Best Shows in Denver 3/12/20 – 3/18/20

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Robyn Hitchcock performs at Swallow Hill on March 13, photo by Emma Swift

Due to the Coronavirus-related cancellations we will include the shows we already had planned for coverage but indicate that they are cancelled as appropriate and as that information is available.

Thursday | March 12

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Thundercat circa 2017, photo by Tom Murphy

What: Thundercat w/Guapdad 4000
When: Thursday, 3.12, 7 p.m.
Where: Ogden Theatre
Why: Stephen Lee Bruner, aka Thundercat, has been the go-to bass playing genius in the hip-hop world and beyond for over a decade including performing on albums by Kendrick Lamar, Erykah Badu, Kamasi Washington and Flying Lotus. His own music is equally distinguished for its surreal creativity.

What: Harry Tuft and Brad Corrigan (of Dispatch)
When: Thursday, 3.12, 6:30 p.m.
Where: Swallow Hill Quinlan Cafe
Why: Harry Tuft was instrumental in cultivating and fostering the folk music scene in Denver through first the Denver Folklore Center and then through Swallow Hill. He is also one of the great interpreters of that music and a talented artist in his own right and this intimate show will be a good setting to catch him in action.

What: Dwight Yoakam w/Tennessee Jet
When: Thursday, 3.12, 7 p.m.
Where: Mission Ballroom

What: Joe Sampson w/Ben Kronberg and Adam Baumeister
When: Thursday, 3.12, 8 p.m.
Where: Hi-Dive

Friday | March 13

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Mayhem, photo by Tom Murphy

What: Cancelled The Decibel Magazine Tour: Mayhem and Abbath w/Gatecreeper and Idle Hands
When: Friday, 3.13, 6 p.m.
Where: Ogden Theatre
Why: Mayhem is the legendary/notorious black metal band from Norway whose early history was the subject of the 2019 biopic Lords of Chaos. But the current band is equal parts occult rock theater and crushing black metal of devastating power.

What: Robyn Hitchcock
When: Friday, 3.13, 7 p.m.
Where: Daniels Hall at Swallow Hill
Why: Robyn Hitchcock first came to public attention as a member of post-punk band Soft Boys in the early 80s but later in the decade through to today he has established himself as one of the most consistently creative, thoughtful and wryly humorous songwriters of the modern era. With an eclectic songwriting style that weaves in elements of jangle rock (which he helped to pioneer) and psychedelia, Hitchcock’s observational story songs articulate vividly snapshots of the core human zeitgeist of the moment through his lens of an Englishman who has remained open to the world.

Why: Concert for Indigent Defense/Death Penalty Repeal Party: Tokyo Rodeo, Cyclo Sonic and The Slacks
When: Friday, 3.13, 9 p.m.
Where: Skylark Lounge
Why: Tokyo Rodeo is a rock band that by not tying its songwriting to a trendy aesthetic or some classic style has been able to cultivate its own voice in writing songs that delve into the personally meaningful in the musical language of a rock and roll universality. Cyclo-Sonic is a Denver punk super group with former members of Rok Tots, The Fluid, Frantix and The Choosey Mothers. But pedigree is not enough. Fortunately Cyclo-Sonic’s unvarnished rock theater and strong songwriting recommends itself.

What: Snakes w/Colfax Speed Queen and No Gossip in Braille
When: Friday, 3.13, 8 p.m.
Where: Hi-Dive
Why: Snakes is a band that includes George Cessna as well as Brian Buck of High Plains Honky and Kim Baxter of several bands including Gun Street Ghost. Sharing the stage for this inaugural show is psychedelic garage rock powerhouse Colfax Speed Queen and the radically vulnerable post-punk stylings of No Gossip in Braille.

Saturday | March 14

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Ned Garthe Explosion circa 2014, photo by Tom Murphy

What: Ladies Night, Ned Garthe Explosion, Slugger, Despair Jordan
When: Saturday, 3.14, 8 p.m.
Where: Hi-Dive
Why: Ned Garthe Explosion could have a career as a comedy band but its songwriting is too strong and clever for being a mere novelty act. Its nearly unhinged psychedelic rock is always surprisingly compelling. Slugger somehow managed to emerge over the last few years influenced by 70s rock and psychedelic garage rock without sounding like a rehash of a rehash, instead, vital and visceral.

Sunday | March 15

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Ásgeir, photo by Anna Maggý

What: Bolonium, Damn Selene and Gort Vs. Goom
When: Sunday, 3.15, 7 p.m.
Where: Hi-Dive
Why: Bolonium is part weirdo pop band and game show including a section involving audience participation. Damn Selene’s mixes underground hip-hop, darkwave, noise and industrial music. Gort Vs. Goom is like if the Minutemen fully embraced prog rock and Blue Oyster Cult.

What: POSTPONED Ásgeir
When: Sunday, 3.15, 7 p.m.
Where: Bluebird Theater
Why: Ásgeir is an Icelandic songwriter whose blend of folk with electronic production has garnered him a bit of an audience in his home country and abroad. His falsetto combines a sense of intimacy and transcendence couched in transporting tones and grounding musical textures. Currently the artist is touring in support of his latest album Bury the Moon.

Monday | March 16

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Wax Lead, photo by Kristi Fox Fräzier

What: Cancelled Wax Lead, Vio\ator, Voices Under the Mirror and Voight
When: Monday, 3.16, 7:30 p.m.
Where: Seventh Circle Music Collective
Why: Minneapolis-based post-punk band Wax Lead brews its catharsis from lushly brooding female vocals and bass-driven minimalism and a willingness to pointedly tackle social and political issues. Also on the bill is the great, Denver-based industrial post-punk band Voight and one of the few good local EBM acts Voices Under the Mirror and its emotionally rich vocals and songwriting.

What: CANCELLED Destroyer w/Nap Eyes
When: Monday, 3.16, 7 p.m.
Where: Bluebird Theater

Tuesday | March 17

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Kronos Quartet, photo by Jay Blakesberg

What: CANCELLED or POSTPONED Kronos Quartet
When: Tuesday, 3.17, 7:30 p.m.
Where: Newman Center
Why: Kronos Quartet has helped to make classical music cool and relevant since its founding in Seattle in 1973 through creative interpretation of foundational works and the contemporary avant-garde. The Quartet has also been known to indulge in fascinating covers of music in genres beyond its presumed wheelhouse as well as working with noted artists like Laurie Anderson and Pat Metheny.

What: POSTPONED Elohim
When: Tuesday, 3.17, 7 p.m.
Where: Bluebird Theater

What: Bear Hands and Irontom
When: Tuesday, 3.17, 7 p.m.
Where: Globe Hall

Wednesday | March 18

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Jonathan Wilson, photo by Louis Rodiger

What: CANCELLED Jonathan Wilson w/Other Worlds
When: Wednesday, 3.18, 7 p.m.
Where: Bluebird Theater
Why: Songwriter, multi-instrumentalist and producer Jonathan Wilson (Erykah Badu, Father John Misty, Laura Marling etc.) brings a lot of skill, experience and talent to bear on his new album Dixie Blur which he didn’t record at his studio in Los Angeles, where he has produced plenty of high quality material, but in Nashville to be closer to his Southern roots as a musician who grew up in North Carolina. Whether setting matters much in an ultimate sense, the record and lead single “Oh Girl” is informed by a warmth and sensitivity that elevates songs that are already noteworthy for their diverse dynamics and broad palette of emotional coloring.

Best Shows in Denver 7/4/19 – 7/10/19

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Priests perform at Lost Lake on 7/7, photo by Drew Hagelin

Thursday | July 4

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Rubedo at Tree Fort Music Fest circa 2013, photo by Tom Murphy

What: Rubedo’s Independence Day V w/Matt Embree (member RX Bandits, Dispatch and The Sound of Animals Fighting), Poor Bodhi, DJ Reubot
When: Thursday, 07.04, 7 p.m.
Where: Bluebird Theater
Why: For five years now Rubedo has been doing an Independence Day show that includes friends and comrades in music and cultural resistance. This year includes Matt Embree, frontman of eclectic prog/punk/psych band Rx Bandits who is also a member of post-hardcore supergroup The Sound of Animals Fighting. Rubedo itself is no stranger to being difficult to pigeonhole. All its players have a degree of respectable musical chops and adept at mixing improvised sections in the songs based on the mood of the moment. One might call it a prog band because of the direct influence of The Mars Volta but also psychedelic rock and indirectly the musical thinking and techniques of hip-hop even though its all live instrumentation. The storytelling and themes of Rubedo songs somehow also manage to be positive and aimed toward a better future and celebrating the present without coming off as insincere.

Friday | July 5

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Pictureplane circa 2015, photo by Tom Murphy

What: Pictureplane w/OptycNerd and DEBR4H
When: Friday, 07.05, 8 p.m.
Where: Larimer Lounge
Why: Pictureplane returns to Denver where he first made waves in the underground beyond his home state of New Mexico. As one of the residents of Rhinoceropolis he was a real ambassador to experimental electronic dance bands in Denver and far beyond, evangelizing the DIY ethic and Rhinoceropolis and Monkey Mania to the places far and wide including performances in Russia. His musical style has evolved over the years and recently included more industrial textures and sounds but at his core, he’s an idiosyncratic artist who is trying to push his aesthetic in interesting directions.

Saturday | July 6

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Sour Boy, Bitter Girl circa 2011, photo by Tom Murphy

What: Get Your Eyes Swoll: Last Humans, Tears to Li6ht and Gothsta
When: Saturday, 07.06, 8:30 p.m.
Where: The People’s Building
Why: This edition of GYES features dark chillwave artist Tears to Li6ht, lush Americana band Last Humans and Gothsta which is series host Claudia Woodman in her guise as a weirdo Goth pop star known for bizarre covers and even stranger originals.

What: Angry Hand of God, Never Kenezzard, Flat Earth
When: Saturday, 07.06, 9 p.m.
Where: 3 Kings Tavern
Why: A doom/stoner rock show featuring the now active again Angry Hand of God which experienced a bit of a heyday in the late 2000s before Denver metal, with a few notable exceptions, started attracting much attention outside of Colorado. Also on the bill is Never Kenezzard whose mixture of sludge rock, prog and psychedelia pushes the boundaries of heavy rock into innovative territory.

What: Short Shorts album release, Sour Boy, Bitter Girl, Safekeeper and Florea
When: Saturday, 07.06, 8 p.m.
Where: Globe Hall
Why: Short Shorts is a four-piece from Denver who will release their new EP Hang-Ups tonight. Somewhere betwixt surf rock and the kind of punk with a footing in 2010’s garage rock, Short Shorts have a sound that fans of the likes of Tacocat and Bully might enjoy. Echoes of 90s K Records bands. Also with song titles like “Jumbotron Debutate” and “Quantum Entanglement” the band’s pop songs are clearly a cut above and more thoughtful than one might expect from a band with a name like Short Shorts. On the bill are like-minded acts like the dark Americana band Florea and Sour Boy, Bitter Girl. The latter has a real knack for taking down and out sensibilities and turning them into earnest and thought-provoking pop songs with a literary flair.

What: Heart Bones feat. Har Mar Superstar and Sabrina Ellis w/Good Fuck and Mark Mallman
When: Saturday, 07.06, 8 p.m.
Where: Oriental Theater
Why: Two powerhouse performers in the same soulful synth pop band? Har Mar Superstar has long been putting on the most absurdly entertaining performances mixing soul and punk an dance music while Sabrina Ellis has been the animated and powerful frontwoman of A Giant Dog. Also, Good Fuck, the latest project from Tim Kinsella and Jenny Pulse, is like an experimental electronic German pop band but more like ADULT. than electroclash. Its 2019 self-titled album is a moody and spacious set of dark, noisy, techno industrial dance music.

Sunday | July 7

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New Ben Franklins circa 2009, photo by Tom Murphy

What: Priests w/Olivia Neutron John
When: Sunday, 07.07, 7 p.m.
Where: Lost Lake
Why: Fiercely DIY band Priests releases its what might be described as post-punk glam through its own label Sister Polygon Records. With the latter the group has helped to advocate for like-minded artists critical of the oligarchy like Downtown Boys and Snail Mail. It’s latest record is The Seduction of Kansas. Theatrical and dynamic, Priests make its flamboyantly strange aesthetic accessible. Olivia Neutron John is the dark, post-punk electroclash type of solo project of Anna Nasty whose 2019 self-titled debut is driven by brooding and stark low end and plenty of punk attitude.

What: New Ben Franklins w/The Smokestack Relics, Buck Fuffalo, Lank & The Shanks, Thomas Nap For President, The Wyatts, Schofield 45
When: Sunday, 07.07, 2 p.m.
Where: Globe Hall
Why: A bit of a country and Americana mini-festival that includes several of the local luminaries including New Ben Franklins whose flavor of that music has crossed over into post-punk and psychedelia.

What: Melissa Etheridge
When: Sunday, 07.07, 5:30 p.m.
Where: Hudson Gardens
Why: Melissa Etheridge is a cultural icon in various ways and beyond being a very public figure in the LGBTQ community going back decades. Before coming out in public in 1993, Etheridge had hit records on college and AOR radio with her 1988 self-titled debut, 1989’s Brave and Crazy and Never Enough from 1992. Etheridge came across as thoughtful, soulful, gritty and she had a kind of gravitas that relatively new artists don’t yet possess. Her songwriting held an appeal that transcended any specific considerations of sexuality and gender and her music even crossed over into the more adventurous radio stations that typically played classic rock mixed with some modern hits. Her first big hits came with “Come to My Window” and “I’m The Only One” from the 1993 album Yes I Am. In 2019 Etheridge released her latest record The Medicine Show—a strong showing of songwriting prowess and performance for an artist this far into a prolific career. It’s almost a hard rock record with Etheridge sounding more confident than ever and heartfelt odes to life and loss.

Monday | July 8

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Melissa Etheridge, photo courtesy the artist

What: Melissa Etheridge
When: Monday, 07.08, 6:30 p.m.
Where: Chautauqua Auditorium
Why: See above for Melissa Etheridge. This show is in the uniquely arranged Chautauqua Auditorium which is a bit like seeing a show in a very large barn with good acoustics.

Tuesday | July 9

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Bad Religion, photo by Alice Baxley

What: Bad Religion w/Dave Hause & The Mermaid
When: Tuesday, 07.09, 7 p.m.
Where: Ogden Theatre
Why: Bad Religion has long been reliable for having something to say in its music across its nearly forty year career and its latest album, 2019’s Age of Unreason, is no different. It’s fifteen tracks of anthemic, melodic punk against Trump and the authoritarian program worldwide in general. If any of it is heavy handed the times call for leaving no ambiguity in resisting the rise of fascism. Musically, one either likes the chances Bad Religion has taken or not but at least with its words the band has used its platform to challenging regressive political and cultural forces and to comment on the same with irreverent wit and intelligence.