that all but outlined that transition from the musical thinking of Civilian to that of Shriek. The 2018 Wye Oak album The Louder I Call, The Faster It Runs is the kind of album a band releases after it has reinvented itself and then considered what it would like to say next before doing so.

Who: Starjammer vs. Lunetta, Atari, Sleepy Nemo, Human Hearts and Mahou Odd Genie & Norm L. Princess
When: Wednesday, 05.23, 7 p.m.
Where: Seventh Circle Music Collective
Why: Starjammer is difficult to categorize beyond it’s self-described “Avant-Garde/Dub-Reggae.” Seems legit as Squids Madden was recently seen playing sax on stage with Godspeed You! Black Emperor at The Ogden. He will also probably bring his lighting rig to add another layer of otherworldliness to this collaborative set with Lunetta, a project that could be described as lo-fi industrial psych. Atari cuts together vinyl records to produce truly unique samples that he manipulates by hand at the live show giving less actual control over frequencies and rhythms from the sample proper. He gives the sounds the contexts and thus the art of what Atari is doing. Mahou Odd Genie & Norm L. Princess sounds like some kind of weirdo field recording project mixed with intentional music and noise. Basically, the show with the weirdest music this month unless you’re going to an Ultra Metal event.

Who: Bob Log III w/Simulators
When: Wednesday, 05.23, 8 p.m.
Where: Hi-Dive
Why: Bob Log III is a one man band who, sure, plays a mutant version of Delta blues but he does wearing a face-obscuring-ly tinted helmet and otherwise looking like maybe he was pulled from a band in Judge Dredd or a reconstituted civilization following the era depicted in the Max Max movies. When he was a member of Doo Rag, Bob Log III’s confrontational performance style won over audiences when he was opening for much more famous bands. Probably because not many people had seen anything quite like it. Opening for Bob in Denver is SIMULATORS, the noise rock/post-punk band comprised of Bryon Parker formerly of Accordion Crimes and Raleigh and Brian Polk of Joy Subtraction. The band’s jagged rhythms and blunt, to the point music should appeal to fans of Shellac because it often does sound that savage.