The entrancing, spiralling melodies of “Golden Child” from Philadephia-based psychedelic band Magic Cobra leads you backwards and forwards through time in musical history. The shimmering, fuzzy and fiery guitar work melts with the keyboard undertones while preserving a core of folk-inflected songwriting. One hears echoes of Camper Van Beethoven covering Status Quo’s “Pictures of Matchstick Men” through the lens of late 90s Brian Jonestown Massacre. The potential nod to Syd Barrett’s “Golden Hair” is deft as well. Touchstones aside, “Golden Child” is an immersive sonic expression of joyous ardor. Listen to “Golden Child” on Soundcloud and follow Magic Cobra at the links below.
What:Throwing Thimgs, Bert Olsen (tour kickoff), Sad Dance Party and Zealot When: Thursday, 03.21, 7 p.m. Where: Seventh Circle Music Collective Why: Bert Olsen is taking its post-punk/death rock pop songs beyond Denver for a tour and kicking it off with this show alongside other musical misfits like Zealot, a pop band that is deep under the influence of The Mountain Goats—texture rich melodies, irrepressibly upbeat and crackling with wiry energy.
What:Rubblebucket w/Twain and Toth When: Thursday, 03.21, 7 p.m. Where: Fox Theatre Why: Rubblebucket reached deep into its members hearts in search of the material for Sun Machine, which discusses the struggles of life, death, heartbreak, despair, a yearning for rebirth into a next, better chapter of life while sitting in the depths of one’s psyche. The live presentation of this material, alongside the group’s fine earlier work, is done with an exuberant sense of theater.
What:Equine Tour Kickoff w/Death In Space, J. Hamilton Isaacs, Radiant Filth When: Thursday, 03.21, 8 p.m. Where: Thought//Forms Why: Equine will be taking his abstract guitar compositions on the road for a series of shows out to the east coast. Calling it ambient or “prepared guitar” isn’t quite accurate as Kevin Richards brings to bear a technical knowledge of tone and chord structure applied to his imaginative ear for an interesting and compelling arrangement. To launch him on his way are local peers in the like-minded Death In Space whose own guitar and loop experiments will be on full display as well as J. Hamilton Isaacs and his way of making analog synths make playful and bright dance beats and melodies.
What:Bright Light Social Hour w/Rubedo and Other Worlds When: Thursday, 03.21, 8 p.m. Where: The Gothic Theatre Why: Austin’s Bright Light Social Hour will treat you to an uplifting blend of ethereal tones and motorik beats. If psychedelic rock went a little bit synth pop and the emphasis was on soothing vibes rather than simply pursuing wild sonic gyrations, it might sound like what Bright Light Social Hour has perfected. Denver’s Rubedo is one of the opening acts. The trio has evolved its sound, aesthetic and conceptual thrust over the years. But lately it’s been a nice balance of heartfelt, soulful vocals and blues-inflected art work with intricate yet intuitive changes throughout its songs. It’s a band whose themes are essentially uplifting and on accentuating the positive but never with a heavy-handed and corny take.
Friday | March 22
What:MarchFourth w/Southern Avenue When: Friday, 03.22, 8 p.m. Where: Fox Theatre Why: MarchFourth predates by several years but is otherwise spiritual kin to Denver’s Itchy-O. Both used to have “Marching Band” as part of their name due to the robust horn and percussion sections of both bands. But wheres Itchy-O embodies a more experimental, darker, post-apocalyptic ritualistic side of the music, MarchFourth plays an eclectic kind of instrumental funk. Both are an eye-catching spectacle the likes of which you’re not likely to quite see with a more conventional band format. At a MarchFourth show you’ll also see acrobats, dancers and stiltwalkers with members dressed in a dazzling array of color and personalized detail.
What:Rubie Gold, nIGHTtIMEsCHOOLbUS and Talk Perfect When: Friday, 03.22, 8 p.m. Where: Mutiny Information Café Why: nIGHtIMEsCHOOLbUS is the downtempo hip-hop collaboration between Otem Rellik’s Toby Hendricks and Robin Walker of Shocker Mom. Emotionally tender, borderline ambient beats and warm vibes.
Saturday | March 23
What:Spine, Raw Breed, Cadaver Dog, Videodrome and Mob When: Saturday, 03.23, 7 p.m. Where: Seventh Circle Music Collective Why: Aggressive hardcore night at 7C with some of Denver’s best as well as Spine from Kansas City/Chicago. If those guys drive to practice that truly is hardcore.
What:R A R E B Y R D $ tape release w/Bulldozer Boy When: Saturday, 03.23, 9:30 p.m. Where: The Mercury Café Why: R A R E B Y R D $ is releasing its debut tape MIXTO$ at this show as well as other merch. The album was released digitally in 2018 under a slightly different name on Glasss Records but underwent a remixing via Tyler Breuer whose work as a musician and producer in various bands in Denver brought a different sensibility and ear to the proceedings. The experimental hip-hop trio will celebrate the occasion with a show including downtempo-jazz beatmaker Bulldozer Boy.
What:Get Your Ears Swoll: Night 4: Sweetness Itself, Rachael Pollard and Death In Space When: Saturday, 03.23, 8:30 p.m. Where: The People’s Building Why: Get Your Ears Swoll is a monthly music event at The People’s Building in Aurora. Rachael Pollard has been playing her fragile, playful, thoughtful, introspective songs in and around Denver for twenty years or more. The music feels like you’re getting glimpses into a private universe of talking animals, rainbow bridges to other dimensions and some of the most confessional poems written by anyone. Her shows invite you to connect with the better part of your own psyche. Death In Space could be anything at this point since Aleeya Wilson has integrated synths and guitar with loops. Only expect something interesting and sonically spare but not simplistic.
Sunday | March 24
What:Liz Phair w/Califone When: Sunday, 03.24, 7 p.m. Where: The Ogden Theatre Why: Had Liz Phair only released her 1993 album Exile in Guyville, her place in music history would have been set. The album was a deep, sophisticated, at times profane, feminist exploration of the dynamic in far too many music and creative scenes then and now in which men dominate and sideline women (or anyone that can be sidelined for reasons of identity) in subtle and not subtle ways. Her stories are so vivid and capture a truth so poignant they sound personal but they were not, Phair was just particular adroit in her portraits verbally and emotionally. Since then Phair has written straight ahead pop songs, fuzzy alternative rock, soundtracks and done sound design work so that her more recent albums seem like experiments integrating her career as a musician. Live she’s not the type to refuse to play her classic, beloved material and her sense of humor and sensitivity makes for a captivating time.
What:Carla Bley, Andy Sheppard and Steve Swallow When: Sunday, 03.24, 5:30 and 8 p.m. Where: Dazzle Why: Carla Bley was a major figure in 60s free jazz and her 1971 album with Paul Haines (father of Emily Haines of Metric), Escalator Over The Hill. Called a “jazz opera,” Escalator combined avant-garde jazz and folk and one has to assume it exerted influence on the spontaneous compositions of French prog band Magma. While Bley has played in various configurations large and small this Denver show, her first in around thirty years, will be a trio performance with Andy Sheppard on saxophone and Steve Swallow on bass.
What:Centered Volume 5: Paperbark, Entrancer, Street Soul Nekyia and Pameshen When: Monday, 03.25, 8 p.m. Where: Syntax Physic Opera Why: Jacob Isaacs has been putting together some of the greatest, underground showcases for artists of synthesizer music in the Denver area with his Centered series. This edition includes modular synth artist Paperbark. John Mulville lived in Denver for a handful of years where he became entrenched in the avant-garde and ambient scene with his atmospheric work that projected a tactile sensibility like sculpture done with sound. Entrancer’s own modular synth work has absorbed the influences of old school avant-garde electronic music as well as techno. Both Paperbark and Entrancer also draw inspiration from the production side of hip-hop and while it may not be so obvious in their work with more adventurous hip-hop artists embracing noise and experimental music of late the connection seems obvious especially when the waves of this music hits you in the live setting where its visceral impact is undeniable.
Wednesday | March 27
What:Jerry Paper w/Ava Luna and Ashley Koett When: Wednesday, 03.27, 7 p.m. Where: Larimer Lounge Why: Lucas Nathan was involved in making noise and psychedelic music before he finally decided to start making electronic music to disabuse himself of his prejudices against it. Because of that his music has a truly unusual and original take on what is essentially sample-based composition and retro-futurist weirdo hip-hop.
What:Palehorse/Palerider, Nox Novacula, No Gossip In Braille, Voight When: Wednesday, 03.27, 8 p.m. Where: Hi-Dive Why: Post-metal, post-deathrock, post-punk, post-shoegaze. The kind of bill that should happen all the time but rarely does when artists so unlike each other (beyond all being some kind of rock) have sounds that compliment each other well.
What:Deafheaven, Baroness and Zeal & Ardor When: Wednesday, 03.27, 6:30 p.m. Where: The Ogden Theatre Why: Baroness is on the verge of releasing its latest double album Gold & Grey. The band that has distinguished itself in the realm of sludge metal with intricate and imaginative guitar work and solid vocal harmonies has said that the new record will be the last in its series of color-themed titles. Seeing as guitarist and singer John Baizley is one of the most distinguished and sought-after visual artists in metal and music generally, it’ll be interesting to see what themes emerge from here. Until then you will likely be able to hear a good deal of the new material on this tour with blackened shoegaze band Deafheaven and experimental black metal outfit Zeal & Ardor.
What:Eugene Chadbourne / Ryan Seward, Bret Sexton / Farrell Lowe When: Wednesday, 03.27, 8 p.m. Where: Thought//Forms Why: Eugene Chadborne has been one of the important figures of avant-garde/free jazz for over four decades. Born in Mount Vernon, New York (just north of NYC), Chadbourne grew up in Boulder, Colorado before leaving for Canada to avoid the draft for the Vietnam War. Can hardly blame him. When he came back to America, he moved to NYC where he worked with Henry Kaiser and John Zorn and was encouraged by Anthony Braxton to keep with playing music rather than enter into a career as a journalist. Chadbourne’s prolific output, not fully documented on his Wikipedia page of course, has encompassed a broad range of musical styles and ideas. He has collaborated with Fred Frith, Sun City Girls, Camper Van Beethoven and Charles Tyler (who worked with Albert Ayler and Ornette Coleman). For this performance, Chadbourne will perform with Colorado based improvisational/spontaneous composition artist Ryan Seward with a performance from other Denver area heavy hitters in the local avant-garde scene, who frequently perform with Seward, Bret Sexton and Farrell Lowe. Chadborne will also play a fundraiser for the nonprofit Creative Music Works on Thursday and we’ll provide the information on that event in our next show listing.