Best Shows in Denver and Beyond 6/7/18 – 06/13/17

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Of Feather And Bone perform at 71 Grind on Friday, June 8, 2018. Photo by Pale With Decay

Thursday | June 7, 2018

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Ryanhood, photo by Taylor Noel Photography

Who: Ryanhood w/Matt Cox
When: Thursday, 06.07, 7 p.m.
Where: Walnut Room
Why: Ever since Mumford and Sons and The Lumineers, at a minimum, popularized folk pop to a massive audience more than a few musicians have tried their hands at that style of music. But Ryanhood predates that wave having started in 2003 in Boston (now based in Tucson, AZ where Green and Cameron Hood met in high school). And beyond that, Ryanhood has established itself as a popular live act on the college and small club circuit. Ryan Green’s proficiency with guitar got him a scholarship to Berklee but as a songwriter it gives some dimensionality to the songwriting that might not be there with a musician who came to playing more casually. Green’s songs with Hood, at this point, have the polish and tunefulness of anything you’re likely to hear on mainstream radio combined with the synergy that mostly comes from musicians who have known each other for a good deal of their lives growing together as artists. The duo’s 2017 album Yearbook is a record diverse in its emotional colorings and songwriting dynamics giving its positive sheen depth and listening longevity.

Who: Stella Luce 7” release for Gloria w/Señorita Sometimes and Seven Inches of Heaven
When: Thursday, 06.07, 9 p.m.
Where: Surfside 7
Why: Stella Luce is presenting its sixth release, the Gloria seven inch, tonight at Surfside 7. The Fort Collins-based experimental rock band combines an Eastern European musical sensibility with the kind of baroque pop that The Dresden Dolls and DeVotchKa perfected. Stella Luce, though a little weirder than both, and noisier, has created a body of work thus far with the same cinematic sweep and nuanced emotional colorings.

Friday | June 8, 2018

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Isenordal, photo courtesy Isenordal

What: 71 Grind IV Day 1 (see below)
When: Friday, 06.08, 2 p.m.
Where: The Black Sheep and Triple Nickel Tavern
Why: This is the major metal festival in Colorado. Independently run and promoted it features some of the most interesting acts in extreme and death metal, doom and grindcore. Things get kicked off at 2 p.m. at The Black Sheep and finishes in the late night hours at The Triple Nickel Tavern. For this first day you can catch Denver’s deathgrind stars Of Feather And Bone at the Black Sheep at 6:40 p.m.. The trio just started its tour in the wake of the release of its latest album, Beastial Hymns of Perversion. Immediately after at 7 p.m. on the main stage is Seattle’s black/folk metal act Isenordal will bring its layered, orchestral sound. For fans of Giant Squid and SubRosa. You can’t really miss with any of the bands but it would also be a good chance to see Wyoming’s great, grind-y, post-hardcore band Euth, Denver’s melodic doom giants, Wayfarer and Denver D-beat/thrash juggernauts Rotstrotter. Full schedule below.

Black Sheep
Side Floor Stage
2-220 Weaken
2:40-3 Berrated
3:20-3:40 Anakusha
4:20-4:40 Euth
5-5:20 Portrayal Of Guilt
5:50-6:10 Falter
6:40-7 Of Feather And Bone
7:30-7:50 Void Omnia
8:20-8:40 Closet Witch
9:10-9:30 Gaff

Main Stage
2:20-2:40 Full Bore
3-3:20 Salems Bend
4-4:20 Rotstrotter
4:40-5 Bleubird
5:20-5:50 Zeta
6:10-6:40 Wayfarer
7-7:30 Isenordal
7:50-8:20 Brainoil
8:40-9:10 Transient w/Bastard Noise
9:30-10:40 Mizmor

Triple Nickel
11-11:20 Cursus
11:30-11:50 Ice Sword
12-12:20 Modok
12:30-12:50 Hexist
1-1:30 Tejon St. Corner Thieves

Who: Today’s Paramount, Samvega and Archipelaghost
When: Friday, 06.08, 9 p.m.
Where: Goosetown Tavern
Why: This is a bill where none of the bands really fit in any musical subscene. Nor are they trying and the show is the better for that. Today’s Paramount has bits of gypsy folk, Americana, psychedelia and metal but really it’s more like some kind of odd glam prog band that dresses up like they’re all lead gumshoes in a noir novel. Samvega similarly skirts the edges of sludge metal, psychedelic rock and prog without being tied down by the conventions of any of it. Its sonically powerful shows feel orchestrated but only in that they have played the music so much they’re comfortable executing it in a way that leaves plenty of room to change moods, tempos and emotional colorings to fit the environment. If Archipelaghost’s recent single “Spinach” is any indication, those guys listen to a lot of the better hip-hop utilizing trap tracks while crafting their own electronic beats and burned the memo on not using kinda crap autotune. Archipelaghost takes musical ideas that shouldn’t work and puts it together in a way that seems more like a beyond ironic to legit and inventive take on electronic indie pop. Meta in its musical touchstones to the point of avant-garde.

Who: The Descendents w/The Potato Pirates and In the Whale
When: Friday, 06.08, 7 p.m.
Where: Boulder Theater
Why: The Descendents’ story sounds like it couldn’t be true. Drummer Bill Stevenson met future Black Flag and Circle Jerks vocalist Keith Morris before the latter’s stint in Black Flag and worked for Morris’ father as a fisherman. Of course Stevenson would spend some years as Black Flag’s drummer while also playing in The Descendents, a band he started with some friends from school when most of them were still in high school. The band’s blend of pop, surf rock and punk made for one of the earliest pop punk bands and its sound and lyrics throughout the 80s articulated teen angst, insecurities and simple aspirations better than a lot of music in the mainstream ever could and thus the band’s enduring popularity and viability. Even as its music is framed in the teen experience there was an evolution in thought and complexity of emotion that happened during the course of the band’s career. These days, seeing The Descendents is a great reminder that punk, even pop punk, can be silly, kinda dumb, but also thoughtful and vibrantly energetic in ways that don’t seem tamed by the compromises mainstream commercial success has exacted on some of the bands The Descendents have influenced.

What: Intendence Film Fest Opening Party with Sympathy F
When: Friday, 06.08, 9:30 p.m.
Where: Denver Open Media
Why: When Sympathy F began in the early 90s Denver was in the prime of its period of urban decay. LoDo as we came to know it in the mid-90s didn’t exist. Squatters lived in buildings downtown and the Fifteenth Street and Twentieth Street viaducts led to areas of glorious industrial yesteryear. Denver felt dark, a little grimy and gritty while not as dangerous as larger cities. The band’s music, a moody, jazz-inflected post-punk, fit that milieu perfectly and it was one of the era’s classic alternative rock bands and one of the very few to have survived through the decades to now. Until a few years ago, the band had only released one record and soon it will release a third. Live, the band creates a lush but electrifying sound and for those that remember those older times in Denver, it’s like getting a taste of that vibe for the time the band drifts into its set.

Saturday | June 9, 2018

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The Corner Girls, photo by Tom Murphy

Who: 71 Grind IV Day 2 (see below for lineup)
When: Saturday, 06.09, 1 p.m.
Where: Black Sheep and The Triple Nickel Tavern
Why: This second day of 71 Grind IV includes performances from powerviolence pioneers Infest, longtime Albuquerque grind legends Noisear and Colorado Springs death grind band 908 which includes 71 Grind organizer Bryan Ostrow. Things get started at 1 p.m. at The Black Sheep and finishes once again in the late hours at Triple Nickel.

Black Sheep
Side Floor Stage
1-1:20 Aerial Ruin
1:40-2 Nite Kidz
2:20-2:40 Blunt
3-3:20 Minimum Wage Assasins
3:40-4 Sentient Divide
4:20-4:40 Funeral Chic
5-5:20 Bandit
5:40-6 Pavel Chekov
6:30-6:50 Test
7:20-7:40 Noisear
8:10-8:30 Remission
9-9:30 Stapled Shut

Main Stage
12:40-1 Modern Color
1:20-1:40 Fortunes Fool
2-2:20 908
2:40-3 Addaura
3:20-3:40 Haunter
4-4:20 Badr Vogu
4:40-5 Apocalyptic Noise Syndicate
5:20-5:40 Cryptic Void
6-6:30 Dead In The Manger
6:50-7:20 Un
7:40-8:10 Scorched
8:30-9 Despise You
9:30-10 Infest

Triple Nickel
10:30-10:50 The Stalk
11-11:20 Pris
11:30-12 Anonymous Inc.
1210-12:30 Saus

Who: The Corner Girls (single release) w/Vic N’ The Narwhals, Kinky Fingers and Cocordion
When: Saturday, 06.09, 7:30 p.m.
Where: Lost Lake
Why: A year after excellent 2017 Popcorn EP, The Corner Girls release the “Boyfriend” single. Given the band’s gift for giving songs with incisive and irreverent lyrics titles that could come from a vapid pop song, “Boyfriend” probably isn’t just a song about someone’s boyfriend in that tired, classic vein. From the imagery of the band’s artwork to its surf-y punk sound, The Corner Girls aesthetic resonates with that of early K Records bands and 90s indie pop, which in its time was a rejection of the masculine rock world. It isn’t an attack on the latter as much as creating something not defined by it.

Who: Screwtape, Gutter Villain, The Uglys and No Chance
When: Saturday, 06.09, 7:30 p.m.
Where: Lion’s Lair
Why: The Uglys somehow mixed screamy posthardcore with sludgy riffs for a sound that is like what would have happened had grunge developed a decade and a half later with The Deftones as an influence. That sort of desperation delivered with a manic intensity fits in well on a bill with Denver hardcore stars Screwtape whose songs blur the radical political with the personal in a way we need to see more of right now.

Sunday | June 10, 2018

StillValley_PhotoCourtesyNicholasPryor

Who: 71 Grind IV Day 3
When: Sunday, 06.10, 12 p.m.
Where: The Triple Nickel Tavern
Why: This third and last day of 71 Grind takes place at Triple Nickel and sort of a showcase of some of Colorado’s heavy bands. Still Valley is the kind of band that maybe got inspired by the stoner/sludge rock bands with that steady, slow cymbal work going like a hypnotic metronome but its sound is more uplifting, more melodic and ultimately more transporting. In that way Still Valley has a lot in common with Earth, taking the blues roots of the music and exploring its outer possibilities. Tricoma from Denver has similar influences but its sound is more like a fierce thrash/crossover and its heaviness more cutting. The Munsens’ 2016 album Abbey Rose sounds like a doom meditation on the darkened passages and cosmic terror merely hinted at by early Gothic literature, for example Horace Walpole’s The Castle of Otranto. But whatever band or bands you catch, it’ll be a great slice of heavy music’s current underground scene.

12-12:20 Ultraviolet
12:30-12:50 Still Valley
1-1:20 Tricoma
1:30-1:50 The Munsens
2-2:20 Innoculated Life
2:30-2:50 Scepter
3-3:20 Kenaima
3:30-3:50 Gutpest
4-4:20 Commonear
4:30-4:50 Remain & Sustain
5-5:20 Bonus Surprise!
5:30-5:50 Druids
6-6:20 Tower
6:30-6:50 Article 15
7-7:20 The Mutations
7:30-7:50 Broken Dead
8-8:20 Demerit
8:30-9 SMD
9:10-9:40 Homewrecker
9:50-10:20 Sledge
10:30-11 Dead Set

Who: Daikaiju w/TripLip and The Savage Blush
When: Sunday, 06.10, 9 p.m.
Where: Tennyson’s Tap
Why: Daikaiju is a surf rock band that on the surface sounds like a band in that vein with some punk oomph behind it. But its shows are famously tribal affairs during which the band performs in kabuki masks, uses pyrotechnics in its sets and otherwise brings those who show up into a ritual of rock and roll chaos. Experimental jazz thrash prog band TripLip and surf rockers The Savage Blush will ably set the stage for the mayhem to follow with Daikaiju.

Monday | June 11, 2018

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Sleep circa 2010, photo by Tom Murphy

Who: Sleep w/Primitive Man and Oryx
When: Monday, 06.11, 7 p.m.
Where: The Ogden Theatre
Why: Nearly twenty years after the release of its most recent album, 1999’s until then posthumous release, Dopesmoker, the princes (naturally the kings being Black Sabbath) of stoner rock/doom Sleep released a new album in 2018 called The Sciences. Of course its laden with fanboy references to Sabbath (there’s a song called “Giva Butler”), science fiction and arcane knowledge. Oh, and cannabis. “Marijuananaut’s Theme” begins with someone taking a hit off a bong. But it seems as though Sleep has sculpted its sound ever so slightly giving it greater dynamism and fluidity. Don’t worry, the guitars still sound like the tone is in a constant state of splintering and the rhythms are off enough in the right places to be hypnotic and deftly launch the main melodies into spaces that Moebius might have drawn for one of his lost Jodorowsky collaborations—psychedelic, alien and raw. That deathgrind titans Primitive Man and doomdeath stars Oryx are on the bill just make the whole show twice as good.

Who: Violent Femmes
When: Monday, 06.10, 6:30 p.m.
Where: Denver Botanic Gardens (York Street)
Why: Four decades on, Violent Femmes went from jazz-inspired folk-punk-pop weirdos who were perfect for the college rock world of the 80s to a still surprisingly powerful live band whose sound has been influential but not widely imitated. On recordings and on stage the Femmes bring in more than the usual rock instruments and since its early days the band has brought on a group of people called The Horns of Dilemma to play raw, chaotic sounds on a couple of songs in the set. For the Denver dates of the past several years The Horns of Dilemma has included avant-garde improvisational band Animal / object, a group in which Femmes singer Gordon Gano has been known to play violin. Several of the Femmes’ songs have entered the lexicon of popular music through the college and alternative rock path and even if you weren’t around or old enough for the band’s music to impact you the first time it was coming around its music has held up well because it was never grounded in any trendy sound or style but rather an premium on creativity and imagination. Go and be surprised by how of the moment and so not rote the Femmes remain today.

Who: Yes (Howe, Downes and White iteration)
When: Monday, 06.10, 2 p.m.
Where: The Paramount Theatre
Why: Progressive rock has a reputation as an overly intellectual music made by snobs for other technically proficient musicians and fans capable of appreciating the intricacies and compositional sophistication of the music. But most of those bands were seeking to create something deeply imaginative and capable of expressing ideas and emotions beyond the bare bones rock and roll sonic vocabulary. Yes wrote music that aimed to explore and articulate the dreams and aspirations of humankind. Sure, some of it got pretty out there and abstract but largely its songs came from a personal place writing about love, anxiety, fear and a broad range of emotions and the very individual experience of our struggles and triumphs. Yes just didn’t dumb it down. For this show you’ll get to see master guitarist Steve Howe, Alan White’s drumming wizardry and Geoff Downes’ gift for weaving together various keyboard and synth elements to create one of the sounds that has established Yes as a legendary live act for the past few decades.

Tuesday | June 12, 2018

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Covenhoven in Ojai, CA, photo courtesy Joel Van Horne

Who: Covenhoven album release w/The Still Tide
When: Tuesday, 06.12, 7 p.m.
Where: The Bluebird Theater
Why: Joel Van Horne has been writing beautifully introspective songs under the moniker Covenhoven for several years and now, with A Kind of Revelation, three records. It was within a week of finishing the mixes for A Kind of Revelation that Van Horne’s brother Ben died from a pulmonary embolism following years of struggling with ulcerative colitis. As with his previous releases (the 2013 self-titled album and 2015’s The Wild and Free), Van Horne immersed himself in a natural environment, taking in the patterns, energies of the place and as much of its essence as possible to drive his creative inspiration. For A Kind of Revelation that place was Olympic National Park and Big Sur. Perhaps a kind of pastoral folk and pop is the form of Van Horne’s songs but the musical language feels like an emotional recreation of the places that influenced their writing. Since it’s at the Bluebird, chances are it’ll be a full band presentation of the music where Covenhoven will share the evening with dream pop/rock band The Still Tide.

Who: Calexico w/Julia Jacklin
When: Tuesday, 06.12, 7 p.m.
Where: Boulder Theater
Why: Calexico and Mojave 3 were doing psych-folk-inflected pop Americana before it became a massive feature of “indie” radio in the past ten to fifteen years. Calexico, though, also absorbed a good deal of Mexican folk stylistic flourishes giving its sound a more exotic edge. The group released its latest record, The Thread That Keeps Us, in January 2018. Employing keyboards and synths alongside more traditional instruments has been one of Calexico’s hallmarks from its early days but the new record feels even more expansive and open as though maybe somewhere the band aimed to simplify its sound without sacrificing its full and rich tones.

Wednesday | June 13, 2018

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Ancient Elk circa 2017, photo by Tom Murphy

Who: Of Feather and Bone tour kickoff w/Tomb Mold and Casket Huffer
When: Wednesday, 06.13, 8 p.m.
Where: Hi-Dive
Why: Denver deathgrind band Of Feather and Bone played 71 Grind in Colorado Springs this past weekend and it will kick of its tour in support of its new album Beastial Hymns of Perversion with this show at the Hi-Dive alongside like-minded bands Tomb Mold, from Toronto, Ontario and Casket Huffer from Cheyenne, Wyoming.

Who: Sunmonks, Ancient Elk, Avifauna and GALLERIES
When: Wednesday, 06.13, 7 p.m.
Where: Lost Lake
Why: Sacramento’s Sunmonks has been honing its blend of R&B, indie pop and world music since 2012. Entertainment Weekly said the band was a “Worthy successor to the Talking Heads.” That seems like hyperbole and lack of life experience and knowledge of recent and older music history. Nevertheless, the band’s willingness to experiment with the form of pop music across various cultures as well as the sound and rhyme schemes to great effect makes it one of the most interesting bands to have bypassed being a psychedelic rock band but effectively making psychedelic pop music. Also on the bill is experimental, psychedelic folk band Ancient Elk, psych hard rock band GALLERIES and the windswept electropop soundscapes of Avifauna.

To Be Continued…

Best Shows in Denver and Beyond 02/15/18 – 02/21/18

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Church Fire performs Friday 2/16/18 at BarFly. Photo by Tom Murphy.

Thursday | February 15, 2018

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Night Beats circa 2011 at Rhinoceropolis. Photo by Tom Murphy.

Who: Black Rebel Motorcycle Club w/Night Beats
When: Thursday, 02.15, 7 p.m.
Where: The Ogden Theatre
Why: B.R.M.C. has tried out different sounds and ideas across its career. From its 2001 post-punk/shoegaze debut album, to the bluesy 2005 record Howl and now the refined, gritty depth of sound field of 2018’s Wrong Creatures. What is most noteworthy with the album is that the band has managed to make a rock and roll record without obviously ripping off some worn out classic rock tropes. The trio also incorporated industrial soundscaping and noise without ever sounding like one of those forgettable 90s industrial rock bands. An achievement in itself. Opening is Seattle’s mutant psychedelic rock quartet Night Beats. On its latest album, 2016’s Who Sold My Generation, it sounded like the band had shed the garage rock elements of its earlier sound in favor of noisier, stranger music like guys had gone on a spiritual journey into the wilds of the Cascades accompanied by the music of Chrome, Spacemen 3 and Silver Apples and come back into the welcoming arms of 13th Floor Elevators before writing their new material. When a lot of modern rock bands are playing it safe at least it seems as though B.R.M.C. And Night Beats don’t want to bore themselves or us.

Who: Eventually It Will Kill You Vol. III: Many Blessings cassette release w/Natural Violence, Prison Glue and Law of the Night
When: Thursday, 02.15, 9 p.m.
Where: The Meadowlark Bar
Why: If you’re just dropping into the Meadowlark after your rigorous parkour and yoga workout tonight, just go elsewhere. This is a noise show and a celebration of the release of the latest Many Blessings tape, Ripe Earth. The album, released on Brian Castillo’s new Kill You Club imprint, is nearly seventy minutes of deep cavern soundscapes that sometimes come off like the decayed transmissions of a broken broadcasting A.I. of the future that generates otherworldly true crime style fiction, the likes of which regular humans would never come up with on our own. Prison Glue is Kevin Wesley, formerly of local noise rock legends Hot White, and every set is different but always some interesting noise experiment and never quite in the same format. Also on the bill is Natural Violence, a project of Homebody’s Michael Stein. Not really noise per se and more like a synth-driven soundtrack to a crime drama written by Paul Reubens. The 2017 EP Synthetic Peace was one of the more interesting releases of last year.

Who: Voight, Breakdancing Ronald Reagan, Anime Love Hotel and Dream Hike
When: Thursday, 02.15, 8 p.m.
Where: Syntax Physic Opera
Why: A different kind of noise show tonight at Syntax. Voight isn’t a noise band though both Nick Salmon and Adam Rojo both more than merely dabble in their solo npose projects, Stye and Diffuser respectively. Its own noisy post-punk songs are somehow both moody and confrontational, haunting yet visceral. Breakdancing Ronald Reagan put out the Harsh Noise cassette on Self Sabotage Records at the end of January, a collection of pieces that live up to the name of the album but also proof that even harsh noise can have nuance, composition and musicality even if it’s put together to push buttons, assault the ears and otherwise transform expectations of experience for something coming out of a P.A. anywhere. Dream, Hike is more in the world of experimental, electronic dance music but Dean Inman is no stranger to his chosen format of expression with sound to challenge what purpose the music serves as something to experience by making beats that aren’t purely for people to chill out and passively dance. Not that there’s anything wrong with that, just that Dream Hike is more than the times when he makes music designed for that sort of thing as well.

Friday | February 16, 2018

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Atomga, photo by Atomga

Who: Atomga Aga EP release w/The Dendrites and Jericho Son of None
When: Friday, 02.16, 8 p.m.
Where: Ophelia’s Electric Soap Box
Why: Atomga is one of a few Afrobeat artists in Denver with the sprawling lineup to manifest the mixture of jazz, funk, Ghanaian highlight the polyrhythmic music of West Africa that was pioneered by composer/musician and political figure Fela Kuti in the 60s and 70s. The band’s new EP Aga is four songs and it sounds like the band has delved into more Middle Eastern musical ideas. In the live setting, Atomga has a forceful and celebratory presence. Also on the bill, one of the few great Denver ska bands, The Dendrites. Great because they don’t sound third wave or overly two-tone revival or trying to be some other band. There’s a lot of imitation in ska but The Dendrites are originals.

Who: Hands of Midnight, Roger Green and Church Fire
When: Friday, 02.16, 8 p.m.
Where: BarFly
Why: Hands of Midnight is an electronic project that seems to be operating at the intersection of dub, psychedelia and deep house. Half of the group is Bill Murphy, former guitarist with the late, great Denver post-punk band The Swayback. Roger Green has been all over the place musically having perhaps first come to prominence in Denver with space rock/pop band Idle Mind. Though likely more well-known for having been a member of dream pop band The Czars, Roger Green’s avant-garde and experimental music like his typewriter orchestra is some of the most interesting sonic art the guy has been up to. He has also written some fine singer-songwriter music and a long-time lecturer on the psychedelic experience and the associated music. For this bill, who knows? Maybe Green has a secret electronic dance music set up his sleeve. Whatever it is, it’ll be worth witnessing. To call Church Fire an intense electronic dance/dream pop band would be like saying Alejandro Jodorowsky made the original midnight movie.

Who: Murs w/Stay Tuned, ItsEvi and ROOKE5
When: Friday, 02.16, 8 p.m.
Where: Cervantes’ Other Side
Why: Murs more or less got his big break, if such can be said without overstating the point, as a member of influential underground hip-hop collective Living Legends. But since then he has more than made a name for himself as a solo artist for his literate, perceptive and vibrantly emotional lyrics. These days, as back in his early days, Murs’ voice is refreshingly out of step with hip-hop trends. He raps and speaks his words while rendering his vocals musical without singing. It’s a bit of an older approach but one that Murs has successfully creatively evolved across his long career. His new album, A Strange Journey Into The Unimaginable on March 16, 2018. One of the opening acts for this bill is Stay Tuned which includes one of Denver’s best producers, DJ Awhat, and two of its most charismatic MCs, Ichiban and Mane Rok. Their shows are an audio-visual experience that puts a clever and incisive spin on personal experiences as well as some of the most on point social commentary out of Denver.

Who: Zavala, Mux Mool, Big J. Beats
When: Friday, 02.16, 8 p.m.
Where: Fort Greene
Why: Zavala is a Chicago-based artist whose beats and modular synths puts him in league with the better IDM and dub techno artists. His latest album is Fantasmas. Mux Mool is originally from Minneapolis but he’s been working with Michael Menert of Pretty Lights on Club Scout and has relocated to Denver. His brand of IDM is a kind of brighter and more playful hip-hop beat making. Big J. Beats may be known locally as a hip-hop artist but his beats are in the realm of 90s and 2000s alternative hip-hop with his creative use of noise, sounds and atmosphere, like he’s crafting soundtracks to chill, fantastical realms you’d really want to visit.

Who: Judge w/faim, Screwtape and Fortune’s Fool
When: Friday, 02.16, 7 p.m.
Where: The Marquis Theater
Why: Judge formed in 1987 as hardcore was well on its way to splintering as a subculture. But in presenting a more militant than ever straight edge image and adopting a harder sound, Judge had the kind of desperation, immediacy and pointedly political messaging of the newly grindcore Napalm Death whose own 1987 album created a blueprint for a different style of extreme music. So it only seems fitting that local heavy hitters in the hardcore realm, faim and Screwtape, are two of the opening bands because both bands are pushing hardcore into interesting directions at a time when that music could really use some innovation that doesn’t water down its essential appeal.

Saturday | February 17, 2008

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The Hits’ cover for the new album, Breakthrough. Image courtesy The Hits.

Who: The Hits album release show w/Love Stallion, Hot Apostles, Sharone & The Wind
When: Saturday, 02.17, 7 p.m.
Where: The Marquis Theater
Why: Denver’s The Hits is releasing its second full-length album BreakThrough tonight. The album is fourteen tracks of gritty, melodic rock songs that balance energetic drive with an unpretentious poetic sensibility. Yes, the songs are about love, life’s frustrations and conflicted emotions. But the latter is what gives the band’s songs a subtle complexity that far too many rock bands either try to avoid or are incapable of in the first place. Hot Apostles is a like-minded band but with more of a bluesy, hard rock flavor. And, again, Hot Apostles bring to the songwriting not just the passion but a mature person’s perspective on relationships and life in general. Likely opening the show is Sharone & The Wind. Since the band’s inception in the Spring and Summer of 2016 it has quickly evolved from a piano-centered hard rock band to a darker, more metallic without being metal, project with a surprising level of emotional intensity coursing through the music. The band has gone through a significant lineup change since the release of 2017’s excellent Storm and apparently we’ll see another record from the band this year.

Who: Murs w/Tristan Moore and Stay Tuned, Redcoat Kid, Kanon Lebron
When: Saturday, 02.17, 8 p.m.
Where: Aggie Theatre
Why: For Murs and Stay Tuned see entry for the Murs show on Friday, February 16.

Sunday | February 18, 2018

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Real Estate, photo by Shawn Brackbill

Who: Real Estate w/Bedouine
When: Sunday, 02.18, 8:30 p.m.
Where: Fox Theatre
Why: The first three Real Estate albums garnered a sizeable fan base and critical acclaim for its tasty jangle rock riffs and spare but evocative lyrics. But something about it felt a bit one dimensional and, well, tame yet promising. Seven years after forming, in 2016, long time friend of the band Julian Lynch steps in to replace Matthew Mondanile. Rather than merely stepping in as a lead guitarist to play like Mondanile, Lynch was encouraged to bring his innovative, much more experimental, guitar style to the next record, 2017’s In Mind. The well composed songwriting is still in place but there’s an added dimension to the songs that give space for experiments in atmosphere and texture. It’s rarely overt and obvious, which makes it all the more interesting an intentional choice than if the band had scrapped it’s older sound completely. At times the songs are reminiscent of Paracosm-period Washed Out or The War on Drugs, but the intersection of gently rippling rhythm and Courtney’s sparkly, melodic guitar and Lynch’s expansive sensibilities instantly made Real Estate an interesting band rather than one merely noteworthy because it touched many people’s nostalgia centers.

Monday | February 19, 2018

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The Weather Station (Tamara Lindeman), photo by Perry Shimon

Who: Bahamas and The Weather Station
When: Monday, 02.19, 7 p.m.
Where: Bluebird Theater
Why: Afie Jurvanen is the main force behind Toronto’s Bahamas. Though designated as folk, if you listen to Jurvanen’s records his compositions may have that kind of simple, immediately accessible structure and his presentation of the music has the feel of being included in an intimate performance, but his layering of sounds combines a full sound like a chamber pop band with a stripped down quality. It’s not for everyone but it does set him apart from many other indie folksters. The Weather Station got started around the same time as Bahamas, also in and around Toronto, with similar roots in folk music. But Tamara Lindeman’s vibrant voice is reminiscent of Joni Mitchell and Chrissie Hynde. A similar cadence and tonality. Lindeman’s guitar style is composed almost as sketches of the scenes and experiences she describes in her vivid lyrics. The nuanced thinking and penetrating observational quality of Lindeman’s words matched with her moody and warm compositions, smoothly yet evocatively dynamic, make for some compelling listening. The latest release from The Weather Station is the band’s self-titled 2017 album.

Tuesday | February 20, 2018

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Company of Thieves, photo by Shervin Lainez

Who: Walk the Moon w/Company of Thieves
When: Tuesday, 02.20, 7 p.m.
Where: Ogden Theatre
Why: If you look at Company of Thieves’ discography it’s not sprawling with artifacts of their development as a band. If you got to see the band come up in its hometown of Chicago maybe you got a hold of some tracks, homemade CDs and cassettes. As many bands have done since Company of Thieves got going in 2007. With, according to singer Genevieve Schatz, eight line-up changes (all including band co-founder Marc Walloch) that one might expect in a band that has been around that long without breakthrough commercial success. And Company of Thieves itself went on hiatus for a for a few years during which Schatz released a solo EP and Walloch played bass in AWOLNATION. But in 2017 the band announced it was back together with a short batch of songs ready to release in the new year with lead single, “Treasure.” Though obviously a pop band, with “Treasure,” COT includes political samples as one might expect to hear in an industrial or hip-hop song and uses the sample as a jumping off point to say something when it would be easier to just have written an incredibly catchy song.

Who: Mac Sabbath w/Galactic Empire
When: Tuesday, 02.20, 7 p.m.
Where: The Marquis Theater
Why: Yes, it is indeed that terrifying, McDonald’s-themed heavy metal band. The show is surreal and yet disturbing as only truly committed performance artists can be while putting on a show that can still be appropriate for an all-ages audience.

Wednesday | February 21, 2018

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Snarky Puppy, photo by Christian Thomas

Who: Snarky Puppy w/Sirintip
When: Wednesday, 02.21, 7 p.m.
Where: Ogden Theatre
Why: Snarky Puppy managed to bring together jazz fusion, funk, jam band free flowing, spontaneous songwriting and non-Western music without it coming off like they’re trying too hard. There is a clarity to its maximalist compositions and Bernie Worrell-esque keyboard work that suggest more than one person in the band studied pop music without being chained to its sometimes limiting conventions. Jazz may be the root but Snarky Puppy has thankfully abandoned the ossified instincts of much modern jazz as well. The band is sprawling in membership, totally coincidentally perhaps with it being from Denton from which hail The Polyphonic Spree, but the music has a coherence and focus that you’d expect from a chamber orchestra. The project’s latest record is 2016’s Grammy winning Culcha Vulcha but it looks like there’s a new record in the works with a tentative 2018 release.