Best Shows in Denver 12/13/19 – 12/17/19

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Angel Olsen performs at Gothic Theatre December 14 and 15, photo by Cameron McCool

Friday | December 13

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Tourist, photo by David Ellis

What: Tourist w/Matthew Dear and Swim Mountain
When: Friday, 12.13, 8 p.m.
Where: Globe Hall
Why: English electronic musician Tourist aka William Phillips is currently touring in support of his 2019 album Wild. Though known for his production and remixing work for higher profile pop artists, his own music is becoming known for his spacious and emotionally luminous compositions. His mastery of sculpting the sound in the mix and crafting vivid soundscapes that take you out of mundane life into a realm of bright colors and tranquil, uplifting moods is impressive. Also on the bill is aesthetically like-minded musician and producer like Matthew Dear whose 2018 album Bunny is imbued with its own head-space-shifting energy.

What: Princess Dewclaw w/Demoncassettecult, Savage Bass Goat, Techno Allah and $addy
When: Friday, 12.13, 7 p.m.
Where: Seventh Circle Music Collective

What: Nova Fest 7: Fathers, Sorry No Sympathy, The Burial Plot, Cheap Perfume and Saving Verona 
When: Friday, 12.13, 7 p.m.
Where: Hi-Dive

What: Landgrabbers, Octopus Tree, The Pollution and Electric Condor
When: Friday, 12.13, 8:30 p.m.
Where: Tennyson’s Tap

What: Moral Law, Disposal Notice, Thieves Guild, Pontius Pilate
When: Friday, 12.13, 7 p.m.
Where: Mutiny Information Café

What: Black Dots, Surrender Signal, No Comma, Good Family
When: Friday, 12.13, 8 p.m.
Where: Glitter City

What: Deep Club Presents: Ash Lauryn
When: Friday, 12.13, 11 p.m. – 5 a.m.
Where: Rhinoceropolis

Saturday | December 14

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Lot Lizard, photo by James Dean

What: Lot Lizard w/No Gossip in Braille, Old Soul Dies Young and more
When: Saturday, 12.14, 7 p.m.
Where: Seventh Circle Music Collective
Why: Lot Lizard is a post-punk band from Sioux Falls, South Dakota whose debut full-length released on December 6, 2019 and made it as a late entry into our Year End Best List (to be published over six weeks soon). Rather than take cues from the current darkwave movement, Lot Lizard’s noisy, moody songs have more in common with the likes of Iceage, Pere Ubu and bands on the Amphetamine Reptile imprint than the usual suspects. Yet its songs are accessibly melodic and rooted in songwriting rather than bludgeoning volume while also indulging in plenty of noisescaping when the moment strikes right. Denver-based post-punk band No Gossip In Braille recently released its own album in 2019 called Bend Toward Perfect Light, capturing the overpowering despair and sorrow of the past few years in the American psyche, especially in the realm of underground music and art and among those not favored by a system seeming to only boost the interests of the economic elite. Rather than wallow in despair No Gossip in Braille channeled those feelings into a hopeful energy that honors the hurt.

What: Angel Olsen w/Vagabon
When: Saturday, 12.14, 8 p.m.
Where: Gothic Theatre
Why: Angel Olsen has consistently written fascinating music that pushes her own frontiers as an artist and as a vehicle to challenge cultural norms. Her 2019 album All Mirrors is a “[poignantly] dreamlike examination of identity in an age of universal scrutiny” (from our year end best albums coverage). It is a lush sound environment in which to get lost and rediscover yourself.

What: Harry Tuft w/Rich Moore, Glenn Taylor, Bill Rich, Ed Contreras, John Magnie
When: Saturday, 12.14, 7 p.m.
Where: Swallow Hill Daniels Hall
Why: Harry Tuft is the godfather of all folk from Denver and the Front Range since the early 60s and founding the Denver Folklore Center as well as Swallow Hill Music in the 70s. He’s been performing his own music in the last few years and proving he’s a gifted artist as well as interpreter of the work of others.

What: Khemmis w/Wayfarer and UN
When: Saturday, 12.14, 7 p.m.
Where: Bluebird Theater

What: King Cardinal w/Corsicana and Bellhoss
When: Saturday, 12.14, 8 p.m.
Where: Hi-Dive

Sunday | December 15

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Plaid circa 2011, photo by Tom Murphy

What: Plaid w/Nasty Nachos and Xoxford
When: Sunday, 12.15, 7 p.m.
Where: Larimer Lounge
Why: Plaid is one of the foundational projects of IDM and modern experimental electronic music. Since 1991 the group has helped to redefine and evolve beat-driven synthesizer music while mixing in live instruments and samples. Its 2019 album Polymer which has as its subject the examination of the nature of technology and our use of resources and the myriad ways in which they benefit and potentially harm us.

What: Angel Olsen w/Vagabon
When: Sunday, 12.15, 8 p.m.
Where: Gothic Theatre

Tuesday | December 17

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Empath, photo by Daniel Topete

What: Empath w/American Culture and Reposer
When: Tuesday, 12.17, 7 p.m.
Where: Bluebird Theater
Why: Psychedelic noise punk band Empath put out its debut full length in 2019—Active Listening: Night on Earth. But the Philadelphia-based group has been making waves in the underground for the past few years for its creative take on punk as not just as a sound but as an attitude and ethos. And yet its spirited performances are pure punk—a catharsis of emotion and inspiration.

Best Shows in Denver 7/5/18 – 07/11/18

 

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Pearls and Perils performs 7/5/18 at Mutiny Information Café. Photo by Tom Murphy

Thursday | July 5, 2018

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Surrender Signal, photo by Tom Murphy

Who: Empath, Shiii Whaaa and Surrender Signal
When: Thursday, 07.05, 7 p.m.
Where: Lost Lake
Why: Empath’s 2018 EP Liberating Guilt and Fear (on Philadelphia-based queer DIY label Get Better Records) is a good reminder that not every younger band disappeared into any kind of boring and creatively stultifying/ossifying morass of subgenre aspirational adherence. Some of its closest sonic cousins of a decade ago might be No Age and Ponytail for the sheer enthusiasm and willingness to embrace raw noise as part of its songwriting. Don’t expect the band’s songs to fit comfortably within the box of noise rock either. Empath doesn’t worry over boundaries like that and you can bet part of its show will be a float into organic sounds, ambient aesthetics and an environmental approach to composition well outside rock-ist and pop-ist aesthetics. Angular noise rock outfit Surrender Signal from Denver is on the bill as well as post-Reatards/noise surf weirdos Shiii Whaaa from Colorado Springs.

Who: Jeremy Enigk w/Chris Staples
When: Thursday, 07.05, 7 p.m.
Where: Larimer Lounge
Why: Jeremy Enigk is the singer/guitarist for Sunny Day Real Estate, the Seattle band that in the early 90s helped to establish the aesthetic and sensibilities of emo before it morphed into the version most people came to know in the early 2000s. When Sunny Day broke up in 1995, Enigk embarked upon a distinguished solo career beginning with his 1996 album Return of the Frog Queen. Its sound, while a logical next step from SDRE, was even more meditative and introspective. Sonically it had more in common with the pop-songcraft and sound experimentation heard in artists affiliated with the Elephant 6 collective than anything else going on around that time. Not psychedelic so much as emotionally tender and not hiding behind loud sounds to mask genuine feelings, rather, an embrace of them. For this tour Enigk is celebrating the twenty-second anniversary of that debut solo record so expect to hear all or most of it at this show.

Who: The Rememberables, Blacksage, Pearls & Perils, Zealot and Broken Record
When: Thursday, 07.05, 9 p.m.
Where: Mutiny Information Café
Why: Baltimore’s Blacksage paired the singing chops of folk vocalist Josephine Olivia with the electronic music compositional and technical prowess of producer Drew Scott to make the kind of minimal synth dance pop that should be dominant in mainstream music since Lorde, Grimes and Purity Ring have already made inroads that way. But for now, the band bridges the shortening chasm between modern darkwave and indie pop. Currently the duo is on tour with Washington D.C.’s The Rememberables. Sure, the guys look like they are in some kind of hip motorcycle gang that maybe listen to Catherine Wheel and Smashing Pumpkins instead of only Skynyrd and the Nuge. And its huge, fuzzy riffs bear that out a bit as evidenced by its self-titled 2017 album rememberables.bandcamp.com. However, the vibe is more self-aware and melancholic in a way that makes one wonder how members of noteworthy DC hardcore band Coke Bust went from that blistering, noisy discharge of anger and outrage to this more nuanced music and yet liking the change all the same. Also on the bill is Denver rock band Zealot which deserves a longer mention as it includes former members of The Don’ts And Be Carefuls and Ideal Fathers. And Pearls & Perils is the best solo soul/downtempo project in Denver with the mighty Olivia Perez who used to front the experimental prog/hard rock band Gloam a decade ago. Her music is as soothing as it is hypnotic and riveting.

Friday | July 6, 2018

 

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Slim Cessna’s Auto Club, photo by Tom Murphy

Who: Slim Cessna’s Auto Club w/Strange Americans
When: Friday, 07.06, 6 p.m.
Where: Levitt Pavilion
Why: Slim Cessna’s Auto Club will bring its curiously bright and lively yet haunted cowboy punk/Gothic Americana glam show to the outdoor theater Levitt Pavillion tonight. In an Auto Club show you will experience the broad spectrum of the human emotional drama with a triumphant energy born of knowing life’s low points. Without the hokey-ness, SCAC’s musical output is an acceptance and embrace of life as it is.

Who: Roka Hueka w/Los Mocochetes and Blue Kings
When: Friday, 07.06, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Fortunately the Afrobeat and Latin funk bands in Denver tend to be pretty legit. Granted, Roka Hueka is a ska band it’s style is more in line with the world of jazz and Los Mocochetes may be a funk band but it isn’t just about the party and a good time, though that is certainly part of its appeal, its songs integrate so many styles of art and music into presenting vibrant ideas that challenge the dominant paradigm.

Saturday | July 7, 2018

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Brother Dege, photo by Adrien Berthet

Who: Brother Dege
When: Saturday, 07.07, 6 p.m.
Where: Broken Shovels Farm
Why: At first blush Brother Dege can seem like any other modern blues artist but give the guy’s songs a chance to work and ride with him a little and you’ll discover he’s someone that actually takes the form and the sounds of blues and does something affecting and magical with them. This could be that he’s from rural Louisiana and went through his own real life travails long before, you know, writing “Too Old To Die Young” for his 2010 album Folksongs of the American Longhair, which was included on the soundtrack for Quentin Tarantino’s 2012 film Django Unchained. But Brother Dege’s tonal shifts and song dynamics elevate his music to the mythical level at which the most interesting blues artists have always operated. Brother Dege is now touring in support of his thought-provoking 2018 album Farmer’s Almanac. This show is at Broken Shovels Farm on the edge of Denver metro yet still in city limits but it’s going to feel like you’re seeing this music in the rural west and given the weather in Denver of late, with a lightning backdrop.

Who: Sailor Records 7 Year Anniversary
When: Saturday, 07.07, 2 p.m.
Where: 3 Kings Tavern
Why: Heavy music imprint Sailor Records is celebrating its seventh year with a showcase of many of its artists at this event. On tap for the occasion will be Native Daughters, Dreadnought, Muscle Beach, Greenbeard, Fathers, Joy Subtraction, Abrams, Plastic Daggers, Sugar Skulls and Marigolds, Low Gravity, Unicorn Pussy, It’s Just Bugs and Oscar Ross

Sunday | July 8, 2018

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Cowboy Junkies, photo courtesy Latent Recordings

Who: Cowboy Junkies 
When: Saturday, 07.08, 1 p.m.
Where: Twist & Shout
Why: Cowboy Junkies formed in 1986 in Toronto, Canada and quickly recorded its first album, a collection of mostly covers, called Whites Off Earth Now!! In the era, the band struck a chord on the college rock circuit where it remained a staple of college radio for over a decade. For the 1988 album The Trinity Session the group recorded, as with its first record, live with a stereo mic to a 2 t-track RDAT as a reaction against the humanity seemingly having been produced out of then commercial music. And that’s been the band’s consistent appeal—moody, sometimes brooding music, a mixture of blues, country and folk but rendered into a form and style that didn’t sound like it was adhering too much to the past. In that way, what Cowboy Junkies and like-minded bands of the era were doing is not unlike what many modern avant-bluegrass and mutant Americana bands have been doing for the past two decades and putting the human element to the forefront as a means of immediate connection. This show at Twist & Shout can be attended in its full glory can be attended with a wristband you can get with a pre-purchase new album at the store. The band will perform its full set with full sonic definition this night in Boulder.

Who: An Evening With Cowboy Junkies
When: Sunday, 07.08, 7 p.m.
Where: Boulder Theater
Why: See above for why this show might be of interest to you. Also, Boulder Theater, a beautiful room with solid acoustics and the full set from this noteworthy band.

Who: Carry Illinois w/Brianna Straut
When: Sunday, 07.08, 8:30 p.m.
Where: Lion’s Lair
Why: See our interview with Lizzy Lehman here. But otherwise, Carry Illinois is an Austin-based pop band whose emotionally stirring, sometimes harrow, always healing songs tap into Lehman’s specific struggles with mental health issues and loss but whose expression renders those struggles into a vivid sonic experience that anyone with any sense of self-awareness will find relatable and illuminating.

Tuesday | July 10, 2018

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Carry Illinois, photo by Katrina Barber

Who: Carry Illinois
When: Tuesday, 07.10, 8 p.m.
Where: Magic Rat
Why: See above for Carry Illinois and our interview with singer Lizzy Lehman here. This is the band’s only other show in Colorado.

Who: Invertebrate, Grimy and Berated
When: Tuesday, 07.10, 6 p.m.
Where: Chain Reaction Records
Why: It’s not so common to find a grindcore show in Denver these days outside of Mutiny Information Café and Seventh Circle Music Collective. This one will include Oakland’s grind-powerviolence trio Invertebrate, Denver’s Grimy (which includes former members of Doperunner) and Denver-based power violence act Berated.

Who: Das Ich w/The Midnight Marionettes, DJ Katastrophy
When: Tuesday, 07.10, 8:30 p.m.
Where: 3 Kings Tavern
Why: Germany’s Das Ich brings together the aesthetics of electro-industrial dance music, cabaret theater and an occult horror movie down to the demonic stage personae of Bruno Kramm and Stefan Ackermann. It’s the kind of music and show you’ll either love for the camp or find silly. But Kramm has been an active participant in humanist leftist politics in Germany and Das Ich’s music often reflects this perspective with 2002 album Anti’christ a pointed critique of world politics of the time.

Wednesday | July 11, 2018

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Glassjaw, photo by Julian Gilbert

Who: Quicksand w/Glassjaw and Spotlights
When: Wednesday, 07.11, 6:30 p.m.
Where: The Ogden Theatre
Why: Quicksand and Glassjaw are two of the giants of 90s New York post-hardcore. Both established a hard-edged, emotionally harrowing sound delivered with an expert use of a song dynamic that utilized a hovering/hanging delay of the most crushing and driving aspects of the songs. Quicksand, which formed earlier in 1990, have an elastic groove in its specific style, a sinewy rhythm the likes of which some later nü metal bands used with often less interesting results. That because with Quicksand while the lyrics are a discharge of anger and anxiety it’s about a place in life and not a celebration of that anger aimed squarely at someone the singer believes wronged him. After splitting in the 90s, Quicksand returned in 2012 seemingly better than ever with a new album, Interiors, released in 2017.

Glassjaw’s sound by comparison wasn’t a groove so much as a steady, relentless burn with a pause for breath between layers of blistering guitars, echoing yet urgent vocals balanced by drums providing a relatively fluid and nuanced flow of percussion intertwined with fast and dub-like bass lines. Often enough the guitars are used in a way that sound more like musical sound effects giving the band a broad range of sounds and moods for a group playing heavier music. Glassjaw, too, released a 2017 album, Material Control, its first in fifteen years.

Who: Neko Case w/The Space Lady
When: Wednesday, 07.11, 7 p.m.
Where: The Gothic Theatre
Why: Neko Case has lead quite a storied life as a musician and hopefully a book is coming out someday. Most people rightfully know her as a writer of poetic, emotionally nuanced and powerful pop songs the likes of which can be sampled well on her new album, 2018’s Hell-On. But early in her life in music, Case was a drummer for several punk bands as an art student in Vancouver, British Columbia. She also played in various other projects and perhaps most notably with indie rock band The New Pornographers (with whom Case still occasionally records). As a solo artist, Case has shown an uncommon arc of personal growth and artistic development across her whole career as someone who seems to want to explore beyond previous parameters. While it would be inaccurate to say her body of work is avant-garde it is illuminating and inventive. On this date of the tour Colorado-based outsider musician The Space Lady is opening with her otherworldly synthesizer pop including her unique group of covers of classic songs.