Best Shows in Denver 7/4/19 – 7/10/19

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Priests perform at Lost Lake on 7/7, photo by Drew Hagelin

Thursday | July 4

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Rubedo at Tree Fort Music Fest circa 2013, photo by Tom Murphy

What: Rubedo’s Independence Day V w/Matt Embree (member RX Bandits, Dispatch and The Sound of Animals Fighting), Poor Bodhi, DJ Reubot
When: Thursday, 07.04, 7 p.m.
Where: Bluebird Theater
Why: For five years now Rubedo has been doing an Independence Day show that includes friends and comrades in music and cultural resistance. This year includes Matt Embree, frontman of eclectic prog/punk/psych band Rx Bandits who is also a member of post-hardcore supergroup The Sound of Animals Fighting. Rubedo itself is no stranger to being difficult to pigeonhole. All its players have a degree of respectable musical chops and adept at mixing improvised sections in the songs based on the mood of the moment. One might call it a prog band because of the direct influence of The Mars Volta but also psychedelic rock and indirectly the musical thinking and techniques of hip-hop even though its all live instrumentation. The storytelling and themes of Rubedo songs somehow also manage to be positive and aimed toward a better future and celebrating the present without coming off as insincere.

Friday | July 5

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Pictureplane circa 2015, photo by Tom Murphy

What: Pictureplane w/OptycNerd and DEBR4H
When: Friday, 07.05, 8 p.m.
Where: Larimer Lounge
Why: Pictureplane returns to Denver where he first made waves in the underground beyond his home state of New Mexico. As one of the residents of Rhinoceropolis he was a real ambassador to experimental electronic dance bands in Denver and far beyond, evangelizing the DIY ethic and Rhinoceropolis and Monkey Mania to the places far and wide including performances in Russia. His musical style has evolved over the years and recently included more industrial textures and sounds but at his core, he’s an idiosyncratic artist who is trying to push his aesthetic in interesting directions.

Saturday | July 6

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Sour Boy, Bitter Girl circa 2011, photo by Tom Murphy

What: Get Your Eyes Swoll: Last Humans, Tears to Li6ht and Gothsta
When: Saturday, 07.06, 8:30 p.m.
Where: The People’s Building
Why: This edition of GYES features dark chillwave artist Tears to Li6ht, lush Americana band Last Humans and Gothsta which is series host Claudia Woodman in her guise as a weirdo Goth pop star known for bizarre covers and even stranger originals.

What: Angry Hand of God, Never Kenezzard, Flat Earth
When: Saturday, 07.06, 9 p.m.
Where: 3 Kings Tavern
Why: A doom/stoner rock show featuring the now active again Angry Hand of God which experienced a bit of a heyday in the late 2000s before Denver metal, with a few notable exceptions, started attracting much attention outside of Colorado. Also on the bill is Never Kenezzard whose mixture of sludge rock, prog and psychedelia pushes the boundaries of heavy rock into innovative territory.

What: Short Shorts album release, Sour Boy, Bitter Girl, Safekeeper and Florea
When: Saturday, 07.06, 8 p.m.
Where: Globe Hall
Why: Short Shorts is a four-piece from Denver who will release their new EP Hang-Ups tonight. Somewhere betwixt surf rock and the kind of punk with a footing in 2010’s garage rock, Short Shorts have a sound that fans of the likes of Tacocat and Bully might enjoy. Echoes of 90s K Records bands. Also with song titles like “Jumbotron Debutate” and “Quantum Entanglement” the band’s pop songs are clearly a cut above and more thoughtful than one might expect from a band with a name like Short Shorts. On the bill are like-minded acts like the dark Americana band Florea and Sour Boy, Bitter Girl. The latter has a real knack for taking down and out sensibilities and turning them into earnest and thought-provoking pop songs with a literary flair.

What: Heart Bones feat. Har Mar Superstar and Sabrina Ellis w/Good Fuck and Mark Mallman
When: Saturday, 07.06, 8 p.m.
Where: Oriental Theater
Why: Two powerhouse performers in the same soulful synth pop band? Har Mar Superstar has long been putting on the most absurdly entertaining performances mixing soul and punk an dance music while Sabrina Ellis has been the animated and powerful frontwoman of A Giant Dog. Also, Good Fuck, the latest project from Tim Kinsella and Jenny Pulse, is like an experimental electronic German pop band but more like ADULT. than electroclash. Its 2019 self-titled album is a moody and spacious set of dark, noisy, techno industrial dance music.

Sunday | July 7

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New Ben Franklins circa 2009, photo by Tom Murphy

What: Priests w/Olivia Neutron John
When: Sunday, 07.07, 7 p.m.
Where: Lost Lake
Why: Fiercely DIY band Priests releases its what might be described as post-punk glam through its own label Sister Polygon Records. With the latter the group has helped to advocate for like-minded artists critical of the oligarchy like Downtown Boys and Snail Mail. It’s latest record is The Seduction of Kansas. Theatrical and dynamic, Priests make its flamboyantly strange aesthetic accessible. Olivia Neutron John is the dark, post-punk electroclash type of solo project of Anna Nasty whose 2019 self-titled debut is driven by brooding and stark low end and plenty of punk attitude.

What: New Ben Franklins w/The Smokestack Relics, Buck Fuffalo, Lank & The Shanks, Thomas Nap For President, The Wyatts, Schofield 45
When: Sunday, 07.07, 2 p.m.
Where: Globe Hall
Why: A bit of a country and Americana mini-festival that includes several of the local luminaries including New Ben Franklins whose flavor of that music has crossed over into post-punk and psychedelia.

What: Melissa Etheridge
When: Sunday, 07.07, 5:30 p.m.
Where: Hudson Gardens
Why: Melissa Etheridge is a cultural icon in various ways and beyond being a very public figure in the LGBTQ community going back decades. Before coming out in public in 1993, Etheridge had hit records on college and AOR radio with her 1988 self-titled debut, 1989’s Brave and Crazy and Never Enough from 1992. Etheridge came across as thoughtful, soulful, gritty and she had a kind of gravitas that relatively new artists don’t yet possess. Her songwriting held an appeal that transcended any specific considerations of sexuality and gender and her music even crossed over into the more adventurous radio stations that typically played classic rock mixed with some modern hits. Her first big hits came with “Come to My Window” and “I’m The Only One” from the 1993 album Yes I Am. In 2019 Etheridge released her latest record The Medicine Show—a strong showing of songwriting prowess and performance for an artist this far into a prolific career. It’s almost a hard rock record with Etheridge sounding more confident than ever and heartfelt odes to life and loss.

Monday | July 8

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Melissa Etheridge, photo courtesy the artist

What: Melissa Etheridge
When: Monday, 07.08, 6:30 p.m.
Where: Chautauqua Auditorium
Why: See above for Melissa Etheridge. This show is in the uniquely arranged Chautauqua Auditorium which is a bit like seeing a show in a very large barn with good acoustics.

Tuesday | July 9

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Bad Religion, photo by Alice Baxley

What: Bad Religion w/Dave Hause & The Mermaid
When: Tuesday, 07.09, 7 p.m.
Where: Ogden Theatre
Why: Bad Religion has long been reliable for having something to say in its music across its nearly forty year career and its latest album, 2019’s Age of Unreason, is no different. It’s fifteen tracks of anthemic, melodic punk against Trump and the authoritarian program worldwide in general. If any of it is heavy handed the times call for leaving no ambiguity in resisting the rise of fascism. Musically, one either likes the chances Bad Religion has taken or not but at least with its words the band has used its platform to challenging regressive political and cultural forces and to comment on the same with irreverent wit and intelligence.

Best Shows in Denver 07/19/18 – 07/25/18

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Flasher performs at Larimer Lounge on Wednesday, July 25, 2018 with Eternal and Hot Trash. Photo by Jen Dessinger.

Thursday | July 19, 2018

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Cuckoo circa 2018, photo by Tom Murphy

Who: Blood Orphans, Cuckoo, Kali.Krone and You Beside Me While I Have a Heart Attack
When: Thursday, 07.19, 7 p.m.
Where: Seventh Circle Music Collective
Why: Most of the bands on this bill are either dream pop/ambient/math rock/experimental guitar bands including Blood Orphans from Olympia, Washington. Their 2017 album you’re dead is reminiscent of some of the post-rock/slowcore bands of the early to mid 90s and partly in that the band goes from spacious minimalism to standing waves of distorted melody. Think something like a modern version of Codeine. Kali.Krone is in the slowcore vein with expertly bent string modulation in its gentle atmospheric riffs. Cuckoo has been more punk but all along the band has had some jazz/math rock underpinnings that have basically taken over at this point.

Who: Glasss Presents: Lady of Sorrows and eHpH
When: Thursday, 07.19, 7 p.m.
Where: Hooked On Colfax
Why: This edition of the Speakeasy Series Season 2 at Hooked On Colfax features dark downtempo artist Lady of Sorrows and the only local EBM-inflected band outside of Velvet Acid Christ worth listening to for someone that isn’t enamored with the 90s incarnation of that sort of thing: eHpH. The Denver-based duo blends EBM, industrial rock, deathrock and punk into a cohesive whole.

Friday | July 20, 2018

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J.J. Grey, photo by Jay Simon

Who: J.J. Grey & Mofro with String Cheese Incident
When: Friday, 07.20, 6 p.m.
Where: Red Rocks
Why: Blues rock and soul can be the justifiable butt end of a joke these days since so many people who shouldn’t do it have tried their hand at it. J.J. Grey, though, and his band are drawing on the milieu and culture that produced the blues as musicians from Jacksonville, Florida. It’s not the Mississippi delta, New Orleans, Kansas City or Chicago but the vibe is similar and it’s something Mofro seems to have absorbed and learned to interpret it through their own musical lens. Harmonica can often sound pretty wack but Grey brings to it a soulful expressiveness that not every players not to mention the rasp that gives his vocals some character. The band has been embraced by the jam band world, and thus this gig with String Cheese Incident, but its own songs, even when the band jams out a little, are brimming with passion and come off more like the bluesier, more fiery end of Jeff Buckley more so than perhaps some of its putative musical peers.

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Jason Boland & The Stragglers, photo by Cameron L. Gott Photography

Who: Jason Boland & The Stragglers
When: Friday, 07.20, 8:30 p.m. [see other Colorado dates below through Monday 07.23.18]
Where: Grizzly Rose
Why: In an era when a lot of people’s idea of country music is the purely pop variety, Jason Boland & The Stragglers seem like the kind of hard touring band that had it existed 40 years ago might have come to open for Charlie Rich or George Strait at the Zanzibar in Aurora, Colorado. And like those artists, Boland writes the kind of storytelling honky tonk-esque country that reflects a life and a perspective that is either not seen in popular entertainment or treated with a kind of curiously fetishistic celebration/mythologizing as to be off-putting. Rather than indulge in that sort of thing, Jason Boland & The Stragglers are living it as one can these days playing towns and venues off and on the beaten music tourinc circuit. In Colorado the band is playing tonight at The Grizzly Rose in Denver, Saturday July 21 at the Chaffee County Fair & Rodeo in Salida, then back up north to play Moxi Theater in Greeley on Sunday, July 22 and southwest to Crested Butte at Crested Butte Center For the Arts on Monday July 23.

What: Mile High Parley 4 Day 1 
When: Friday, 07.20, 8 p.m.
Where: Mutiny Information Café, Hi-Dive and Gary Lee’s
Why: Not so long ago Mile High Parley was a kind of rebellious parallel event to the UMS at the same time as the UMS smack in the middle of the whole event but featuring bands that weren’t likely to play the bigger, more commercial festival. Since the event has returned for 2018 it’s simply a great cross section of Denver music, comedy, culture and crafts that you may not get to see in such a short time frame in close proximity. While any of the artists would be worth checking out, on Saturday night, at Gary Lee’s at 10:45 p.m., the great Denver garage/punk band Boss 302 reunites for one of two shows this summer. The other being at The Oriental Theater on August 24. The lineup for these shows will be that of the band’s 1997-1998 period during which it recorded arguably its best record, Whatever Happened to Fun? That means former The Fluid bassist Matt Bischoff will bring his masterful playing to the show. Below is the schedule for Friday night.

Mutiny Information Café
8 The Enigma / Opening Ceremony
9:15 Luke Schmaltz
10:15 High On the Mountain
11:15 New Standards Men
12:15 Negative Trace
1:15 After Party w/Starjammer

Hi-Dive
9:30 Simulators
10:15 Necropanther
11 Keef Duster
11:45 Quits

Gary Lee’s
9 Modern Goon
10 Brother Sister Hex
11 Hot Apostles
12 Trade-Ins

Who: Angry Hand of God, Sea of Flame and Ora
When: Friday, 07.20, 6 p.m.
Where: 3 Kings Tavern
Why: Sort of a sludge rock show but one that includes former Skivies guitar wizard Zahari Tsigularov in Ora and a reunion of one of Denver’s best sludge metal bands, Angry Hand of God, who haven’t graced Denver stages in close to half a decade. Its 2014 EP Just The Tip is a good introduction to the dark and menacing universe of Angry Hand Of God’s dystopian science fiction repertoire shot through with Sabbath-esque riffs.

Saturday | July 21, 2018

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Boss 302 circa 2008, photo by Tom Murphy

What: Mile High Parley 4 Day 2
When: Saturday, 07.21, 8 p.m.
Where: Various South Broadway Venues near Ellsworth and Broadway
Why: See Friday’s listing for Mile High Parley. Below is the schedule by venue. The great Denver garage rock/punk band Boss 302 plays this night at Gary Lee’s 10:45 p.m.. All times p.m. unless otherwise made obvious.

Mutiny Information Café
1:15 Violet’s Gun
2:15 Ghost Towners
3:15 Hangman’s Hymnal
4:15 It’s Just Bugs
5:15 Solohawk
6:15 Averages
7:15 Jane Doe
8:15 Green Druid
9:15 Abrams
10:15 Git Some
11:15 After Party – Can Tribute

Sportique Scooters Outdoor Stage – 160 South Broadway
1 – Smith’s Grove Band
1:45 Hail Satan
2:30 Meet the Giant
3:15 Blue Kings
4 Dangerous Friends
4:45 Haley and the Crushers
5:30 Granny Tweed
6:15 Bighorn
7 Ryan Chrys and the Rough Cuts
8 Bud Bronson and the Good Timers
9 MF Ruckus

Hi-Dive
9:30 Gnaat
10:15 Trash Canyon
11 Future Canyon
11:45 The Shaloms

Gary Lee’s
6 Sleep Union
6:45 Lurchers
7:45 Bolonium
8:45 Cyclo-Sonic
9:45 Sixes and Sevens
10:45 Boss 302

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Ashe, photo by Leslie Colon

What: Ashe w/Hobo Johnson & The Lovemakers
When: Saturday, 07.21, 8 p.m.
Where: Cervantes’ Other Side
Why: According to an interview Ashe did with PopCrush in 2018, when she was a student at Berklee didn’t have the confidence in her abilities to become an artist per se, beyond being a songwriter. But once she connected with electronic pop artists Whethan and Louis the Child Ashe and the underground world of music out of which they came, Ashe realized she could do something viable of her own beyond being a featured artist on someone else’s tracks. In June 2018 Ashe released her debut EP, The Rabbit Hole, through Mom + Pop. The EP’s seven tracks sound like an update on late 90s electronic pop as heard through a filter of youthful nostalgia. You know, as if Ashe took threads of modern, throwback psychedelic pop and interpreted it through EDM production methods. The result is a pleasant, summer set of melodic gems. “Real Love” is the lead single with its timeless, dreamlike quality.

What: Sorted 9: Hodge (Bristol), Lone Dancer
When: Saturday, 07.21, 11 p.m.
Where: TBA
Why: Bristol-based producer/ambient artist Hodge will do a four-hour, late night set at a venue to be announced (details in link above). Hodge’s music blends organic, live instrument samples with textured atmospheres and lushly, downtempo beats. Also for this edition of Sorted, the long-running curated electronic dance night, is Denver’s Lone Dancer whose own blend of experimental electronic dance music and ambient will fit in perfectly with the event.

Sunday | July 22, 2018

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S. Carey, photo by Cameron Wittig

What: Mile High Parley 4 Day 3
When: Sunday, 07.21, 12 p.m.
Where: Various South Broadway Venues near Ellsworth and Broadway
Why: Final day of Mile High Parley with the schedule below.

Mutiny Information Café
12 – 1 Yellow Rake/Suspect Press Showcase
2 – 3:30 Ground Zero Comedy featuring Nathan Lund, Allison Rose, Preston Tomkins, Andres Becerril and Shanae Ross
4:30 – 6 Punch Drunk Press – Punketry

Who: S. Carey w/H.C. McEntire
When: Sunday, 07.22, 9 p.m.
Where: Larimer Lounge
Why: For his 2018 album Hundred Acres, S. Carey pared back the instrumentation to the bare essentials. In doing so, the songwriter took the already delicate, intimate quality of his songwriting and pushed the possibilities of the aesthetic and form further. The subtle layers of sound that provided the beautifully shifting backdrop of his earlier albums are largely gone replaced with space that function similarly as a device to bring the listener’s imagination to bear. But rather than suggest a mood, a color or sounds that conjure visuals, S. Carey’s songwriting this time around invite the listener to project and engage in an informal conversation outside the explicit songs themselves.

Tuesday | July 24, 2018

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Foreigner, photo by Bill Bernstein

Who: Foreigner w/Whitesnake and Jason Bonham’s Led Zeppelin Evening
When: Tuesday, 07.24, 5:30 p.m.
Where: Pepsi Center
Why: It’s easy to dismiss Foreigner as being a product of its time and of oversaturation of decades of being on mainstream and classic rock radio. Foreigner is also one of the few hard rock bands that emerged in the 70s that was able to make the transition to being a viable pop band in the 80s and one that can still command large audiences today when many of its peers are basically stuck only on the nostalgia circuit playing small clubs and county fairs. Likely the group has had its share of those experiences at some point but for this tour of large venues Foreigner is the clear headliner over the likes of Whitesnake (whose own roots in 70s hard rock are respectable enough) and Jason Bonham’s Led Zeppelin Evening (though Bonham played in Foreigner for a few years). Even though iconic Foreigner vocalist Lou Gramm has long been out of the band, former Hurrican vocalist has been ably singing the Foreigner classics since 2005. A few of the older bands that have been touring of late are a good reminder that even if you’re skeptical of their music the live show speaks for itself and Foreigner is one of those.

Who: Covet (Yvette Young) w/Vasudeva and Quentin
When: Tuesday, 07.24, 7 p.m.
Where: Lost Lake
Why: Yvette Young made a name for herself with her use of Facebook, YouTube and other online services to share her sketches of songs with friends and other fans of math rock and Midwest emo. For the past four years, Young has been performing with her band Covet. With the release of 2018’s Effloresce, Young and her bandmates have pushed their music well beyond the creative and sonic limitations of math rock. Young’s songs have always suggested fantastical storytelling and in going beyond genre stylistic canon, her music has an appeal beyond her vaunted abilities as a guitar shredder. Read our interview with Young here.

Wednesday | July 25, 2018

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Animal Collective circa 2013, photo by Tom Murphy

Who: Animal Collective performing Sung Tongs w/Lonnie Holley
When: Wednesday, 07.25, 7 p.m.
Where: The Ogden Theatre
Why: In September 2003, Animal Collective sequestered themselves to a house in Lamar, Colorado to record in a house on a property where Avey Tare’s parents lived (not in the same house). Working with their friend Rusty Santos, Animal Collective released Sung Tongs the following year. The album garnered critical accolades and has long been a favorite among fans. It featured acoustic instruments used in a way that suggested an electronic music aesthetic and a collage approach to making pop music with unconventional rhythms, drones and layers of sound. At times freak folk, at times pure, abstract soundscaping as a kind of musical story/experience. In that way, Animal Collective tapped into a similar space as Microphones on he Glow Pt. 2 and Mount Eerie. But not as dark, more playful, but as fearless in seeing where the music could go separate from having to write anything resembling a conventional pop song while writing an essentially pop album. The group will perform the album in its entirety on the current tour and likely with songs from across its discography.

Who: Harry Tuft – Shady Grove Picnic series
When: Wednesday, 07.25, 6:30 p.m.
Where: Four Mile Historic Park 715 S. Forest
Why: Harry Tuft is one of the godfathers of the folk and Americana scene in Denver. Tuft’s involvement in the Denver Folklore Center and Swallow Hill Music created a place to acquire and learn traditional acoustic instruments, to see the music live and to foster a local culture around that music. While not unique in the nation by a long shot, the members of bluegrass band Hot Rize met through those connections and in their way helped to rekindle a folk and Americana revival from the 80s onward by popularizing the musical forms and updating them slightly for the modern era. Tuft finally started to perform his own music in his late 70s and early 80s and to release his own music. He also retains a mind open to new musical forms and that openness of spirit can be heard in his originals. Tuft is a true OG hero of underground music from Colorado.

Who: Flasher w/Eternal and Hot Trash
When: Wednesday, 07.25, 7 0op.m.
Where: Larimer Lounge
Why: DC’s Flasher put out one of the best rock albums of 2018 so far with Constant Image. The band’s full length debut with Domino is a blend of post-punk and synth pop-esque electronics in a tasty counterpoint to its nuanced social critique and self-examination. Not didactic so much as holistic. Not unlike Parquet Courts’ own 2018 release Wide Awake!!, Constant Image minces no words but does so with imaginative wordplay and music that is couched in both an 80s New Wave flavor and a modern blurring of musical timeframes hinting that the dystopian 80s are not so different from the often nightmarish political climate of today. Heady stuff for what could be enjoyed as simply incredibly well-crafted pop songs. But Flasher’s genius is in making music that isn’t inherently alienating to lay out some stark truths that aren’t so abstract from most people’s lives struggling to get by as rents, home prices and daily necessities rise in price and increase in scarcity with no clear solution in sight.