What:Tourist w/Matthew Dear and Swim Mountain When: Friday, 12.13, 8 p.m. Where: Globe Hall Why: English electronic musician Tourist aka William Phillips is currently touring in support of his 2019 album Wild. Though known for his production and remixing work for higher profile pop artists, his own music is becoming known for his spacious and emotionally luminous compositions. His mastery of sculpting the sound in the mix and crafting vivid soundscapes that take you out of mundane life into a realm of bright colors and tranquil, uplifting moods is impressive. Also on the bill is aesthetically like-minded musician and producer like Matthew Dear whose 2018 album Bunny is imbued with its own head-space-shifting energy.
What:Lot Lizard w/No Gossip in Braille, Old Soul Dies Young and more When: Saturday, 12.14, 7 p.m. Where: Seventh Circle Music Collective Why: Lot Lizard is a post-punk band from Sioux Falls, South Dakota whose debut full-length released on December 6, 2019 and made it as a late entry into our Year End Best List (to be published over six weeks soon). Rather than take cues from the current darkwave movement, Lot Lizard’s noisy, moody songs have more in common with the likes of Iceage, Pere Ubu and bands on the Amphetamine Reptile imprint than the usual suspects. Yet its songs are accessibly melodic and rooted in songwriting rather than bludgeoning volume while also indulging in plenty of noisescaping when the moment strikes right. Denver-based post-punk band No Gossip In Braille recently released its own album in 2019 called Bend Toward Perfect Light, capturing the overpowering despair and sorrow of the past few years in the American psyche, especially in the realm of underground music and art and among those not favored by a system seeming to only boost the interests of the economic elite. Rather than wallow in despair No Gossip in Braille channeled those feelings into a hopeful energy that honors the hurt.
What:Angel Olsen w/Vagabon When: Saturday, 12.14, 8 p.m. Where: Gothic Theatre Why: Angel Olsen has consistently written fascinating music that pushes her own frontiers as an artist and as a vehicle to challenge cultural norms. Her 2019 album All Mirrors is a “[poignantly] dreamlike examination of identity in an age of universal scrutiny” (from our year end best albums coverage). It is a lush sound environment in which to get lost and rediscover yourself.
What:Harry Tuft w/Rich Moore, Glenn Taylor, Bill Rich, Ed Contreras, John Magnie When: Saturday, 12.14, 7 p.m. Where: Swallow Hill Daniels Hall Why: Harry Tuft is the godfather of all folk from Denver and the Front Range since the early 60s and founding the Denver Folklore Center as well as Swallow Hill Music in the 70s. He’s been performing his own music in the last few years and proving he’s a gifted artist as well as interpreter of the work of others.
What:Plaid w/Nasty Nachos and Xoxford When: Sunday, 12.15, 7 p.m. Where: Larimer Lounge Why: Plaid is one of the foundational projects of IDM and modern experimental electronic music. Since 1991 the group has helped to redefine and evolve beat-driven synthesizer music while mixing in live instruments and samples. Its 2019 album Polymer which has as its subject the examination of the nature of technology and our use of resources and the myriad ways in which they benefit and potentially harm us.
What:Empath w/American Culture and Reposer When: Tuesday, 12.17, 7 p.m. Where: Bluebird Theater Why: Psychedelic noise punk band Empath put out its debut full length in 2019—Active Listening: Night on Earth. But the Philadelphia-based group has been making waves in the underground for the past few years for its creative take on punk as not just as a sound but as an attitude and ethos. And yet its spirited performances are pure punk—a catharsis of emotion and inspiration.
What:Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs When: Thursday, 11.21, 9 p.m. Where: Rhinoceropolis Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.
What:Mt. Joy w/Wilderado and Adam Melchor When: Thursday, 11.21, 7 p.m. Where: Ogden Theatre Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.
Friday | November 22
What:Married a Dead Man w/False Report, Dead Characters When: Friday, 11.22, 8 p.m. Where: Goosetown Tavern Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.
What:Wildermiss w/Slow Caves When: Friday, 11.22, 8 p.m. Where: Bluebird Theater Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.
What:Briffaut, Down Time and Inaiah Lujan When: Friday, 11.22, 8 p.m. Where: Hi-Dive Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.
What:Blood Incantation w/Vermin Womb, Dreadnought and Superstition When: Saturday, 11.23, 8 p.m. Where: Gothic Theatre Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.
What:Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers When: Saturday, 11.23, 7:30 p.m. Where: Mission Ballroom Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.
What:Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl When: Sunday, 11.24, 7 p.m. Where: Hi-Dive Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.
What:Shibui Denver #8: Dead Orchids and The Shift When: Sunday, 11.24, 6:30 p.m. Where: Hi-Dive Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.
What:Midwife w/Hogwaller When: Monday, 11.25, 7 p.m. Where: Forest Room 5 Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.
Tuesday | November 26
What:HIDE w/Echo Beds, Church Fire and Cau5er When: Tuesday, 11.26, 8 p.m. Where: Hi-Dive Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.
What:Pigface w/eHpH, DJ N810, DJ Mudwulf When: Wednesday, 11.27, 7 p.m. Where: Summit Music Hall Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.
What:Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse When: Wednesday, 11.27, 7 p.m. Where: Larimer Lounge Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.
What:The Hu w/Crown Land When: Wednesday, 11.27, 6 p.m. Where: The Black Sheep Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.
What:The Legendary Pink Dots w/Orbit Service, The Drood, DJ Mudwulf and VJ Dizy Pixl When: Thursday, 10.31, 8:30 p.m. Where: Ophelia’s Electric Soap Box Why: The Legendary Pink Dots and its mystical, spectral, ambient psychedelia will turn 40 next August and is currently undertaking a tour celebrating the landmark date along with its new album, 2019’s Angel in the Detail. The new record contains elements of what has always made LPD great including entrancing atmospheres, singer Edward Ka-Spel’s poetic lyrics that articulate deep truths about the human condition and how it manifests in our lives and civilizations. It also comments on the perilous state of things in the world today and especially in “The Junkyard” and how the elites are trying to finish completing a world system that renders those of us not in that upper one percent of one percent as pieces of junk in world civilization. The surreal and beautifully disturbing music video is well worth a view. Also sharing the bill tonight is the likeminded Denver-based ambient psychedelic rock band Orbit Service which has been gracing local stages and well beyond since the mid-90s. The Drood, also from Denver, is like a dark psychedelic prog band with punk-intensity and a sense of theater and the ability to create exorcistic emotional experiences in song. DJ Mudwulf will set the mood with what is sure to be a great set for the holiday and VJ Dizy Pixl will set the visual mood as per her usual level of excellence.
What:Bethlehem Steel w/Gila Teen and guest When: Friday, 11.1, 9 p.m. Where: Lion’s Lair Why: Bethlehem Steel has been together since 2012 but started garnering national attention for its outstanding performances at the South By Southwest festival in 2016. At that time the group had out a couple of EPs but released its debut full length Party Naked Forever in 2017. Its thrilling collision of fuzzy pop and dynamic atmospheric rock has drawn comparisons to 90s noise pop acts like Weezer and contemporary artists like Courtney Barnett and Waxahatchee. But often enough the group’s expansive, imaginative songwriting and creative ambition has resulted in some music that pushes boundaries of the loud and quiet format that many bands have adopted of late so that its songs will remind some of the emotionally stirring music of older bands like Failure, Slint and Rainer Maria. It has that kind of fire and caustic sound as well as lyrics that delve deep into the darker regions of the psyche with a defiant spirit lighting the way. In September, Bethlehem Steel released its fantastic self-titled full-length for which it is touring in support. Also on the bill is Gila Teen, the experimental post-punk band that brilliantly mixes moody atmospheres with a splintery pop punk.
What:Yung Bae w/Birocratic and Jaguar Nights When: Friday, 11.1, 8 p.m. Where: Marquis Theater Why: Dallas Cotton started making music as Yung Bae while living in Portland, Oregon but his production-based future funk started garnering him wider audiences while still a student at Oregon State University. His sound straddles that sort of 70s soul and R&B-inspired sounds and the aesthetic of modern electronic pop music. So while he references classic music it comes off with a more modern sensibility and energy. It hearkens to a previous era and the unsullied excitement of that music but in a way that couldn’t really have been accomplished at the time in terms of how he sculpts sound and edits it together. In 2019 Yung Bae released his fifth album in as many years with Bae 5.
What:Dia De Muertos celebration: Altas, Plume Varia and Los Mocochetes When: Saturday, 11.2, 8 p.m. Where: Hi-Dive Why: Denver instrumental rock band Altas is doing its now annual Dia De Muertos show in which the members will dress in the appropriate regalia for the occasion making the show a true event rather than just another gig. The group’s sweeping, cinematic grandeur and fiery musical pyrotechnics and mastery of mood and atmosphere is worth witnessing alone but also on the bill is psychedelic rock band Los Mocochetes and downtempo dream pop band Plume Varia and its emotionally rich and haunted compositions.
What:The Locust w/Disposal Notice and Its Just Bugs When: Saturday, 11.2, 8 p.m. Where: Summit Music Hall Why: The Locust recently reconvened to bring its mutant, death metal inflected, noisy hardcore on a national tour. The group’s surreal imagery and costumes along with its equally bizarre lyrics has made it difficult to lump in with any convenient musical movement. Its Just Bugs (the apostrophe is left off) is an industrial punk hip-hop group from Colorado and just as impossible to pigeonhole.
What:Twin Peaks w/Post Animal and Ohmme When: Saturday, 11.2, 8 p.m. Where: Gothic Theatre Why: Twin Peaks from Chicago weathered the mid-2010s blowout of garage rock and neo-psychedelic rock that was making the underground rock scene of a certain stripe become fairly stale and performatively exciting. What helped was that Twin Peaks was writing good songs and hasn’t stayed stuck in the same sound for its entire career thus far. Its 2019 album Lookout Low sounds like an odd and interesting hybrid of power pop and the weirdo punk of The Fall at its most Lou Reed-inspired, mix in some unusual flourishes of 70s rock with nods to Peter Frampton and Thin Lizzy. All while delivering spirited and sometimes gloriously ragged performances which are much needed at a time when a sanitary quality has permeated too much modern music.
What:Vivan Girls w/Down Time, Short Shorts and Backseat Vinyl — CANCELLED When: Sunday, 11.3, 7 p.m. Where: Marquis Theater Why: Vivian Girls caused a stir in the indie underground of the 2000s and 2010s with their lo-fi, noisy pop songs. The group’s ability to mix buoyant dynamics with dark, brooding moods and sounds was a fascinating contrast. The band split in 2014 with members going on to perform in La Sera, The Babies and Upset (all still going concerns). But in summer 2019 the group announced it was reforming with a new record, Memory, on the way and released in September.
What:TR/ST w/SRSQ and DJ Slave 1 When: Sunday, 11.3, 7 p.m. Where: Summit Music Hall Why: TR/ST came to prominence as the new darkwave movement was coming together with a sound that seemed to come out of the then renewed interest in vintage synths, that cold, bright, moody sound of Goth-y 80s synth pop and its cousin chillwave. But Robert Alfons’ vibrant, soulful voice and imaginative soundsccaping are the key ingredients that elevated this project above many of its contemporaries. In 2019 TR/ST released The Destroyer (Part 1 and 2), a more experimental and ambient, ethereal set of songs than his previous offerings and a clear product of reassessing directions and ideas to produce something different. SRSQ (pronounced Seer Ess Que as in the lettes for the latter two) is Kennedy Ashlyn the charismatic singer formerly of brilliant dream pop band Them Are Us Too. Her 2018 album Unreality is a moody and emotionally harrowing and cathartic downtempo album that seems to have absorbed the darkness and pain of the underground world in the wake of the Ghost Ship fire and given it a voice that exorcises some of that energy.
What:Keytar Fest IV: The Jinjas, R A R E B Y R D $ and Claudzilla When: Sunday, 11.3, 4 p.m. Where: Glitter City Why: Just like the title of the event suggests, this is a mini festival featuring all projects that incorporate keytars as an essential part of the songwriting and this includes weirdo synth punk Claudzilla and experimental hip-hop/IDM-inflected trio R A R E B Y R D $.
What:Danny Brown w/Ashnikko and Zeeloperz When: Sunday, 11.3, 7 p.m. Where: Cervantes’ Masterpiece Ballroom Why: Ever since the larger world outside of Detroit started cluing into Danny Brown’s genius following the release of 2010’s The Hybrid, the rapper has garnered a large cult following for his eccentric yet sharply cogent and thoughtful yet raw lyrics and production that incorporates a wide range of sounds that one hadn’t often heard in hip-hop outside of the underground and alternative circles of the 90s and early 2000s. Brown picked up where that left off and pushed things further particularly on his 2016 album Atrocity Exhibition which borrowed its title from a science fiction novel by J.G. Ballard and whose beats sounded almost like a new hybrid of industrial and rap that reflected the atmospherics as much as the textures and rhythms. With his new album, 2019’s uknowhatimsayin¿ Brown follows a similar sonic path but brings together more organic, almost found sounds with processed layers of atmosphere. Intact is his gift for surreal imagery and wordplay that gets under your skin.
Monday | November 4
What:GRÜN WASSER w/Natural Violence, French Kettle Station and Night Shift DJs When: Monday, 11.4, 9 p.m. Where: Rhinoceropolis Why: GRÜN WASSER is a Chicago-based electro-pop/industrial whose pulsing rhythms and dreamlike moods sound like endless nights wandering a menacing urban landscape and commenting on the culture of the nightlife. That is if the group’s new album Not OK with Things (Holodeck Records) is any indication. There is an almost claustrophobic quality to its densely atmospheric beats contrasted with Keely Dowd’s lightly echoing, ethereal vocals. French Kettle Station has been through more permutations of his sound than many artists bother to explore but of late he’s been developing a sound that’s still rooted slightly in 1980s No Wave disco and modern glitch dance pop but also influenced by 1980s adult contemporary music and its unexpectedly newly influential use and voicing of drums and vintage synths in a way that in any other contexts would be utterly wack but takes on an almost spiritual cast in certain underground electronic artists including that side of what FKS has been up to in the past year or two. His latest album, Over X Millenia takes those ideas and injects them with non-western rhythmic ideas and a New Age music aesthetic for something new yet strangely familiar. Its closest cousin that comes readily to mind is Brian Eno and David Byrne’s 1981 classic My Life in the Bush of Ghosts.
Tuesday | November 5
What:HTRK w/Midwife, Echo Beds, Human Tide When: Tuesday, 11.5, 8 p.m. Where: Rhinoceropolis Why: Since 2003 HTRK, originally from Australia, has been making music inspired by the brooding, otherworldly atmosphere of the films of David Lynch. Though the name of the band is pronounced “Hate Rock” it’s not so much rock except in the experimental sense as much as downtempo and ambient soundscaping. In 2010 founding musician Sean Stewart passed away leaving Nigel Yang and Jonnine Standish to carry on and as a duo HTRK has released a handful of some of the most fascinating music mixing electric music with an electronic aesthetic being made today. The group’s latest album is Venus in Leo with its exquisitely subtle dynamics and cinematic approach to its composition and sound design with lingering, impressionistic guitar riffs drifting around Standish’s hushed and soulful vocals.
What:Kikagaku Moyo w/Minamu Deutsch When: Tuesday, 11.5, 7 p.m. Where: Gothic Theatre Why: Kikagaku Moyo from Japan is a true synthesis of 70s Krautrock, classic Japanese psychedelic rock and more traditional Japanese folk. Currently the group is touring with the like-minded Tokyo band Minami Deutsch. The group’s urgent rhythms, mesmerizing drones and hypnotic dynamics sound like what it is to travel through Tokyo and its subtle but odd mixture of old world and high tech metropolis side by side in all of the city’s giant districts. On the group’s new EP, Can’t Get There that dynamic often takes you to a place of anxiety and then release as it draws you into its irresistible groove.
What:Jeffrey Lewis & The Voltage w/Adam Baumeister When: Tuesday, 11.5, 7 p.m. Where: Hi-Dive Why: A rare chance to see eccentric, genius freak folk and comic artist legend Jeffrey Lewis and his band along with local star of experimental folk and psychedelia, Adam Baumeister, head of Meep Records and former member of Navy Girls and Bad Weather California.
What:Negative Approach w/Blood Loss and Tuck Knee When: Wednesday, 11.6, 7 p.m. Where: Lost Lake Why: Negative Approach from Detroit was one of the bands out of that early wave of American hardcore than seemed particularly seething and intense and fronted by John Brannon who went on to noisy psychedelic blues band Laughing Hyenas and Easy Action. Easily one of the greatest frontmen of rock music because he seems to actually be losing his mind swept up in the moment.
What:Weird Wednesday: FangFuck, Zealot and Bolonium When: Wednesday, 11.6, 9 p.m. Where: Bowman’s Vinyl & Lounge Why: Weird Wednesday includes left field indie rock local supergroup Zealot and Bolonium a band inspired by Devo and which comes off like an odd combination of band, cheesy game show and Troma film.
What:Kurt Vile and the Violators w/Dinosaur Jr When: Wednesday, 11.6, 7 p.m. Where: The Mission Ballroom Why: Dinosaur Jr is the missing link between gritty classic rock like Neil Young, hardcore and 90s alternative rock and more influential on modern music than is often obvious. The mixture of sheer volume with tunefulness reconciled eras of music in a way that is often taken for granted and which bands like Nirvana and other massively commercial successful bands took to topple the music industry marketing machine and culture. Apparently modern folk/psychedelic artist Kurt Vile has felt this influence and thus has Dinosaur on this tour and for its part, the members of Dinosaur Jr have continued to release music, some of the best of its career in the past decade.
What:The Alarm, Modern English and Jay Aston’s Gene Loves Jezebel When: Friday, 08.09, 7 p.m. Where: Oriental Theater Why: In the 1980s all three of these bands embodied the kind of highly melodic post-punk that articulated both the bleakness of an era and the hope that they and the rest of humanity would endure writing songs celebrating life and love and honoring the uncertainty, tentativeness and sometimes, yes, even gloominess that cast a pall over society with the impending threat of nuclear holocaust. Over thirty years hence we’re all in another period of doom hanging over the planet from, once again, the threat of nuclear war but also the collapse of our ecosystem and the rise of another wave of aggressive fascism throughout the world. Since these three bands have reconvened each has also been writing some of the best music of their careers and commenting on the times with songs that aren’t trying to capture past glory so much as writing music worthy of their legacy of not getting stuck in a rut. Modern English’s 2016 album Take Me to the Trees, Jay Aston’s Gene Loves Jezebel’s 2017 record Dance Underwater and The Alarm’s 2019 offering Sigma reflect not just the strength of the respective band’s original creative vision but also their growth as artists valid in the modern era.
What:Martin Atkins DJ sets and spoken word When: Friday, 08.09, 9 p.m. Where: Tracks Why: Martin Atkins who has been a major figure in post-punk and industrial music going back four decades (i.e. Nine Inch Nails, Killing Joke, Ministry, Public Image Limited) will do a DJ set tonight and perform some spoken word, possibly reading from his own body of work.
Saturday | August 10
What:This Will Destroy You w/Brin When: Saturday, 08.10, 8 p.m. Where: Oriental Theater Why: This Will Destroy You is one of the better ambient post-rock bands. Mainly because its dynamics aren’t limited to the predictable builds and then inevitable catharsis like Sigur Ros without all the alien light and energy that imbues that band’s music. This Will Destroy You’s 2018 albums New Others Part One and Part Two finds the band further developing its textural elements giving its new set of soundscapes a depth of low end it didn’t lack but one that highlights the more ethereal melodies with a a evocative contrast in tone.
What:Rolling Stones: 2019 No Filter Tour When: Friday, 08.10, 6:30 p.m. Where: Mile High Stadium Why: Anyone not know who the Rolling Stones are? Use your search engine and learn about the iconic rock and roll band that fused a gritty, heavily blues influenced rock music and evolved it in various and fascinating ways for years with lyrics that often indulged in unusual, offbeat subjects and really a broad spectrum of human experience making their songs long term engaging and influential. Keith Richards’ autobiography Life is one of a handful of essential books written by a musician.
What:GYES: Arc Sol, Mainland Break, Slugger When: Friday, 08.10, 8 p.m. Where: The People’s Building Why: This edition of Get Your Ears Swoll brings to Northwest Aurora, Colorado experimental rock bands with a psychedelic loose edges.
What:Glasss Fest Day 1 When: Friday, 08.10, 12 p.m. Where: Rhinoceropolis Why: This two day event spanning roughly twelve hours each day brings together some of the most interesting of underground bands that often do not get much play at the clubs or more commercial venues. Which makes it an event worth attending to catch a slice of what you’re missing out on if you only go to venues that don’t book experimental music. Most of this stuff isn’t particularly challenging unless your idea of genius is mainstream pop music that is bland but has the veneer of quality or if you’re mainly only into one genre of music not represented. It’s an eclectic booking in a way that needs to happen in Denver and elsewhere more often. Schedule below. All times p.m. as if you needed to be told.
12:30 – DJ Zombie
3 – Grrrl
3:30 Kah Li
4 – Nothing is Everything
4:30 – MYTHirst
5 – Adam Selene
5:30 – Bios+a+ic
6 – Elle Green
6:30 – Sliver
7 – Bianca Mikahn
7:30 – Denizens of the Deep
8 – House N Complex
8:30 – Pearls & Perils
9 – Princess Dewclaw
9:30 – Abeasity Jones
10 – R A R E B Y R D $
10:30 – Catdog
11 – Techno Allah
11:30 – Savage Bass Goat
Sunday | August 11
What:Glasss Fest Day 2 When: Sunday, 08.11, 12 p.m. Where: Rhinoceropolis Why: See above for Glasss Fest.
1 – Sobremarcha/Hepster Pat DJ Sets
3 – Umbras Animus
4 – Galleries
5 – Disposal Notice
5:30 – Sumguy
6 – Bowshock
6:30 John Gross
7 – Venus305 / DCC
7:30 – Lady of Sorrows
8 – Pythian Whispers
8:30 – Dead Characters
9 – Soulless Maneater
10 – Joohsup
10:30 – $addy
11 – Hepster Pat DJ set
Tuesday | August 13
What:Quits, Multicult (MD), Sliver and Equine When: Tuesday, 08.13, 12 p.m. Where: 3 Kings Tavern Why: Basically a noise rock show except for Equine who is probably doing a noisy guitarscaping sort of set. And Sliver who are basically a grunge color-by-numbers act. At least when it comes to their Layne Staley wannabe singer/guitarist. But they’re pretty alright in spite of all of that. Multicult is a Baltimore-based noise rock band in the vein of Shellac and The Unsane. Quits is a Denver band with a similar aesthetic and one that doesn’t skimp on the raw emotional outbursts.
What:Pure Bathing Culture w/Plume Varia When: Tuesday, 08.13, 7 p.m. Where: Larimer Lounge Why: Pure Bathing Culture started with Sarah Versprille and Daniel Hindman who are also members of experimental folk band Vetiver. PBC is more in the realm of dream pop but with a more organic base with vibrant and sparkling guitar work amid lush synths as well as Versprille’s warm vocals. The group’s 2019 album Night Pass is its first since being dropped from Partisan Records. And rather than a darker than usual album to reflect the process of the experience, Night Pass sounds like a band that kept going its previous creative trajectory of introspective, upbeat yet downtempo pop songs. Opening the show is Plume Varia who share a similar sensibility but whose sound palette is a little more dusky and with singer Cheri Cobbs’ vocals soulful and deeply evocative.
What:Matt Weston (Albany), Ryan Mcryhew and Ryan Seward When: Tuesday, 08.13, 7:30 p.m. Where: Rhinoceropolis Why: This will be something of an experimental improvisational show including locals Ryan Mcryhew better known for his work as modular synth and beats composer Entrance and avant-garde percussionist Ryan Seward. Both will join Matt Weston whose own left field percussion and electronics has brought him into collaborative spheres with the likes of Roger Miller (of Mission of Burma), Jim O’Rourke, drone legend Kevin Drumm, free jazz saxophone player Charles Gayle and Jack Wright, another master sax improviser.
Wednesday | August 14
What:Herbie Hancock and Kamasi Washington When: Wednesday, 08.14, 7:30 p.m. Where: Mission Ballroom Why: Herbie Hancock probably needs no introduction as one of the most important artists in modern jazz as a composer, pianist and band leader. He played in Miles Davis Quarter, he was a pioneer of jazz fusion and funk, he has composed soundtracks, he had a 1983 pop hit with “Rockit” which fused jazz and hip-hop. His accomplishments are, frankly, to massive to list. Also on this bill is Kamasi Washington whose own role as a master saxophonist (he’s played on records by Kendrick Lamar, Thundercat, St. Vincent and others, no big deal), composer, band leader and producer parallels Hancock’s own. As a live performer Washington orchestrates the show with a subtle mastery that feels relaxed and informal due to the songwriting and the years of work already put in but which feels like watching a grandmaster at work. So go early to catch Washington and stay for one of the few living legends of jazz demonstrate his own musical magic.
What:FEELS w/Midwife, Sweetness Itself and The Lifers When: Friday, 05.10 8 p.m. Where: Syntax Physic Opera Why: FEELS recently put out its sophomore effort Post Earth. Like its 2016 self-titled debut, the new album makes it obvious the group was the next step in musical evolution out of the garage, psych, fuzz rock era of a few years back that had grown stagnant and utterly predictable. FEELS has always been too weird for that seeming to be rooted in a style of songwriting that was more introspective and bedroom confessional punk poetry than trying to fit into some scene. Unless that scene was one where your eccentric, authentic self was cultivated and nourished. So yeah, while Post Earth may have some familiar elements it just comes off like a band trying to figure out what it wants to be by trying a lot of different things and thing coming back to embracing what makes its individual members shine in sync with each other to make the kind of punk that has more in common with the first wave where almost anything goes and no one is insisting on aesthetic orthodoxy than the niche subgenres that have come in between then and now. That uniqueness translates to a uniquely energetic live show as well.
What:Call of the Void w/Green Druid, Casket Huffer and BleakHeart When: Friday, 05.10, 8 p.m. Where: Hi-Dive Why: Call of the Void celebrates the release of its new album Buried in Light with this show with some of Denver’s heaviest. Call of the Void has been, no pun intended, grinding it out since 2011 when it was called Ironhorse. But the quartet has always been more than grindcore and more than death metal. Its song dynamics, its lyrics and vocals are closer to bands like Neurosis and Isis than some of its more obvious peers and influences. Buried in Light feels like more of a science fiction album about life post impending human colony collapse.
Saturday | May 11
What:GYES 6: Gort Vs. Goom, How to Think, Lady of Sorrows and Full Bleed When: Saturday, 05.11, 8:30 p.m. Where: The People’s Building Why: There are no “cool” bars nearby, the neighborhood is still sketchy sandwiched between CU Medical Centroplex, rapid development sprawl stumbling in from the west, the dystopian built-on-flight-fuel-soaked-ground of the Stapleton Development to the north and to the south the part of Aurora that is largely forgotten. Northwest Aurora, one of the few parts of central-ish Denver metro that has stubbornly resisted the influence of Nü Denver because it’s not along easily accessed by main arterial streets beyond Colfax. And yet, due to not predatory development The People’s Building exists and has events that you might want to go to including Get Your Eyes Swoll. Because of the booking involved it’s usually something very underground and definitely outside the mainstream. There’s probably literally no branch of Denver Metro underground music happening in public spaces in Aurora in general much less the Northwestern portion of the city tucked into Denver’s armpit like an infected splinter some fool has been trying to ignore for years until it became in demand once the vultures swooped in to buy out all the lower middle class homeowners with their dubious offers about buying ugly houses and the like. So for now, head east and maybe, just maybe, see prog punk weirdo duo Gort Vs. Goom and Lady of Sorrows who will bring her operatic, darkwave soundscaping to Denver’s dankest suburb.
What:Velveteers vinyl release w/The Kinky Fingers and Television Generation When: Saturday, 05.11, 9 p.m. Where: Silo Sound Why: Velveteers thankfully came along a few years back to save rock and roll from its tired tropes and cartoonish, patriarchal clap trap with a buzzsaw, thunderous vengeance and fiery live show. And you get to see The Kinky Fingers who make a great case that even when most bands are boring us with trendy post-psych burnout bullshit, one can take a style and inject it with elegance and imagination and make it worth our while to continue to go and see. Television Generation is the greatest power pop, grunge-not-throw-back-but-throw-forward wiseacre cultural commenting smart snark band in Denver. And that’s saying something.
What:iZCALLi album release w/Don Chicharron and The Hollow When: Saturday, 05.11, 8 p.m. Where: The Oriental Theater Why: You could do worse with your Saturday night than go see iZCALLi celebrate the release of its latest album. The band is fairly straight ahead rock and roll but with personality and some warped tones and dangerous flourishes in its party time jams. Good thing because otherwise Don Chicharron would wipe the floor with them with their own celebratory psychedelic room-wreck-ed-ness. Both have plenty of Latin music influence built in to keep going wack-full-gringo with Stevie Ray Vaughan worship or some shit. The Hollow doesn’t suck either. They’ll bring some of the metal and scrape the earth with it but Spencer Townshend Hughes and company know how to sculpt a tune with more grace and artfulness than a bunch of the clumsy metaphors in this write-up.
What:Disposal Notice, Eraserhead Fuckers, Wolfblitzer, hxcmidi When: Saturday, 05.11, 9 p.m. Where: Rhinceropolis Why: hxcmidi may look like she’s about to get up and throw down some yikes-level bedroom hip-hop but Aisha has a lot more in common with Realicide and thus the name—psyche sundering, harsh electronic beat and samples backed hardcore that shatters gentrified consciousness. Eraserhead Fuckers, now that guy looks like he’s going to show us all how to make a sweet Power Point and use FTP to load it to our pathetic starter websites and then laugh about it all later while getting “crunk” with his friends (a term about which they will all laugh like meme-lord gamers). But his lyrics shit through with incisive sounds and ideas are the shank the MAGA-hat wearing lunkheads and their cross-generational brethren need in this time of crisis.
What:DJ & Live PA sets by: Trisicloplox, $addy, Kid Mask, TimeLord SFX, Blank Human When: Saturday, 05.11, 8 p.m. Where: Thought//Forms Gallery Why: Okay, so you don’t want to have your mind blown by any of the above in their specific ways yet you want to get out to the chillzone without being put soundly to sleep. Technically this is a noise show but one with a stacked line-up of people who know how to transform the whole genre into mind-altering realms of sound and beat-driven injections of inspired strangeness. None of the acts are alike but share the same spirit of being furiously against boredom and musical mundanity.
Sunday | May 12
What:Tim Hecker & Konoyo Ensemble When: Sunday, 05.12, 8 p.m. Where: Bluebird Theater Why: For this first show in Colorado (probably) since March 2012 when Hecker performed in the Odd Fellows Hall in Boulder at an event sponsored by Communikey (now mostly defunct, boundary pushing electronic music group and festival), there will probably be more illumination than at an Autechre show or even the aforementioned performance where the light came from Hecker’s gear and the fire “Exit” sign. If footage of recent shows are any indication, it’ll be a fog-enshrouded affair with beams of light but none of it distracting from Hecker’s deep soundscapes and imagination-stirring, environmental drones. His recent Konoyo and Anoyo albums are less relatively pop-oriented than their immediate predecessor and not granulated like a sonic fog-sandstorm of the 2011’s Ravedeath, 1972. More like Hecker is giving us modern music with a similar mindset that informed the KPM 1000 catalog and Harold Budd and Eno collaborating again to go full abstract journey into sonic analogs of conscious awareness beyond the Bardo Thodol.
What:Cowgirl Clue, Venus305 and EVP When: Sunday, 05.12, 7 p.m. Where: Lost Lake Why: Forget the pictures of Ashley Rose Calhoun holding a BC Rich guitar. You could make something better at home with the proper routing tools, some basic electronic skills, soldering and some YouTube tutorials. And let’s hope she did and she’s using it as some kind of controller at some point. Kudos to her for putting on the cover of her album something colorful and strange. At any rate, her free-associating samples/synth track dance pop is playfully and unabashedly eccentric and like an update on electroclash. The local openers, Venus305 and EVP are like-minded weirdoes with confrontational performance styles that bring some edge to industrial dance and hip-hop-inflected pop.
Monday | May 13
What:Julia Jacklin w/Black Belt Eagle Scout When: Monday, 05.13, 7 p.m. Where: Larimer Lounge Why: Julia Jacklin’s vocal style is reminiscent of late 70s/early 80s Marianne Faithful with the sort of controlled, breathy yet tight and directed couplets. On her 2019 sophomore album Crushing, Jacklin evokes a smoky atmosphere enshrouding an introspective meditation on existential independence and rankling at the social expectations that undermine one’s sense of self. As facile as it is to say considering both songwriters are from Australia but fans of Aldous Harding will find much to appreciate with Julia Jacklin’s delicate and nuanced hand at songwriting and creatively poetic sensibilities. That and Jacklin just lays out how people need to step off and stop trying to make her fit into some mold that makes them feel comfortable with their own shortcomings and vices and let her figure out who she wants to be and where she wants to go on her own terms. Crushing is a heartfelt declaration of independence in one’s own heart and mind.
Tuesday | May 14
What:The Lemonheads with Tommy Stinson When: Tuesday, 05.14, 7 p.m. Where: Bluebird Theater Why: Like other bands of the era, The Lemonheads predated the alternative music eruption of the early 90s and were part of it on its own terms. Even though the band had signed to Atlantic for the release of its 1990 album Lovey it didn’t strike it big like it might have had the record come out a year or two later. The mixture of Americana, hard rock and punk coupled with Evan Dando’s gift for writing hooks and melodic songs with some bite and personal insight was very much what would be in great demand from 1991 onward but somehow The Lemonheads were never fully able to capitalize on what was becoming a trend but was also the group’s signature sound and sensibility. And yet, Lemonheads garnered some modest mainstream popularity before going on hiatus with Dando embarking on a solo career in 1998. The band has reunited as of 2005 and the songwriting has become tighter with essentially an edgier power pop sound but with Dando’s typically thoughtful, self-effacing words about heartache and loss. Tommy Stimson you should know from being the bass player of The Replacements but he also did his time in Guns ‘n Roses as well. As a solo artist, he’s a songwriter of no small gifts himself.
What:Garbage w/Pleasure Venom When: Tuesday, 05.14, 7 p.m. Where: Summit Music Hall Why: One of the great bands of the late alternative rock era that managed to remain great through to now. Shirley Manson is truly one of the most commanding singers fronting any band now and often disarmingly so because is able to belt out the tunes but with a nuance and delicacy of feeling that makes her performances so powerful.
Wednesday | May 15
What:Hatebreed w/Obituary, Madball, Prong, Skeletal Remains When: Wednesday, 05.15, 5:30 p.m. Where: The Ogden Theatre Why: Hatebreed is well known for being one of the torchbearers of 90s metalcore with its aggressive tones and spiky grooves. But one thing that seems obvious taking a sampling of its music throughout its career is that there’s a bit of the influence of Mike Scaccia-period Ministry. The willingness to let sounds hang atmospherically over the top of a driving, splintery, industrial riff. It’s an interesting contrast to the sort of tough guy image projected into the songwriting and presentation. In some ways Hatebreed is an interesting bridge in sound between Obituary’s driving death metal and Prong’s clipped dynamics and industrial dance/death disco sensibilities.
What:Walk Off the Earth w/Matt and Kim, Gabriela Bee of the Eh Bee Family When: Wednesday, 05.15, 6:30 p.m. Where: Red Rocks Why: Walk Off the Earth isn’t for everyone—that kind of folksy pop/indie rock/self-aware humor, posi-tip, quirky songwriting with elevated moods and a penchant for doing covers of songs that one would assume done out of a sense of irony but not so with Walk Off the Earth. At the end of 2018, though, the group lost its longtime member Mike “Beard Guy” Taylor due to natural causes and there was some speculation that the band was going on hiatus. But the quartet is now devoting the tour in honor of the memory of Taylor. Knowing the group, it’ll be as joyous as it has ever with a similarly exuberant set from indie rock party band openers Matt and Kim.
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