Thursday | March 29, 2018
Who: The Milk Blossoms (album release) w/Joseph Lamar, Princess Dewclaw and Midwife
When: Thursday, 03.29, 7 p.m.
Where: Lost Lake
Why: The Milk Blossoms release Dry Heave the Heavenly this night at Lost Lake. The trio basically found a way to take fairly idiosyncratic musical tastes and skill sets and a blend of natural talents to make imaginative, cathartic pop music that couldn’t really be made by anyone else. The bands songs are accessible yet demanding your taking it on its own terms. Calling the group “experimental pop” doesn’t quite do justice to the power of the live band and its recordings. Two talented singers whose styles are quite different but complementary, soul and hip-hop undertones without the hackneyed quality one often finds in artists that are trying too hard to appeal to too many people. The members of The Milk Blossoms are definitely not trying to appeal to people in that way, but, rather, expressing poignant life moments in an achingly resonant way making their music poetic and heartbreaking yet comforting. Naturally for the occasion of the album release, The Milk Blossoms brought together a few of the best Denver bands to round out the bill. Joseph Lamar isn’t trying to put his music in hip-hop, soul, indie rock, electronic pop boxes but there’s bits of all of that and more in his songwriting. Princess Dewclaw combines synth pop and a seething socially critical punk sensibility that seems elemental in the live setting. With her almost abstract and ethereal vocals and spidery guitar work, Midwife channels the ghost of the soul level pain that lingers in the hearts of most people that have lived life enough to know the regret and melancholy that bring loss into stark focus.
Who: DRUNE, Equine, Tyler Jared Cantrell
When: Thursday, 03.29, 9 p.m.
Where: The Skylark Lounge
Why: This is the second edition of Musical Mayhem at The Skylark for March. DRUNE describes itself as “Denver Desert Doom Metal.” Probably means these guys listened to a lot of Kyuss and/or Queens of the Stone Age, maybe Dopesmoker-era Sleep above the rest of that band’s catalog and Ennio Morricone’s movie soundtrack discography. If their practice space recordings are any indication anyway. Equine is the latest project from Kevin Richards who some may know from his time bringing weird jazz chords into the mix with post-hardcore band Motheater and ambient noise project Epileptinomicon or even his own post-rock-esque solo effort Temples (before some okay psych band made the name famous-ish). At any rate, Equine picks up where Temples left off in experimenting with the structure and format of even experimental guitar based music and adding in electronic elements to create a truly hypnotic and immersive soundscape.
Who: Matt and Kim w/CRUISR and Twinkids
When: Thursday, 03.29, 7 p.m.
Where: The Ogden Theatre
Why: Matt Johnson and Kim Schifino met at the Pratt Institute in Brooklyn and became a couple who were encouraged to take up music by the guys in Japanther. Neither had any real training but plenty of creativity and, it turns out, a knack for writing hook-laden pop songs that were upbeat and positivistic without seeming hokey. As the duo’s songwriting developed, its audience quickly outpaced the capacity of the DIY spaces it played early in its career. Matt and Kim have played many of the big festivals and had experiences most bands would love to have and yet their presentation of the music never seems jaded—it seems as exuberant as it was a decade ago.2018’s Almost Everyday, written while Schifino was recovering from an injury strikes an unusually melancholy note now and then suggesting an acknowledgement of mortality to go along with the shift from the exuberant punk attitude of earlier releases to a focus on the electronic side of the band’s sound. Honestly, a welcome change of pace but even if you’re not a fan of the band’s newer sound it’s not like they’re going to only play from the new record and you can go expecting the hijinks that have made Matt and Kim shows more fun than those of most other bands.
Friday | March 30, 2018
Who: Monocle Band & The Dress Downs
When: Friday, 03.30, 6 p.m. doors, 7 p.m. show
Where: Absolute Vinyl, Boulder
Why: Absolute Vinyl ends its more than 9-year run as an institution that offered friendly service, fair prices on vinyl and a place to see a wide variety of live music from the avant-garde improvisational stylings of Animal / object to folk/Americana acts like Monocle Band and The Dress Downs, the two bands that will likely be the last live acts to be hosted by the store. Advocates for the local tape label showcase and other events focused on local culture, Absolute Vinyl was more than just a record store. Absolute Vinyl closes its doors for good tomorrow, Saturday, March 31 so if you’re so inclined pay it one last visit.
Who: Fathers vinyl release w/SPELLS, It’s Just Bugs, Cheap Perfume
When: Friday, 03.30, 8:30 p.m.
Why: At this show you can pick up the vinyl version of the self-titled Fathers album, which came out digitally in October 2017. The group is a bit of an all-star lineup of local heavy music including Oscar Ross and Ryan DeWitt from Lords of Fuzz, Eddie Maestas from Native Daughters and Mhyk Monroe from Cult of the Lost Cause. Fathers is more akin to metallic post-hardcore acts like Converge, Coalesce and Cave-In (whose singer/bassist Caleb Scofield died in a car accident earlier this week). Including the amplified intensity, the clear influence (directly or otherwise) of grindcore and gritty-screamy vocals. Fortunately the group thought to bring in likeminded but sonically quite different bands to round out the bill. SPELLS’ motto is 80% is good enough. But you can’t really tell anyone’s holding back on the energy and performance in the show. Sorta like pop-punk but more refined yet still simple and straight forward. Maybe frontman Ben Roy will do something transgressive but not abusive at the show and it’ll all be worth that beyond Chuck Coffey’s elegant and thoughtful songwriting disguised as dumb-but-fun punk. It’s Just Bugs is the perfect, even inevitable, blend of noise, electro-industrial music and hip-hop. Cheap Perfume writes catchy, fun songs but doesn’t dumb down or dulls its sharp takedown of patriarchal culture to comfort people who think art and politics should be separate.
Who: Strange Goo – KGNU presents An Evening of Perplexing Rhythm: Mux Mool and RUMTUM collaborative set, Ea$$side Lupita, CURTA and Norty
When: Friday, 03.30, 8 p.m.
Where: Fort Greene Bar
Why: For fifth Fridays for the rest of the year, KGNU is presenting An Evening of Perplexing Rhythm, seems to be a showcase for forward thinking hip-hop and electronic music. This edition includes: Mux Mool and RUMTUM doing a set together likely combining their gifts for electronic dance music production and RUMTUM’s use of guitar loops and soundscapes – Ea$$side Lupita, the solo project of the incomparable KoKo La of R A R E B Y R D $ fame and if her production and lushly evocative and emotionally articulate vocals in the latter is any indication, this will be worth paying attention to as well – and CURTA, Denver’s premiere noise rap/experimental hip-hop group who recently released the excellent End of Future Park, a unique and almost surreal take on how the current state of late capitalist economic systems and the pervasiveness of technology in culture is impacting our daily lives in ways we tend not to examine closely enough.
Saturday | March 31, 2018
Who: Chrome w/EchoBeds and Phallic Meditation
When: Saturday, 03.31, 8 p.m.
Where: Larimer Lounge
Why: Check out our write-up on Chrome and interview with Helios Creed for some reasons to go to this show.
What: Raptor Jazz a Ceremony of Life for Colin Ward/Fundraiser feat. Docile Rottweiler, French Kettle Station, UR Presents Acid Rain (live), Sugarsplat 2.0, Shaman Fight Club, AcidBat, Kid Mask, Toucan, visuals by Orchidz3ro and Jak Turbo
When: Saturday, 03.31, 8 p.m.
Where: The Black Box
Why: Colin Ward left an indelible imprint on Denver’s DIY art and music world during his short life before he died at the end of January 2018. This event is a celebration of his life and influence performed by many of those closest to him and a fundraiser for his memorial fund to preserve his art and music going into the future.
Monday | April 2, 2018
Who: Suppression w/Herse, Berated and Flesh Buzzard
When: Monday, 04.02, 7 p.m.
Where: Mutiny Information Café
Why: Suppression are an early noisegrind band from Virginia. When the band began in Roanoke in 1992 it probably seemed pretty extreme and brutal to most people that weren’t already into grindcore. The beyond-screamed vocals, savage sonic gyrations and doomy soundscaping of its 1993, self-titled debut likely didn’t endear itself to purist grind fans either. But 26 years hence and Suppression, now a two-piece, are considered legends of extreme music even though that means they’re probably playing the same kind of underground, DIY and otherwise unglamourous types of venues they did back near the beginning. That said, it would be so odd and not appropriate to witness this music at a theater or even a big club. Fortunately, Mutiny is a perfect place to catch Suppression as well as like-minded locals like the two-piece Herse whose own brand of grind waxes into the realm of experimental music with its own subverting grindcore tropes of song dynamics and tone.
Tuesday | April 3, 2018
Who: Pale Waves w/Inheaven
When: Tuesday, 04.03, 7 p.m.
Where: Larimer Lounge
Why: Pale Waves released All The Things I Never Said, its debut EP, in February 2018. While the band began in 2014, it’s obvious from the songwriting that the Manchester, UK-based group took some time incubating as a band before releasing a song much less a small body of work like a four-song EP. The band’s sound and image is an interesting mix of ideas and creative impulses. Overtly the music is modern synth pop but the band looks like they might be giving us a vintage post-punk/Goth sound as lead singer/guitarist Heather Baron-Gracie and drummer Ciara Doran look like they wouldn’t have been out of place in Siouxsie & The Banshees or Switchblade Symphony. Which makes the contrast interesting because the band sets you up to be surprised and not expect a particular style. Sure, an early single, “There’s Honey,” comes off like late-era Cocteau Twins meets Chvrches but later singles like “Heavenly” mix bright vintage dream pop guitar work with melodic hooks reminiscent of Alvvays. Whatever ingredients went into Pale Waves’ music, what it is now is one of the better pop groups to have come across the Atlantic in a few years.
Who: A Deer A Horse w/Quits and Product Lust
When: Tuesday, 04.03, 8:30 p.m.
Why: Brooklyn’s A Deer A Horse sounds like a cathartic blend of Carla Bozulich circa Evangelista and early Live Skull. That spooky and intense energy of Bozulich and a willingness to let cutting, noisy guitar find its place in jagged rhythms without being limited by them nor vice versa. All while somehow writing accessible songs with hooks. Also on the bill are Product Lust, the post-punk band that blasts through conventional notions of what that has to sound like. There is the spirit of hardcore in the songwriting and presentation partly because Kat Salvaggio is a confrontational frontwoman but the souunds and rhythms sonically color outside hardcore’s tendency for stark contrasts. Quits could loosely be called noise rock because the members of the band have all been in some of the most interesting groups of that ilk for a couple of decades. Doug Mioducki and Luke Fairchild were both in the sometimes shockingly forceful and unhinged noisy post-hardcore band Sparkles. Mioducki went on to play in art-noise-punk-jazz band Witch Doctor and, more recently, CP-208. Fairchild has been in several noteworthy sludgy, noisy punk/metal bands over the years but maybe you’re familiar with Git Some and Kingdom of Magic. Drummer Darren Kulback and bassist Tiana Bernard were also both in CP-208 but before that they were in noise rock trio Hot White who made some waves in the underground before splitting in 2011. And thus Quits brings together a bit of Denver noise rock history in one band. But is it any good? If its 2017 EP is any indication, that’s affirmative, Captain.
Wednesday | April 4, 2018
Who: The Soft Moon w/Boy Harsher and Voight
When: Wednesday, 04.04, 7 p.m.
Where: Larimer Lounge
Why: When The Soft Moon released its 2010 debut album its harsh yet hypnotic industrial post-punk sound didn’t seem connected to much else going on at the time. Unless you were listening to dark noise rockers like Pop. 1280 and Yoga. As stark and as urgent as Suicide, as bass driven with cutting guitar tone reminiscent of A Place to Bury Strangers, The Soft Moon likely also had some roots in Chrome’s blend of mind-altering guitar sound and experiments in electronic soundscaping. On the project’s 2018 record, Criminal, Luis Vasquez has made the dance element stronger while pushing his songwriter in stranger directions and thus escaped a potential trajectory of merely reinventing the sound of his earlier records. Whereas 2012’s Zeros sounded like a transitional record, Criminal sounds like a new chapter in Vasquez’s evolution as an artist. Sharing the bill is Denver’-based industrial post-punk duo Voight who are in the process of transforming their sound in a more electronic direction so you may get to see more than a hint of that for this show. Also, Boy Harsher, originally from Savannah, Georgia, will bring an immersive darkwave dance sound that doesn’t draw easy comparison to much unless you’ve been able to catch New Order or Adult in the last decade. Brilliantly sculpted, driving low end and ghostly vocals that suggest large spaces even when the blanket of fog obscures one’s sense of place at the show. Disorienting yet comforting. Boy Harsher releases Pain II on May 11 but you may be able to pick up a copy at this show.
To Be Continued…