Best Shows in Denver 07/19/18 – 07/25/18

Flasher_JenDessinger2
Flasher performs at Larimer Lounge on Wednesday, July 25, 2018 with Eternal and Hot Trash. Photo by Jen Dessinger.

Thursday | July 19, 2018

Cuckoo_Jul16_2018_TomMurphy
Cuckoo circa 2018, photo by Tom Murphy

Who: Blood Orphans, Cuckoo, Kali.Krone and You Beside Me While I Have a Heart Attack
When: Thursday, 07.19, 7 p.m.
Where: Seventh Circle Music Collective
Why: Most of the bands on this bill are either dream pop/ambient/math rock/experimental guitar bands including Blood Orphans from Olympia, Washington. Their 2017 album you’re dead is reminiscent of some of the post-rock/slowcore bands of the early to mid 90s and partly in that the band goes from spacious minimalism to standing waves of distorted melody. Think something like a modern version of Codeine. Kali.Krone is in the slowcore vein with expertly bent string modulation in its gentle atmospheric riffs. Cuckoo has been more punk but all along the band has had some jazz/math rock underpinnings that have basically taken over at this point.

Who: Glasss Presents: Lady of Sorrows and eHpH
When: Thursday, 07.19, 7 p.m.
Where: Hooked On Colfax
Why: This edition of the Speakeasy Series Season 2 at Hooked On Colfax features dark downtempo artist Lady of Sorrows and the only local EBM-inflected band outside of Velvet Acid Christ worth listening to for someone that isn’t enamored with the 90s incarnation of that sort of thing: eHpH. The Denver-based duo blends EBM, industrial rock, deathrock and punk into a cohesive whole.

Friday | July 20, 2018

JJ-Grey_JaySimon
J.J. Grey, photo by Jay Simon

Who: J.J. Grey & Mofro with String Cheese Incident
When: Friday, 07.20, 6 p.m.
Where: Red Rocks
Why: Blues rock and soul can be the justifiable butt end of a joke these days since so many people who shouldn’t do it have tried their hand at it. J.J. Grey, though, and his band are drawing on the milieu and culture that produced the blues as musicians from Jacksonville, Florida. It’s not the Mississippi delta, New Orleans, Kansas City or Chicago but the vibe is similar and it’s something Mofro seems to have absorbed and learned to interpret it through their own musical lens. Harmonica can often sound pretty wack but Grey brings to it a soulful expressiveness that not every players not to mention the rasp that gives his vocals some character. The band has been embraced by the jam band world, and thus this gig with String Cheese Incident, but its own songs, even when the band jams out a little, are brimming with passion and come off more like the bluesier, more fiery end of Jeff Buckley more so than perhaps some of its putative musical peers.

Boland_CameronLGottPhotography1
Jason Boland & The Stragglers, photo by Cameron L. Gott Photography

Who: Jason Boland & The Stragglers
When: Friday, 07.20, 8:30 p.m. [see other Colorado dates below through Monday 07.23.18]
Where: Grizzly Rose
Why: In an era when a lot of people’s idea of country music is the purely pop variety, Jason Boland & The Stragglers seem like the kind of hard touring band that had it existed 40 years ago might have come to open for Charlie Rich or George Strait at the Zanzibar in Aurora, Colorado. And like those artists, Boland writes the kind of storytelling honky tonk-esque country that reflects a life and a perspective that is either not seen in popular entertainment or treated with a kind of curiously fetishistic celebration/mythologizing as to be off-putting. Rather than indulge in that sort of thing, Jason Boland & The Stragglers are living it as one can these days playing towns and venues off and on the beaten music tourinc circuit. In Colorado the band is playing tonight at The Grizzly Rose in Denver, Saturday July 21 at the Chaffee County Fair & Rodeo in Salida, then back up north to play Moxi Theater in Greeley on Sunday, July 22 and southwest to Crested Butte at Crested Butte Center For the Arts on Monday July 23.

What: Mile High Parley 4 Day 1 
When: Friday, 07.20, 8 p.m.
Where: Mutiny Information Café, Hi-Dive and Gary Lee’s
Why: Not so long ago Mile High Parley was a kind of rebellious parallel event to the UMS at the same time as the UMS smack in the middle of the whole event but featuring bands that weren’t likely to play the bigger, more commercial festival. Since the event has returned for 2018 it’s simply a great cross section of Denver music, comedy, culture and crafts that you may not get to see in such a short time frame in close proximity. While any of the artists would be worth checking out, on Saturday night, at Gary Lee’s at 10:45 p.m., the great Denver garage/punk band Boss 302 reunites for one of two shows this summer. The other being at The Oriental Theater on August 24. The lineup for these shows will be that of the band’s 1997-1998 period during which it recorded arguably its best record, Whatever Happened to Fun? That means former The Fluid bassist Matt Bischoff will bring his masterful playing to the show. Below is the schedule for Friday night.

Mutiny Information Café
8 The Enigma / Opening Ceremony
9:15 Luke Schmaltz
10:15 High On the Mountain
11:15 New Standards Men
12:15 Negative Trace
1:15 After Party w/Starjammer

Hi-Dive
9:30 Simulators
10:15 Necropanther
11 Keef Duster
11:45 Quits

Gary Lee’s
9 Modern Goon
10 Brother Sister Hex
11 Hot Apostles
12 Trade-Ins

Who: Angry Hand of God, Sea of Flame and Ora
When: Friday, 07.20, 6 p.m.
Where: 3 Kings Tavern
Why: Sort of a sludge rock show but one that includes former Skivies guitar wizard Zahari Tsigularov in Ora and a reunion of one of Denver’s best sludge metal bands, Angry Hand of God, who haven’t graced Denver stages in close to half a decade. Its 2014 EP Just The Tip is a good introduction to the dark and menacing universe of Angry Hand Of God’s dystopian science fiction repertoire shot through with Sabbath-esque riffs.

Saturday | July 21, 2018

Boss302_Jul26_2008_TomMurphy
Boss 302 circa 2008, photo by Tom Murphy

What: Mile High Parley 4 Day 2
When: Saturday, 07.21, 8 p.m.
Where: Various South Broadway Venues near Ellsworth and Broadway
Why: See Friday’s listing for Mile High Parley. Below is the schedule by venue. The great Denver garage rock/punk band Boss 302 plays this night at Gary Lee’s 10:45 p.m.. All times p.m. unless otherwise made obvious.

Mutiny Information Café
1:15 Violet’s Gun
2:15 Ghost Towners
3:15 Hangman’s Hymnal
4:15 It’s Just Bugs
5:15 Solohawk
6:15 Averages
7:15 Jane Doe
8:15 Green Druid
9:15 Abrams
10:15 Git Some
11:15 After Party – Can Tribute

Sportique Scooters Outdoor Stage – 160 South Broadway
1 – Smith’s Grove Band
1:45 Hail Satan
2:30 Meet the Giant
3:15 Blue Kings
4 Dangerous Friends
4:45 Haley and the Crushers
5:30 Granny Tweed
6:15 Bighorn
7 Ryan Chrys and the Rough Cuts
8 Bud Bronson and the Good Timers
9 MF Ruckus

Hi-Dive
9:30 Gnaat
10:15 Trash Canyon
11 Future Canyon
11:45 The Shaloms

Gary Lee’s
6 Sleep Union
6:45 Lurchers
7:45 Bolonium
8:45 Cyclo-Sonic
9:45 Sixes and Sevens
10:45 Boss 302

Ashe-1---Credit-Leslie-Colon
Ashe, photo by Leslie Colon

What: Ashe w/Hobo Johnson & The Lovemakers
When: Saturday, 07.21, 8 p.m.
Where: Cervantes’ Other Side
Why: According to an interview Ashe did with PopCrush in 2018, when she was a student at Berklee didn’t have the confidence in her abilities to become an artist per se, beyond being a songwriter. But once she connected with electronic pop artists Whethan and Louis the Child Ashe and the underground world of music out of which they came, Ashe realized she could do something viable of her own beyond being a featured artist on someone else’s tracks. In June 2018 Ashe released her debut EP, The Rabbit Hole, through Mom + Pop. The EP’s seven tracks sound like an update on late 90s electronic pop as heard through a filter of youthful nostalgia. You know, as if Ashe took threads of modern, throwback psychedelic pop and interpreted it through EDM production methods. The result is a pleasant, summer set of melodic gems. “Real Love” is the lead single with its timeless, dreamlike quality.

What: Sorted 9: Hodge (Bristol), Lone Dancer
When: Saturday, 07.21, 11 p.m.
Where: TBA
Why: Bristol-based producer/ambient artist Hodge will do a four-hour, late night set at a venue to be announced (details in link above). Hodge’s music blends organic, live instrument samples with textured atmospheres and lushly, downtempo beats. Also for this edition of Sorted, the long-running curated electronic dance night, is Denver’s Lone Dancer whose own blend of experimental electronic dance music and ambient will fit in perfectly with the event.

Sunday | July 22, 2018

S.-Carey_01---Photo-by-Cameron-Wittig
S. Carey, photo by Cameron Wittig

What: Mile High Parley 4 Day 3
When: Sunday, 07.21, 12 p.m.
Where: Various South Broadway Venues near Ellsworth and Broadway
Why: Final day of Mile High Parley with the schedule below.

Mutiny Information Café
12 – 1 Yellow Rake/Suspect Press Showcase
2 – 3:30 Ground Zero Comedy featuring Nathan Lund, Allison Rose, Preston Tomkins, Andres Becerril and Shanae Ross
4:30 – 6 Punch Drunk Press – Punketry

Who: S. Carey w/H.C. McEntire
When: Sunday, 07.22, 9 p.m.
Where: Larimer Lounge
Why: For his 2018 album Hundred Acres, S. Carey pared back the instrumentation to the bare essentials. In doing so, the songwriter took the already delicate, intimate quality of his songwriting and pushed the possibilities of the aesthetic and form further. The subtle layers of sound that provided the beautifully shifting backdrop of his earlier albums are largely gone replaced with space that function similarly as a device to bring the listener’s imagination to bear. But rather than suggest a mood, a color or sounds that conjure visuals, S. Carey’s songwriting this time around invite the listener to project and engage in an informal conversation outside the explicit songs themselves.

Tuesday | July 24, 2018

Foreigner1
Foreigner, photo by Bill Bernstein

Who: Foreigner w/Whitesnake and Jason Bonham’s Led Zeppelin Evening
When: Tuesday, 07.24, 5:30 p.m.
Where: Pepsi Center
Why: It’s easy to dismiss Foreigner as being a product of its time and of oversaturation of decades of being on mainstream and classic rock radio. Foreigner is also one of the few hard rock bands that emerged in the 70s that was able to make the transition to being a viable pop band in the 80s and one that can still command large audiences today when many of its peers are basically stuck only on the nostalgia circuit playing small clubs and county fairs. Likely the group has had its share of those experiences at some point but for this tour of large venues Foreigner is the clear headliner over the likes of Whitesnake (whose own roots in 70s hard rock are respectable enough) and Jason Bonham’s Led Zeppelin Evening (though Bonham played in Foreigner for a few years). Even though iconic Foreigner vocalist Lou Gramm has long been out of the band, former Hurrican vocalist has been ably singing the Foreigner classics since 2005. A few of the older bands that have been touring of late are a good reminder that even if you’re skeptical of their music the live show speaks for itself and Foreigner is one of those.

Who: Covet (Yvette Young) w/Vasudeva and Quentin
When: Tuesday, 07.24, 7 p.m.
Where: Lost Lake
Why: Yvette Young made a name for herself with her use of Facebook, YouTube and other online services to share her sketches of songs with friends and other fans of math rock and Midwest emo. For the past four years, Young has been performing with her band Covet. With the release of 2018’s Effloresce, Young and her bandmates have pushed their music well beyond the creative and sonic limitations of math rock. Young’s songs have always suggested fantastical storytelling and in going beyond genre stylistic canon, her music has an appeal beyond her vaunted abilities as a guitar shredder. Read our interview with Young here.

Wednesday | July 25, 2018

AnimalCollective_Sep9_2018_TomMurphy
Animal Collective circa 2013, photo by Tom Murphy

Who: Animal Collective performing Sung Tongs w/Lonnie Holley
When: Wednesday, 07.25, 7 p.m.
Where: The Ogden Theatre
Why: In September 2003, Animal Collective sequestered themselves to a house in Lamar, Colorado to record in a house on a property where Avey Tare’s parents lived (not in the same house). Working with their friend Rusty Santos, Animal Collective released Sung Tongs the following year. The album garnered critical accolades and has long been a favorite among fans. It featured acoustic instruments used in a way that suggested an electronic music aesthetic and a collage approach to making pop music with unconventional rhythms, drones and layers of sound. At times freak folk, at times pure, abstract soundscaping as a kind of musical story/experience. In that way, Animal Collective tapped into a similar space as Microphones on he Glow Pt. 2 and Mount Eerie. But not as dark, more playful, but as fearless in seeing where the music could go separate from having to write anything resembling a conventional pop song while writing an essentially pop album. The group will perform the album in its entirety on the current tour and likely with songs from across its discography.

Who: Harry Tuft – Shady Grove Picnic series
When: Wednesday, 07.25, 6:30 p.m.
Where: Four Mile Historic Park 715 S. Forest
Why: Harry Tuft is one of the godfathers of the folk and Americana scene in Denver. Tuft’s involvement in the Denver Folklore Center and Swallow Hill Music created a place to acquire and learn traditional acoustic instruments, to see the music live and to foster a local culture around that music. While not unique in the nation by a long shot, the members of bluegrass band Hot Rize met through those connections and in their way helped to rekindle a folk and Americana revival from the 80s onward by popularizing the musical forms and updating them slightly for the modern era. Tuft finally started to perform his own music in his late 70s and early 80s and to release his own music. He also retains a mind open to new musical forms and that openness of spirit can be heard in his originals. Tuft is a true OG hero of underground music from Colorado.

Who: Flasher w/Eternal and Hot Trash
When: Wednesday, 07.25, 7 0op.m.
Where: Larimer Lounge
Why: DC’s Flasher put out one of the best rock albums of 2018 so far with Constant Image. The band’s full length debut with Domino is a blend of post-punk and synth pop-esque electronics in a tasty counterpoint to its nuanced social critique and self-examination. Not didactic so much as holistic. Not unlike Parquet Courts’ own 2018 release Wide Awake!!, Constant Image minces no words but does so with imaginative wordplay and music that is couched in both an 80s New Wave flavor and a modern blurring of musical timeframes hinting that the dystopian 80s are not so different from the often nightmarish political climate of today. Heady stuff for what could be enjoyed as simply incredibly well-crafted pop songs. But Flasher’s genius is in making music that isn’t inherently alienating to lay out some stark truths that aren’t so abstract from most people’s lives struggling to get by as rents, home prices and daily necessities rise in price and increase in scarcity with no clear solution in sight.

Best Shows in Denver 7/5/18 – 07/11/18

 

PearlsAndPerils_Jun22_2018_TomMurphy
Pearls and Perils performs 7/5/18 at Mutiny Information Café. Photo by Tom Murphy

Thursday | July 5, 2018

SurrenderSignal_Jan12_2018_TomMurphy
Surrender Signal, photo by Tom Murphy

Who: Empath, Shiii Whaaa and Surrender Signal
When: Thursday, 07.05, 7 p.m.
Where: Lost Lake
Why: Empath’s 2018 EP Liberating Guilt and Fear (on Philadelphia-based queer DIY label Get Better Records) is a good reminder that not every younger band disappeared into any kind of boring and creatively stultifying/ossifying morass of subgenre aspirational adherence. Some of its closest sonic cousins of a decade ago might be No Age and Ponytail for the sheer enthusiasm and willingness to embrace raw noise as part of its songwriting. Don’t expect the band’s songs to fit comfortably within the box of noise rock either. Empath doesn’t worry over boundaries like that and you can bet part of its show will be a float into organic sounds, ambient aesthetics and an environmental approach to composition well outside rock-ist and pop-ist aesthetics. Angular noise rock outfit Surrender Signal from Denver is on the bill as well as post-Reatards/noise surf weirdos Shiii Whaaa from Colorado Springs.

Who: Jeremy Enigk w/Chris Staples
When: Thursday, 07.05, 7 p.m.
Where: Larimer Lounge
Why: Jeremy Enigk is the singer/guitarist for Sunny Day Real Estate, the Seattle band that in the early 90s helped to establish the aesthetic and sensibilities of emo before it morphed into the version most people came to know in the early 2000s. When Sunny Day broke up in 1995, Enigk embarked upon a distinguished solo career beginning with his 1996 album Return of the Frog Queen. Its sound, while a logical next step from SDRE, was even more meditative and introspective. Sonically it had more in common with the pop-songcraft and sound experimentation heard in artists affiliated with the Elephant 6 collective than anything else going on around that time. Not psychedelic so much as emotionally tender and not hiding behind loud sounds to mask genuine feelings, rather, an embrace of them. For this tour Enigk is celebrating the twenty-second anniversary of that debut solo record so expect to hear all or most of it at this show.

Who: The Rememberables, Blacksage, Pearls & Perils, Zealot and Broken Record
When: Thursday, 07.05, 9 p.m.
Where: Mutiny Information Café
Why: Baltimore’s Blacksage paired the singing chops of folk vocalist Josephine Olivia with the electronic music compositional and technical prowess of producer Drew Scott to make the kind of minimal synth dance pop that should be dominant in mainstream music since Lorde, Grimes and Purity Ring have already made inroads that way. But for now, the band bridges the shortening chasm between modern darkwave and indie pop. Currently the duo is on tour with Washington D.C.’s The Rememberables. Sure, the guys look like they are in some kind of hip motorcycle gang that maybe listen to Catherine Wheel and Smashing Pumpkins instead of only Skynyrd and the Nuge. And its huge, fuzzy riffs bear that out a bit as evidenced by its self-titled 2017 album rememberables.bandcamp.com. However, the vibe is more self-aware and melancholic in a way that makes one wonder how members of noteworthy DC hardcore band Coke Bust went from that blistering, noisy discharge of anger and outrage to this more nuanced music and yet liking the change all the same. Also on the bill is Denver rock band Zealot which deserves a longer mention as it includes former members of The Don’ts And Be Carefuls and Ideal Fathers. And Pearls & Perils is the best solo soul/downtempo project in Denver with the mighty Olivia Perez who used to front the experimental prog/hard rock band Gloam a decade ago. Her music is as soothing as it is hypnotic and riveting.

Friday | July 6, 2018

 

SlimCessnasAutoClub_Dec29_2017_TomMurphy
Slim Cessna’s Auto Club, photo by Tom Murphy

Who: Slim Cessna’s Auto Club w/Strange Americans
When: Friday, 07.06, 6 p.m.
Where: Levitt Pavilion
Why: Slim Cessna’s Auto Club will bring its curiously bright and lively yet haunted cowboy punk/Gothic Americana glam show to the outdoor theater Levitt Pavillion tonight. In an Auto Club show you will experience the broad spectrum of the human emotional drama with a triumphant energy born of knowing life’s low points. Without the hokey-ness, SCAC’s musical output is an acceptance and embrace of life as it is.

Who: Roka Hueka w/Los Mocochetes and Blue Kings
When: Friday, 07.06, 8 p.m.
Where: Ophelia’s Electric Soapbox
Why: Fortunately the Afrobeat and Latin funk bands in Denver tend to be pretty legit. Granted, Roka Hueka is a ska band it’s style is more in line with the world of jazz and Los Mocochetes may be a funk band but it isn’t just about the party and a good time, though that is certainly part of its appeal, its songs integrate so many styles of art and music into presenting vibrant ideas that challenge the dominant paradigm.

Saturday | July 7, 2018

Brother-Dege-2---photo-Adrien-Berthet
Brother Dege, photo by Adrien Berthet

Who: Brother Dege
When: Saturday, 07.07, 6 p.m.
Where: Broken Shovels Farm
Why: At first blush Brother Dege can seem like any other modern blues artist but give the guy’s songs a chance to work and ride with him a little and you’ll discover he’s someone that actually takes the form and the sounds of blues and does something affecting and magical with them. This could be that he’s from rural Louisiana and went through his own real life travails long before, you know, writing “Too Old To Die Young” for his 2010 album Folksongs of the American Longhair, which was included on the soundtrack for Quentin Tarantino’s 2012 film Django Unchained. But Brother Dege’s tonal shifts and song dynamics elevate his music to the mythical level at which the most interesting blues artists have always operated. Brother Dege is now touring in support of his thought-provoking 2018 album Farmer’s Almanac. This show is at Broken Shovels Farm on the edge of Denver metro yet still in city limits but it’s going to feel like you’re seeing this music in the rural west and given the weather in Denver of late, with a lightning backdrop.

Who: Sailor Records 7 Year Anniversary
When: Saturday, 07.07, 2 p.m.
Where: 3 Kings Tavern
Why: Heavy music imprint Sailor Records is celebrating its seventh year with a showcase of many of its artists at this event. On tap for the occasion will be Native Daughters, Dreadnought, Muscle Beach, Greenbeard, Fathers, Joy Subtraction, Abrams, Plastic Daggers, Sugar Skulls and Marigolds, Low Gravity, Unicorn Pussy, It’s Just Bugs and Oscar Ross

Sunday | July 8, 2018

CowboyJunkies_LatentRecordings
Cowboy Junkies, photo courtesy Latent Recordings

Who: Cowboy Junkies 
When: Saturday, 07.08, 1 p.m.
Where: Twist & Shout
Why: Cowboy Junkies formed in 1986 in Toronto, Canada and quickly recorded its first album, a collection of mostly covers, called Whites Off Earth Now!! In the era, the band struck a chord on the college rock circuit where it remained a staple of college radio for over a decade. For the 1988 album The Trinity Session the group recorded, as with its first record, live with a stereo mic to a 2 t-track RDAT as a reaction against the humanity seemingly having been produced out of then commercial music. And that’s been the band’s consistent appeal—moody, sometimes brooding music, a mixture of blues, country and folk but rendered into a form and style that didn’t sound like it was adhering too much to the past. In that way, what Cowboy Junkies and like-minded bands of the era were doing is not unlike what many modern avant-bluegrass and mutant Americana bands have been doing for the past two decades and putting the human element to the forefront as a means of immediate connection. This show at Twist & Shout can be attended in its full glory can be attended with a wristband you can get with a pre-purchase new album at the store. The band will perform its full set with full sonic definition this night in Boulder.

Who: An Evening With Cowboy Junkies
When: Sunday, 07.08, 7 p.m.
Where: Boulder Theater
Why: See above for why this show might be of interest to you. Also, Boulder Theater, a beautiful room with solid acoustics and the full set from this noteworthy band.

Who: Carry Illinois w/Brianna Straut
When: Sunday, 07.08, 8:30 p.m.
Where: Lion’s Lair
Why: See our interview with Lizzy Lehman here. But otherwise, Carry Illinois is an Austin-based pop band whose emotionally stirring, sometimes harrow, always healing songs tap into Lehman’s specific struggles with mental health issues and loss but whose expression renders those struggles into a vivid sonic experience that anyone with any sense of self-awareness will find relatable and illuminating.

Tuesday | July 10, 2018

CarryIllinois_KatrinaBarber
Carry Illinois, photo by Katrina Barber

Who: Carry Illinois
When: Tuesday, 07.10, 8 p.m.
Where: Magic Rat
Why: See above for Carry Illinois and our interview with singer Lizzy Lehman here. This is the band’s only other show in Colorado.

Who: Invertebrate, Grimy and Berated
When: Tuesday, 07.10, 6 p.m.
Where: Chain Reaction Records
Why: It’s not so common to find a grindcore show in Denver these days outside of Mutiny Information Café and Seventh Circle Music Collective. This one will include Oakland’s grind-powerviolence trio Invertebrate, Denver’s Grimy (which includes former members of Doperunner) and Denver-based power violence act Berated.

Who: Das Ich w/The Midnight Marionettes, DJ Katastrophy
When: Tuesday, 07.10, 8:30 p.m.
Where: 3 Kings Tavern
Why: Germany’s Das Ich brings together the aesthetics of electro-industrial dance music, cabaret theater and an occult horror movie down to the demonic stage personae of Bruno Kramm and Stefan Ackermann. It’s the kind of music and show you’ll either love for the camp or find silly. But Kramm has been an active participant in humanist leftist politics in Germany and Das Ich’s music often reflects this perspective with 2002 album Anti’christ a pointed critique of world politics of the time.

Wednesday | July 11, 2018

Glassjaw_2_Julian-Gilbert
Glassjaw, photo by Julian Gilbert

Who: Quicksand w/Glassjaw and Spotlights
When: Wednesday, 07.11, 6:30 p.m.
Where: The Ogden Theatre
Why: Quicksand and Glassjaw are two of the giants of 90s New York post-hardcore. Both established a hard-edged, emotionally harrowing sound delivered with an expert use of a song dynamic that utilized a hovering/hanging delay of the most crushing and driving aspects of the songs. Quicksand, which formed earlier in 1990, have an elastic groove in its specific style, a sinewy rhythm the likes of which some later nü metal bands used with often less interesting results. That because with Quicksand while the lyrics are a discharge of anger and anxiety it’s about a place in life and not a celebration of that anger aimed squarely at someone the singer believes wronged him. After splitting in the 90s, Quicksand returned in 2012 seemingly better than ever with a new album, Interiors, released in 2017.

Glassjaw’s sound by comparison wasn’t a groove so much as a steady, relentless burn with a pause for breath between layers of blistering guitars, echoing yet urgent vocals balanced by drums providing a relatively fluid and nuanced flow of percussion intertwined with fast and dub-like bass lines. Often enough the guitars are used in a way that sound more like musical sound effects giving the band a broad range of sounds and moods for a group playing heavier music. Glassjaw, too, released a 2017 album, Material Control, its first in fifteen years.

Who: Neko Case w/The Space Lady
When: Wednesday, 07.11, 7 p.m.
Where: The Gothic Theatre
Why: Neko Case has lead quite a storied life as a musician and hopefully a book is coming out someday. Most people rightfully know her as a writer of poetic, emotionally nuanced and powerful pop songs the likes of which can be sampled well on her new album, 2018’s Hell-On. But early in her life in music, Case was a drummer for several punk bands as an art student in Vancouver, British Columbia. She also played in various other projects and perhaps most notably with indie rock band The New Pornographers (with whom Case still occasionally records). As a solo artist, Case has shown an uncommon arc of personal growth and artistic development across her whole career as someone who seems to want to explore beyond previous parameters. While it would be inaccurate to say her body of work is avant-garde it is illuminating and inventive. On this date of the tour Colorado-based outsider musician The Space Lady is opening with her otherworldly synthesizer pop including her unique group of covers of classic songs.