Best Shows in Denver 10/10/19 – 10/16/19

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Sleater-Kinney performs Sunday 10/13 at The Ogden Theatre. Photo by Nikko LaMere

Thursday | October 10

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Joshua Trinidad, photo by Tom Murphy

What: The Comet is Coming w/Joshua Trinidad
When: Thursday, 10.10, 7 p.m.
Where: Globe Hall
Why: The Comet is Coming is a London-based trio whose synthesis of jazz, Afrobeat and electronic music is true improvisational kosmische for the modern era. Its two 2019 albums Trust In the Lifeforce of the Deep Mystery and The Afterlife take you on a journey to the outer edges of inner space with soundscapes that wouldn’t be out of place on the long running NPR ambient program Hearts of Space or in a musical realm of the 1970s where Tangerine Dream, Fela Kuti and Gong played the same circuit and mutually influenced each other. So who from Denver could open for this outfit? Only one name really comes to mind and that’s jazz scientist improviser supreme, Joshua Trinidad and his own daring displays of mind-altering sonic experimentalism within an expanded realm of jazz.

What: Cécile McLorin Savant
When: Thursday, 10.10, 6:30-10 p.m.
Where: Dazzle
Why: Cécile McLorin Savant brings major late night vibes to this other great jazz show in Denver tonight. She takes feelings and stretches them out into a form more easily comprehended than the sometimes gnarled shapes they can take in our hearts. She gives them an air of elegance and soulful comprehension they deserve and interprets them back in her soaring, sonorous voice.

What: Vic N’ The Narwhals w/Claire Morales, Easy Lovin’, The Rewind and 21 Taras
When: Thursday, 10.10, 7 p.m.
Where: Hi-Dive

Friday | October 11

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Adia Victoria, photo courtesy the artist

What: Tank & The Bangas w/Adia Victoria
When: Friday, 10.11, 7 p.m.
Where: Gothic Theatre
Why: Adia Victoria’s 2016 album Beyond the Bloodhounds introduced the world to the songwriter’s brooding, expressive, bluesy songwriting. Her 2019 album Silences finds Victoria expanding her sound, now operating in a realm somewhere between Rubblebucket’s soulful pop and Nick Cave’s smoldering intensity. Tank and The Bangas’ hybrid of hip-hop, jazz and R&B is deeply eclectic, lively, layered and uplifting in a way that feels sincere and wholesome without being hokey or self-righteous.

What: Cadaver Dog Japan tour kickoff w/Nekrofilth, Videodrome, Chair of Torture and Pontius Pilate
When: Friday, 10.11, 7 p.m.
Where: Seventh Circle Music Collective

What: ’68 w/The Inspector Cluzo, The Messenger Birds, Plastic Daggers
When: Friday, 10.11, 7 p.m.
Where: Hi-Dive

What: Gun Street Ghost, Ryann Lee, George Cessna
When: Friday, 10.11, 7 p.m.
Where: 3 Kings Tavern

Saturday | October 12

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Muscle Beach, photo by Tom Murphy

What: Muscle Beach w/Palehorse/Palerider, Church Fire and Simulators
When: Saturday, 10.12, 8 p.m.
Where: Hi-Dive
Why: It’s been a few years since the release of Muscle Beach’s self-titled album. But that time has seemingly been spent honing its sharp edges and wiry and explosive dynamics. Now we have Charms, the new full-length being released at this show. Each track has the irreverently humorous and surreal titles you’d hope a band that sounds like a barely controlled psychotic break with every track would have to let you know that this music is an outlet for the kind of frustration and outrage that is part of everyday life these days. “Ballistic Medicine,” “Rage Charles,” “Swim Team Six,” “When Horns Grow Teeth”? Crazy stuff and the sort of precise yet unhinged post-hardcore that is easy to get wrong. The band’s shows are supercharged and dynamic minus any of the machismo the genre can indulge in too often. But Muscle Beach has never fit neatly into a genre and in its clashing crashing sound there is mood and moments of introspection spliced together with angst blown out into shards of pure catharsis. And the bill is fortunately not a lot of music like that. Palehorse/Palerider is like a doom band gone into some pagan tribal version of industrial space rock. Church Fire is purging ritual, politically incendiary, darkwave dance pop. Simulators is thorny, angular, ebullient post-punk. Easily the local line-up of the week to catch a nice representative slice of Denver underground.

What: Cherubs w/Moon Pussy and Quits
When: Saturday, 10.12, 8 p.m.
Where: Moe’s Original BBQ
Why: Cherubs formed in 1991 in Austin, Texas and were plugged into the milieu of noisy, weirdo post-punk that one might have associated with the Amphetamine Reptile record label. Except that Cherubs were signed to Trance Syndicate, the label owned by Butthole Surfers’ drummer King Coffey. Think something like Jesus Lizard, Unsane and a doomier Failure. The band broke up in 1994 but came back together twenty years later and have been back to making heavy psychedelic music not much like anything else that overtly claims to mix either. Its new record, 2019’s Immaculada High, is a colossal slab of disorienting riffs and surreal imagery. Opening are two of Denver’s own finest noise rock outfits. Moon Pussy is a trio who improbably combine fluid dynamics with sharp edged soundscaping and emotionally exorcistic vocals. Quits includes current and former members of Denver noise rock legends Git Some, Hot White and Sparkles.

What: Stiff Little Fingers w/The Avengers
When: Saturday, 10.12, 7 p.m.
Where: Gothic Theatre
Why: Stiff Little Fingers from Belfast, Ireland and The Avengers from San Francisco, USA formed the same year, 1977. The Avengers even opened for the Sex Pistols at their final show at Winterland in 1978. Both bands had significant releases in 1979 and Stiff Little Fingers’ Inflammable Material took the subject of the “Troubles” in Northern Ireland at the time as a through line for the songs and their stark depiction of life in their hometown and the violence and political oppression then hitting hard. The Avengers’ self-titled EP minced no words on critiquing American culture and racism. Seems the subject matter of their songs are all too relevant again so this tour together is timely.

What: Zizia, Ryan Mcryhew and Ryan Seward
When: Saturday, 10.12, 7:30-10 p.m.
Where: Glitter City Nights
Why: Zizia is Amber Wolfe and Jarrod Fowler who perform a kind of environmental audio experience. Like ambient but it brings in field recordings that bring a sense of place with more traditional instruments and sound-making objects for a unique listening experience. Ryan Mcryhew has performed as Entrancer making forward thinking electronic dance music with modular synths and he is currently expanding his methods to explore the possibilities of those methods in expressing ideas and concepts beyond the purely artistic. Ryan Seward is an avant-garde, improvisational percussionist who for this show will perform Michael Pisaro’s 2011 composition, “A drum acted upon by friction, gravity and electricity.”

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Starcrawler, photo by Autumn de Wilde

What: Starcrawler w/Poppy Jean Crawford and Pink Fuzz
When: Saturday, 10.12, 8 p.m.
Where: Lost Lake
Why: On the Starcrawler’s latest album Devour You, the band’s fetchingly fuzzy punk reaches new heights as the group expands its song dynamics and refining its fiery delivery and mixture of distorted and clean sounds across the board. The crashing atonality the group is willing to entertain in the new batch of songs delivers on the promise of its earlier efforts as it moves beyond the sort of sludgy post-grunge doom pop that rightfully garnered it attention as a band to watch with a charismatic frontwoman in Arrow de Wilde.

What: Tank & The Bangas w/Adia Victoria
When: Saturday, 10.12, 7 p.m.
Where: Fox Theatre

What: Digable Planets w/5ve and GaDJet
When: Saturday, 10.12, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: The Heroine, Tokyo Rodeo, Lost Relics and Stone Deaf
When: Saturday, 10.12, 8 p.m.
Where: 3 Kings Tavern

What: Heavy Shit at Streets: Messiahvore, Never Kenezzard, Sounds Like Words, Audio Dream Sister
When: Saturday, 10.12, 8 p.m.
Where: Streets Denver

Sunday | October 13

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Ron Pope, photo by Nicole Mago

What: Sleater-Kinney w/Joseph Keckler
When: Sunday, 10.13, 7 p.m.
Where: Lost Lake
Why: In the mid-90s Sleater-Kinney brought some raw emotional power and intellect to its wiry post-punk and spent the next twenty plus years or so refining that vision and making poignant and inspiring social commentary about what you can aspire to and achieve as a woman in a culture hostile to your dreams. The trio touring for the first time without long time drummer Janet Weiss, and with new drummer Angie Boylan, is taking the music of it’s latest album, the St. Vincent produced The Center Won’t Hold.

What: Ron Pope
When: Sunday, 10.13, 6 p.m.
Where: eTown Hall
Why: Ron Pope is a prolific songwriter from Marietta, Georgia who now calls Nashville home. In a city with numerous singer-songwriters, Pope has stood out with his keen ear for hearing and articulating the thoughts and feelings of the most lonesome times in your life when you’re in your own head sorting through and processing the feelings you don’t often get to when you’re meeting the demand on your psyche of everyday life. His introspective lens and ability to communicate that interiority in a relatable way can be heard across his catalog of spare yet evocative songwriting.

What: Preening, Horse Girl, Harms, Fragrant Mummery
When: Sunday, 10.13, 9 p.m.
Where: Rhinoceropolis

What: Jeremy Porter and the Tucos, The Born Readies, Television Generation
When: Sunday, 10.13, 9 p.m.
Where: 3 Kings Tavern

Tuesday | October 15

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Chameleons Vox circa 2017, photo by Tom Murphy

What: Chameleons Vox and Theatre of Hate and Jay Aston
When: Tuesday, 10.15, 7 p.m.
Where: Herman’s Hideaway
Why: Chameleons Vox is Mark Burgess, iconic vocalist of Manchester-based post-punk band The Chameleons (in the USA often as The Chameleons UK) who started up in 1981 and whose deeply atmospheric and emotionally raw songs were a major influence on most of the shoegaze bands of the late 80s and beyond with echoes of influence reverberating throughout the post-punk revival of the 1990s and early 2000s to the darkwave of the past decade. Socially critical and thought-provoking, The Chameleons’ body of work had plenty of style but as a kind of compelling delivery system for psychically nourishing content.

What: The Rifle, Pure Weed, Jess Parsons and Bellhoss
When: Tuesday, 10.15, 9 p.m.
Where: Rhinoceropolis

What: Too Many Zooz w/Thumpasaurus
When: Tuesday, 10.15, 7 p.m.
Where: The Bluebird Theater

Wednesday | October 16

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Nashville Pussy circa 2011, photo by Tom Murphy

What: Big K.R.I.T. W/Rapsody and Domani Harris
When: Wednesday, 10.16, 7 p.m.
Where: Cervantes’ Masterpiece Ballroom

What: Nashville Pussy w/Wild Call and Last Rhino
When: Wednesday, 10.16, 7 p.m.
Where: Lost Lake

 

Best Shows in Denver 6/27/19 – 7/3/19

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Earth performs June 27 at The Marquis Theater, photo courtesy the artist

Thursday | June 27

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Zealot, photo by Tom Murphy

What: Earth w/Helms Alee
When: Thursday, 06.27, 7 p.m.
Where: The Marquis Theater
Why: Earth is as much an influential and pioneering drone metal band as it is an avant-garde blues folk group imbued with mystical overtones. It’s 2019 album Full Upon Her Burning Lips finds the trio channeling more than the usual measure of its crawling, Black Sabbath-esque gloom. Seeing the live show it’s always fascinating to see how Adrienne Davies moves in an orchestrated string of slow sweeping moves and fast, accenting flourishes as Dylan Carlson and their collaborators of the moment drone with a smoky fluidity.

What: Meet the Giant, The Jinjas, Monty O’Blivion and Zealot
When: Thursday, 06.27, 7 p.m.
Where: Thought//Forms Gallery
Why: Zealot would be a Mountain Goats cover band but Luke Hunter James-Erickson would find that too rote so he injects his own eclectic tastes into the songwriting. Recently released the “Snake Goddess” single, a typically eccentric, high energy, angular indie rock gem. Meet the Giant, informed by electronic music and hip-hop beat-making, write and perform deeply evocative, brooding rock songs that maybe now would overlap with the whole darkwave thing except that Meet the Giant often crosses over into the realm of hard rock in a way most of those bands don’t.

What: Cholo Goth Night featuring Dave Parley of Prayers
When: Thursday, 06.27, 9 p.m.
Where: Streets Denver
Why: Just like it says, Cholo Goth Night at Streets Denver with Dave Parley of Cholo Goth and spinning Darkwave and Goth for the evening. When this event happens in the Los Angeles area and select other cities Parley brings in other darkwave musicians of note to guest a set but not for tonight.

Friday | June 28

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Blue October, photo by Chris Barber

What: The Kinky Fingers w/Vic N’ the Narwhals and Colfax Speed Queen
When: Friday, 06.28, 8 p.m.
Where: Hi-Dive
Why: Now that the Denver “party rock” scene has withered away and garage psych/surf is going the way of pop punk in the early 2000s only the strong and more interesting survive. In the case of these three bands it’s partly because their songwriting was always good and their individual sounds not so susceptible to the blowout of trendiness. Each has also evolved.

What: Tyto Alba and Steele Douglas
When: Friday, 06.28, 5 p.m.
Where: Museum of Contemporary Art Denver
Why: Tyto Alba is always surprisingly evocative with music coming from the tender places of the psyche and coloring the tones in warm, incandescent tones and hypnotic rhythms. Seeing them on a rooftop while a thunderstorm threatens to hover in but never does? Seems symbolic and entirely appropriate.

What: Blue October w/Mona
When: Friday, 06.28, 7 p.m.
Where: Ogden Theatre
Why: Blue October has been around for nearly a quarter of a century now and its career has crossed over from the old way of major labels and the album release cycle to the modern mess and disarray of the industry now that offers bands to connect directly to an audience more so than ever before but to earn far less for their efforts. That the group has weathered that period is impressive itself. Oddly enough its own style of power pop seemingly inspired by late 80s proto-alternative rock like Icehouse and The Outfield and their dramatic presentation of being a bit on the outs of true emotional fulfillment but yearning for that special connection with another human with music that is a little too triumphant in tone and uplifting to be sad bastard music. But Blue October didn’t stay trapped in a past style and its newer music reflects a diversity of newer influences.

What: Primal Birth: Hotpiss, Drume, Eyeface, Padfut, Worldwide Dungeon, DJ 7 Heads
When: Friday, 06.28, 10 p.m.
Where: Rhinoceropolis
Why: A bit of a weirdo underground techno show that starts late and goes late like a rave.

Saturday | June 29

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PUP, photo by Vanessa Heins

What: Westword Music Showcase
When: Saturday, 06.29, 12 p.m.
Where: Golden Triangle Neighborhood
Why: This is the longest running music festival of its type in Denver. Held on just one day in the Golden Triangle neighborhood near the Westword offices off Tenth Ave and Broadway, it is arguably the most concise way all year to see a broad spectrum of the local scene without having to walk too far. This year’s line-up includes several of the local luminaries. Here is a list of see-if-you-can acts at each of the stages and a given set time. Tastes will vary and I’m certainly no expert on big chunks of the local music world.

Breckenridge Brewery Stage
12:25 YaSi
6:10 Jai Wolf

White Claw Stage
7:20 CHVRCHES

Vinyl Main
12:50 Techno Allah
2:30 Erin Stereo

#vybe
12:50 Venus Cruz
6:40 Lady Gang
7:30 RARE BYRD$

Stoney’s Main
12:35 Gora Gora Orkestar
5:35 Wes Watkins
7:15 Roka Hueka
8:05 Los Mocochetes

Bar Standard
12:50 Hail Satan
2:30 Ghosts of Glaciers
5:50 Fathers
6:40 Plasma Canvas
7:30 Cheap Perfume

Temple/Mirus Gallery
3:20 Starjammer

Stoney’s South
1:40 Brianna Straut
2:30 Bevin Luna
5:50 Florea

The Church
12:00 eHpH
2:30 Ramakhandra
5 Vic n’ the Narwhals
5:50 Spirettes
6:40 The Hollow

100% Agave
1:40 Bret Sexton
5:50 Los Dog Ensemble
6:40 The Maybe So’s
7:30 Joshua Trinidad Trio

What: PUP w/Ratboys and Beach Bunny
When: Saturday, 06.29, 9 p.m.
Where: Gothic Theatre
Why: PUP started making waves a handful of years ago outside its hometown of Toronto, Ontario among aficionados of pop punk and emo who missed that brashly confessional style of songwriting before the music hit maximum saturation level in the early-to-mid 2000s. When the band began in 2010 a quasi-movement was under way across the North American continent in making fun, melodic punk that was raw and expressive. With PUP and others the key difference was embracing the relatively unrefined side of that songwriting and how that opened possibilities for the music to go where it will rather than fall directly in a worn out style. This has given PUP’s songwriting a freshness that even if at first it seems completely within the realm of standard pop punk. Its new record, 2019’s Morbid Stuff, arguably its best to date, revealed the influence of the more vital garage punk and 2000s lo-fi noise rock on its sound. Like the Reatards and perhaps No Age. Its irreverent spirit and deft local cultural references that are relatable to people who experience similar social phenomena in their own cities makes for a consistently endearing listen.

What: Luxury Hearse, Timelord SFX and blank human
When: Saturday, 06.29, 7 p.m.
Where: Tennyson’s Tap
Why: Luxury Hearse combines the forces of blank human’s ambient/noise sound sculpting and Psychic Secretary’s beat-driven experimental electronic music. What to call it? Some might think industrial because of its sometimes sharp edges but it’s more in the vein of edgier yet dream-like dance music.

What: 5th Annual Colorado Goth Fest: Suicide Commando and Læther Strip w/Offerings to Odin, The Union, The Midnight Marionettes, eHpH and WitchHands
When: Saturday, 06.29, 6 p.m.
Where: Oriental Theater
Why: This edition of the Colorado Goth Fest features headliners who are significant and one might say pioneering artists in the realm of EBM with Suicide Commando and Læther Strip. The local acts are a fairly diverse group as well including death rock band WitchHands from Colorado Springs and Denver’s own EBM/electro-post-punk duo eHpH.

What: Blue October w/Mona ogdentheatre.com/events/detail/369899
When: Saturday, 06.29, 8 p.m.
Where: Ogden Theatre
Why: For Blue October see above for 6.28.

Monday | July 1

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Culture Abuse circa 2018, photo by Tom Murphy

What: Culture Abuse w/Tony Molina, Young Guy, Dare, Regional Justice Center and Cadaver Dog
When: Monday, 07.01, 7 p.m.
Where: Marquis Theater
Why: Culture Abuse has big melodic hooks for a band that came up through the milieu of garage punk. It’s 2018 album Bay Dream greatly expanded its range as a band both tonally, dynamically and emotionally as it’s informed by a sensitivity to the inevitability of the death of those close to you and a wry sense of humor and irony. After all Culture Abuse has a song called “Dave’s Not Here (I Got The Stuff Man)” referencing the classic Cheech & Chong skit. While there’s plenty of wiry punk energy behind the material, especially live, it’s really more of a great power pop record. Tony Molina got started in music playing in hardcore bands but his solo work is more in line with jangle pop and C86 with a sprinkling of The Byrds. His own 2018 record Kill the Lights wouldn’t have been out of place in the same musical realm as Teenage Fanclub circa 1992. Except with more folk-inflected, introspective songwriting throughout.

What: Muscle Beach, Buildings (MN) and Simulators
When: Monday, 07.01, 8 p.m.
Where: Streets Denver
Why: Buildings form Minneapolis is a vital cross between a math-y noise rock and post-hardcore. Muscle Beach is of similar mind but its own version of post-hardcore is a splintery assault on the senses that drags you down emotional pathways that purge angst and personal darkness – all done with a cathartic sense of joy. Simulators are an angular noise rock duo whose music is both cutting and unhinged yet mathematically precise. It’s always an interesting contrast.

Wednesday | July 3

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Total Trash, photo by Tom Murphy

What: Bud Bronson + the Good Timers, The Right Here, Bad Licks, DJ Sara Splatter
When: Wednesday, 07.01, 8 p.m.
Where: Hi-Dive
Why: Bud Bronson + The Good Timers are always surprisingly good. Its earnest power pop sounds like it’s of today but has a quality and a vibe that is reminiscent of the stories and sentiments one heard in the music of late 70s/early 80s Bruce Springsteen and Tom Petty. Also on the bill is Bad Licks who somehow do a kind of psychedelic blues rock that is legitimate and high energy because good songwriting transcends pre-conceptions.

What: Weird Wednesdayl: Total Trash, Pretty Loud, Klaus Dafoe
When: Wednesday, 07.01, 9 p.m.
Where: Bowman’s Vinyl
Why: Total Trash is a band comprised of luminaries of Denver’s indie rock scene going back nearly two decades and yet it’s not all middle aged people. If you remember Fissure Mystic, Fingers of the Sun and Lil’ Slugger, it’s people from those bands. It’s psychedelic, shoegaze-y jangle pop is transporting yet relatable and down to earth. Klaus Dafoe is an instrumental band that collides together 2000s math rock, weirdo punk and indie pop for a sound that is familiar yet unusual.

What: Pale Sun, Palehorse/Palerider, Random Temple and Grass
When: Wednesday, 07.01, 7 p.m.
Where: Lost Lake
Why: Palehorse/Palerider’s drummer Nathan Marcy said to bring earplugs. Good idea, because his own group is the kind of doom/shoegaze/dark desert psych band that makes beautifully dark, atmospheric, consciousness expanding music with ritual/tribal flourishes that is, yes, in fact, quite loud. In good company with gritty psych band Grass and Pale Sun. The latter’s dreamy yet dense rock music will take you to a different psychological space than the one with which you walked into the show. Includes former members of Bright Channel, Space Team Electra and Snake Rattle Rattle Snake.

Best Shows in the Denver Area 3/21/19 – 3/27/19

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R A R E B Y R D $ performs at Mercury Café on March 23. Photo by Tom Murphy

Thursday | March 21

What: Throwing Thimgs, Bert Olsen (tour kickoff), Sad Dance Party and Zealot
When: Thursday, 03.21, 7 p.m.
Where: Seventh Circle Music Collective
Why: Bert Olsen is taking its post-punk/death rock pop songs beyond Denver for a tour and kicking it off with this show alongside other musical misfits like Zealot, a pop band that is deep under the influence of The Mountain Goats—texture rich melodies, irrepressibly upbeat and crackling with wiry energy.

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Rubblebucket, photo by Rob Abelow

What: Rubblebucket w/Twain and Toth
When: Thursday, 03.21, 7 p.m.
Where: Fox Theatre
Why: Rubblebucket reached deep into its members hearts in search of the material for Sun Machine, which discusses the struggles of life, death, heartbreak, despair, a yearning for rebirth into a next, better chapter of life while sitting in the depths of one’s psyche. The live presentation of this material, alongside the group’s fine earlier work, is done with an exuberant sense of theater.

What: Equine Tour Kickoff w/Death In Space, J. Hamilton Isaacs, Radiant Filth
When: Thursday, 03.21, 8 p.m.
Where: Thought//Forms
Why: Equine will be taking his abstract guitar compositions on the road for a series of shows out to the east coast. Calling it ambient or “prepared guitar” isn’t quite accurate as Kevin Richards brings to bear a technical knowledge of tone and chord structure applied to his imaginative ear for an interesting and compelling arrangement. To launch him on his way are local peers in the like-minded Death In Space whose own guitar and loop experiments will be on full display as well as J. Hamilton Isaacs and his way of making analog synths make playful and bright dance beats and melodies.

What: Bright Light Social Hour w/Rubedo and Other Worlds
When: Thursday, 03.21, 8 p.m.
Where: The Gothic Theatre
Why: Austin’s Bright Light Social Hour will treat you to an uplifting blend of ethereal tones and motorik beats. If psychedelic rock went a little bit synth pop and the emphasis was on soothing vibes rather than simply pursuing wild sonic gyrations, it might sound like what Bright Light Social Hour has perfected. Denver’s Rubedo is one of the opening acts. The trio has evolved its sound, aesthetic and conceptual thrust over the years. But lately it’s been a nice balance of heartfelt, soulful vocals and blues-inflected art work with intricate yet intuitive changes throughout its songs. It’s a band whose themes are essentially uplifting and on accentuating the positive but never with a heavy-handed and corny take.

Friday | March 22

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Marchfourth, photo by Andrew Wyatt

What: MarchFourth w/Southern Avenue
When: Friday, 03.22, 8 p.m.
Where: Fox Theatre
Why: MarchFourth predates by several years but is otherwise spiritual kin to Denver’s Itchy-O. Both used to have “Marching Band” as part of their name due to the robust horn and percussion sections of both bands. But wheres Itchy-O embodies a more experimental, darker, post-apocalyptic ritualistic side of the music, MarchFourth plays an eclectic kind of instrumental funk. Both are an eye-catching spectacle the likes of which you’re not likely to quite see with a more conventional band format. At a MarchFourth show you’ll also see acrobats, dancers and stiltwalkers with members dressed in a dazzling array of color and personalized detail.

What: Rubie Gold, nIGHTtIMEsCHOOLbUS and Talk Perfect
When: Friday, 03.22, 8 p.m.
Where: Mutiny Information Café
Why: nIGHtIMEsCHOOLbUS is the downtempo hip-hop collaboration between Otem Rellik’s Toby Hendricks and Robin Walker of Shocker Mom. Emotionally tender, borderline ambient beats and warm vibes.

Saturday | March 23

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Rachael Pollard, Bonnie Weimer on left, Johnny Sherry behind. Photo by Tom Murphy, May 2008

What: Spine, Raw Breed, Cadaver Dog, Videodrome and Mob
When: Saturday, 03.23, 7 p.m.
Where: Seventh Circle Music Collective
Why: Aggressive hardcore night at 7C with some of Denver’s best as well as Spine from Kansas City/Chicago. If those guys drive to practice that truly is hardcore.

What: R A R E B Y R D $ tape release w/Bulldozer Boy
When: Saturday, 03.23, 9:30 p.m.
Where: The Mercury Café
Why: R A R E B Y R D $ is releasing its debut tape MIXTO$ at this show as well as other merch. The album was released digitally in 2018 under a slightly different name on Glasss Records but underwent a remixing via Tyler Breuer whose work as a musician and producer in various bands in Denver brought a different sensibility and ear to the proceedings. The experimental hip-hop trio will celebrate the occasion with a show including downtempo-jazz beatmaker Bulldozer Boy.

What: Get Your Ears Swoll: Night 4: Sweetness Itself, Rachael Pollard and Death In Space
When: Saturday, 03.23, 8:30 p.m.
Where: The People’s Building
Why: Get Your Ears Swoll is a monthly music event at The People’s Building in Aurora. Rachael Pollard has been playing her fragile, playful, thoughtful, introspective songs in and around Denver for twenty years or more. The music feels like you’re getting glimpses into a private universe of talking animals, rainbow bridges to other dimensions and some of the most confessional poems written by anyone. Her shows invite you to connect with the better part of your own psyche. Death In Space could be anything at this point since Aleeya Wilson has integrated synths and guitar with loops. Only expect something interesting and sonically spare but not simplistic.

Sunday | March 24

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Liz Phair, photo courtesy the artist

What: Liz Phair w/Califone
When: Sunday, 03.24, 7 p.m.
Where: The Ogden Theatre
Why: Had Liz Phair only released her 1993 album Exile in Guyville, her place in music history would have been set. The album was a deep, sophisticated, at times profane, feminist exploration of the dynamic in far too many music and creative scenes then and now in which men dominate and sideline women (or anyone that can be sidelined for reasons of identity) in subtle and not subtle ways. Her stories are so vivid and capture a truth so poignant they sound personal but they were not, Phair was just particular adroit in her portraits verbally and emotionally. Since then Phair has written straight ahead pop songs, fuzzy alternative rock, soundtracks and done sound design work so that her more recent albums seem like experiments integrating her career as a musician. Live she’s not the type to refuse to play her classic, beloved material and her sense of humor and sensitivity makes for a captivating time.

What: Carla Bley, Andy Sheppard and Steve Swallow
When: Sunday, 03.24, 5:30 and 8 p.m.
Where: Dazzle
Why: Carla Bley was a major figure in 60s free jazz and her 1971 album with Paul Haines (father of Emily Haines of Metric), Escalator Over The Hill. Called a “jazz opera,” Escalator combined avant-garde jazz and folk and one has to assume it exerted influence on the spontaneous compositions of French prog band Magma. While Bley has played in various configurations large and small this Denver show, her first in around thirty years, will be a trio performance with Andy Sheppard on saxophone and Steve Swallow on bass.

Monday | March 25

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Paperbark, photo by Tom Murphy

What: Carla Bley, Andy Sheppard and Steve Swallow
When: Monday, 03.25, 5:30 and 8 p.m.
Where: Dazzle
Why: For Carla Bley see above.

What: Centered Volume 5: Paperbark, Entrancer, Street Soul Nekyia and Pameshen
When: Monday, 03.25, 8 p.m.
Where: Syntax Physic Opera
Why: Jacob Isaacs has been putting together some of the greatest, underground showcases for artists of synthesizer music in the Denver area with his Centered series. This edition includes modular synth artist Paperbark. John Mulville lived in Denver for a handful of years where he became entrenched in the avant-garde and ambient scene with his atmospheric work that projected a tactile sensibility like sculpture done with sound. Entrancer’s own modular synth work has absorbed the influences of old school avant-garde electronic music as well as techno. Both Paperbark and Entrancer also draw inspiration from the production side of hip-hop and while it may not be so obvious in their work with more adventurous hip-hop artists embracing noise and experimental music of late the connection seems obvious especially when the waves of this music hits you in the live setting where its visceral impact is undeniable.

Wednesday | March 27

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Jerry Paper, photo by Monika Mogi

What: Jerry Paper w/Ava Luna and Ashley Koett
When: Wednesday, 03.27, 7 p.m.
Where: Larimer Lounge
Why: Lucas Nathan was involved in making noise and psychedelic music before he finally decided to start making electronic music to disabuse himself of his prejudices against it. Because of that his music has a truly unusual and original take on what is essentially sample-based composition and retro-futurist weirdo hip-hop.

What: Palehorse/Palerider, Nox Novacula, No Gossip In Braille, Voight
When: Wednesday, 03.27, 8 p.m.
Where: Hi-Dive
Why: Post-metal, post-deathrock, post-punk, post-shoegaze. The kind of bill that should happen all the time but rarely does when artists so unlike each other (beyond all being some kind of rock) have sounds that compliment each other well.

What: Deafheaven, Baroness and Zeal & Ardor
When: Wednesday, 03.27, 6:30 p.m.
Where: The Ogden Theatre
Why: Baroness is on the verge of releasing its latest double album Gold & Grey. The band that has distinguished itself in the realm of sludge metal with intricate and imaginative guitar work and solid vocal harmonies has said that the new record will be the last in its series of color-themed titles. Seeing as guitarist and singer John Baizley is one of the most distinguished and sought-after visual artists in metal and music generally, it’ll be interesting to see what themes emerge from here. Until then you will likely be able to hear a good deal of the new material on this tour with blackened shoegaze band Deafheaven and experimental black metal outfit Zeal & Ardor.

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Eugene Chadbourne, photo courtesy the artist

What: Eugene Chadbourne / Ryan Seward, Bret Sexton / Farrell Lowe
When: Wednesday, 03.27, 8 p.m.
Where: Thought//Forms
Why: Eugene Chadborne has been one of the important figures of avant-garde/free jazz for over four decades. Born in Mount Vernon, New York (just north of NYC), Chadbourne grew up in Boulder, Colorado before leaving for Canada to avoid the draft for the Vietnam War. Can hardly blame him. When he came back to America, he moved to NYC where he worked with Henry Kaiser and John Zorn and was encouraged by Anthony Braxton to keep with playing music rather than enter into a career as a journalist. Chadbourne’s prolific output, not fully documented on his Wikipedia page of course, has encompassed a broad range of musical styles and ideas. He has collaborated with Fred Frith, Sun City Girls, Camper Van Beethoven and Charles Tyler (who worked with Albert Ayler and Ornette Coleman). For this performance, Chadbourne will perform with Colorado based improvisational/spontaneous composition artist Ryan Seward with a performance from other Denver area heavy hitters in the local avant-garde scene, who frequently perform with Seward, Bret Sexton and Farrell Lowe. Chadborne will also play a fundraiser for the nonprofit Creative Music Works on Thursday and we’ll provide the information on that event in our next show listing.

Best Shows in Denver 03/7/19 – 3/13/19

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Low performs at Globe Hall on March 8. Photo by Shelly Mosman

Thursday | March 7

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RUMTUM circa 2016, photo by Tom Murphy

Who: RUMTUM mural unveiling w/Nasty Nachos and DJ YOLOLO
When: Thursday, 03.07, 6:30 p.m.
Where: The Oriental Theater
Why: John Hastings who performs ambient/IDM/instrumental pop music as RUMTUM recently received a commission from Meow Wolf to do a mural at The Oriental Theater. Tonight is the unveiling and the evening will incorporate interactive visual installations by WMD and FOREST and performances/DJ sets from Nasty Nachos and DJ YOLOLO.

Who: Rhadoo w/Peter Blick (Below Radar) and Liminal
When: Thursday, 03.07, 9 p.m.
Where: The Black Box
Why: Rhadoo is known to connoisseurs of electronic music internationally but in his home country of Romania, he’s a star, a legend of his scene, who is all but mainstream. He brings his chill and hypnotic mixture of house and techno to Black Box for a night of music including a set from Peter Blick of Below Radar (a Denver and San Francisco curator of choice underground electronic music events) and the Liminal collective.

Who: Satin Spar, Ruehlen/Seward and TARP
When: Thursday, 03.07, 7 p.m.
Where: Madelife
Why: Experimental music label Shadowtrash Tape Group and the Madelife gallery present this evening of synth and percussion duos.

Friday | May 8

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And the Kids, photo by Guzman

Who: Low w/Rivulets
When: Friday, 03.08, 8:30 p.m.
Where: Globe Hall
Why: For going on three decades Low has written some of the most affecting, emotionally raw, tender and thoughtful music in America. Its influential early albums are classics of slowcore which is to say it was music in direct contrast to the louder and more bombastic trend of popular music of the day. It required and deserved your attention and reflection on the songs. Toward the turn of the century the band’s palette of sounds expanded and it embraced dynamics of volume and its ability to make the ambiance and the mood of a song more nuanced yet immediate. For 2018’s Double Negative, the trio basically reinvented its use of sound. Rather than the pastoral grandeur of years past and the emotionally rich and vibrant offerings of its more rock period, Low seems to have inverted those elements to make something that would be more expected in the realm of abstract industrial music, textured ambient and the avant-garde generally. Except all the songs have a pop quality. Maybe it’s the structures, or the way the band is able to make the dark, fractured music accessible. It is arguably the band’s most interesting album in years from a career that isn’t short on arresting and noteworthy material. What might be even more interesting is how this band will pull off such unusual and challenging material live.

Who: The Playground Ensemble perform 8 Songs For a Mad King
When: Friday, 03.08, 6:30 and 8:30 p.m.
Where: The Mercury Café
Why: Denver’s Playground Ensemble will put on a production of Peter Maxwell Davies’ ambitious, 1969 masterpiece Eight Songs for a Mad King. The work includes unusual vocals, shifting musical styles, pointed depictions of Mad King George III and a theatrical presentation with elaborate stage props. There will be two performances on this night, as indicated above, and it’s guaranteed there won’t be much like this in Denver in 2019.

Who: Judah Friedlander
When: Friday, 03.08, 7 p.m.
Where: Globe Hall
Why: Judah Friedlander is most known for his unusual and brilliant stand-up comedy and for appearing in and writing for some of the most interesting television series of the last twenty years including Wonder Showzen, Spin City, Flight of the Conchords and LateLine. But he is also one of the country’s most sharp and insightful cultural critics and commentators. For this performance there will be plenty of both. Few comedians worth their salt are essentially content free and Friedlander most certainly is not.

Who: Heathen Burial, Masons and Clutch Plague
When: Friday, 03.08, 8 p.m.
Where: Thought//Form
Why: A show that bridges the gap between abstract metal and noise.

Who: And The Kids w/Toth and Corsicana
When: Friday, 03.08, 8 p.m.
Where: Larimer Lounge
Why: And The Kids’ When This Life is Over has one of the most fetching album covers of 2019. Fortunately it represents well the reticence and exuberance and sensitivity informing the music within. Musically it’s fuzzy, upbeat rock in the modern indie vein but And The Kids are willing to veer off the mid-tempo, safe path and indulge passages that sound like they could go off the song’s rails. Also, in “Champagne Ladies” we get lyrics like “Life is a bastard, life wants to kill you/Don’t get old/Life is a bastard, it wants to kill you/Don’t let go.” Which about sums up too much of life for people grinding away and struggling to not just survive but create for oneself a life worth living even with seemingly insurmountable challenges in place. Also on the bill is Toth, the side project of Rubblebucket’s Alex Toth whose eclectic instrumentation and gift for utilizing space in his songwriting shines with this project as well. The deeply imaginative and soothing debut full-length from Toth, Practice Magic and Seek Professional Help When Necessary comes out on May 10.

Saturday | March 9

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Cloud Catcher circa 2016, photo by Tom Murphy

Who: Chimney Choir w/Ramakhandra
When: Saturday, 03.09, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Superficially one might describe Chimney Choir as an experimental folk band. But the thought and creativity that goes into the songwriting and especially the always captivating live shows, most of them interactive and often involving elaborate sets and costumes, sets the band apart from most its peers but not competitively, not by setting the bar higher for others to reach but as an example of what’s possible if you’re willing to challenge yourself and put in the time as a creative person to achieve something for yourself that hopefully resonates with others.

Who: Cloud Catcher EP release w/Bleakheart, Cadaver Dog
When: Saturday, 03.09, 9 p.m.
Where: Tooey’s Off Colfax
Why: Cloud Catcher is supposedly breaking up later this year so this is one of your last chances to catch the great Denver sludge metal act with bands that may not be in its usual wheelhouse like the hardcore outfit Cadaver Dog. Cloud Catcher is also gifting us with one final EP available at the show. Perhaps we’ll also hear what Rory Rummings and company are up to next soon.

Who: Graves w/Hex Cougar and Gangus
When: Saturday, 03.09, 8:30 p.m.
Where: Larimer Lounge
Why: Not the post-Misfits band, Graves is DJ and producer Christian Mochizuki, He did production work with Kanye West, Kid Cudi and Big Sean, for example, and his hybrid hip-hop and progressive trance style of bass music has earned him an audience of his own. He’ll probably be doing sets at bigger venues before too long so if this is your thing, catch it at a small club like Larimer Lounge.

Who: Ned Garthe Explosion, The Savage Blush and Palo Santo
When: Saturday, 03.09, 8 p.m.
Where: Lost Lake
Why: After many of the lesser psychedelic garage rock bands have passed into irrelevance, three of the standouts from Denver are playing on a bill together tonight. Ned Garthe Explosion is clearly the craziest, weirdest and funniest of the bunch. But The Savage Blush makes the most of its minimalist instrumentation and Palo Santo always sounds like it’s from a few decades ago but yet not a throwback.

Sunday | March 10

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Tuck Knee, photo by Tom Murphy

Who: Tuck Knee w/No Sign of Remorse, Secticide and didaktikos
When: Sunday, 03.10, 8 p.m.
Where: Thought//Forms Gallery
Why: Tuck Knee is releasing its debut album. Fans of Minor Threat may cry foul at the comparison but Tuck Knee has that kind of energy and conviction and instincts for fairly non-doctrinaire hardcore songwriting. Didaktikos? No slouches in that vein either.

Who: The Sound of Animals Fighting w/Planes Mistaken for Stars and Lorelei K
When: Sunday, 03.10, 7 p.m.
Where: The Ogden Theatre
Why: The Sound of Animals Fighting was a brilliant amalgamation of math-y post-hardcore and ambient. Comprised of prominent musicians in the post-hardcore world and lead by Rich Balling of Rx Bandits, the group operated between 2004 and 2009. Also on this tour is one of post-hardcore greatest bands, Planes Mistaken for Stars from Denver. That band’s emotionally searing songs were anthems for the pulsing and tortured collective heart of underground punk in the 2000s.

Monday | March 11

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Animal / object circa December 2017, photo by Tom Murphy

What: Freq Boutique 024
When: Monday, 03.11, 8 p.m.
Where: Fort Greene
Why: This is the twenty-fourth edition of Freq Boutique, the WMD-sponsored showcase of synthesizer tech and gear as well as a sort of open mic for which one can sign up on the event page.

What: Solos/Duos – Denver Avant-Garde Music Society featuring Animal / object
When: Monday, 03.11, 7 p.m.
Where: Thought//Forms Gallery
Why: This is the monthly avant-garde open mic curated by Denver Avant-Garde Music Society. The evening opens with a performance from Animal / object, the spontaneous composition group whose evolving membership includes long-time Denver avant-garde musician Kurt Bauer at the core often with contributions from Paul Mimlitsch, Arnie Swenson, Reed Weimer and Gordon Gano.

Tuesday | March 12

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Carlos Medina, photo courtesy Meow Wolf

Who: Carlos Medina w/Pink Hawks and The Savage Blush
When: Tuesday, 03.12, 7 p.m.
Where: Hi-Dive
Why: Carlos Medina, the “psychedelic Mariachi” has already built a sizeable underground following for his unique brand of music that is rooted in Mariachi but with pop flourishes and a fascinating takes on rhythm and use of tone to set the music outside the realm of pure tradition. His touring circuit has taken him to a wide variety of venues treating audiences (knowing or otherwise) to his corridos psicodélicos. As an artist-in-residence at George RR Martin’s Jean Cocteau Cinema in Santa Fe, New Mexico, Medina had a direct connection to the Meow Wolf collective who produced and released his debut full-length El Cantador. Perhaps his exquisitely crafted songs don’t scream out “psychedelic” to those that don’t speak Spanish. But check out the darkly beautiful video for “No Le Digan” and you get a taste of the creative context of the music and Medina’s rich vision that sees the imaginative possibilities inherent in his cultural background and his place as an artist within it. Medina gets compared to Tom Waits but probably because he too is an interpreter and re-interpreter of culture par excellence.

Who: A Night to Survive: Right to Survive Campaign Kickoff Concert
When: Tuesday, 03.12, 6:30 p.m.
Where: The Oriental Theater
Why: This is a “Yes on 300” fundraiser/kickoff featuring musical performances from some of Denver’s finest: Esmé Patterson, Laura Goldhamer, Wheelchair Sports Camp.

Wednesday | March 13

Who: Sandy Ewen (NYC) + Ryan Seward, Cash/Westerman, Channel Worker
When:Wednesday, 03.13, 8 p.m.
Where: Thought//Forms
Why: Sandy Ewen is, according to the bio on her website, a “sound artist, visual artist and architect who moved to New York City from Houston in 2018. Her sound art incorporates the use of prepared guitar, the use of textures and objects not conventionally associated with music (like railroad spikes, steel wool, bolts and so on) as well as an array of offbeat instruments used as vessels or raw sound to create an environment and experience. If you’re looking for conventional music, this show won’t be that. Rather, how sound can be an artform that doesn’t fit within the confines of song structure in any tradition.

Best Shows in Denver 11/29/18 – 12/5/18

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Lingua Ignota performs with Thou, MJ Guider and Blood Incantation at Syntax Physic Opera on Friday, November 30, 2018. Photo by Teddie Taylor.

Thursday | November 29, 2018

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Sliver, photo by Tom Murphy

Who: Sliver, afd, Tuck Knee, Sick World, Wheels
When: Thursday, 11.29, 8 p.m.
Where: Thought//Forms
Why: In the early days, Sliver always wanted to be a Limp Bizkit cover band but singer/guitarist Chris Mercer kept being told he looked like Kurt Cobain on April 6, 1994 and he looked into Nirvana’s music and its roots and got inspired to make a sort of rock music with the raw and somewhat unpredictable quality of punk and the tuneful sensibility of Cobain’s own accessible yet often startlingly honest songwriting. In spite of Mercer’s early influences, Sliver has evolved into one of the better bands out of Denver and sharing the room tonight with like-minded artists operating outside of the trad punk straight jacket.

Who: Gamelan Tunas Mekar
When: Thursday, 11.29, 7 p.m.
Where: Dazzle
Why: Denver-based Gamelan Tunas Mekar is an orchestra of practitioners of the percussive/tonal instrument the gamelan. Lead by Balinese composer and Artist-in-Residence Made Lasmawan, this is probably the most legit performance of traditional Balinese music you’re likely to get to see anytime soon.

Friday | November 30, 2018

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Line Brawl, photo by Tom Murphy

Who: Thou, Lingua Ignota, MJ Guider and Blood Incantation
When: Friday, 11.30, 8 p.m.
Where: Syntax Physic Opera
Why: Thou has built a body of work over the course of the past decade and more that transcends a convenient genre designation for the uninitiated like doom, sludge crust and experimental black metal. Its music fits all of those and more but mostly it’s just a sonically accurate embodiment of human struggle and our collective agony at having to bear the crushing weight of societies and cultures that aren’t geared toward cultivating and nurturing us. But not that abstract. Thou’s music feels deeply personal and coming from a place in the heart that has all but given up hope. Thou is also one of the most prolific bands in heavy music with five releases in 2018 alone. In August the group released Magus on Sacred Bones Records, a typically somber yet colossal collection of anthems suggesting a spiritual purge and awakening a sense of mission in surrendering to an intuition guided by forces larger than the self. Hey, one song is called “Transcending Dualities” and another “The Kingdom of Meaning.”

Lingua Ignota is the name for the language that the twelfth century Christian mystic St. Hildegard of Bingen used in her mystical practice. It was a secret language in which Bingen may have expressed her experiences outside that of typical mortal ken. That association certainly fits the music of Kristin Hayter for the project of the same name. Seemingly tapping into the nightmares of the collective unconscious for her compositions and recordings, Hayter inevitably gets compared to the similarly elemental Diamanda Galas who also employs piano to great dramatic effect alongside disorienting, noisy drones. Fans of Pharmakon and Jarboe will also find a great deal to love in Hayter’s oevre. 2018’s All Bitches Die evokes a kind of modern day experience of the mythological and mystical with both claustrophobic intensity and sublimely spacious compositions that at times are reminiscent of the more transcendent passages of Patti Smith’s misunderstood, experimental 1976 record Radio Ethiopia. All comparison’s aside, Hayter’s music pulls you along and challenges you, it is both uncompromising yet accessible.

MJ Guider is Melissa Guion of New Orleans and her composed environment music is enveloping and otherworldly Her 2016 album Precious Systems is like a visionary post-Snow Crash science fiction album written in music.

Blood Incantation doesn’t do many Colorado shows as the weirdo death metal band has been touring internationally for a few years at this point and can preserve some of its mystique locally.

Who: Glasss Presents: Princess Dewclaw, Rat Bites, Bert Olsen
When: Friday, 11.30, 9 p.m.
Where: Lion’s Lair
Why: Princess Dewclaw somehow sounds like a great, angsty southern California deathrock band from the early 80s with New Wave-y synthesizers mixed with the electrifyingly raw quality of early Babes in Toyland. All without sounded beholden to any of that. Rat Bites is a four-piece punk band that seems to have come out of 90s era garage punk—a little rough around the edges but with an unerring songwriting sense. Like The Dead Boys or Murder City Devils. Bert Olsen is to garage rock what post-punk was, for the most part, to punk: Moodier, sadder, artier and, well, more sensitive and nuanced.

Who: Slapshot w/Line Brawl and Cadaver Dog
When: Friday, 11.30, 7 p.m.
Where: The Oriental Theater
Why: Slapshot is the legendary Boston hardcore band. Good thing the group didn’t get the memo that hardcore was pretty much over by the time it released its ferocious 1986 album Back On The Map. Across its lifespan the group included members of other classic hardcore groups including people from Negative FX, DYS and SS Decontrol. It’s sound had already absorbed a bit of that crossover sound by the time it was releasing recordings but Slapshot’s songwriting remained tight and vicious even up to and including its 2018 album Make America Hate Again. Joining the veteran band on this bill are two of Denver’s best bands, hardcore or otherwise, with Line Brawl and Cadaver Dogs, both of whom are clearly from that Boston lineage of loud, sharp, stark punk.

Saturday | December 1, 2018

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Boys Noize, photo by Glen Han

Who: Nova Fest 6: Fathers, The Burial Plot, Under Auburn Skies, It’s Just Bugs and Saving Verona
When: Saturday, 12.1, 8 p.m.
Where: Hi-Dive
Why: This festival basically showcases some of the harder-edged bands that some might call metal or hardcore or post-hardcore but none of which truly fit into a single heavy music genre slot. Especially It’s Just Bugs, which is a confrontational hip-hop group that utilizes industrial beats and noise in evoking the challenges of the modern urban experience and the tension of trying to eke out an existence in a time when the economic and political climate makes it so being working class is harder than it’s been since the Great Depression. Fathers is the post-hardcore super group includes, among others, former members of Lords of Fuzz and Cult of the Lost Cause. Years ago The Burial Plot was a heavy band that was breaking to the national scene when it split but it’s now back and actively performing around the Denver area.

Who: Boys Noize w/Sergio Santana and T-Rx
When: Saturday, 12.1, 9 p.m.
Where: Beta Nightclub
Why: Alexander Ridha has been DJing as Boys Noize for nearly a decade and a half at this point. His upbeat remixes of a broad range of artists from Snoop Dog to Depeche Mode and David Lynch are noteworthy for the same reason his DJ sets are worth a listen or, in the case tonight with Beta and its Funktion-One—Ridha’s ability to weave together multiple genres in a set that sound like genres of their own. And it’s not just the tired EDM clichés that started killing off that world of music. He’s not afraid to bring in some menacing and distorted sounds and beats that one might more rightfully hear in a darkwave band or party bangers that aren’t eyeroll-worthy. Ridha is a versatile artist who seems to seek to expand his own musical vocabulary and methods regularly and it has resulted in a freshness to his sets and his recorded output.

Sunday | December 2, 2018

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Rotten Reputation circa 2016, photo by Tom Murphy

Who: Rotten Reputation w/Viqueen, Claudzilla and Rat Bites
When: Sunday, 12.2, 7 p.m.
Where: Lost Lake
Why: San Francisco’s Viqueen (pronounced like Viking but not “king”) makes a stop in Denver with its metallic punk reminiscent of L7, Tribe 8 and maybe a less chaotic Blatz. Also on the bill is the political expressed as the personal (and vice versa) poppy punk quartet Rotten Reputation. With its sarcasm and sharp humor game strong, Rotten Reputation has treated us to two full-length albums’ worth of creative vitriol with its 2017 album Nancy and 2018’s Castration Station. Claudzilla may not be punk in the traditional sense of the sound but in spirit, anyone that irreverent and, not to put too fine a point on it, weird is in the realm of punk and her keytar rock/pop songs will probably alienate the right people but the rest of us can revel in its strangeness. Rat Bites, as mentioned earlier in this column, is a noisy punk band that fans of Murder City Devils, New Bomb Turks and Jawbreaker might enjoy.

Who: Black Marlin w/Hail Satan, Dead Characters and Totochtin
When: Sunday, 12.2, 7 p.m.
Where: Larimer Lounge
Why: Black Marlin is a Denver band with a proclivity for blending the technical musical sensibility of prog and math rock with thrash. Hail Satan is an out and out, no bones about it thrash band but one that could only come out of a certain degree of self-awareness but without any irony in its love for the music. Totochtin is a sludgy but not doomy noisy metal band. It might be a safe bet the guys in the group listened to a few Unsane, Yob and Thou records but you never know. With names like Little Foot, Grease Trap and Big Trash, instrumental metal band Dead Characters bridge the gap between surf rock and sludge metal.

Tuesday | December 4, 2018

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VNV Nation, photo courtesy the artist

Who: VNV Nation w/Holygram and The Rain Within
When: Tuesday, 12.4, 6 p.m.
Where: The Oriental Theater
Why: VNV Nation is a group that has been a bit polarizing in the community of industrial music fans. Its particular EBM aesthetic has certainly influenced the sound and style of the futurepop and EBM music of the late 90s and 2000s—that samey, fake dark and intense post-industrial music with emo-esque vocals and fairly uninspired production. Nevertheless, VNV Nation’s records have had a creative cohesive vision that can be found in the music of its mid-era EBM peers like Covenant, Apoptygma Berzerk and Aseemblage 23 and not so much in many of the bands they all inspired. The project has been driven by Ronan Harris’ songwriting and composition since the beginning and his fusion of synth pop with the hard-edged beats of German industrial acts is is not for everyone. But, especially with the 2018 album Noire, Harris demonstrates his command of the underpinnings of the music that influenced him and informs his own work where an instinct for connecting classical music structure, classic pop songcraft and experiments in electronic sounds can yield interesting results.

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Holygram, photo by Yves Christelsohn

Cologne, Germany’s Holygram masterful matching of post-punk moodiness and driving bass lines with industrial beats and synth work has been compared to The Cure from the arc of albums from Seventeen Seconds to Pornography. Brooding but bright and urgent. The outfit’s 2018 album Modern Cults has that hazy headlong quality coupled with haunted vocals and a taut emotional flavor that is part of what makes The Soft Moon so appealing as well.

Who: Minus the Bear farewell tour w/Tera Melos
When: Tuesday, 12.4, 7 p.m.
Where: The Ogden Theatre
Why: Minus the Bear is calling it quits after seventeen years and several records. Formed in Seattle in 2001 the group’s membership has included then current and former members of prominent post-hardcore bands in America including Botch, Kill Sadie, Circa Survive and These Arms Are Snakes. Minus the Bear’s music required a different kind of technical precision with its idiosyncratic take on math rock – sparkling melodies, intricate guitar work employed with a sort of minimalist approach. That Tera Melos is on the tour is only fitting as that group’s own imaginative math rock is also more focused on songwriting than pure technique.

Who: Childish Gambino w/Vince Staples
When: Tuesday, 12.4, 6:30 p.m.
Where: Pepsi Center
Why: Childish Gambino caused quite a stir with the spring 2018 release of the video for the song “This Is America.” Often poorly, sometimes cringe-worthily so, imitated by several people, the song and video is a brilliant commentary on racism in America today. Donald Glover’s accomplishments as a comedian are better written about elsewhere but his musical output has been equally as interesting and respectable. His 2016 album Awaken, My Love! is one of the better psychedelic soul and funk albums of the past few years. But his promotion of the album with the app that took uses to space with a view back to earth before crash landing in Joshua Tree followed by a list of tour dates and links to get tickets was, to put it mildly, unconventional. But it’s just Glover keeping with his usual attempts to keep things fresh and interesting for him and anyone who wants to be along for the ride. Also on this bill is Vince Staples whose own music may be hip-hop but his musical interests are far broader and you can hear it in his extensive use of synths, samples, production and vocal delivery. Staples’ incisive and evocative words bring attention to a neglected America that isn’t much talked about by politicians and their lapdogs trying to put a good face on the fake economic boom that is really only benefiting the upper one percent before it crashes hard in the next decade. At least that’s what his 2018 opus FM! seems to discuss among other issues.

Wednesday | December 5, 2018

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Chief White Lightning, photo by Jack Grisham

Who: Chief White Lightning w/The Corner Girls and …And The Black Feathers
When: Wednesday, 12.5, 8 p.m.
Where: Lost Lake
Why: Even though that wave of bands trying to mine classic rock glory and songwriting has crashed and dissolved (whether they know it or not) as has the umpteenth psychedelic rock revival, some artists will survive the trend on strong songwriting and having something else to offer than a nostalgia trip appeal. One of those is Josh Logan who is Chief White Lightning. Yeah, boogie rock, blues rock, honky tonk and pop. But Logan brings a great deal of personality to his performances and songwriting and that makes all the difference. …And the Black Feathers from Denver are coming from a similar place but its own songs have an expansive quality that gives its songwriting a broad emotional range even when the songs seem to draw on familiar rock and roll themes. It would be weird if The Corner Girls went more in a blues punk direction or whatever after honing its whole “pastel punk” and surf rock thing but you’ll have to go to see.

Best Shows in Denver 08/9/18 – 08/15/18

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Echo Beds album release Sunday, August 12, 2018 at Mutiny Information Café

Thursday | August 9, 2018

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Lady Gang, photo courtesy Jen Korte

Who: Lady Gang EP release w/Venus Cruz & Ginger Perry and R A R E B Y R D $
When: Thursday, 08.9, 9 p.m.
Where: Syntax Physic Opera
Why: Jen Korte has long been known as a respected and talented songwriter in Denver with her inventive songwriting and vivid lyrics. Known mostly for her Americana solo output and her brilliant collaborations with other artists including stints in Gin Doctors and as a guitarist in experimental rock band Teacup Gorilla. Lady Gang is Korte branching out as a songwriter and, this time around, as a producer. It’s a solo project in which Korte uses “a beat machine, a loop pedal, bass guitar, electric guitar and her signature voice.” That voice has some grit, character and confidence. The project’s new EP, released tonight, is Simple Truths, is truth in advertising with Korte finding direct ways of discussing the world in its incredible disarray. The songs resist simple classification. “How Do You Sound” has elements of bluesy psychedelia and hip-hop as interpreted through someone like MC 900 Foot Jesus. “Preface This” like a long lost Helium track with its electro-lounge and mysterious melodic strains. Sharing the stage for the occasion of this release is a collaborative set with two of Denver’s most noteworthy musical figures in jazz/soul/hip-hop phenom Venus Cruz, host of the Jazz Odyssey program on KUVO (one of the most forward thinking radio programs in Denver) and Ginger Perry, one of the Mile High City’s great DJs and not just the kind that shows up with a simple playlist. Oh, and R A R E B Y R D $, one of the most interesting hip-hop crews going that’s injecting a rich spectrum of quality imagination and emotional content into the genre.

Who: Lupe Fiasco w/Mickey Factz, Bill Blue, Dylan Montayne, Connor Ray
When: Thursday, 08.9, 7 p.m.
Where: The Ogden Theatre
Why: It’s for the best that Lupe Fiasco didn’t actually quit music as he had intended in 2016 after the controversy over “N.E.R.D.” and the infamously supposed anti-Semitic line. In a time when white supremacy has made a curious rise in American political life, it’s essential to have voices who are articulate and unabashed critics of such nonsense not to mention Fiasco’s sharp critique of the down side of America’s actions on the international stage. Initially shelved, 2017’s Drogas Light was described as a prequel to the 2011 album Lasers. Perhaps for this tour Lupe Fiasco will unveil a bit of his new direction as creatively moving forward certainly suits him.

Who: Angélique Kidjo’s Remain In Light and Femi Kuti & Positive Force
When: Thursday, 08.9, 6:30 p.m.
Where: Denver Botanic Gardens (York Street)
Why: Two giants of world music on one bill in a beautiful setting? Both Kidjo and Kuti have deep roots in the development of world music in general but Afrobeat in particular. Obviously Femi Kuti’s father Fela was the founder of Afrobeat and Femi played in Fela’s band starting in his teen years. Kidjo was “discovered” as a jazz musician in Paris but quickly made a name for herself internationally for her powerful voice and inimitable personal style. A rare opportunity in Denver.

Friday | August 10, 2018

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Meet The Giant, photo by Tom Murphy

Who: Meet the Giant vinyl release w/Church Fire and The Patient Zeros
When: Friday, 08.10, 9 p.m.
Where: Syntax Physic Opera
Why: Denver-based rock band Meet the Giant releases the vinyl edition of its self-titled debut album tonight with a show at Syntax. The record is a synthesis of moody, deeply atmospheric dream pop, downtempo and fuzzy hard rock. Live the band’s songs have a mysterious yet emotionally vibrant quality accented by a broad dynamic range between the trio’s players. For the occasion Meet the Giant is joined by two of Denver’s best bands. The Patient Zeros emerged from the glut of neo-classic rock, throwback 60s psych-nostalgia and garage rock that seemed to dominate the past several years with its own musical identity and more bluesy like Cream and not a cut-rate Brian Jonestown Massacre. Church Fire is the rare band that bridges electronic dance music, noise, industrial and synth pop and infuses it with a passionate intensity and shamanic stage presence.

Who: Melvins w/WE Are The Asteroid
When: Friday, 08.10, 7:30 p.m.
Where: Gothic Theatre
Why: Melvins have managed to spend its 35 years as a band not just developing its signature sludgy, heavy rock and influencing generations of musicians, it has taken the opportunity to collaborate with other artists in various realms of music. Whether that’s with experimental electronic artist Lustmord or Jello Biafra, Melvins seem to have long realized that you have to keep doing stuff you find interesting and following your curiosity and trying different things along the way. 2017’s A Walk With Love and Death was a double album with half of it being a noisy soundtrack to a forthcoming film in which the band is involved. Now, Melvins are touring its latest record, 2018’s Pinkus Abortion Technician. Reliably great live, do yourself a favor and see Melvins this weekend or if not this weekend sometime if you’ve not before.

Who: Witch Mountain w/False Cathedrals and Wild Call
When: Friday, 08.10, 8 p.m.
Where: Hi-Dive
Why: Witch Mountain is a doom band from Portland, Oregon currently touring in support of its recently-released self-titled album. The quartet has technically been around since the late 90s but with an early 2000s hiatus giving band members some time to pursue other projects, the group reconvened this past decade with female lead singers who really help coalesce the drifty heavy riffs into mythical anthems. Also on board for the show is Denver doom band False Cathedrals and Wild Call who, while not doom, more psych or shoegaze, have an edge and heaviness to its atmospheric rock that will fit right in.

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Parker Millsap, photo by James Coreas

Who: Parker Millsap w/Plain Faraday
When: Friday, 08.10, 8 p.m.
Where: The Bluebird Theater
Why: Parker Millsap is definitely operating with a tradition of music that includes blues rock artists of his youth like Eric Clapton and Stevie Ray Vaughan who were doing their level best to tap into the original blues artists of the American South and Midwest. But instead of getting stuck there, it’s obvious Millsap took some time to explore traditional folk and country and more modern practitioners of that art who brought their own ghosts and haunted quality and soul to their own music. Like Townes Van Zandt and Jeff Buckley. Millsap’s own voice and playing has a an impressive subtlety and spectrum of detail, texture and emotional colorings and has established himself as a real talent in his realm of music. In May 2018 he released his latest record Other Arrangements.

Saturday | August 10, 2018

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Itchy-O, photo by Christopher Cleary

Who: Itchy-O Record Release w/Codename: Carter
When: Saturday, 08.11, 8 p.m.
Where: Gothic Theatre
Why: The Itchy-O’s new full-length Mystic Spy | Psykho Dojo, like any recorded work, could never fully capture the exuberant mayhem and visceral impact of a thirty plus member band in elaborate costumes generating an orchestra of rhythms and tones designed to disorient and inspire. Nevertheless, the new album offers listeners a foray into deep sound design that conveys the sheer detail and atmospheric experience of the band in a different context. It’s the band’s most forward thinking set of songs to date and rendered in a way that is as easy to get lost in on its own terms as the band is live. Each of the band’s albums have been impressive works in their own right in terms of recording and execution as a separate experience from the live show but Mystic Spy | Psykho Dojo is much more than an addendum to an Itchy-O concert, it is the realization of the concept of an esoteric spy film soundtrack and sonic training rhythms for tribal psychics to manifest a more vital future. Joining Itchy-O for this occasion is spy rock/surf band extraordinaire Codename: Carter.

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Princess Dewclaw, photo by Tom Murphy

What: Washout Fest at Globe Hall: Muscle Beach, Rotten Reputation, Sliver, Moon Pussy, Princess Dewclaw, Sonic Vomit, Morlox, Ultraviolet, Eraserhead Fuckers, Bert Olsen, Juice Up, Lepidoptera, Fever Dreams, Saddy, Freak//When//Scene, Monty O’Blivio, Clutch Plague, Television Generation, King Slug and Wayward Sun
When: Saturday, 08.11, 12 p.m.
Where: Globe Hall
Why: Hands down the most eclectic music festival to happen in Denver in 2018. While many try to encapsulate too many genres with not enough interesting artists, others focus on indie rock and NPR-friendly pop, yet others an uninspired and obvious selection of popular artists and token local artists who aren’t going to ruffle any feathers, the organizers of Washout Fest have dug a little deeper. But more than that, not just artists on the Glasss imprint. It includes notable local noise artist Morlox, ambient project Lepidoptera, noisy psych punk group Princess Dewclaw, the industrial noise rock of Moon Pussy, dream psych pop group Fever Dreams, experimental metal band Sonic Vomit, unconventional punk bands Rotten Reputation and Muscle Beach, fuzz rock bands Sliver and Television Generation, noise hip-hop weirdo Eraserhead Fuckers and much more. The more conventionally-minded festivals have their place, especially when they have a local focus like The UMS and Westword Music Showcase, but this is one where radio-friendly wasn’t the consideration, just quality and putting one’s reputation on the line for declaring the bands as such.

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Valley Queen, photo by Pooneh Ghana

Who: Valley Queen w/Tyto Alba
When: Saturday, 08.11, 8:30 p.m.
Where: Lost Lake
Why: Valley Queen has been honing its live show and songwriting for four years with numerous national tours under its belt to road test its music. Its gift for reinventing a type of rock music that isn’t part of a subgenre and isn’t necessarily trying to remanifest some older style of music is impressive. The band may have borrowed some from its retro peers and 2000s indie rock but with the release of its debut album, Supergiant (2018), the Los-Angeles based band demonstrated it’s perfectly capable of establishing a signature sound of layered melodies and Natalie Carol’s commanding vocals. Valley Queen is no stranger to Denver having made the Mile High City a regular stop on its tours and tonight the group will share the stage with one of America’s most promising rock bands, the warmly moody and emotionally stirring Tyto Alba from Denver.

Who: Great American House Fire and Sophisticated Boom Boom split release
When: Saturday, 08.11, 8 p.m.
Where: Bowman’s Vinyl and Lounge
Why: It wouldn’t be accurate to say that Great American House Fire and Sophisticated Boom Boom are punk but its roots lie in a similar Denver punk and emo scene of the past two decades. GAHF has a bit more soul and Americana in its sound while SBB is more in the vein of power pop. Both celebrate the release of their split seven inch tonight at Bowman’s.

Who: GhostPulse (single premiere) w/Plume Varia and Ramakhandra
When: Saturday, 08.11, 8 p.m.
Where: Syntax Physic Opera
Why: GhostPulse is premiering its new single “Dreaming In Hypersleep” tonight. The song is a leap forward for a band that was evolving out of its roots in excellent post-rock/instrumental rock band Lucida Tela. The more electronic, soundscape-y sound of its newer material is very welcome in a city where music rooted in mundane reality currently dominates. Plume Varia will compliment the evening well with its own downtempo dream pop and space jazz/Flying Lotus/Gil Scott-Heron-esque band Ramakhandra will keep things in the outer realms of the imagination as well.

Who: Melvins w/WE Are The Asteroid
When: Saturday, 08.11, 8 p.m.
Where: The Aggie Theatre
Why: See above for 8.10 on Melvins.

Sunday | August 12, 2018

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Cannons circa 2010, photo by Tom Murphy

Who: Goon, faim, Soul Vice
When: Sunday, 08.12, 6 p.m.
Where: Mutiny Information Café
Why: This benefit for the Colorado Immigrant Rights Coalition features some of the more interesting local hardcore acts including Goom and Faim from Denver and Soul Vice from Colorado Springs. Yes, the bands are doing a benefit for a political organization but their own songwriting is non-didactic and address social and interpersonal issues in a poignant and powerful way. For instance, faim’s great song “All Talk” takes to task the people in its own world and scene who talk a big game and make a major display of what they want people to think they’re about without doing anything concrete in the real world and in their own lives to address those issues in meaningful way.

Who: Cannons w/Echo Beds (album release), Limbwrecker, In The Company of Serpents
When: Sunday, 08.12, 9 p.m.
Where: Mutiny Information Café
Why: Over two years after the release of its debut full-length New Icons of a Vile Faith, Denver’s Echo Beds finds its starkly menacing clamor evolving in new directions with its 2018 album Buried Language (officially out on 8.17 through The Flenser). Still in place is the physicality of the music and its inventive and visceral use of percussion and rhythmic sound but added to the mix is a greater sense of the use of production in executing that aesthetic in a way that is an even more full spectrum stimulation of the senses. This show is a bit of a record release and tour kickoff for the band but also a chance to share the stage with like-minded acts. Cannons was an excellent noise rock/post-hardcore act that was most active nearly a decade ago in Denver. In the Company of Serpents is a doom band but its wall of sound is so colossal and caustic it’s almost more like death metal or grindcore slowed down to the pace of magma. Limbwrecker could be said to be a powerviolence band with a sense of humor.

Tuesday | August 14, 2018

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The Chamanas, photo by Brett Muñoz

Who: The Chamanas w/Picture the Waves, Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes
When: Tuesday, 08.14, 7 p.m.
Where: Globe Hall
Why: The Chamanas is an indie pop band if indie pop were born out of being influenced by not just the type of music that formed the DNA of C86 and American indie pop bands of the 90s (garage rock, psychedelia, folk, noise etc.) but if the folk underpinnings of that music included traditional Mexican music, the various pop traditions of Latin America and Cuban dance music. It’s that mixture that gives the band’s music not only a uniquely eclectic flavor but one that has an immediate connection for fans of earlier and more modern indie pop. Manuel Calderon and Hector Carreon met as sound engineers at Sonic Ranch near El Paso, Texas and after working on projects by other artists the two finally issued their own album as The Chamanas in 2015, Once Once. In 2017 the band released its second album, NEA, titled after the nickname of Carreon’s brother who had recently passed with songs that reflected that loss. With 2018’s NEA II, The Chamanas re-rendered several of NEA‘s songs with five new tracks. Also on this bill are some of the best bands in the Denver music scene whose own music is a brilliant synthesis of musical traditions in Vic N’ The Narwhals, Los Mocochetes and Ghost Tapes.

Who: Wino, Xasthur and Phallic Meditation
When: Tuesday, 08.14, 9 p.m.
Where: 3 Kings Tavern
Why: Robert “Wino” Weinrich will perform some of his starkly evocative solo material at this show. Better known, perhaps, for his tenure in doom legends Saint Vitus and The Obsessed, his solo acoustic material showcases his raw gift for songwriting. Xasthur’s spare black metal with acoustic instrumentation came to Denver in 2017 with a haunting performance capable of deep musical darkness without the usual instrumentation and sound one associates with a similar aesthetic. Denver’s Phallic Meditation is more a doomy psychedelic band but with some experimental noisiness that sets it apart from similarly-minded groups.

Who: Lil Ugly Mane, Kahlil Cezanne, Curta, Cadaver Dog, Many Blessings, Videodrome
When: Tuesday, 08.14, 8 p.m.
Where: Hi-Dive
Why: When Travis Miller released his debut album as Lil Ugly Mane, 2012’s Mista Thug Isolation, he had already garnered some praise from members of the Odd Future collective for his absurdist imagery and inventive production that really didn’t obey then mainstream hip-hop conventions with his use of noise and black metal soundscapes/samples in some of the beats. So it’s fitting that on this bill are experimental/noise hip-hop artist Curta, hardcore bands Cadaver Dog and Videodrome and noise soundscaper Many Blessings. If there’s a show demonstrating how all those worlds and their various aesthetics aren’t so far apart this whole year so far, this is it.

Wednesday | August 8, 2018

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Aseethe, photo by Karlee Barr

Who: Yakuza, Aseethe, Oryx, Terminator 2
When: Tuesday, 08.14, 8 p.m.
Where: Hi-Dive
Why: Aseethe’s 2017 album Hopes of Failure is a great example of how one can create an immersive experience with heavy music if you’re willing to go beyond how that music has often been conceived in an earlier era. Not just doom or a subgenre of that subgenre, Aseethe’s music is now more like sound design in the form of songs to render an experience through sound and, live, through the visceral dynamics of how that sound is executed. It would be imprecise and wannabe inclusive to call it ambient. It’s not that. It’s not music that can be easily shuffled off into the background if you wish. Aseethe is in good company for this show with Chicago’s Yakuza, a band that has long been pushing the boundaries of heavy music and Denver’s Oryx and Terminator 2 who both don’t just make experimental metal but whose own songs expand what heavy music can be and the forms it can take when the dynamics aren’t essentially the same trying to fit into what doom or grind are “supposed” to sound like.

Who: Beach House w/Sound of Ceres
When: Tuesday, 08.14, 8 p.m.
Where: The Ogden Theatre
Why: It could be argued that Beach House has been in something of a creative rut since 2012’s Bloom, or, less charitably, sine 2008’s Devotion. While it’s albums have been enjoyable and yielding worthwhile songs, and the live shows have been reliably moving, the songwriting was starting to get a little stale. With 2018’s 7, it’s like the band reinvented itself. Maybe with the help of producer Sonic Boom, former member of Spacemen 3 and Spectrum, but this set of songs sounds like Victoria Legrand and Alex Scally recognized a need to break their own boundaries as the songs are far more experimental and adventurous than the duo has ever been. The band’s previous two albums were nice but Beach House is better than merely nice and has now proven it. Sound of Ceres is now based out of New York but the band is originally from Fort Collins, Colorado and its own dreamlike pop music shares the quality of intimate sound and mood and personal mythology that has made Beach House’s music so resonant for anyone with a rich inner life and imagination.

Who: Father John Misty with TV On the Radio
When: Tuesday, 08.14, 6:30 p.m.
Where: Red Rocks
Why: Love him, hate him or find him mundane, at least Father John Misty has some self-awareness of his own creative output. Joshua Tillman, Misty, recently released his new album God’s Favorite Customer and ditched the unifying concept approach to writing the album, which Tillman told Consequence of Sound in April 2018 was “pretentious.” You have to honor that level of frankness and honesty in an artist. Whatever intentionality went into God’s Favorite Customer, the record is a sonically and emotionally rich listen with collaborations with the likes of Haxan Cloak and Weyes Blood. That visionary art rock/downtempo/experimental R&B band TV On the Radio is on the bill too is more than just a bonus.

Best Shows in Denver 04/05/18 – 04/11/18

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Kitty Crimes, photo by Lindsey Webb

Thursday | April 5, 2018

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Frankie Cosmos, photo courtesy Loroto Productions

Who: Frankie Cosmos w/Lomelda and Ashley Koett
When: Thursday, 04.05, 8:30 p.m.
Where: The Fox Theatre
Why: Frankie Cosmos released its third album Vessel on March 30, 2018. Like it’s predecessors there’s a tender sensibility to the songwriting that recalls the lo-fi introspection of Exile In Guyville period Liz Phair and the peek-into-a-strikingly-insightful diary quality of Casiotone for the Painfully Alone. Sure, Kline had famous parents (Kevin Kline and Phoebe Cates) and was once a member of Porches. But Frankie Cosmos doesn’t sound like it’s resting on any of those laurels. Kline uses everyday details as a vehicle for exploring feelings and thoughts long hidden. The results are a refreshing frankness and intimacy even in the context of a pop song without the overpolishing and overproduction that the musical form often gets.

Who: Glasss Presents the Speakeasy Series 2: Brother Saturn and Vahco
When: Thursday, 04.05, 7 p.m.
Where: Hooked On Colfax
Why: This edition of the new season of the Speakeasy Series (all in the basement of Hooked on Colfax) includes some of the most mind-calming artists of the entire programme. Brother Saturn’s dreamlike soundscapes are an entrancing synthesis of ambient and dream pop. Vahco is the solo project of Vahco Before Horses from Demoncassettecult and Gold Trash. Whereas those other two are more in the realm of noise and experimental electronic music, Vahco is more in the realm of pop music with soulful vocals.

Who: Liza Anne w/Valley Queen and Down Time
When: Thursday, 04.05, 7 p.m.
Where: Globe Hall
Why: Liza Anne’s 2018 album Fine But Dying may sound upbeat and bright and, well, like a conventionally commercial pop record I some ways. But not at all beneath the surface of the music is the fact that, according to a recent interview with Billboard, Anne just laid out her struggles with “panic disorder and depression,” articulating them in a way that could be relatable to almost anyone and hopefully at least putting to rest some of her own anxiety and shame regarding those issues. In putting the struggle in very specific personal terms without sensationalizing it or making it seem like a special taboo subject, Anne brilliantly makes it all seem like something anyone might experience without judgment. Joining Anne for this tour is Los Angeles’ Valley Queen who take a folk/acoustic music foundation to songwriting and make it warm and energetic. There’s plenty of post-neo-Laurel Canyon stuff around in the world today but Valley Queen frontwoman Natalie Carol doesn’t sound like she’s copping someone else’s vibe. Rather, her voice, sometimes quavering from the well of emotion, provides a compelling narrative and vivid imagery. One might compare her in that regard to Esmé Patterson’s own knack for creative storytelling that aims at bigger issues through the language of personal experience.

Who: Ty Segall w/Dirty Few ogdentheatre.com/events/detail/347251
When: Thursday, 04.05, 8 p.m.
Where: The Ogden Theatre
Why: Probably anyone that’s been paying attention to modern rock music knows who Ty Segall at this point. If not, pick up pretty much any of his records (they’re all worth listening to) and you’ll get an idea of what music Segall makes but keep in mind that he is clearly a songwriter who wants to explore a wide variety of tones, moods, dynamics and songwriting styles. On his 2018 album, Freedom’s Goblin, Segall explores a more lush songwriting style without waxing into the fake soul and ersatz R&B that is being peddled a little too much of late. Covering Hot Chocolate’s 1978 hit “Every 1’s a Winner” was an interesting choice for the record but it all fits in with an album that sounds like Segall is trying to create for himself an emotionally comfortable space in which to express feelings that are out of step with some of the more hard-edged rock and roll that some may have come to expect from Segall who is too much of a creative chameleon to ever fully embody, all the better for fans of musicians who evolve whether their fans are ready for the changes or not. People have been trying to pigeonhole Denver’s Dirty Few  for any manner of reasons for years as just rock and roll hooligans. And they are that but bottom line, the band actually writes solid, surprisingly thoughtful, songs that fit in the context of a rowdy live show.

Who: Kitty Crimes album release w/GVgrace
When: Thursday, 04.05, 8 p.m.
Where: Hi-Dive
Why: Maria Kohler has been performing as Kitty Crimes for several years now and it seems as though many of her fans never really knew her as a talented musician and singer in various past bands including Houses, Science Partner and Mercuria and the Gem Stars. Kitty Crimes sometimes seemed like a goof and a gimmick. The whole white-presenting woman doing “dirty” rap thing. But Kohler isn’t someone easily clowned and she turned an interesting project into something powerful and well-composed beyond the obvious appeal. Her new record, Crimes of the Kitty, Volume 2 has soul, the expected deft wordplay, personal insight and lush production. For fans of K’Valentine and Kari Faux.

Who: Entrancer, Cities of Earth, Staggered Hooks, Glissline
When: Thursday, 04.05, 8 p.m.
Where: Syntax Physic Opera
Why: This fundraiser for Project Worthmore, an organization dedicated to aiding the refugee community, is also a great chance to catch some of Denver’s most interesting experimental electronic projects. Entrancer’s music is grounded in the production and sensibility of 90s hip-hop and Detroit techno as well as the full breadth and depth of synthesizer music as someone who has more than a passing experience with modular synths. Cities of Earth’s Tangerine Dream-esque IDM sounds like what should be on the soundtrack to a documentary about Warp Records. At least if his 2017 EP Tangra is any indication. Staggered Hooks is probably the latest project from Dean Inman whose up-to-now-most-recent project, Dream Hike, was responsible for some of the most beautifully hypnotic deep house/ambient going. Glissline is the name Tommy Metz (formerly under his given name as well as Iuengliss) is using for his music these days. Metz has a gift for melodies that soothe the mind and his beats seem to employ the interval that releases endorphins. But whatever his music really does, fans of Aphex Twin and Clark should make an effort to see Glissline sometime if not tonight.

Who: Built to Spill w/Rituals of Mine, Black Belt Eagle Scout
When: Thursday, 04.05, 7 p.m.
Where: Gothic Theatre
Why: Coming out of post-punk/post-hardcore band Treepeople, Doug Martsch put together a band that could synthesize his musical interests and a path of sonic curiosity that wouldn’t fully congeal in underground culture in quite the same way until the late 90s/early 2000s. He cited Caustic Resin as an influence and brought that band’s brilliant guitar player into the new band, Built to Spill, on bass as well as Ralf Youtz on drums. The group’s 1993 debut album Ultimate Alternative Wavers was an oblique thumbing of the nose at how their music culture had been co-opted and marketed as product rather than a culture parallel to the mainstream. The music sounded like a blend of Neil Young, Dinosaur Jr (a band clearly influenced by Young) and underground Pacific Northwest rock. But inside all of that, Martsch had found a way to bring in extended guitar jams that were emotionally charged and expressive rather than purely self-indulgent and wanky. The development of that sound and dynamic perhaps reached its apex on Built To Spill’s 1997 masterpiece, Perfect From Now On and the 1999 follow-up, Keep It Like A Secret. Along with the visionary indie pop of the Elephant 6 collective, the bands on Merge Records, K and Kill Rock Stars, and unlikely “alternative rock” star bands post-alternative collapse like Pavement, Built To Spill helped to shape indie rock in the first decade of the 2000s by offering yet another alternative vision to what was being pumped by large commercial outlets for music.

Seeing Built To Spill in 2018 is a bit like a glimpse back to a time when it was more easily possible to have a viable career in music without having to get commercially huge or over compromise or have to fit in with a trendy subgenre of the moment and ride that wave. Sure, BTS has been on Warner Brothers since Perfect From Now On but if they’re being encouraged to get more commercial you sure can’t tell from even its most recent record, 2015’s Untethered Moon. If the group’s showing at Treefort Music Fest 2018 is any indication, the trio is still capable of weaving its gritty, hypnotic magic today. And its sonic DNA is in music of most modern indie rock bands whether those bands know it or not.

Friday | April 6, 2018

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Palehorse/Palerider, photo by Tom Murphy

What: Immediate Music Festival 
When: Friday, 04.06, 7 p.m.
Where: Metropolitan State University of Denver
Why: The Immediate Music Festival celebrates collaborative improvisation. Throughout the day (for more information click here) there will be workshops on group improvisation, soundpainting, noteworthy avant-garde musician Pauline Oliveros’ presentation Deep Listening. That night, at the King Center, there will be a concert from the avant-garde-improv band Sone which includes some of the local luminaries of that world with Jane Rigler, Janet Feder, Evan Mazunik, Gil Selinger and Mark Harris as well as a performance from Grammy-nominated jazz drummer extraordinaire Matt Wilson.

Who: Dead Meadow w/Mad Alchemy Liquid Light Show, Grass and Palehorse/Palerider
When: Friday, 04.06, 8:30 p.m.
Where: Globe Hall
Why: Dead Meadow is one of the pioneers of the recent psychedelic rock resurgence with its mixture of heavy rock, droning blues, freak folk and densely flowing psychedelia. Read our piece on/interview with Jason Simon of Dead Meadow here. Also on the bill is Palehorse/Palerider, Denver’s own masters of heavy, mind-altering rock that blurs lines between doom, heavy shoegaze and post-rock.

Who: Steve Gordon Art Show
When: Friday, 04.06, 6-9 p.m.
Where: Vertigo Gallery 960 Santa Fe
Why: Master sculptor, painter and drawing artist Steve Gordon is having what may be one of his last art shows into the foreseeable future. Gordon is also a significant artist in Denver’s experimental music world mostly notably with improvisational composition band Animal / object, which often includes Violent Femmes frontman Gordon Gano.

Who: Doug Spencer: Cave Lovers 
When: Friday, 04.06, 6-11 p.m.
Where: Dateline Gallery 3004 Larimer St.
Why: This is the latest art show from painter Doug Spencer whose creative use of texture and lighting has made his work desired by connoisseurs of the artform wherein Spencer combines 2D design with 3D, sculptural/diorama elements to create truly unique works. Some may know Spencer as the imaginative guitarist in notable Denver and Fort Collins rock bands Snake Rattle Rattle Snake, Monofog and Sweet Tooth Meat Tooth.

Who: Nocturnal Presents: Exos w/Talien and Alex Whittier
When: Friday, 04.06, 11 p.m. – 5 a.m.
Where: TBA
Why: Nocturnal is a long-running event that puts together deep house/experimental electronic dance events akin to a classic rave. So there will be long sets with the artists listed above going from late night until the early morning.

Who: Slugger, Henry and the Kissingers, Galleries, Pelvis Presley
When: Friday, 04.06, 9 p.m.
Where: Mutiny Information Cafe
Why: After too many bands embraced the less interesting aspects of 60s and 70s rock a little too much a group of bands were bound to come along that embraced the more interesting aspects of that music including original songwriting that isn’t so obviously beholden to an earlier band. This is a show that includes a handful of those groups on the local level including Slugger, the band fronted by former Silver Tone songwriter/guitarist Gabriel Albelo.

Saturday | April 7, 2018

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Cut Chemist, photo by Joseph Armario

Who: Cut Chemist w/El Dusty and Chris Karns (Pretty Lights Live Band)
When: Saturday, 04.07, 8 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Cut Chemist is perhaps best known for his long term stint as a DJ/turntablist in Jurassic 5 and his involvement in the early era of Ozomatli. His tasteful breaks and ear for unusual and evocative samples brought a an uncommon elegance and depth to Jurassic 5’s beats. But the call to do something outside the context of the influential hip-hop group drew Cut Chemist to a solo career in 2004. His 2006 debut album under his own name was an eclectic and borderline world music and downtempo record called The Audience’s Listening. Since then the turntablist has served as a producer on numerous records, performed live DJ sets including opening for Shakira on her 2007 tour, collaborated with DJ Shadow and, in 2017, started doing a bi-weekly radio show, A Stable Sound, on dublab / 99.1 FM KZUT. In March 2018, Cut Chemist released his second solo album, Die Cut. The record continues Cut Chemist’s masterful treatment of samples into songs with a Dilla-esque use of motes of white noise in the mix, samples processed to sound like you’re getting intermittent transmissions of old radio programs, vintage television shows and commercials and ambient IDM glitch-hop.

Who: Nina Storey w/Michael and Sarah Hornbuckle
When: Saturday, 04.07, 7 p.m.
Where: Soiled Dove Underground
Why: Nina Storey spent years cultivating her sound, songwriting and live show in Denver before relocating to Los Angeles in the 2000s. If you caught Storey in the 90s you probably got to see a singer whose voice was perfectly suited to the bluesy rock music she was writing then. Also, that her powerful voice seemed unlikely coming from someone with such a relatively small frame. Since then (and likely even at that time), Storey has explored the range of her voice and where it fit in and discovered it was well-suited to jazz and R&B as well. On her most recent full-length album, 2013’s Think Twice, Storey blended all her musical impulses into well-crafted modern pop songs. These days Storey still comes through Denver and on this date she is joined by local luminaries in the Denver blues world, Michael and Sarah Hornbuckle.

Who: Suss Law, Rotstrotter, Sentry Dogs, Berated and Florida Man
When: Saturday, 04.07, 8 p.m.
Where: Bar Bar / Carioca Café
Why: Portland, Oregon’s Suss Law could be where power violence, noise and grindcore meet. Its recently released seven inch is a chaotic and relentless assault on the senses with few concessions to accessibility. If you go to this show you can also catch local grind/hardcore luminaries like Rotstrotter and Sentry Dogs. And given the set times of most of these groups, who don’t waste our time by dragging things out, the show may be over by midnight even with five bands.

Monday | April 9, 2018

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Acid Mothers Temple circa 2013, photo by Tom Murphy

Who: Acid Mothers Temple w/Yoo Doo Right and Emerald Siam
When: Monday, 04.09, 7 p.m.
Where: Larimer Lounge
Why: Acid Mothers Temple in its Melting Paraiso U.F.O. incarnation is now on the Electric Dream Ecstasy Tour. The long-running Japanese psychedelic rock band manages to continuously bring a unique show every tour because its roots can be traced back mainly back to fairly experimental western music whether rock or avant-garde (i.e. Can, Karlheinz Stockhausen and King Crimson) but members of the band past and present have been instrumental, literally and figuratively, in comprising and shaping underground music and noise in Japan. The composition of the band’s songs is influenced more by concept than technique. It is bombastic and wild and simultaneously as gorgeous and as mysterious as an other-dimensional spirit incarnate. A list of the band members and their official role and their real title clues you into the fact that leader Kawabata Makoto has a sense of humor to match his imagination and technical prowess as a musician.

Kawabata Makoto : guitar, voice, synth, voice, speed guru
Higashi Hiroshi : synthesizer, harp, noodle god
Jyonson Tsu : vocal, guitar, bouzouki, electronics, midnight whistler
Satoshima Nani : drums, another dimension
Wolf : bass, space & time

Prepare to be taken to otherworldly emotional spaces during the show if you surrender to the music some. Also on the bill is Denver’s Emerald Siam which has become refreshingly difficult to pigeonhole. Ever since singer/guitarist Kurt Ottaway and the rest of the band has seemingly tapped deeper into a creative muse, the songs have gotten darker yet more open and spacious. Expect a full-length release in 2018.

Who: Primitive Man, Spectral Voice, Prison Glue and Cadaver Dog
When: Monday, 04.09, 9 p.m.
Where: Syntax Physic Opera
Why: Primitive Man is celebrating its return from a long tour with this show at Syntax with like-minded death/doom/grind band Spectra Voice. Joining both bands will be hardcore band Cadaver Dog as well as noise/performance artist Prison Glue.

Tuesday | April 10, 2018

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Luna, photo courtesy Grandstand Media

Who: Luna w/Flaural
When: Tuesday, 04.10, 8 p.m.
Where: Fox Theatre
Why: Luna split for around ten years after its 2005 tour. The disappointment and despair and reality of the music industry at that time is documented in the 2006 film Tell Me Do You Miss Me. If you got to see Luna on that until now final tour, those feelings radiated from singer/guitarist Dean Wareham’s eyes when he looked out into the crowd. And not just because the late-night-hours lush pop that has been Luna’s hallmark ever since Wareham left influential dream pop band Galaxie 500 (which also never got its due during its time together or much since except by aficionados of deeply evocative, melancholy and ethereal gorgeous guitar rock). Wareham genuinely seemed like he was looking out on the last days of his career with plenty of life left to lead knowing he’d created some great music that would only be appreciated in the past tense. You couldn’t help but feel for him unless you’re one of those people for whom music is merely entertainment made not by humans but by functionaries of some kind of Distraction Industrial Complex.

But Wareham didn’t give up. He wrote music with then bandmate now wife Britta Phillips as well as noteworthy solo albums. He also wrote one of the best and most well-written and thoughtful rock autobiographies of all time with 2008’s Black Postcards. The book reads like all the music Wareham has been a part of making, warm and not detached but able to examine one’s feelings and intimate thoughts and express them in a way that is immediate relatable with a passionate yet gentle spirit even when the music is in moments of high feeling. Luna reconvened in 2015 and in 2017 released an album of interesting and not predictable covers called A Sentimental Education as well as an EP of originals, A Place of Greater Safety. That latter being some of the best music Luna has yet released so this would be a tour on which to catch one of the great rock bands of the last 27 years.

Who: Animal / object live on KGNU Radio Kabaret: Kurt Bauer, Steven Gordon, George Figgs and Karen Sheridan
When: Tuesday, 04.10, 7-8 p.m.
Where: Streaming on KGNU.org and broadcast on radio
Why: Animal / object is Denver’s premiere avant-garde acoustic instrument band. For the last several years the group around the current core of Kurt Bauer, Steven Gordon has had a prolific and varied recorded output captured with various other noteworthy collaborators including the likes of Gordon Gano of the Violent Femmes, Gordon Pryor, Paul Mimlitsch and for this show, Karen Sheridan formerly of all-female deathrock band 1980s Denver band Your Funeral, experimental rock band Corpses as Bedmates and R.O.C., a kind of deconstructionist pop band that incorporates elements of electronic industrial music and sampling. Over the weekend Sheridan did vocals for an incantation at Steven Gordon’s art show at Vertigo Gallery. So tune in to KGNU for this special performance from one of Denver’s great experimental bands.

Who: Lo Moon w/Kraus
When: Tuesday, 04.10, 8 p.m.
Where: Hi-Dive
Why: Lo Moon spent a great deal of time developing and percolating its sound and then waiting for the right opportunity and format to even let out its September 2016 single “Loveless.” A little under a year and a half later, the full-length self-titled album comes out on on Sony. The single came out at a time when many of the dream pop and neo-shoegaze bands were not drawing on the same inspirations as Lo Moon so it seemed especially sophisticated and sonically and emotionally deep by comparison. The full-length album including “Loveless” doesn’t capitalize on the promise of the single so much as showcase a sound the band had cultivated and perfected in this first stage of its development as a band. The record didn’t exactly blow the minds of critics but it was interesting to see a band not succumb to the pressure of putting out its music as quickly as possible, given the avenues in which to do so, before developing that music to the point it needed to be and without fully submitting to the de-mystifying tendency of the social media game most bands use to garner any excitement for its new material these days. Lo Moon distinguished itself playing larger venues when it toured with Ride in 2017 and getting to see a band with this large a sound on the small stage now would be a great time to see a group that may not be regularly playing such small clubs in the future.

Who: Timber Timbre w/Thor & Friends
When: Tuesday, 04.10, 7 p.m.
Where: Globe Hall
Why: Timber Timbre has been described as psychedelic folk. But if that’s the case then its 2017 album, Sincerely, Future Pollution is more brooding and darker than that designation would suggest. More akin to Midlake’s artistically ambitious compositions or those of Six Organs of Admittance than Vetiver and early Animal Collective. Thor & Friends is a band lead by Thor Harris who some may know from his stints in Shearwater, Swans and Bill Callahan. Though largely known for his skills with a broad spectrum of percussion instruments, Harris is a multifaceted artist and multi-instrumentalist and this band displays that especially well with creative use of marimba prominent in the mix of percussion heavy, yet gently beautiful and atmospheric music.

Wednesday | April 11, 2018

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Ethan McCarthy of Vermin Womb performing as Many Blessings in 2017, photo by Tom Murphy

Who: Wake, Vermin Womb, Call of the Void and Full Bore
When: Wednesday, 04.11, 8 p.m.
Where: Hi-Dive
Why: Wake is a deathgrind band from Calgary, Canada. Currently on tour in support of its towering, brutal 2018 album Misery Rites, Wake is joined on this Denver date by like-minded locals. Vermin Womb is a band that includes Ethan McCarthy from Primitive Man as well as former Clinging to the Trees of a Forest Fire drummer J.P. Damron. Call of the Void took the blunt, abrupt, savage dynamic of deathgrind to another level of creative sonic violence.