What:Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs When: Thursday, 11.21, 9 p.m. Where: Rhinoceropolis Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.
What:Mt. Joy w/Wilderado and Adam Melchor When: Thursday, 11.21, 7 p.m. Where: Ogden Theatre Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.
Friday | November 22
What:Married a Dead Man w/False Report, Dead Characters When: Friday, 11.22, 8 p.m. Where: Goosetown Tavern Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.
What:Wildermiss w/Slow Caves When: Friday, 11.22, 8 p.m. Where: Bluebird Theater Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.
What:Briffaut, Down Time and Inaiah Lujan When: Friday, 11.22, 8 p.m. Where: Hi-Dive Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.
What:Blood Incantation w/Vermin Womb, Dreadnought and Superstition When: Saturday, 11.23, 8 p.m. Where: Gothic Theatre Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.
What:Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers When: Saturday, 11.23, 7:30 p.m. Where: Mission Ballroom Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.
What:Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl When: Sunday, 11.24, 7 p.m. Where: Hi-Dive Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.
What:Shibui Denver #8: Dead Orchids and The Shift When: Sunday, 11.24, 6:30 p.m. Where: Hi-Dive Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.
What:Midwife w/Hogwaller When: Monday, 11.25, 7 p.m. Where: Forest Room 5 Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.
Tuesday | November 26
What:HIDE w/Echo Beds, Church Fire and Cau5er When: Tuesday, 11.26, 8 p.m. Where: Hi-Dive Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.
What:Pigface w/eHpH, DJ N810, DJ Mudwulf When: Wednesday, 11.27, 7 p.m. Where: Summit Music Hall Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.
What:Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse When: Wednesday, 11.27, 7 p.m. Where: Larimer Lounge Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.
What:The Hu w/Crown Land When: Wednesday, 11.27, 6 p.m. Where: The Black Sheep Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.
Who:Starjammer – Empire of the Mantis When: Thursday, 01.31, 8 p.m. Where: 3 Kings Tavern Why: Squidds Madden brings his visionary multi-media, multi-instrumental one-man band to 3 Kings to demonstrate that “Avant Garde/Dub-Reggae” is not some kooky gimmick but an evolving futuristic music that is truly a synthesis of deeply experimental improvisational music and the production style that enhances a broad spectrum of sonic frequency, textures and rhythm.
Who:Endless, Nameless, Honey and Salt, Obtuse, Admiral and more When: Thursday, 01.31, 7 p.m. Where: Seventh Circle Music Collective Why: Kind of a math rock show with Obtuse who certainly draw on 90s and 2000s math rock for some of the inspiration but is thankfully more focused on the emotional possibilities when you don’t get tripped up on the time signatures and precision but use those as needed to express the raw nerves of a generation that late capitalism is trying to toss in the dumpster but not without some very articulate resistance.
Friday | February 1, 2019
Who:Maemyth, Galleries, Bert Olsen and matherial When: Friday, 02.01, 9 p.m. Where: 3 Kings Tavern Why: All the other bands on the bill are worth your time. But Bert Olsen, not named after anyone in the band, makes the kind of punk that is atmospheric, probably inspired in part by The Cure and early Christian Death, noisy and vividly emotional and not trapped by the need to sound like another era of punk. Bert Olsen is charting its own path and Hunter Wood’s vocals are both melodic and demonstrating a willingness to crack and distort to fit the mood of the moment. More rock music in general would benefit from such instincts but a lot of it is self-tamed and conditioned, traditionalist stuff.
Who:Broncho w/Pinky Pinky When: Friday, 02.01, 8 p.m. Where: Globe Hall Why: Too many artists and “comedians” have ruined irony for probably another generation by abusing its possibilities and basically by not being ironic, just wannabe surrealistic and too much of a broken person’s public diary presented as entertainment. Broncho didn’t fail in its employment of irony by making sardonic yet sincere commentary on American culture and life. When singer/guitarist Ryan Lindsey was in The Starlight Mints he injected some color into the tail end of the wave of indiepop that emerged in the early 90s. With Broncho it’s more rock but out of step with the tendency of a lot of modern rock music to be trapped entirely too much in past decades. The band’s latest record is 2018’s Bad Behavior.
Who:King Eddie, Briffaut and BabyBaby When: Friday, 02.01, 8 p.m. Where: Syntax Physic Opera Why: King Eddie began as something of a fairly predictable psychedelic rock band but by that time and the release of its 2017 album it completely refined and reinvented itself into one of the most interesting and creative bands in that realm of music. Briffaut is sort of freak folk, psychedelic indie rock but sounds like it was made by people who cut themselves off from outside influences for half a decade or more. Because of that, it’s music is always interesting and left-field.
Who:Dry Ice, Slugger, Satellite Pilot, Rose Variety and Ludoesmusic When: Friday, 02.01, 8 p.m. Where: Lost Lake Why: Apparently Dry Ice is from Highlands Ranch, Colorado. If it’s album 2018 Technicolor Yawning is any indication it sounds like the product of suburban boredom and thus this far into the band’s career means it’s sort of all over the place style-wise but that also means its not locked into being a particular genre and its eclectic quality yields some interesting material that might not have been possible had its members been channeled into a particular local scene. Slugger makes a case for garage and psychedelic rock inspired by classic rock not being totally played out.
Who:Boldtype, The Gamits, Reno Divorce and No Bueno When: Friday, 02.01, 7 p.m. Where: The Marquis Theater Why: Manuel Lopez was the passionate and affable drummer of Boldtype who recently passed away. This is a benefit show for his daughters and will include performances by his band as well as some of the best local punk rock bands that came up at the same time his group was coming into its own.
Saturday | February 2, 2019
Who:The Parrots + Mozes and The Firstborn, Billy Changer, Super Bummer When: Saturday, 02.02, 8 p.m. Where: Larimer Lounge Why: Mozes and The Firstborn from Eindhoven, The Netherlands came up during the peak of the 2010’s garage rock revival and toured internationally relatively early on its career. The band was always a little different from the other garage rock bands of that period because its sound was closer to power pop and its musicianship and songwriting had some uncommon refinement. In 2019 the group released its latest record Dadcore. To be fair, the band doesn’t sound like dadcore so much as its the typically Dutch dry, self-effacing and layered commentary on the cultural phenomenon and its own hearkening back to classic songwriting and what some may see as the quaint notion of guitar rock in the twenty-first century.
Who:The Pamlico Sound, Queens of the Galaxy and The Jessicas When: Saturday, 02.02, 8 p.m. Where: Lost Lake Why: The Pamlico Sound is a funk band lead by Will Baumgartner who went to Woodstock as a kid and who has been involved in the 80s No Wave movement as well as some of the more unexpectedly inventive and imaginative jam and funk bands from Colorado over the past two decades. It’s a spectacle and highly entertaining as Baumgartner is an engaging and unconventionally charismatic performer.
Monday | February 4, 2019
Who:Ron Gallo w/Post Animal and Stuyedeyed When: Monday, 02.04, 7 p.m. Where: Globe Hall Why: Ron Gallo is from Philadelphia but his solo work sounds like he spent some time in 1970s New York in the early punk scene with a wiry energy. Of course if psychedelic garage rock hadn’t happened his 2018 record Stardust Birthday Party wouldn’t have sounded like a bit like a manic Sparks. Whatever the touchstones might be, Gallo is one of the most dynamic rock musicians of the current era. Perhaps co-headlining is the psychedelic prog band Post Animal whose own spirited performances transcend any specific genre of music.
Who:Yoke Lore w/LP When: Tuesday, 02.05, 7 p.m. Where: The Ogden Theatre Why: Adrian Galvin was once a member of synth-heavy indie pop band Walk the Moon before going solo a few years back. His work under the name Yoke Lore is decidedly different from Walk the Moon in having softer edges while showcasing Galvin’s inventive use of layered sound in his songwriting with bright synths accenting his vocals with an evocative flair. He is currently touring in the wake of the release of his 2018 EP Goodpain as an opener for R&B-inflected indie pop songwriter LP.
Wednesday | February 6, 2019
Who:Weird Wednesday: The Diablo Montalban Experience, The Drood and Claudzilla When: Wednesday, 02.06, 9 p.m. Where: The Ogden Theatre Why: Weird Wednesday is as suggested by the name quite a bit this time around with keytar rock sorceress Claudzilla, experimental pop/psych band The Diablo Montalban Experience and The Drood. The latter often performs in costumes that look like a cross between anti-hero crusaders for cosmic justice and occult ritualists with music that fans of Legendary Pink Dots may find very much to their liking.
Who:P.O.S. w/Calm. and DJ Fundo When: Wednesday, 02.06, 7 p.m. Where: The Marquis Theater Why: P.O.S. is the Minneapolis-based rapper whose talents and range as an artist go far beyond including his masterful production on his own work as well as his musicianship in other bands including Gayngs, Marijuana Deathsquads and many others. He’s in good company with his sonically adventurous beats paired with Denver’s Calm., a duo comprised of Time and Awareness whose literate and incisive raps and deeply atmospheric production is always surprisingly impactful. Their latest release, 2018’s Things I Learned While Dying in Denver is one of the most sharply critical yet hopefully albums of the past few years.
Who:Glasss Presents The Speakeasy Series Season 2: Left Handed Electronics, Grrrl, Bianca Mikahn When: Thursday, 05.24, 7 p.m. Where: Hooked On Colfax Why: Bianca Mikahn’s combination of almost free verse poetry and beats should be well within the canon of hip-hop and ultimately is. But her delivery and her crafting of her songs has as much in common with the kind of hippie-ish, open mic, slam poetry world as it does with any hip-hop context. Mikahn’s ability to critique society at large while speaking to those issues with a compassion and positive spirit minus any note of insincerity sets her apart from most other artists. That her beats contains elements of noise and melodic ambient music makes her immediately accessible music an otherworldly dimension even as the songs are grounded in fairly earthbound experiences.
Who:High Plains Honky 7” release w/Casey James Prestwood and the Burning Angels Band and Danny Dodge & The Dodge Gang When: Thursday, 05.24, 8 p.m. Where: Hi-Dive Why: If Ronnie Milsap had gone a little more honky tonk with a grittier voice, the results might sound a bit like High Plains Honky. The group is releasing its latest seven inch record tonight at the Hi-Dive joined by a couple of other bands who are no slouches in the local country scene. Maybe comparing a Denver band to a best selling artist like Milsap seems like a bit much to some but what made him such a compelling songwriter beyond the masterful combination of musicianship and an ear for catchy and evocative melodies is the vivid storytelling. High Plains Honky have both qualities as well as no holding up of the nose at pop conventions used in a country context. “Goin’ All The Way” and “I Know Where You Go,” the two sides of the record, seem so relatable even if country music isn’t your thing. A tastefully tiny hint of psychedelia haunts the edges of the music and the aspirational, anthemic quality of the stories suggest a deep knowledge of personal reality but needing to write the songs to escape being too bogged down by current circumstances to go after what you really want while also honoring the emotions subsequent to the potential disappointment, pain and lack of resolution that is a part of everyday life. High Plains Honky invites its listeners to dream just a little bit and to embrace their heartsickness.
Who:DOA and MDC When: Thursday, 05.24, 8 p.m. Where: Streets of London Why: In the annals of hardcore outside of American coastal cities, DOA and MDC have to be considered two of the most important acts out of that movement. DOA from Vancouver, British Columbia, was one of the hardest touring bands for years, spreading the gospel of hardcore across the continent and whose album Hardcore ’81 is, perhaps apocryphally, is often cited as the first use of the term in connection to the musical movement. DOA’s political songs struck personal tones in Joe Keithley’s deft songwriting allowing the band’s music to have an appeal beyond agreeing with every iota of the band’s politics. MDC started in Austin, Texas as The Stains with similarly political punk songs that were more left than most of its peers at the time. It didn’t hurt that singer Dave Dictor seemed to havea personal agenda to push the envelope with fans in his stage persona as the ultimate freak and always with the aim of challenging reductive notions of animal and human rights. Listen to that first MDC album and it’s clear that Dictor was an unabashed critic of police brutality and creeping fascism in a way that makes those songs and their specific anti-authoritarian tone even more relevant now.
Who:The Blackouts w/Adrian Conner (Hell’s Belles) and We Are Invisible and Wild Call When: Thursday, 05.24, 8 p.m. Where: 3 Kings Tavern Why: The Blackouts are an all female rock band that really shows how you can have a fairly straightforward hard rock band and not fall to the boring tropes that happen with too many bands with roots in punk and metal. Adrian Conner from the great all-female AC/DC cover band Hell’s Bells is also playing this show as well as Wild Call, a band whose forthcoming album is reminiscent of White Hills and Medicine.
Who: Amy Shark and Tomi globehall.com/event/1663566-amy-shark-denver When: Thursday, 05.24, 7 p.m. Where: Globe Hall Why: Amy Shark is a pop songwriter from Australia whose 2016 single “Adore” caught the attention of tastemakers in Australia and the song was reissued by Sony Music Australia. That Shark was either in her late 20s or 30 when the song came out explains a bit how her voice and the perspective present in the song had a bit of depth and more of the weight of experience than would be the case of a pop artist a decade or more younger. Shark’s debut full-length, Love Monster, will drop in July 2018 so you can catch her live tonight at Globe Hall before everyone has heard of her.
Friday | May 25, 2018
Who:Amber Mark w/Demo Taped and Adiel Mitchell When: Friday, 05.25, 8 p.m.
Where: Marquis Theater Why: Amber Mark seemed to come out of nowhere when she uploaded her song “S P A C E” to Soundcloud in February 2016. Her voice strong and assured, drawing immediate comparisons to Sade for those qualities and a soulfulness one rarely hears in someone just twenty-two years old. But Mark had something to say and in subsequent singles like “Monsoon,” Mark revealed herself to be a brilliantly poetic songwriter. The 3:33 a.m. EP followed in 2017 and in 2018 Mark released the EP Conexão. Joining her on the Denver date of the tour is Adam Alexander, aka Demo Taped. His electronic pop songs are bright and upbeat but the subject matter of his songs run a broad range of subjects including struggles with anxiety and insecurity. His nuanced and layered songwriting manifested especially strongly on his 2018 EP Momentary.
Who:Orbit Service, Church Fire, The Drood and DJ Mudwulf When: Friday, 05.25, 9 p.m. Where: Lion’s Lair Why: Denver ambient/space rock legends Orbit Service don’t play many shows these days and even less often at a dive bar like Lion’s Lair. The project’s primary figure, Randall Frazier, has been responsible for maintaining and putting together some of the best live sound in Denver rooms like Walnut Room and Ophelia’s Electric Soapbox as well as championing experimental music in the local scene and collaborating with Edward Ka-Spel of Legendary Pink Dots fame. And that would be reason enough to go to this show but also on the bill are Church Fire, a band one might describe as industrial synth pop but its inspired and emotionally fiery performances elevates what could be considered excellent dance music to a higher level. Also, The Drood, a dark, psychedelic, avant-garde prog band.
Who:How To Measure the Weather: Tobias Fike, Ryan Wade Ruehlen, Kari Treadwell, Scott Ferguson When: Friday, 05.25, 6:30 – 7:30 p.m. Where: Emmanuel Gallery Why: This show has been described as a “migratory sound installation” meaning the performers, members of the Flinching Eye Collective, will move their respective sound-making rigs to take advantage of the Emmanuel Gallery on Auraria campus, one of the oldest buildings in Denver, and its architecture to provide a truly unique, one-off environmental sonic experience.
Who:Muscle Beach w/Colfax Speed Queen, Kenaima and Voight When: Friday, 05.25, 8 p.m. Where: Hi-Dive Why: Confrontational, arty hardcore. Furious post-psych garage punk. Crushing, post-hardcore noise rock. Emotionally-charged, industrial post-punk. Also, four of Denver’s best, most interesting and always compelling and entertaining live bands.
Who:Super Bummer album release w/Eye and the Arrow and King Eddie When: Friday, 05.25, 8 p.m. Where: Syntax Physic Opera Why: Super Bummer may be both one of the most ironic and yet accurate names in Denver underground music. The band’s melancholy compositions sure do articulate life’s downbeats with sincerity and self-deprecating humor—a rare combination. Its new album, Big Ambition, out on GROUPHUG, comes out tonight at Syntax where the band will share the stage with the broodingly melodic Americana band Eye and the Arrow and King Eddie, whose 2017 album Holographic Universe is a rabbit hole of beautifully enigmatic sounds and ideas to get lost in across its nine tracks.
Who:La Luz w/Savila and The Kinky Fingers When: Friday, 05.25, 8:30 p.m. Where: Larimer Lounge Why: La Luz may have originally been (and continue to be) inspired by 60s surf rock giants and the great girl groups of the era. But the Los Angeles-based group have long since made their own mark in music, especially with its 2018 album Floating Features, out on Hardly Art. Spooky and soulful, La Luz have mastered the art of nuanced emotional textures and mood so that its songs can be urgent and spend passages of sound swirling in the sweeping heat of a memory that unexpectedly rushes back into your consciousness triggered some moment or detail you encounter in the present. Denver’s The Kinky Fingers possess similar powers of evoking vivid emotions and imagery with their own surf-rooted rock songs.
Saturday | May 26, 2018
Who:Victoria Lundy, Snails and Oysters, Sporehive, Denizens of the Deep and Floating Cave, DJ sets by Franklin Bell and visuals by Orchidz3ro When: Saturday, 05.26, 2:30 p.m. Where: Mutiny Information Café Why: An entire afternoon of some of Denver’s most interesting experimental and avant-garde bands. For instance, Snails and Oysters used to be just Joe Mills but is now a duo creating organic ambient music using rock instruments in unconventional ways. A project that cites psych folk legend Sandy Bull, the artist that did an arrangement of Carl Orff’s symphonic opera masterpiece “Carmina Burana” for five-string banjo and released it on a debut album in 1963, is definitely not coming from predictable places. While every act on the bill is worth checking out and nothing really much like each other, the star of the show is Victoria Lundy who at one time people might have said is better known for being the Theremin player in The Inactivists. But by now she has established herself locally as a gifted composer of electronic and ambient music with the Theremin and synth. One thing that sets Lundy apart is that her music tends to be free of transient, modern culture reference tropes and is rooted in 20th century classical and the first wave electronic music avant-garde. And yet, Lundy makes her music accessible and emotionally engaging. There is plenty of intellect going into the making of the music and the craft and technology but the art comes from the heart.
Who:102 Wires When: Saturday, 05.26, 5 p.m. Where: Bar Max Why: This is a celebration of the possibilities of guitar in music beyond the typical use of the instrument in popular or even experimental music. Read our interview with organizer Kevin Richards here.
Sunday | May 27, 2018
What:A Life Celebration For Steve Gordon When: Sunday, 05.27, 1 – 4 p.m. Where: Mercury Café Why: This will be an event honoring the late, great, Steve Gordon. Steve was a visual artist, sculptor and musician who contributed greatly to the local avant-garde improvisational and ambient music scenes in Denver. Steve passed away in early May following a prolonged battle with cancer but as a widely admired figure, his legacy of excellence, originality, humanity and humor will continue to have an impact in the Denver art world for years to come. For the event friends and collaborators will share stories, music, poetry, food and drink. Read Lauri Lynnxe Murphy’s excellent piece on Steve for Westword here and our own interview with the artist from November 2017 here.
Who:Textures featuring Tunica Externa, paperbark, Lepidoptera When: Sunday, 05.27, 7 p.m. Where: Mutiny Information Café Why: This will be John Mulville’s last show in Denver for a while as he’s moving back to Minneapolis for the duration. His ambient project paperbark has brought some of the most compelling, textured to grace Denver spaces in recent years. Generating sounds with treated modular synth tones, Mulville’s compositions suggest natural spaces with a physicality suggested by the earlier reference to texture. It’s like you experience a tactile sensation through a creative crafting of atmosphere. Though Mulville will be back through town, we won’t have the luxury of catching any of his soothingly hypnotic sets regularly.
Who:ManifestiV, Bloodied, eHpH and Keldari Station When: Sunday, 05.27, 7 p.m. Where: Seventh Circle Music Collective Why: ManifestiV from Vallejo, California sounds like it came out of the intersection of the burner community that embraces both industrial music, electronic dance and New Age concepts in the use of sound. But it works though at times you expect it to be the soundtrack to some kind of hippie-esque cyberpunk video game. But who wouldn’t want to play that game? Denver’s Keldari Station sounds like it’s coming from a similar place but its own music is more pop, has more elements of dub and old school glam rock. eHpH, like the other bands on this bill, is a duo with a penchant for dark, atmospheric music. Except this duo has managed to combine EBM with industrial rock without sounding like they’re trying to fit in with the tired old Goth scene sound of the 90s and 2000s. The band’s music is more experimental, more nuanced in its emotional expressions, than bands who really want to be a new version of Suicide Commando.
Tuesday | May 29, 2018
Who:King Tuff w/Cut Worms and Sasami When: Tuesday, 05.29, 7 p.m. Where: Globe Hall Why: At the end of his last tour, Kyle Thomas was sick of the party monster persona he had cultivated for years as King Tuff. The pressure to live up to something you’re not because it benefits you professionally and to some extent artistically erodes you more than a little on the inside and Thomas was feeling it. “I was a lost soul,” Thomas posted on his website regarding the release of his 2018 album The Other. “I didn’t know who I was anymore.” The new record is certainly a bit of a departure for Thomas. Any trace of the garage rock that informed his earlier releases is pretty much gone. There is a soulfulness and an overt spirit of experimentation running through all the songs for the release. In moments its tinge of futuristic funk and glam prog are reminiscent of I Robot period The Alan Parsons Project.
Also playing this show is Cut Worms. The band’s main creative force is Max Clarke who seems tapped into a mid-60s pop sort of sound and aesthetic. There is a simplicity and clarity of melody and songwriting that we’ve heard plenty of, likely, in this era of mining past decades for artistic inspiration. But especially on Clarke’s 2018 album Hollow Ground the subject matter isn’t so clean and tidy and his songs, like the era it perhaps sonically echoes, reflect a self-aware sense of social anxiety, a painful yearning but struggling with real or endlessly imagined inability to not fuck things up somehow and a willingness to stumble and scrape through even if life doesn’t always, or never does, turn out as planned or hoped. The brilliance comes in striking that balance—being real alongside the sounds of a time many romanticize in spite of the dark and grisly underbelly of people’s lives and the culture itself.
Who:Broncho w/The Paranoyds and Valen When: Tuesday, 05.29, 8:30 p.m. Where: Lost Lake Why: Broncho formed in 2010 in the wake of the dissolution of indie pop weirdos Starlight Mints. Ryan Lindsey of the latter, went on to play guitars, keys and perform lead vocal duties in Broncho. The four-piece has always been kind of an outsider in the music world in that it never really fit in with any emerging trend and was probably too weird to hit it big time in the mainstream. But Lindsey knows he doesn’t belong there. At this point, Lindsay has already done his time deconstructing pop in Starlight Mints and it’s obvious that subverting the tropes of indie, garage and psych rock this past decade isn’t as interesting as it might have been a few years ago. 2016’s Double Vanity found Broncho excavating and exploring some of the sonic ideas that Phil Elverum was onto on those final two The Microphones records, 2001’s The Glow Pt. 2 and 2003’s Mount Eerie. But without imitating Elverum’s richly imaginative and innovative soundscaping. With any luck, this version of Broncho will represent the band’s next phase of its injecting the pop format with expansive ideas and sounds.
Wednesday | May 30, 2018
Who:Gang of Youths w/Hannah Wicklund & The Steppin Stones When: Wednesday, 05.29, 7 p.m. Where: Globe Hall Why: Gang of Youths’ 2017 sophomore album Go Farther in Lightness garnered near universal acclaim in the band’s home country of Australia. Rightfully so. It has the poetic insight and depth of early Bruce Springsteen and more recent from Titus Andronicus. Like both of those artists, Gang of Youths has a gift for taking the mythical/universal aspect of everyday experiences and giving it a poignantly personal expression. There’s a song called “What Can I Do If the Fire Goes Out?” that goes beyond that whole rediscovering your bliss and your passion nonsense. But it’s a whole record of songs that might seem like a collection of trite platitudes but in the end are the exact opposite. It’s highly energetic indie rock but the emotional and intellectual content run a lot deeper with Gang of Youths.
Who:Nunofyrbeeswax w/Open to the Hound, Claudzilla and Rat Bites When: Wednesday, 05.30, 8 p.m. Where: 3 Kings Tavern Why: Berlin’s Nunofyrbeeswax brings together aspects of indie pop, naïve lo-fi rock and outsider pop in its music. Good thing its on a bill with local weirdos in keytar punk Claudzilla, gritty indie pop outfit Open to the Hound and Germs-esque noise punkers Rat Bites.
Who:Ufomammut w/White Hills and Tjutjuna When: Wednesday, 05.30, 8 p.m. Where: Hi-Dive Why: Saying Ufomammut is a doom metal band from Italy is a bit like saying that Neurosis is a post-hardcore band from the Bay Area. Clearly Neurosis found some kinship with the trio from Tortona, Italy because Neurot Recordings issued the group’s most recent four records in the USA. Ufomammut’s music has elements of doom and sludge metal but its psychedelic drones and industrial sounds have more in common with the other bands on the bill than a straightforward doom band.
New York City’s White Hills has been exploring past settled territories of modern psychedelic rock since its 2003 inception. The duo of Dave W and Ego Sensation use drum machins and sampled rhythms to set a frame in which each can weave a mind-altering and hypnotic soundscape of vivid tones and dark atmospheres. The band’s storytelling and Dave’s vocals are reminiscent of what one might hear on a Legendary Pink Dots or Skinny Puppy album in which there’s no rockist self-aggrandizement or empty calories rhetoric. Dave has something to say, observations to make and narratives to give in his songs that are frankly worth listening to in themselves but couched in an immersive experience in the listening and especially so in the live setting. The group’s 2017 album Stop Mute Defeat, out on Thrill Jockey, is a major leap forward in terms of capturing the band’s masterful use of mood, texture and atmosphere to craft psychological experiences in the form of song.
Denver’s Tjutjuna rarely plays live shows these days, but the band and its talent for krautrock-inspired mind-expanding drones and percussion was always ahead of the curve of so-called “psychedelic rock” bands in the Mile High City. Like White Hills, Tjutjuna is no stranger to employing motorik beats except with a live drummer and the clear melding of the aesthetics of psych, noise and the avant-garde sets the group galaxies ahead of indie rockers who recently discovered how to maybe use reverb pedals with chorus. Quaint. Tjutjuna? Not so much.