Best Shows in Denver and Beyond 10/17/19 – 10/23/19

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Guerilla Toss performs at Hi-Dive on October 19, 2019, photo by Vanessa Castro

Thursday | October 17

Sun Blood Stories
Sun Blood Stories, photo by Sun Blood Stories

What: Sun Blood Stories, Space Jail, The Teeth of the Hydra and Prayer Hands
When: Thursday, 10.17, 7:30 p.m.
Where: Glitter City Studio
Why: Sun Blood Stories from Boise, Idaho, has been creating its experimental psychedelic music since 2011. Though the band emerged around the time when the most recent wave of psychedelic rock was headed toward its peak, Sun Blood Stories seemed to come from a different place. Its shows feel a bit like you’re seeing what a traveling, shamanistic musical ceremony might be like. Its songs, some rock, some weirdo folk, all informed by an attempt to create a mood and an experience as much as, or more so, than melody. The group is now touring in support of its 2019 album Haunt Yourself.

What: 303 Synth City: Patternshift, Malibu Nights, Niq V, Bob Sync
When: Thursday, 10.17, 7 p.m.
Where: Walnut Room

What: Brent Penny, Cuckoo, Shanea
When: Thursday, 10.17, 9 p.m.
Where: Rhinoceropolis

What: False Report (EP release) w/In My Room, Pacific Nerve, Cagemates
When: Thursday, 10.17, 7 p.m.
Where: Lost Lake

Friday | October 18

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Temples, photo by Laura Allard Fleischl

What: Temples w/Honey Harper
When: Friday, 10.18, 8 p.m.
Where: Gothic Theatre
Why: Temples from Kettering, England made big waves with its debut album Sun Structures at the apex of the neo-psychedelic era. But one thing that has set Temples apart from its peers is its mastery of layered dynamics like an orchestration of oil projections. The Krautrock-like rhythms, the sheets of luminous ethereal sounds, the haunted and the soaring vocals, guitars carrying both melody and texture shimmering throughout, Temples didn’t get stuck playing in an indie folk band that discovered weird pedals one day and jammed out to “Anemone” by the Brian Jonestown Massacre endlessly. Temples perfectly weds pop songcraft with mind-altering sound experiments. Its 2019 album, Hot Motion, finds the band exploring new vistas of evocative soundscaping mixing a palette of classic psychedelic era rock sounds and strong songwriting with modern sensibilities.

What: Riceboy Sleeps (Jónsi & Alex Somers) w/Wordless Orchestra
When: Friday, 10.18, 7 p.m.
Where: Paramount Theatre
Why: Most people probably know Jónsi as a member of Sigur Rós and thus no stranger to transcendent, orchestral music. With his partner Alex Somers he makes experimental ambient music and their latest album, their first with this project in a decade, is 2019’s Lost & Found. The show will be an evocative production with Wordless Orchestra conducted by Robert Ames with orchestra arrangements by David Handler. A mixture of classical, ambient and the avant-garde, the footage from this tour so far has shown a moving performance of uncommon grace and hushed intensity.

What: Hilary Leftwich book release of Ghosts Are Just Strangers Who Know How to Knock
When: Friday, 10.18, 7 p.m.
Where: Book Bar

What: Deep Club presents: Galcher Lustwerk w/WNGDU and Ponyrok
When: Friday, 10.18, 11 p.m.
Where: Rhinoceropolis

What: Colfax Speed Queen album release of Dirty Mirror w/The Kinky Fingers, Savage Blush and Ladies Night
When: Friday, 10.18, 9 p.m.
Where: Hi-Dive

Saturday | October 19

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Aldous Harding circa 2017, photo by Tom Murphy

What: Aldous Harding w/Hand Habits (solo)
When: Saturday, 10.19, 8 p.m.
Where: Larimer Lounge
Why: Aldous Harding’s weirdo folk songs and compellingly eccentric performances is definitely for fans of Kate Bush and Joanna Newsom. Her 2019 album Designer is a showcase for her storytelling genius.

What: Guerilla Toss w/cindygod and Corner Girls
When: Saturday, 10.19, 8 p.m.
Where: Hi-Dive
Why: A brilliant collision of dub, post-punk and psych-synth imbued disco, Guerilla Toss brings an upbeat yet surreal sensibility to its shows. It’s new record, What Would The Odd Do? released October 18 and this is more or less the band’s tour kickoff show.

What: Get Your Ears Swoll 11: The Vagrant Sea, Landgrabbers
When: Saturday, 10.19, 8:30 p.m.
Where: The People’s Building
Why: The Vagrant Sea is a punk-inflected noise rock band or a noisy punk band. Either way its members are veterans of Denver’s underground rock scene including former members of The Symptoms, Dirty Lookers, Tarmints and many others. Landgrabbers is a honky tonk punk band with emphasis on the latter. At a time when most punks are aiming for a niche subgenre, Landgrabbers refreshingly focus on writing solid songs and leave the fashion show, sonically and otherwise, to those more inclined.

What: The Distillers w/Death Valley Girls
When: Saturday, 10.19, 7 p.m.
Where: Ogden Theatre
Why: The Distillers’ brash punk rock burned bright and flamed out between starting in 1998 and breaking up in 2006 leaving behind a few records of songs about raging against feeling like being kicked to the bottom rung but making that kind of scrappy underdog status seem glorious. Singer Brody Dalle cut a commanding figure and after the band split she spent some time writing music in Spinnerette and under her own name. But as of 2018, The Distillers are back together at a time when maybe its ferocious performances with snotty yet tuneful songs will find a wider audience hungry for something that vital. Also on the bill is Death Valley Girls whose inspirationally bizarre blend of surf rock, post-punk and psychedelia is truly born of an individual collective imagination channeled into spirited performances.

What: Clay Rendering, Weathered Statues, French Kettle Station, Prison Glue
When: Saturday, 10.19, 9 p.m.
Where: Rhinoceropolis
Why: Clay Rendering is often called a mix of dream pop and black metal and that’s fair enough but it might also be considered a rebirth of synth infused death rock. Its 2019 album California Black Vows sounds like what Iceage might have sounded like if it went more darkwave and less in the direction of The Bad Seeds.

What: Jonathan Richman w/Tommy Larkins
When: Saturday, 10.19, 7 p.m.
Where: Daniels Hall at Swallow Hill
Why: Because Jonathan Richman is the godfather of twee pop and radical sincerity in vulnerability in rock music. And he hasn’t exactly toned down that approach as a performer in nearly fifty years. He’s a national treasure.

Sunday | October 21

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Voight, photo by Tom Murphy

What: All Your Sisters, Weaken, Voight and Fatal Fantasy (DJ)
When: Sunday, 10.20, 8 p.m.
Where: The Zodiac (Colorado Springs)
Why: All Your Sisters from Los Angeles and Denver’s Echo Beds (playing the Monday show in Denver at Rhinoceropolis) are headed out on a tour to the East Coast. The former released the album Trust Ruins in April 2019 and re-established itself as practitioners of harrowing, industrial death disco. Voight are a jagged machine of sound and sometimes convulsive, sometimes broodily intense sounds that erupt with a barrage of cathartic energy to purge the dulling effects of late capitalism.

What: The Japanese House w/Overcoats
When: Sunday, 10.20, 8 p.m.
Where: Fox Theatre

What: Haunter, Noctambulist, Casket Huffer, Zygrot
When: Sunday, 10.20, 9 p.m.
Where: Rhinoceropolis

What: Municipal Waste, Napalm Death, Sick Of It All and Take Offense
When: Sunday, 10.20, 6 p.m.
Where: Summit Music Hall

What: Black Lips w/Blue Rose Rounders and Backseat Vinyl
When: Sunday, 10.20, 7 p.m.
Where: Larimer Lounge

Monday | October 21

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All Your Sisters circa 2016, photo by Tom Murphy

What: All Your Sisters w/Echo Beds, Midwife and B|_ank
When: Monday, 10.21, 9 p.m.
Where: Rhinoceropolis
Why: For All Your Sisters see above on October 20. Echo Beds is an alchemical combination of stark hardcore aesthetics and organic industrial post-punk.

What: Whitney w/Lala Lala
When: Monday, 10.21, 7 p.m.
Where: Ogden Theatre
Why: Whitney’s debut album Light Upon the Lake (2016) benefited from both hitting a trend early of the sort of Laurel Canyon, countrified psychedelic pop embraced in the American underground and from its exquisite arrangements and ear for dynamics in a way that has been missing from far too much modern pop music. The follow-up album, 2019’s Forever Turned Around is a tender and sensitive meditation on the fear and confusion hanging in the collective psyche of late complicated by issues of addictions of various kinds, a heavier than expected set of subjects from music that sounds so spacious and heavenly.

What: J.S. Ondara w/Elise Davis
When: Monday, 10.21, 7 p.m.
Where: Bluebird Theater

What: Black Lips w/Blue Rose Rounders and The Corner Girls
When: Monday, 10.21, 7 p.m.
Where: Globe Hall

Tuesday | October 22

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Chelsea Wolfe, photo by Ben Chisholm

What: Chelsea Wolfe w/Ioanna Gika
When: Tuesday, 10.22, 8 p.m.
Where: Stanley Hotel
Why: What could be more perfect than the haunting intensity of Chelsea Wolfe’s songs, performed acoustically as is the style of at least one of her albums, at the haunted Stanley Hotel in advance of Halloween? Wolfe recently released her new album Birth of Violence which features some of her more acoustic songwriting than the heavy drones and atmospheric black metal of her last few offerings. It showcases a more intimate side of Wolfe’s deeply personal storytelling rather than the nightmarish visions with which you might be more familiar with the artist and a testament to her enduring talent.

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The KVB, photo by George Katsanakis

What: The KVB w/Numb.er and Eventually It Will Kill You
When: Tuesday, 10.22, 8 p.m.
Where: Larimer Lounge
Why: The KVB’s synth-driven post-punk is reminiscent of Fad Gadget’s dark avant-pop with its distorted, urgent soundscapes and brooding, introspective vocals. Currently touring in support of its 2019 album Submersion.

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John Paul White, photo by Alysse Gafkjen

What: Shovels & Rope w/John Paul White (of The Civil Wars)
When: Tuesday, 10.22, 7 p.m.
Where: Ogden Theatre
Why: John Paul White one half of bluesy Americana duo The Civil Wars with Joy Williams. In 2019 he released his third solo album The Hurting Kind. Its flavor is a little more introspective than some of his previous work with The Civil Wars. But the level of detail and warmth of tone is there. Apparently he was inspired by the almost orchestral production and songwriting of early 60s Nashville acts and he brings that sensibility to this new batch of songs by taking his gift for turning simple and spare elements into a lush sound that touches on fine emotional notes. Exquisitely crafted songs by one of America’s premier songwriters. Shovels & Rope is the alternative country band from Charleston, South Carolina comprised of Cary Ann Hearst and former Denverite, and former Tinker’s Punishment frontman, Michael Trent.

What: Mating Ritual, Hembree, Compass & Cavern
When: Tuesday, 10.22, 8 p.m.
Where: Lost Lake

Wednesday | October 23

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mxmtoon, photo by Nicole Busch

What: mxmtoon w/Alexander 23
When: Wednesday, 10.23, 7 p.m.
Where: Larimer Lounge
Why: mxmtoon went from bedroom pop musician to international renown from 2017 to 2019 initially releasing more humorous songs and moving on to more sincere expressions of feeling. Her 2018 debut EP plum blossom garnered her critical acclaim for her finely composed pop songs that feel spontaneous and insouciant. Through social media and other internet outlets like TikTok, Vine, Snapchat, Soundcloud, mxmtoon, or Maia, has made comedic videos and shared her work connecting with hundreds of thousands of fans. In 2019 she released her debut full-length, self-released, the masquerade. There’s something lighthearted but genuine about her songs and her intuitive knack for an earworm melody and wordplay is consistently impressive.

What: Free Music, Koto Robo, Cop Circles album release, French Kettle Station, J. Hamilton Isaacs
When: Wednesday, 10.23, 9 p.m.
Where: Rhinoceropolis
Why: Cop Circles is the weirdo afrobeat/avant-garde jazz influenced project of one Luke Leavitt. He is releasing his latest album Penultimate Conclusions at this show. Also on the bill is eccentrically brilliant experimental pop project Free Music from Minneapolis, the relentless and inspired adult contemporary/glitch/synth pop hybrid of French Kettle Station, J. Hamilton Isaacs’ transporting modular synth compositions and Koto Robo’s synthesis of 80s video game sounds (though not 8-bit) and synth pop.

What: Agnostic Front w/The New Narrative, Clusterfux and Out For Blood
When: Wednesday, 10.23, 7 p.m.
Where: The Oriental Theater

What: Girlpool, American Grandma and Bellhoss
When: Wednesday, 10.23, 8 p.m.
Where: Lost Lake

Best Shows in Denver 9/15 – 9/20

Widowspeak
Widowspeak, photo by Kyle Jacques

Now that Trump and the Democrats have struck a bargain about the budget and DACA, maybe we can all take a break and check out a great show happening in Denver (or beyond as some of the acts listed below are on tour).

P.S.: “Goddamn-dipshit-Rodriguez-gypsy-dildo-punks. I’ll get your ass.” — RIP Harry Dean Stanton

Who: Church Fire, Giardia, Deer Creek and The Pollution 
When: Friday, 9.15, 7 p.m.
Where: Tennyson’s Tap
Why: The Pollution is essentially a psychedelic punk band done by people who are punks who like Hawkwind. Bassist Jay Fox was (sometimes still is) in DC hardcore band United Mutation. But given his having spent a great deal of time in the Southern hemisphere including New Zealand, Fox’s musical tastes are eclectic and there’s plenty of that Kiwi rock influence in his music today. Meaning The Pollution could never be a standard punk act. Church Fire makes synth-beat-driven pop music with a passionate intensity worthy of any the heavier rock bands on this bill. And yet, somehow, singer Shannon Webber amidst her ritualistic performances, manages to inject just a twinge of humor—a quality welcome in music that, while immediately danceable, addresses serious social and political issues with an unblinking ferocity. Okay, maybe some blinking.

Who: Speakeasy Series: Rare Byrd$, Abeasity Jones
When: Friday, 9.15, 6 p.m.
Where: Hooked On Colfax
Why: Experimental hip-hop show in a basement of a coffee shop? Not the first time but in this case you’ll get a chance to see one of the most promising acts in Denver or anywhere with Rare Byrd$. The group has incredibly soulful flow and its beatmaking combines the finely sculpted low end of 90s gangsta rap and ambient and psychedelic music in that it’s as hypnotic as it is mind-expanding. Easy to compare to cLOUDDEAD, Deep Puddle Dynamics and early Atmosphere but only in the sense that all are rooted in imaginative soundscaping and poignantly truthful poetry.

Who: Post-Punk Piano/Vocal Covers Night w/Todd Loomis of The Twilight Garden and The Siren Project
When: Friday, 9.15, 8 p.m.
Where: Mercury Café
Why: Todd Loomis of Goth/dark dream pop band The Twilight Garden along with like-minded Denver-based act The Siren Project will perform songs by the likes of INXS, The Cure, Depeche Mode, Radiohead, Switchblade Symphony, Joy Division, Tears for Fears, Morrissey, Bauhaus, Ladytron, Garbage and more. Loomis will also play some songs you wouldn’t expect by artists like Roy Orbison, Elvis, Otis Redding, John McLaughlin, Metallica and Sinead O’Connor. What makes this different from cover bands playing the usual sort of gig is that neither set of artists generally does covers and the interpretations are likely to be interesting.

Who: Blanket Empire w/Silver Face and Quantum Creep 
When: Saturday, 9.16, 9 p.m.
Where: The Skylark Lounge
Why: Blanket Empire is releasing its latest album, Hymn For the Heartless at this show. Superficially Blanket Empire sounds like its members recently ditched that wave of music miming classic rock in favor more unusual influences and embraced modern sensibilities as much as those classic. Maybe these guys listened to a lot of T. Rex, Roxy Music and Led Zeppelin for big, warping sounds. But the lo-fi charm of its album is reminiscent of Jay Reatard’s masterful blend of raw rock and roll and a sophisticated sense of melody and songwriting has been a massive influence on underground music even before his untimely passing in 2010.

Who: Vic N’ the Gnarwhals, Surf Mom and Monocle Stache
When: Saturday, 9.16, 9 p.m.
Where: Syntax Physic Opera
Why: Vic N’ The Gnarwhals do that rare thing where the music has a familiar vibe, one might dub it psychedelic surf rock for the blend of styles, and thus very tangible. But there’s a mysterious undertone to its songs suggestive of noir cinema even when its songs get a little out there. Surf Mom used to be kind of a surf rock band, sort of still is, but the band has evolved greatly since it debuted a couple of years go. How many surf rock bands cover Christian Death? But the influences with this duo are broad ranging and since its members are still in high school you have to think they’re going to outgrow what inspires them now or at least take the music in new directions.

Who: Lotus w/Com Truise and Nosaj Thing
When: Saturday, 9.16, 9 p.m.
Where: Red Rocks
Why: Lotus is basically an EDM jam band. For some people this sounds like the combination of two terrible things. And Lotus may not be for you. Lots of jazz overtones like an electro version of Galactic. But what would you expect of a jam band? Nevertheless, Lotus is respectable live band. But if you want to catch some of the more interesting electronic acts playing more mainstream venues these days, check out Nosaj Thing and Com Truise. The former is a hip-hop artist who has done production work for Kendrick Lamar, Busdriver and Chance the Rapper. His own albums, though tend to be more like ambient dance music with deep low end coursing over and under drifting, vivid melodies. On his 2013 album Home, he featured Blonde Redhead singer Kazu Makino on the song “Eclipse/Blue.” So his musical range and interests are not limited to just a single genre of music. Com Truise came to prominence in the underground through fans of analog synth-based dance music several years back. But his science fiction themed albums caught on with a wider audience not just because Seth Haley is a talented songwriter but he was able to take what could have been simply a lo-fi aesthetic best experienced in a small venue with small sound system and render it suitable for a much larger format of presentation.

Who: Stiff Little Fingers w/Death By Unga Bunga 
When: Saturday, 9.16, 8 p.m.
Where: The Marquis Theater
Why: Stiff Little Fingers, from Belfast, Ireland, were an anecdote in the film High Fidelity for a reason. It’s scrappy, melodic outbursts, as found on its classic, aptly titled, 1979 album Inflammable Material, found an immediate influence but its enduring impact was on the early pop punk scene in America. Although the band broke up in 1982, it reconvened in 1987 and have been actively releasing albums and touring since. Plus, if recent shows are any indication, these guys still play like the world could end tomorrow.

Who: Sonic Vomit, Condor & Jaybird (IA), Harikiri (MN) and Kwantsu Dudes 
When: Saturday, 9.16, 7 p.m.
Where: Mutiny Information Café
Why: Pueblo’s Sonic Vomit probably gets broad brushed as a death metal or grindcore band. But it’s avant-garde and jazz side aren’t exactly subtle or hidden. It just makes the band’s music more unsettling and, frankly, more interesting than something straight ahead couched in a heavy metal subgenre. Which makes its pairing with Condor & Jaybird, a psychedelic band from Iowa rooted in that kind of psych that could have come out of a cult like The Source Family with folk song structure but one using non-Western instrumentation and sounds.

Who: TOPS w/She-Devils 
When: Saturday, 9.16, 8 p.m.
Where: Larimer Lounge
Why: Superficially, TOPS is a Canadian band that makes the kind of light pop music reminiscent of the kind that did well on record charts in the mid-to-late 70s through the 80s. But the secret of many of the songs from that timeframe too is that, yes, discussed the usual everyday life struggles, but in a way that commented on the emptiness and dissatisfaction that is at the core of every society in which the best most people can hope for is a job that doesn’t suck too bad, spending the rest of one’s life with someone you get along with okay even after the rush of early love has long since passed and resign oneself to a beige reality knowing deep down it never needed to be that way. TOPS’ music sounds like the sinking realization of that sort of thing but with more than a shade of the knowledge of what could make life be more fulfilling. That aside, the band’s songs are true gems of indie pop songcraft with words that dig more than a little deeply at the quiet desperation of 21st century urban living.

Who: Micah Schnabel, Sour Boy Bitter Girl and The Swindlin’ Hearts 
When: Sunday, 9.17, 8 p.m.
Where: Lion’s Lair
Why: It’s difficult to say whether, at this point, Micah Schnabel is better known for his solo career or for his band Two Cow Garage. Either way, Schnabel’s take on alt-country is self-critical and he has a real gift for puncturing his own pretensions of years past and foolish notions he might entertain in the present. In that way one might compare him to comedians like Patton Oswalt and Maria Bamford who are keenly aware of their own shortcomings and turn them into their best work. Sour Boy Bitter Girl couldn’t be a more well-named band considering the music. Benjamin Buttice seems to have few qualms in laying out his twitchy psyche out for the audience. Every neurosis, fear and flaw is mixed in with his honest and poetic portrayal of life as its experienced, the only filter seeming to be to make it relatable to other people. The band probably gets labeled alt-country or the like as well but like Schnabel’s, Buttice’s songwriting transcends simple genre designation. It just feels vitally authentic in a format of music tends to hold few surprises.

Who: Witchtrap (Colombia), Nekrofilth, Weaponizer and Skeid 
When: Sunday, 9.17, 8 p.m.
Where: Hi-Dive
Why: Colombian thrash band Witchtrap makes an appearance at the Hi-Dive. Also on the bill are death grind band Nekrofilth, black metal thrashers Weaponizer and “Barbarian black metal” band Skeid. What is that whole Barbarian business about? Listen to their 2017 split release with Morgue Whore and it makes sense because it sounds like the kind of pulsing, low-end heavy stuff Conan would listen to if he could.

 

Who: GGOOLLDD w/Time Scale 
When: Tuesday, 9.19 7 p.m.
Where: Larimer Lounge
Why: Before starting GGOOLLDD with her bandmates in 2014, Margaret Butler was someone who got out of high school and got out of her home town of Baton Rouge, Louisiana. After a stint of subsistence living in Portland, Oregon, she was invited by friends to spend some time in Milwaukee, Wisconsin but it was there that things came together for Butler when she heard the right music that made he want to sing along and soon enough GGOOLLDD became a bit of a local phenomenon before taking its synth pop, crafted to cinematic proportions to stages far and wide. The band isn’t yet playing large theaters regularly but its music is written to that scale. In December the band will release its latest EP, Teeth on Roll Call Records.

Who: Widowspeak w/Death Valley Girls and Clearance
When: Tuesday, 9.19, 8 p.m.
Where: Hi-Dive
Why: Death Valley Girls have done a magic trick in turning campy musical and performance elements into a powerful live band that has the kind of bombast and raw power of L7 or Bikini Kill complimented by an elegant atmospheric side that recalls Cocteau Twins. It’s a combination that shouldn’t work but it just makes DVG more interesting than any surface level assessment of the band could convey outside the live setting even though the band’s records capture some of this essence nicely. Headlining the bill is Widowspeak, a band also known to upset expectations in the best way. Its’ ethereal melodies have an introspective shimmer reminiscent of Mojave 3, The Sundays and Mazzy Star. Its latest record, 2017’s Expect the Best out on Captured Tracks, finds the band exploring a broader palette of sounds seemingly emphasizing texture and rhythm as much as tone and its signature sweeping vistas of dreamy melodies.

Who: Ride w/Lo Moon and DJ Paul Italiano 
When: Wednesday, 9.20, 7 p.m.
Where: Summit Music Hall
Why: In June 2017, British shoegaze legends Ride released Weather Diaries, its first album in twenty-one years. This in the wake of a successful reunion tour in 2015. And like its contemporaries, Slowdive, the new record is a worthy entry in its already respectable extant catalog. The term “shoegaze” is known to have been an insult to bands operating pedals in order to execute their mindbending sounds. What is missed in such a nickname, now minus the negative connotations, is that many of those bands, Ride in particular, did more rocking than shoegazing. As several bands in the 2000s embraced the visceral sound sculpting of 90s shoegazers, the old guard has enjoyed a renaissance and to the credit of most, they came back with new musical ideas that didn’t sound like a tired second act. Those fortunate enough to have caught Ride since it’s been back got to see a band that re-established its reputation as one of the great live bands of its era. Also on the bill is Los Angeles-based dream pop phenoms, Lo Moon. The band has released a few singles that hint at the kind of band that has the sophisticated songcraft and soulfulness of a band like Talk Talk and the knack for crafting evocative atmospheres that have made Perfume Genius one of the most interesting modern artists. But Lo Moon isn’t standing in anyone’s stylistic shadow and its beautifully brooding songs may yet be released on a full length album before the year is out. Get to the show early and catch one of the most promising new bands of the last several years.