Thursday | 12.03 What: Spyderland, Princess Dewclaw and Connie When: 10 p.m. Where: Broadway Roxy Why: Spyderland is the more soulful synth pop side of the songwriting of Marie Litton (Lil’ Thunder, Ghost Buffalo) and Drew McClellan. The duo’s 2021 album There’s Monsters Outside is an evocation of the challenging social and political landscape of America during a time of impending crises with no real leadership to face them with honesty and conviction leaving us to scramble as best we can while not surrendering to despair. Princess Dewclaw is like if a punk band with strident yet righteous political convictions freely associated musical ideas and didn’t bother to think electronic music can’t be part of a punk aesthetic.
Friday | 12.03 What: Old Sport w/Midwife and Seer Believer When: 7/8 p.m. Where: HQ Why: Old Sport emerges from its long hiatus to bring its emo flavored punk to local stages again this time sharing that space with Midwife and that project’s deeply emotional, hazy art folk darkwave-esque dream pop.
Saturday | 12.04 What:…And You Will Know Us By The Trail of Dead w/Death Valley Girls When: 8/9 p.m. Where: Larimer Lounge Why: Forming in Austin, Texas in 1994, …And You Will Know Us By The Trail of Dead has been one of the more interesting guitar rock bands out of the underground that somehow both exerted an influence on modern indie rock while remaining a bit of a cult band. Its 2002 album Source Tags & Codes defied easy classification with its eclectic and inventive range of sounds, a pattern the band maintains up to and including its 2020 album X: The Godless Void and Other Stories. Known for its incendiary live shows contrasted with thoughtful and often high concept lyrics, Trail of Dead may be underrated but always surprisingly vital. Opening the show is the psychedelic post-punk band Death Valley Girls whose own unpredictable and imaginative live shows and music is a fascinating pairing with the veteran band.
Monday | 12.06 What:She Past Away w/Radio Scarlett When: 7/8 p.m. Where: Oriental Theater Why: She Past Away isn’t just a great post-punk band from Istanbul but one of the best bands out of that realm of music operating today. Its energetic and bright yet darkly moody music reconciles the brooding of Sisters of Mercy at their most melancholy with early Cure guitar work. Connoisseurs of post-punk may hear hints of the influence of Russian post-punk legends Kino in the music as well. Radio Scarlett is Denver’s premier death rock band.
Tuesday | 12.07 What: GWAR w/Napalm Death and Eyehategod When: 6/7 p.m. Where: Oriental Theater Why: Yeah, it’s that GWAR with the absurd costumes as intergalactic scumdogs playing bombastic thrash punk and still giving the middle finger to uptight, conservative American culture and sensibilities in their inimitable and outrageous manner. One might think the highly political Napalm Death is without humor but oh no, the band that is known to play their less than 2 second song “You Suffer” multiple times in a row in case anyone missed it and otherwise have fun eviscerating and sending up the horrific realities of life under late capitalism. Eyehategod will bring a similarly informed and compassionate perspective on human suffering and survival with its own darkly psychedelic sludgy heavy music.
Tuesday | 12.07 What:Thundercat w/Channel Tres at Mission Ballroom When: 7/8 p.m. Where: Mission Ballroom Why: Thundercat is the brilliant trickster bassist of renown whose skills have helped make many other musicians sound better including Kendrick Lamar, Flying Lotus and Kamasi Washington. But his solo albums are mind-altering musical journeys in their own right and as a band leader, Thundercat ably conjures jazz-funk alchemy with deep creativity.
Thursday | 12.09 What: New Standards Men, Moon Pussy, SPELLS and Alien Neighborhood When: 7/8 p.m. Where: Hi-Dive Why: This is the dual album release from art rock weirdos New Standards Men and Alien Neighborhood. The former never got to celebrate the release of its epic psychedelic jazz prog 2020 masterpiece I Was A Starship in 2020 for obvious reasons but the timing of the release of its companion album Spain’s First Astronaut in 2021 as well as the reissue of the earlier record on Snappy Little Numbers worked out for 2021. For the bill the group is joined by label mates and pop-punk band SPELLS and Alien Neighborhood as well as noise rock legends in the making Moon Pussy. Fans of bands on the Amphetamine Reptile imprint, Big Black/Shellac and outfits on the late GSL label or 31G will definitely have a heavy appreciation for Moon Pussy.
Friday | 12.10 What:N3PTUNE w/Rusty Steve and Hex Kitten When: 8/9 p.m. Where: Hi-Dive Why: N3PTUNE has already made great waves beyond Denver with a brash and sophisticated body of work that transcends easy categorization with roots seemingly in funk, R&B, soul and rock. It is perhaps facile to compare him to Prince and maybe Yves Tumor but it’s also not far off the mark. This night celebrates the release of his EP The Black and White Ball on which N3PTUNE goes deep singing about intense subject matter with a hearty honesty.
Friday | 12.10 What: Joy’s Kitchen Benefit Show: Screwtape, Ukko’s Hammer, Destiny Bond, Broken Record When: 7/8 p.m. Where: Mutiny Information Café Why: This will be a different kind of hardcore show benefiting Joy’s Kitchen. It also signals the return of the great local hardcore group Screwtape to live performance.
Saturday | 12.11 What:Volk w/White Rose Motor Oil When: 9:30/10 p.m. Where: HQ Why: Volk is a cowpunk duo from Nashville, Tennessee. Its 2021 album Cashville is refreshingly raw and catches your attention immediately with an attitude that’s reminiscent of Big Boys when that band went off the standard punk rock rails it never traversed in the first place. Also on the bill are local country rock greats White Rose Motor Oil whose 2020 album You Can’t Kill Ghosts was both a stripped down affair but one that really emphasized the essentials of the group’s songwriting with no filler. It’s more recent releases feature spirited and creative interpretations of the duo’s influences.
Friday | 12.17 What: Flaming Tongues Above, Divingbell and Discontinued Flavors When: 7/8 p.m. Where: Seventh Circle Music Collective Why: Formerly known as 50 Miles of Elbow Room, Flaming Tongues Above is the solo, experimental folk and musique concrète project of Amos Helvey of Old Sport. Divingbell is the solo project of Angus Smith whose own take on what might be considered a kind of folk-flavored post-rock is reminiscent of what might have happened if Jeff Buckley had joined early Low.
Friday | 12.17 What:Riddy Arman w/The Local Honeys When: 8/9 p.m. Where: Hi-Dive Why: Riddy Arman’s 2021 self-titled debut album on La Honda Records puts the emphasis on the Montana-based songwriter’s vivid storytelling through her powerful vocals. But her expressive and creative guitar work backed by finely accented percussion and a touch of pedal steel frame the stories with a beautifully reflective quality. One of modern country’s rising stars who you can see in small venue early in her career.
Monday | December 20 What: Lindsey Buckingham w/Sammy Brue When: 7/8 p.m. Where: Boulder Theater Why: Lindsey Buckingham is perhaps best known for his contributions to the best era of rock and pop band Fleetwood Mac. But Buckingham’s work and songwriting outside of the Mac has been noteworthy as well (see his recent performance on SNL with Halsey). Currently the songwriter is touring in support of his 2021 self-titled album, a record that displays Buckingham in fine form as a crafter of pop songs not short on sophistication, economy and emotionally resonant lyrics.
Thursday | 12.23 What:Church Fire, Hex Cassette, Horse Girl and Verhoffst When: 7/8 p.m. Where: Hi-Dive Why: Church Fire has long been one of the most powerful, dark synth pop bands in Denver and anywhere with songs that don’t shy away from commenting on political and social issues with poetry and emotional force. But also on the bill are other artists in the realm of local darkwave with Hex Cassette’s brooding synthesis of synth pop and EBM and Horse Girl’s transcendent dream pop.
Friday | 12.31 What: Fear w/Potato Pirates, Direct Threat and Cease Fire When: 7/8 p.m. Where: Gothic Theatre Why: FEAR is the legendary Los Angeles punk band that helped define an entire lineage of that style of music. The group took great pleasure in taunting self-righteous punks and conservative American culture equally with its irreverently humorous, sometimes nihilistic, lyrics and outrageous performances with lead singer Lee Ving commanding the stage like an insult comedian. The band was featured in Penelope Spheeris’ classic 1981 punk documentary The Decline of Western Civilization as well as the infamous 1981 Halloween episode of Saturday Night Live arranged by show writer Michael O’Donoghue and former SNL star and then cinema luminary John Belushi. On the show the band performed and the audience included members of Minor Threat, Cro-mags, The Meatmen and Negative Approach and mayhem ensued including profanity broadcast before the live feed was cut. So plenty of anticipation was in place when The Record came out on Slash in 1982 and it delivered some of the most caustic and boisterous punk in an era not short on such offerings. Since that time FEAR has released a handful of records, the final being 2000’s American Beer, and occasionally toured and still worth showing up to see. But with Ving turning 72 next year this may be one of your last chances, if not your last chance, to catch these heroes of punk before Ving calls it a day.
Who:The Black Angels w/Ron Gallo When: Thursday, 10.26, 7 p.m. Where: The Ogden Theatre Why: The cover of The Black Angels’ new record, Death Song, itself is a commentary on what’s going on in American culture now and its ripple effect beyond the nation’s borders. Red, white and blue in repeating, circles within larger circles, hypnotic and disorienting, an image suggesting chaos but one that also hints at the possibility of a return to some semblance of coherence and peace. The image, designed by guitarist Christian Bland, is part graphic design style and part minimalist art, much like his work on previous Black Angels albums, but one that suggests movement and confused stasis.
The album’s music bears out those qualities with some of the group’s heaviest and most politically pointed, but never preachy, material to date. The Black Angels were one of the bands that pre-dated the relatively recent wave of psychedelic rock having begun life in 2004 and its own career helped to influence and shape the sound of modern psych with its own music and direct advocacy through Levitation (formerly Austin Psych Fest) and The Reverberation Appreciaion Society. While one of the bigger acts out of psychedelic rock today, The Black Angels and other psych acts make the kind of music that resists full commercial co-optation.
As a live act The Black Angels has always been one that integrates the visual presentation of the music with the sounds so that the experience of the show is one that reflects the experience intended with the creation of the music. This time out the urgency, the heaviness, the fear, anxiety and the catharsis that we all hope comes about on the other end of the current national and international nightmare unfolding as we speak.
Who:Me Me Monster, Gort Vs. Goom and Television Generation When: Thursday, 10.26, 9 p.m. Where: Your Mom’s House Why: Gort Vs. Goom is a bass and drums duo who perform a kind of eccentric punk and jazz hybrid that may remind some listeners of Primus but it’s weirdness has as much to do with one of that band’s influences, The Residents, as with any post-Mr. Bungle art rock band. GvG (for MMO nerds even if not fully intentional on the part of the band) also often perform in costume or some sort of get-up. And Me Me Monster and its commitment to theater and spectacle is a good fit but its own warped hard rock sounds like what might happen if Neil Young got into making psychedelic prog but went through a weirdo jazz phase teaming up with Robin Trower. Television Generation isn’t overtly weird. It’s brand of fuzzy punk, psychedelic garage rock and pop bears some comparison to Love Battery but there is even more of a sardonic sense of humor informing its songwriting and presentation.
Who:Perry Weissman 3, Roger Green and Andy Monley When: Thursday, 10.26, 9 p.m. Where: Syntax Physic Opera Why: Perry Weissman 3 is a long-running avant-garde jazz and rock band that was perhaps most active in the 90s and earl 2000s. Roger Green is the genius guitarist and avant-garde composer who may be best known for his stint in local slowcore band The Czars, which included experimental pop songwriter John Grant. And hey, while we’re talking about former members of The Czars, the band’s other guitarist and vocalist, Andy Monley, is on this bill as well. Monley, however, has plenty of respectable music outside The Czars including his still going tenure with alternative rock band/country punk weirdos, Jux County and his exquisitely written and thoughtful solo material.
Who:Jerkagram, The Uglys, Chromadrift, Sleeping Bears and December Eleventh When: Thursday, 10.26, 8 p.m. Where: Bar Bar (Carioca Café) Why: Jerkagram from Los Angeles is one of those bands that didn’t really fit in a single genre of music so its styles can be all over the place and all at once. But loosely more on the heavier and math-y end of things. In some ways the band is reminiscent of former Denver art rock weirdoes Action Friend who now live and play in L.A.. The Uglys get dubbed this and that and probably haven’t fully decided what they are themselves. How a band can remind you of both Mudhoney, At the Drive-In and Fu Manchu all at once I don’t know but that’s The Uglys for you. Some screamy stoner rock, if you will. Chromadrift? As in Drew Miller? The IDM/ambient artist whose music is so ethereally beautiful it immediately transports you to a better place? Indeed. Filling out the bill are Sleeping Bears and December Eleventh, progressive metal bands from Georgia.
Friday: October 27, 2017
Who:Brujeria w/Powerflo and Piñata Protest When: Friday, 10.27, 8 p.m. Where: Bluebird Theater Why: Brujeria is almost pure schtick as a North Mexico drug cartel/national liberation group/band. Death metal, grindcore, unabashed takedowns of questionable politicians like Donald Trump (pre/post-presidency) and lots of cartoonishly dark humor. But the music to some extent transcends the joke because the musicians are members of other well-known heavy acts like Napalm Death, Carcass, Cradle of Filth, Criminal and others. Opening act Piñata Protest is a highly entertaining hybrid of ska punk and Norteño.
Who:Chelsea Wolfe and Youth Code When: Friday, 10.27, 8 p.m. Where: Gothic Theatre Why: Chelsea Wolfe has spent her career writing in a variety of musical styles but all of it has been a vehicle for her stark rendering of emotional turmoil and channeling that into challenging yet entrancing works of art. Wolfe’s last few records have brought forth in explicable form the subconscious ghosts that have long haunted the songwriter. Her latest, 2017’s Hiss Spun, is the heaviest set of songs Wolfe has yet released. Heavy but also heady and sonically expansive. If some of Wolfe’s previous records could feel and sound claustrophobic as a reflection of an insular creative vision, Hiss Spun is that vision opened up and shared more fully with anyone who might want to share in that experience as someone well-acquainted with personal demons and/or as someone that appreciates an authentic emotional experience so intensely realized.
Youth Code while a different animal musically, is a great fit for this tour because Sarah Taylor’s own unrelenting emotional intensity on stage is something to witness. The band’s dark, industrial bursts of tones and rhythm have evolved considerably since its earliest recordings and 2016’s Commitment to Complications revealed a band that is more than a thrilling jackhammer of aggressive music. There is a moody underbelly and a catharsis of internalized melancholy alongside the desperation you’d expect.
Who:Church Fire and Motion Trap When: Friday, 10.27, 9 p.m. Where: Black Shirt Brewery Why: It could be argued that both of the bands on the bill are electronic dance bands of the highest order because they are. Motion Trap, though, is tends toward bright tones and more keyed into the kind of aesthetic for dance clubs because it is very upbeat. But its music is way too steeped in strong pop songwriting to fully fit in that world. One of the few bands it does seem to fit in with is Church Fire whose dark undertones, politically-charged, noisy synth pop is one of the most exciting bands in Denver or anywhere right now. It’s own unabashed embrace of hip-hop beat production and industrial and dance music isn’t necessarily obvious. This will be an outdoor show starting at 8 p.m. so bring warm clothing.
Who:Mux Mool, atruc, RUMTUM and Brotherhood of Machines When: Friday, 10.27, 8 p.m. Where: Fort Greene Why: Kind of a more leftfield live dance music/hip-hop night with progressive beat maker Mux Mool, alternative hip-hop duo Curta playing as atruc, electro-guitar-based ambient solo act RUMTUM and Brotherhood of Machines. The latter’s combination of ambient, IDM and dubtechno-flavored beats is always very different from many of the acts in whose company he finds himself. The 2016 album III Pillars was a triptych of hypnotic noise and textured atmospheres that established a sense of place. Except that place wasn’t in normal reality.
Who:Rot Congress Night 1: Loanword, Boat Drinks, Jobless, The Far Stairs, Fake Awake When: Friday, 10.27, 9 p.m. Where: The Skylark Lounge Why: Hot Congress, the long-running indie rock collective, has been hosting this Halloween-themed event for years with some of the best bands out of that corner of the Denver music scene. This first night includes ambient project Loanword is on tap as is lo-fi band Jobless and former Hindershot keyboardist Jesse Livingston’s experimental synth pop band The Far Stairs.
Saturday: October 28, 2017
Who:Cults w/Cullen Omori and Hideout When: Saturday, 10.28, 8 p.m. Where: Globe Hall Why: Cults made a bit of a splash with its debut EP and “Go Outside” single in 2010. Its evocation of upbeat, breezy 60s pop mixed with a sense of the otherworldly. Like an alternative history science fiction story born out of heartbreak, personal trauma or simply plain wanting to recast a drab and depressing present with something more romantic and meaningful without the cheese factor that often accompanies such impulses and creative work that comes out of them. Cults latest record, 2017’s Offering, finds the band maintaining that Julee Cruise-esque, dreamlike, nostalgic tone but this time with a broader palette of sounds and rhythms. Where some of the earlier music sounded like it was tapping into some of Phil Spector’s Gold Star Studios years’ vibe, Offering sounds more present and immediate. Opener Cullen Omori was once a member of up-and-coming pop/rock band Smith Westerns. When that band split in 2014, Omori continued writing and performing under his own name. The music wasn’t radically different but the tone seemed to shift. Smith Westerns was very rooted in 70s rock. Omori’s solo output is more reminiscent of a modern version of a New Wave band with a gently psychedelic overtone. More synth, more lush sounds overall. His 2016 album, New Misery, sounded like an artist who wasn’t creatively cutting all ties with his old band so much as reinventing it and, um, culling the elements that didn’t work for him the first time around.
Who:TR/ST When: Saturday, 10.28, 8 p.m. Where: Bar Standard Why: Robert Alfons doesn’t yet have a new record out but TR/ST released a new single, “Bicep,” over the summer. The new track sounds like Alfons is wending more in the direction of EBM than the synth/dance pop of his first two records. TR/ST was one of the few bands that Goth DJs in Denver would play out of the wave of dark electro music that has been very much part of the indie underground since the second half of the 2000s. No, it didn’t sound like Depeche Mode or even Erasure but Alfons’ songs were as dark and moody as anything the former has ever released and as celebratory yet thoughtful as the latter’s best material. When TR/ST recently played Denver it was a well-attended show at The Bluebird so here’s a chance to see the project at a much smaller venue.
Who:Mehvana (as Nirvana), Denver Meatpacking Company (as Hüsker Dü) and Lawsuit Models (as Jimmy Eat World) When: Saturday, 10.28, 9 p.m. Where: 3 Kings Tavern Why: Bands performing covers sets for Halloween isn’t the most original thing in the world but all the bands on the bill for this show are at least trying out something different with grunge-esque band Denver Meatpacking Company doing a set of Hüsker Dü songs probably focusing on the middle era. It’s not a huge leap for pop punk band Lawsuit Models to a Jimmy Eat World set but putting yourself in someone else’s creative head space even if you’re influenced by their work takes some effort when you’re not some session musician or someone that generally plays in cover bands.
Who:Sharone & The Wind (“Night of Terror”) w/Black July, 21 Taras and Married a Dead Man When: Saturday, 10.28, 8 p.m. Where: Moe’s Original Bar B Que Why: It’s a Halloween show that Sharone & The Wind is advertizing as their “Night of Terror” so expect some theatrical shenanigans from the Denver hard rock band. In recent months the band has reinvented itself in a direction more like a cross between a proto-death rock band and a blues-inflected emo group. Sounds like it shouldn’t work but it does. Married a Dead Man is a Goth/death rock band that came out of people who played in the punk and hardcore scene beforehand. Sonically, sort of reminiscent of Sunshine Blind but rougher around the edges at the moment—you know, that ethereal synth with some metallic guitar with a female vocalist who sounds like she is no stranger to belting it a little.
Who:Bob Log III w/Colfax Speed Queen When: Saturday, 10.28, 8 p.m. Where: Lost Lake
Why: Bob Log III used to freak people out as the confrontational frontman of Doo Rag. The Crash Worship crowds for whom the duo played probably got it but the Lollapalooza crowd probably wasn’t used to seeing weirdo blues quite that raw and primal. As a solo artist, Bob Log III has only pushed the theatrical side of his act further with strange costumes like a carnie, blues punk Dex Romweber. Denver’s Colfax Speed Queen won’t be quite as stripped down but it’s own psychedelic garage rock is surprisingly forceful and disorienting in its own way.
Who:Lee “Scratch” Perry + Subatomic Sound System w/Gracie Bassie, TNERTLE (solo) When: Saturday, 10.28, 8 p.m. Where: Cervantes’ Other Side Why: Lee “Scratch” Perry is one of the architects of modern music as we know it. As the producer at the now defunct Black Ark in Jamaica, Perry was one of the pioneers of dub, which is a radical remixing and reproduction of existing music and represents one of the earliest forms of electronic music and a creative use of an early version of sampling. Directly or indirectly, as an engineer, producer or musician, Perry shaped the sound of much of reggae music and through that of punk, hip-hop and electronic music from the 70s forward. In recent years, Perry has collaborated with house/experimental electronic band The Orb on original material. His live show is a masterful delivery of his imaginative soundscaping and hypnotic rhythms.
Sunday: October 29, 2017
Who:Ministry w/Death Grips When: Sunday, 10.29, 8 p.m. Where: The Fillmore Auditorium Why: Ministry somehow made the crossover from synth pop (With Sympathy) to EBM (Twitch and to some extent The Land of Rape and Honey) to industrial rock (by the time of The Mind Is A Terrible Thing to Taste) in the course of seven years. It’s a remarkable transformation and at each stage Ministry was one of the very best bands in those respective genres. Since then Ministry’s newer material has been on the heavier end of music though arguably more difficult to neatly classify. The current touring incarnation of Ministry is focusing on material post-1988. If you’ve been switched off for 30 years and are expecting tracks from the EBM era and would be disappointed not to see it live, don’t go. But if you appreciate Al Jourgensen’s mutant heavy music from The Mind forward, it’ll be a worthy selection of material. Death Grips is an industrial hip-hop band with a charismatic frontman in MC Ride and one of modern popular music’s greatest drummers in Zach Hill. Even if you’re not into hip-hop for some reason Death Grips is really more of an experimental band that doesn’t really bother with splitting hairs between the aesthetics of hip-hop, noise, industrial music or whatever its own style might be that comes out of that.
Who:Haunted Sound Laboratory, Unbridled Sonic Anarchy, Chris Sessions, Jonathan Cash When: Sunday, 10.29, 7 p.m. Where: Mutiny Information Café Why: Textures is an ambient showcase that happens at Mutiny the final Sunday of every month. This time, host Wesley Davis’ own Unbridled Sonic Anarchy will be performing alongside Jonathan Cash who some may know more for his noise project Break Dancing Ronald Reagan.
Who:Vanilla Milkshakes, Denver Meatpacking Company and Uncle Bad Touch When: Sunday, 10.29, 8 p.m. Where: Lion’s Lair Why: This is another Halloween-themed show and apparently grunge/punk band Vanilla Milkshakes will treat those in attendance with its take on The Ramones and DMC will reprise its Hüsker Dü cover set from the night before.
Who:2Mex, Onry Ozzborn, Early Adopted and Curta When: Sunday, 10.29, 8 p.m. Where: Larimer Lounge Why: 2Mex may not be a household name but in the alternative hip-hop scene of the 1990s (and now for that matter) he has long been a star. His witty and imaginative wordplay was honed at the open mic nights at Good Life Café in South Central Los Angeles and he has been willing to couch it in beats that reflect popular music of the time. More importantly his raps criticize his own music culture, American culture in general and himself with humorously poetic sensibility. Onry Ozzborn is a respected alternative hip-hop artist in his own right whose music seems to favor darker tones and downtempo beats. As a member of Grayskul and Dark Time Sunshine Ozzborn’s gritty stories were reminiscent of Aesop Rock’s literary output, and of course the two rappers have collaborated. Opening act, Denver’s Curta, incorporates a more industrial and psychedelic/experimental electronic flavor into its beats. Apparently this will be the last show with founding keyboardist/guitarist Brent Larsen, aka 4Digit who is moving out of town.
Who:Governor Mortimer Leech (Widow’s Bane) undead and unplugged When: Sunday, 10.29, 6 p.m. Where: Ophelia’s Electric Soap Box Why: Widow’s Bane is the undead pirate band from Boulder. They do interviews in character and perform in character. Is it “character”? Anyway, Governor Mortimer Leech will be performing a rare acoustic show early at Ophelia’s and it’s free.
Monday: October 30, 2017
Who:Cobalt, Worry and Fathers When: Monday, 10.30, 7:30 p.m. Where: Hi-Dive Why: Greeley-based black metal band Cobalt didn’t play much in the first decade or so of its existence and nevertheless garnered a bit of an international following. Founding member Phil McSorley left the project in 2014 but Erik Wunder (who also plays in one of Jarboe’s bands) and Charlie Fell (formerly of Lord Mantis, Nachtmystium and Abigail Williams) have kept the band going and completed its best album to day, 2016’s Slow Forever. The band’s previous records were boundary pushing in what can be an insular musical style and Slow Forever‘s expansive dynamism sacrificing none of the bleakness and brutality was something of a new chapter for the band. Colorado Springs-based deathgrind band Worry and Denver’s heavy band super group (with members of Native Daughters, Cult of the Lost Cause and Lords of Fuzz) round out the bill.
Who:Ghoulfriend, Corner Girls, Page 27, art by Katherine Louise, Jesse Nickell and poetry by Kelsey Carolyn Bowe When: Monday, 10.30, 7:30 p.m. Where: Syntax Physic Opera Why: Ghouloween 2017 will be held in the basement of Syntax for extra spookiness. It’ll be a night of art, music and poetry. Chances are you won’t see the bands on the same bill again any time soon. Ghoulfriend is weirdo guitar project of Trey Tafoya of Ancient Elk and déCollage. Some bands play psychedelic rock, Ghoulfriend takes the concept of using guitar to expand sound palettes to a higher and more original level while still making it accessible. Page 27 is one of Denver’s, and the world’s, longest-running noise bands. Now, P27’s soundscape has included harsh noise and sometimes still does but it’s more like a hypnotic, modulated drone that pulls in sounds that one does not often associate with the genre called drone. Corner Girls is an excellent surf rock/punk band whose lyrics are often enough an irreverent take-down of patriarchal cultural features that should have been weeded out of our collective unconscious decades ago but somehow still linger and affect people’s everyday lives. Addressing it with music is simply a peaceful and creative way to discuss the issues.
Tuesday: October 31, 2017
Who: Alvvays w/Jay Som bluebirdtheater.net/events/detail/337225 When: Tuesday, 10.31, 7 p.m. Where: The Bluebird Theater Why: Alvvays’ self-deprecating pop songs could be glum but Molly Rankin and company seem to realize that wallowing in despair rather than finding the humor in life’s downstrokes is more boring than transforming those moments of intense emotions into something creative. The Toronto band’s promising 2014 debut sounded like a band fully formed and tapping a bit into the pop music that came out of the C86 era in its sophisticated simplicity and unabashed embrace of bright and breezy, catchy melodies. The 2017 album, Antisocialites is highlighted with neon-sounding synths like someone in the band has started listening more closely to Missing Persons including the flourishes of tastefully intricate micro guitar solos. The subtle details make it a consistently rewarding listen. Along for this leg of the Alvvays tour is Jay Som whose lo-fi anthems about identity, self-discovery, self-definition and personal liberation seem very relevant in a time when the boorish, hateful and oppressive side of modern American culture has reared its ugly head in a big way. 2017’s Everybody Works is a bracing antidote to all of that even if it may sound like a gentle indie rock record to many.
Who:Itchy-O w/Altas When: Tuesday, 10.31, 8 p.m. Where: Summit Music Hall Why: For the uninitiated, Itchy-O is a roughly 32 member avant-garde music performance troupe that plays its shows entirely in costume like mariachi mystics. The band has a full drum corps and other percussion, a taiko section, bass, guitar, synths, processed vocals and other noises and “dancers” that creep about the crowd during the show. It’s a real spectacle and really unlike other bands in every way. That it can release albums that could be worthy of the live show seems implausible but the band recently released its second full-length album, From the Overflowing, on Alternative Tentacles. The records are no replacement for the experience of the band but fascinating listening nevertheless. Instrumental rock band Altas opens the show with its dynamic, cinematic compositions.
Who: Space In Time, Keef Duster, Colfax Speed Queen and Wild Call When: Tuesday, 10.31, 8 p.m. Where: Hi-Dive Why: Space in Time is a hard rock band whose sound harkens to a time when early metal and psychedelic rock were not at all far apart. Obvious touchstones for Space in Time would be Deep Purple, Captain Beyond (which included ex-members of Deep Purple and Iron Butterfly) and Uriah Heep with both bands’ gift for writing melodic heavy rock with a fluidly trippy groove. Keef Duster’s music draws on similar inspirations but wends more toward the doom end of the heavy spectrum. Fronted by Kim Phat, who some may know from garage rock punks Dirty Few, Keef Duster is more than a clever name even though it recently released a song called “Hash Hive.” The latter was mixed and produced by Matt Loui of psychedelic garage rock band Colfax Speed Queen, also on the bill.
Who:Captured! By Robots w/908, Bewitcher and Night of the Living Shred When: Tuesday, 10.31, 9 p.m. Where: 3 Kings Tavern Why: Captured! By Robots at this point is a great metal band, bordering on death metal and industrial. Most of the band is comprised of robots constructed by JBOT but a lot of the kitsch factor of the earlier part of the project’s life are gone and the performance is much more focused on doing something that isn’t a complete gimmick. Internationally known deathgrind band 908, from Colorado Springs, shares the bill as does skate thrash band Night of the Living Shred. So basically Bryan Ostrow will be doing throat destroying vocals for two bands this night because he’s the Nivek Ogre of extreme metal.
Who: Bronze, Terminals, Master Ferocious, The Pollution and The Stunning Cuntz When: Tuesday, 10.31, 9 p.m. Where: Mutiny Information Café Why: Three of the handful of good sludge metal bands from Denver at Mutiny? We’ll have to assume some books will fall off shelves at some point. Bronze is named in reference to Mad Max and its heavy music is more tied to bands from the 70s and early 80s with strong songwriting and good vocals rather than the 90s and 2000s stoner rock bands it may sound like. When there seemed to be way too many stoner rock bands in Denver from roughly 2000-2010, Bronze stood out. Members of Master Ferocious came out of some of the better bands of that era too like The Angry Hand of God. Out of the latter, guitarist Mark Pilloud and bassist Brian Kennedy were involved in the founding of Master Ferocious in 2014 and the newer band still seems to write dystopian songs about the present with guitar work that demonstrates an interesting co-influence from, of course, Black Sabbath and late 70s Judas Priest.
Wednesday: November 1, 2017
Who:Slowdive w/Cherry Glazerr When: Wednesday, 11.01, 7 p.m. Where: Ogden Theatre Why: Of all the shoegaze bands of the late 80s and early 90s, Slowdive was an early adopter of an ambient and electronic music aesthetic. When the group started as a kind of indie pop band called Pumpkin Fairies, its songwriting, inspired in part by atmospheric post-punk bands like Siouxsie and the Banshees (the song of whom the fledgling band borrowed its then new name), The Cure and Cocteau Twins. For the 1991 debut full-length, Just For A Day, the ethereal vocals that one now associates with the shoegaze genre was very much in place and so were the expansive, towering guitar drones that the band had developed on its previous EPs.
By the time of the 1993 follow-up, Souvlaki, Slowdive was working with ambient music godfather Brian Eno and had all but abandoned conventional rhythm structure in favor of more organic rhythms giving songs like “Sing” and “Souvlaki Space Station” a quality that melds the tone and the atmosphere into what might later be described as a beat-driven approach to the songwriting. Those musical instincts reached their peak with Slowdive on what might have been its final, and in some ways most daring and interesting album, 1995’s Pygmalion. The latter came out at a time when the alternative music world had long gone down the rockist path with a set of songs based in what seemed like a sonic recreation of pure emotion cast in minimalist textures. It was like a post-rock album seemingly inspired by and synthesizing IDM, abstract dub and ambient house music. The innovative record lost the band their label contract with Creation records and the members of Slowdive went on to other musical concerns over the years including Mojave 3, Monster Movie and The Sight Below.
Perhaps inevitably, Slowdive reunited in 2014 but under its own terms and with the aim of recreating its heart and imagination-stirring music authentically. And its subsequent tours have borne that goal out. Making no promises until the possibility was a bit of a concrete reality, the band didn’t announce new material until Spring 2016. The forthcoming self-titled album, released in May 2017, was not a rehash of the band’s past. It was not an attempt to outdo the sheer experimentalism of Pygmalion. Rather, it was a strong set of songs worthy of all of its earlier music. The music doesn’t feel like nostalgia, it feels like the band knew it had to do something that wouldn’t reject the past but also not be yoked to expectations of any lack of artistic growth on the part of the musicians over the previous twenty-two years. So if you go to the show, and you should if you’re a fan of highly emotionally stimulating music that is an unexpectedly visceral experience, no need to dread any newer, inferior material because the most recent Slowdive songs are far from subpar.
Who: Robot Peanut Butter & The Shooting Stars, Ice Troll, Dear Rabbit and Open to the Hound When: Wednesday, 11.01, 9 p.m. Where: 3 Kings Tavern Why: This might be the deluxe edition of Claudia Woodman’s Weird Wednesday series for the first half of the month. Robot Peanut Butter & The Shooting Stars is “Electronica Glam Rock” that includes contributions from Never Kenezzard’s Ryan Peru. Ice Troll is a sort of doom rock orchestra. Dear Rabbit is lo-fi avant-garde folk. Open to the Hound is what might happen if Lloyd Cole formed a band that took some cues from The The and Slim Cessna’s Auto Club. It’s just that weird but grounded in classic songwriting sensibilities.
Who:Chicano Batman w/Khruangbin and The Shacks When: Wednesday, 11.01, 7 p.m. Where: Gothic Theatre Why: To say Chicano Batman is sort of a psychedelic soul band doesn’t quite do it justice because its music comes out of tropicalia, old timey rock and roll and funk without sounding like it’s trying too hard to please everyone. Live, the group presents a unified visual image with matching outfits as one might expect from 60s and 70s Chicano rock bands like Thee Midnighters and Sunny & The Sunglows. Early on championed by the late, great, Ikey Owens, Chicano Batman got a leg up reaching a wider audience through a 2015 tour with Jack White, with whom Owens had been playing before his untimely death in October 2014. The group’s 2017 album, Freedom is Free, is a bracing antidote to the climate of chaos, desperation and despair that many people have been experiencing with the Trump administration by offering an alternative vision for a better America and a world.
Houston’s Khruangbin is a Thai surf-funk-soul band so it and Chicano Batman are a perfect compliment to one another as Kruangbin’s music isn’t grounded in the same influences even if the music it’s music is also not inspired by music from just one place and one time. Inspired initially by Thai funk cassettes from the 60s and 70s, Khruangbin has found fuel for its creativity in the music that influenced those bands and the music that resulted from those roots that manifested in various ways. Dub, Afrobeat, reggae and hip-hop, among others.