Best Shows in Denver December 2021

Napalm Death, photo courtesy the artists
Spyderland at Larimer Lounge September 2021, photo by Tom Murphy

Thursday | 12.03
What: Spyderland, Princess Dewclaw and Connie
When: 10 p.m.
Where: Broadway Roxy
Why: Spyderland is the more soulful synth pop side of the songwriting of Marie Litton (Lil’ Thunder, Ghost Buffalo) and Drew McClellan. The duo’s 2021 album There’s Monsters Outside is an evocation of the challenging social and political landscape of America during a time of impending crises with no real leadership to face them with honesty and conviction leaving us to scramble as best we can while not surrendering to despair. Princess Dewclaw is like if a punk band with strident yet righteous political convictions freely associated musical ideas and didn’t bother to think electronic music can’t be part of a punk aesthetic.

Midwife at Hi-Dive September 2021, photo by Tom Murphy

Friday | 12.03
What: Old Sport w/Midwife and Seer Believer
When: 7/8 p.m.
Where: HQ
Why: Old Sport emerges from its long hiatus to bring its emo flavored punk to local stages again this time sharing that space with Midwife and that project’s deeply emotional, hazy art folk darkwave-esque dream pop.

Friday | 12.03
What: Lose Your Head: Vitrina (EBM), Hex Cassette (synth goth for Satan), Horse Girl, Ray Diess (synth pop), John Baldwin (pop)
When: 6:30/7 p.m.
Where: Jester’s Place (1527 Champa)
Why: A showcase of some of the newer darkwave/synth pop bands out of Denver at a new venue in the cultural wasteland of downtown.

…And You Will Know Us By the Trail of Dead, photo by Krystal Morris

Saturday | 12.04
What: …And You Will Know Us By The Trail of Dead w/Death Valley Girls
When: 8/9 p.m.
Where: Larimer Lounge
Why: Forming in Austin, Texas in 1994, …And You Will Know Us By The Trail of Dead has been one of the more interesting guitar rock bands out of the underground that somehow both exerted an influence on modern indie rock while remaining a bit of a cult band. Its 2002 album Source Tags & Codes defied easy classification with its eclectic and inventive range of sounds, a pattern the band maintains up to and including its 2020 album X: The Godless Void and Other Stories. Known for its incendiary live shows contrasted with thoughtful and often high concept lyrics, Trail of Dead may be underrated but always surprisingly vital. Opening the show is the psychedelic post-punk band Death Valley Girls whose own unpredictable and imaginative live shows and music is a fascinating pairing with the veteran band.

Monday | 12.06
What: She Past Away w/Radio Scarlett
When: 7/8 p.m.
Where: Oriental Theater
Why: She Past Away isn’t just a great post-punk band from Istanbul but one of the best bands out of that realm of music operating today. Its energetic and bright yet darkly moody music reconciles the brooding of Sisters of Mercy at their most melancholy with early Cure guitar work. Connoisseurs of post-punk may hear hints of the influence of Russian post-punk legends Kino in the music as well. Radio Scarlett is Denver’s premier death rock band.

Eyehategod at Bluebird Theater January 2014, photo by Tom Murphy

Tuesday | 12.07
What: GWAR w/Napalm Death and Eyehategod
When: 6/7 p.m.
Where: Oriental Theater
Why: Yeah, it’s that GWAR with the absurd costumes as intergalactic scumdogs playing bombastic thrash punk and still giving the middle finger to uptight, conservative American culture and sensibilities in their inimitable and outrageous manner. One might think the highly political Napalm Death is without humor but oh no, the band that is known to play their less than 2 second song “You Suffer” multiple times in a row in case anyone missed it and otherwise have fun eviscerating and sending up the horrific realities of life under late capitalism. Eyehategod will bring a similarly informed and compassionate perspective on human suffering and survival with its own darkly psychedelic sludgy heavy music.

Tuesday | 12.07
What: Thundercat w/Channel Tres at Mission Ballroom
When: 7/8 p.m.
Where: Mission Ballroom
Why: Thundercat is the brilliant trickster bassist of renown whose skills have helped make many other musicians sound better including Kendrick Lamar, Flying Lotus and Kamasi Washington. But his solo albums are mind-altering musical journeys in their own right and as a band leader, Thundercat ably conjures jazz-funk alchemy with deep creativity.

Moon Pussy at Hi-Dive October 2021, photo by Tom Murphy

Thursday | 12.09
What: New Standards Men, Moon Pussy, SPELLS and Alien Neighborhood
When: 7/8 p.m.
Where: Hi-Dive
Why: This is the dual album release from art rock weirdos New Standards Men and Alien Neighborhood. The former never got to celebrate the release of its epic psychedelic jazz prog 2020 masterpiece I Was A Starship in 2020 for obvious reasons but the timing of the release of its companion album Spain’s First Astronaut in 2021 as well as the reissue of the earlier record on Snappy Little Numbers worked out for 2021. For the bill the group is joined by label mates and pop-punk band SPELLS and Alien Neighborhood as well as noise rock legends in the making Moon Pussy. Fans of bands on the Amphetamine Reptile imprint, Big Black/Shellac and outfits on the late GSL label or 31G will definitely have a heavy appreciation for Moon Pussy.

Friday | 12.10
What: N3PTUNE w/Rusty Steve and Hex Kitten
When: 8/9 p.m.
Where: Hi-Dive
Why: N3PTUNE has already made great waves beyond Denver with a brash and sophisticated body of work that transcends easy categorization with roots seemingly in funk, R&B, soul and rock. It is perhaps facile to compare him to Prince and maybe Yves Tumor but it’s also not far off the mark. This night celebrates the release of his EP The Black and White Ball on which N3PTUNE goes deep singing about intense subject matter with a hearty honesty.

Screwtape at Gothic Theatre November 2016, photo by Tom Murphy

Friday | 12.10
What: Joy’s Kitchen Benefit Show: Screwtape, Ukko’s Hammer, Destiny Bond, Broken Record
When: 7/8 p.m.
Where: Mutiny Information Café
Why: This will be a different kind of hardcore show benefiting Joy’s Kitchen. It also signals the return of the great local hardcore group Screwtape to live performance.

Saturday | 12.11
What: Volk w/White Rose Motor Oil
When: 9:30/10 p.m.
Where: HQ
Why: Volk is a cowpunk duo from Nashville, Tennessee. Its 2021 album Cashville is refreshingly raw and catches your attention immediately with an attitude that’s reminiscent of Big Boys when that band went off the standard punk rock rails it never traversed in the first place. Also on the bill are local country rock greats White Rose Motor Oil whose 2020 album You Can’t Kill Ghosts was both a stripped down affair but one that really emphasized the essentials of the group’s songwriting with no filler. It’s more recent releases feature spirited and creative interpretations of the duo’s influences.

Friday | 12.17
What: Flaming Tongues Above, Divingbell and Discontinued Flavors
When: 7/8 p.m.
Where: Seventh Circle Music Collective
Why: Formerly known as 50 Miles of Elbow Room, Flaming Tongues Above is the solo, experimental folk and musique concrète project of Amos Helvey of Old Sport. Divingbell is the solo project of Angus Smith whose own take on what might be considered a kind of folk-flavored post-rock is reminiscent of what might have happened if Jeff Buckley had joined early Low.

Riddy Arman, photo by Mike Vanata

Friday | 12.17
What: Riddy Arman w/The Local Honeys
When: 8/9 p.m.
Where: Hi-Dive
Why: Riddy Arman’s 2021 self-titled debut album on La Honda Records puts the emphasis on the Montana-based songwriter’s vivid storytelling through her powerful vocals. But her expressive and creative guitar work backed by finely accented percussion and a touch of pedal steel frame the stories with a beautifully reflective quality. One of modern country’s rising stars who you can see in small venue early in her career.

Lindsey Buckingham, photo by Lauren Dukoff

Monday | December 20
What: Lindsey Buckingham w/Sammy Brue
When: 7/8 p.m.
Where: Boulder Theater
Why: Lindsey Buckingham is perhaps best known for his contributions to the best era of rock and pop band Fleetwood Mac. But Buckingham’s work and songwriting outside of the Mac has been noteworthy as well (see his recent performance on SNL with Halsey). Currently the songwriter is touring in support of his 2021 self-titled album, a record that displays Buckingham in fine form as a crafter of pop songs not short on sophistication, economy and emotionally resonant lyrics.

Church Fire at Larimer Lounge September 2021, photo by Tom Murphy

Thursday | 12.23
What: Church Fire, Hex Cassette, Horse Girl and Verhoffst
When: 7/8 p.m.
Where: Hi-Dive
Why: Church Fire has long been one of the most powerful, dark synth pop bands in Denver and anywhere with songs that don’t shy away from commenting on political and social issues with poetry and emotional force. But also on the bill are other artists in the realm of local darkwave with Hex Cassette’s brooding synthesis of synth pop and EBM and Horse Girl’s transcendent dream pop.

FEAR at Marquis Theater in June 2013, photo by Tom Murphy

Friday | 12.31
What: Fear w/Potato Pirates, Direct Threat and Cease Fire
When: 7/8 p.m.
Where: Gothic Theatre
Why: FEAR is the legendary Los Angeles punk band that helped define an entire lineage of that style of music. The group took great pleasure in taunting self-righteous punks and conservative American culture equally with its irreverently humorous, sometimes nihilistic, lyrics and outrageous performances with lead singer Lee Ving commanding the stage like an insult comedian. The band was featured in Penelope Spheeris’ classic 1981 punk documentary The Decline of Western Civilization as well as the infamous 1981 Halloween episode of Saturday Night Live arranged by show writer Michael O’Donoghue and former SNL star and then cinema luminary John Belushi. On the show the band performed and the audience included members of Minor Threat, Cro-mags, The Meatmen and Negative Approach and mayhem ensued including profanity broadcast before the live feed was cut. So plenty of anticipation was in place when The Record came out on Slash in 1982 and it delivered some of the most caustic and boisterous punk in an era not short on such offerings. Since that time FEAR has released a handful of records, the final being 2000’s American Beer, and occasionally toured and still worth showing up to see. But with Ving turning 72 next year this may be one of your last chances, if not your last chance, to catch these heroes of punk before Ving calls it a day.

Best Shows in Denver 12/05/19 – 12/09/19

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She Past Away performs at Marquis Theater on December 6, photo by Jonas Fransson

Thursday | December 5

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The Ocean Blue, photo courtesy Darin Back

What: The Ocean Blue
When: Thursday, 12.5, 7 p.m.
Where: Soiled Dove Underground
Why: Dream pop band and precursors of modern indie pop, The Ocean Blue, makes a stop in Denver in support of its new album Kings and Queens / Knaves and Thieves. Read our interview with singer/guitarist David Schelzel here.

What: Dog Basketball and Dry Ice album release
When: Thursday, 12.5, 7 p.m.
Where: Old Main Chapel CU 1600 Pleasant St. Boulder 80302
Why: Dual album release show from experimental pop band Dog Basketball and “psychedelic dream punk” band Dry Ice from Denver. A rarity to see any show at Old Main much less something this underground and experimental.

What: Morbid Angel w/Watain and Incantation
When: Thursday, 12.5, 7 p.m.
Where: Oriental Theater

Friday | December 6

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Altas circa 2019, photo by Tom Murphy

What: She Past Away w/Radio Scarlet and WitchHands
When: Friday, 12.6, 7 p.m.
Where: Marquis Theater
Why: She Past Away is the Turkish post-punk band from Bursa that began in 2006 and making them early adopters of the current darkwave movement. Its synth and bass-driven songs have a different quality than its Western European and American counterparts while sharing that dark, introspective quality that is clearly descended from the likes of D.A.F., Depeche Mode and Clan of Xymox with an aesthetic that isn’t so far removed from its punk roots. The group’s third and latest album 2019 Disko Anksiyete saw a dual release on Fabrika Records and Metropolis Record and with a US tour currently under way it’s proof that its music transcends barriers of language.

What: Altas with Tiffany Christopher
When: Friday, 12.6, 8 p.m.
Where: Denver Open Media
Why: Instrumental rock band Altas performs at Denver Open Media for a free show with Tiffany Christopher. Altas released the powerfully cinematic All I Ever Wanted Was in June 2019.

What: Josh Miller (MI), New Standards Men, Dean Berlinerblau and 50 Miles of Elbow Room
When: Friday, 12.6, 7:30 p.m.
Where: Glitter City

What: Elektric Animals w/The Hollow, Star Garbage, False Report
When: Friday, 12.6, 8 p.m.
Where: Lost Lake

Saturday | December 7

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May Erlewine, photo by Michael Poehlman

What: May Erlewine w/Dango Rose
When: Saturday, 12.7, 7 p.m.
Where: Tuft Theatre (Swallow Hill)
Why: May Erlewine is a prolific blues folk artist from Big Rapids, Michigan with fifteen albums under her belt since 2003 including 2019’s In the Night. Erlewine cut her teeth as a live performer, according to a piece on MTV.com, while hitch hiking across North America and performing on the streets. For In the Night Erlewine picked herself up from the state of despair that hit many people in the wake of the Trump presidency and use her music as way to address 45’s ignorant and hateful and destructive remarks and behaviors with thoughtful commentary and observations on life and the American culture she and many of us know to be much more authentic than the spewage from a pampered, narcissistic child of privilege. But expect that music to be delivered with Erlewine’s usual warmth, nuance and strength with her dynamic and elegant voice.

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Lettuce, photo Courtesy Casey Flanigan

What: Lettuce w/Antibalas and Chris Karns
When: Saturday, 12.7, 7 p.m.
Where: Fillmore Auditorium
Why: Lettuce is an experimental funk band that has crossed over into the realm of jam bands and EDM even though its music has ranged far afield of that for years including its 2019 album Elevate. The group freely borrows from styles and sounds to craft its signature synthesis of funk, Afrobeat, jazz and electronic pop.

What: Vio-Lence, Havok and Axeslasher
When: Saturday, 12.7, 7 p.m.
Where: Bluebird Theater

What: American Grandma presents SUPERDOG w/Midwife and Entrancer
When: Saturday, 12.7, 8 p.m.
Where: Rhinoceropolis

What: Saturnalia: Church Fire, Chess at Breakfast, Punk Rock Burlesque, Katalysk, Plasma Canvas
When: Saturday, 12.7, 6 p.m.
Where: Marquis Theater

What: Don Chicharron, Wolf van Elfmand, Dylan Earl, Tiger Saw and DJ Wax Dattie
When: Saturday, 12.7, 8 p.m.
Where: Hi-Dive

What: Cattle Decapitation w/Atheist, Primitive Man and Vitriol
When: Saturday, 12.7, 5:30 p.m.
Where: Oriental Theater

What: M I N O R w/Quiet Warlock and Phil Beard
When: Saturday, 12.7, 8 p.m.
Where: Lost Lake

What: Sharone album release w/Something For Tomorrow, Asylum 9 and 21 Taras
When: Saturday, 12.7, 8 p.m.
Where: Globe Hall

What: The Slacks, The Crooked Rugs and Sliver
When: Saturday, 12.7, 8 p.m.
Where: Mutiny Information Café

Sunday | December 8

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Anamanaguchi, photo by Leia Jospe

What: Anamanaguchi w/Default Genders and Nullsleep
When: Sunday, 12.8, 7 p.m.
Where: Bluebird Theater
Why: Mix an anthemic J-pop band with an 8-bit glitchcore project and a progressive rock/jazz fusion band and task it to make dynamic and engrossing video game music with an uncommon sense of space, composition and emotional impact and you have Anamanaguchi. Particularly on its 2019 album [USA]. Seems gimmicky at first but the New York-based band doesn’t get stuck in the hyperactive songwriting that plagues a lot of “Nintendocore” acts or the dull focus on displays of technical prowess and knowledge of theory that is behind a lot of prog. Just well crafted, expansive pop songs that feel like endless possibilities and the positive ghosts of childhood reverie manifested in sound.

What: Surrender Signal, No Comma, Downward Sun and We Are Not a Glum Lot
When: Sunday, 12.8, 7 p.m.
Where: Globe Hall

Monday | December 9

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Alex Cameron, photo by Chris Rhodes

What: Alex Cameron w/Jackladder and Emily Panic
When: Monday, 12.9, 7 p.m.
Where: Bluebird Theater
Why: Alex Cameron’s 2019 album Miami Memory is like a set of vignettes about people in crisis. But the take is one of compassion and understanding without trying to underplay or make light of the struggles. At a time when a lot of synth pop is generic, Cameron’s eccentric and psychologically insightful take on songwriting is strikingly different with a knack for changing up the vibe, texture and tone of his songs throughout an album. Just watch the video for “Far From Born Again” for a bit about Cameron’s keen understanding of the human condition.

Best Shows in Denver 04/25/19 – 05/01/19

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Interpol headlines Red Rocks on May 1.image courtesy Matador Records website

Thursday | April 25

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Starjammer, photo courtesy Squidds Madden

Who: Starjammer featuring Kuf Knotz
When: Thursday, 04.25, 4 p.m. – ?
Where: 3 Kings Tavern
Why: Starjammer, the avant-garde dub reggae one-man/device band, will be playing two sets tonight in phases like a rocket launch. The Launch Pad Prep runs from 4-7 and the Late Night Lift Off starts at 9 and runs until the musical equivalent of escape velocity is reached. Or at least until you have to leave whether you want to or not.

Who: Bowshock and El Tigr3
When: Thursday, 04.25, 6:30 p.m.
Where: Hooked On Colfax
Why: This week’s Speakeasy Series presented by Glasss Records includes Bowshock, the experimental improv psych jazz reggae band.

Who: Stop Motion EP release w/Ramakhandra, Fresh Fruit!
When: Thursday, 04.25, 7
Where: Lost Lake

Friday | April 26

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The Yawpers circa 2018, photo by Michael Passman

Who: The Yawpers release of Human Question w/In the Whale and Fast Eddie
When: Friday, 04.26, 8 p.m.
Where: Gothic Theatre
Why: The Yawpers have been writing solid, rough around the edges, southern fried punk rock and roll for years. While earlier releases honestly cataloged singer Nate Cook’s headlong dive into desperation and self-destruction, Human Question, with the image of an immolating figure walking out of the fields into the forest on the cover, is more introspective and taking into consideration a subject as the title suggests—what is the purpose and significance of living in the world as a creature fully capable of being self-aware, reflective and capable of extremes of behavior and of consciously choosing a path other than the most immediate and obvious. The record is a collection of rockers but, especially with the single “Carry Me,” The Yawpers prove that they are capable of more than rocking and that even at the root of that is a raw and nuanced cauldron of emotion and now more an ability to write from a place beyond primal urges with a finely tuned discernment as articulated with fiery displays of musical and poetic catharsis.

Who: Superorganism w/Simpson
When: Friday, 04.26, 8 p.m.
Where: Gothic Theatre
Why: Originating in London, Superorganism is an international, multi-ethnic indie pop band whose members met through various internet channels and mutual friends. Its sound might be described as electronic music pitched to sound like something made using unorthodox, highly tactile instruments. In some ways the group’s 2018 self-titled debut is reminiscent of Kala-period M.I.A. with its fusion of styles and sounds and strong visual element to its performances.

What: PRF BBQ Day 1
When: Friday, 04.26, 8 p.m.
Where: Black Sky Brewery
Why: This is a three day music festival featuring some of the better Denver underground bands. On this night you can catch Dead Characters, New Standards Men, Modern Goon and Clutch Plague.

Who: Lotus
When: Friday, 04.26, 8 p.m.
Where: Summit Music Hall
Why: Certainly Lotus’ fan base is largely comprised of those with a love of all things jam band. And Lotus’ free flowing groove and sprawling improvisations fit in that pocket as well. But there’s something more experimental to the band’s music slightly beneath the surface. Its 2018 album Frames Per Second showcases this well with unusual jazz structures and dynamics, moody bass lines, vocal processing, playful and colorful synth work. Like the inevitable musical offspring of Steely Dan and Jean-Michel Jarre, Lotus sounds like a band with chops playing fairly straightforward yet intricate grooves but there is a layer of subversiveness to keep it interesting beyond technical flourishes.

Who: Murs w/DJ Eps, Locksmith, Cojo and AstroGrizz
When: Friday, 04.26, 8 p.m.
Where: Cervantes’ Other Side

Who: Cactus Blossoms w/Jack Klatt
When: Friday, 04.26, 8 p.m.
Where: Globe Hall

What: Outrun presents Final Wave
When: Friday, 04.26, 7 p.m.
Where: Hyperspace Arcade

Saturday | April 27

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Moon Pussy, photo by Tom Murphy

What: Lotus w/Ghostland Observatory, Jade Cicada and Magic Beans
When: Saturday, 04.27, 5 p.m.
Where: Red Rocks
Why: If Lotus wasn’t responsible for this line-up directly, someone somewhere put together a great bill of bands who share a similar sensibility in adventurous electronic music suited to a large stage format.
What: DMX w/DJ Chonz
When: Saturday, 04.27, 7 p.m.
Where: Summit Music Hall

What: Weird Touch
When: Saturday, 04.27, 9 p.m.
Where: Syntax Physic Opera
Why: It’s one of many hip DJ nights probably more focused on indie releases than average that we’re fortunate to have in Denver.

What: The North Ensemble
When: Saturday, 04.27, 7:30 p.m.
Where: Trident
Why: An avant-garde improvisational show in the back room/outdoors area in the back of Trident. Boulder likes to act like it’s weird but stuff like this is the rare occasion when it is in a productive way.

What: PRF BBQ Day 2
When: Saturday, 04.27, 4:30 p.m.
Where: The Bakery
Why: Simulators will rip your face off with their angular noise rock and when Moon Pussy finishes the process with its cybernetic psychedelic post-punk you will be glad you went unless you’re into safe, boring music. The other bands are probably worth it too. Schedule below.

430 – 500 – Simulators
515 – 545 – The Oxford Coma
600 – 630 – Moon Pussy
645 – 715 – Laurium
Food break
815 – 845 – Conan Neutron and the Secret Friends
9 – 930 – Hooper
945 – 1015 Sewingneedle
1030 – Future Scars

Sunday | April 28

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La Dispute, photo by Pooneh Ghana

Who: La Dispute w/Gouge Away and Slow Mass
When: Sunday, 04.28, 6:30 p.m.
Where: Summit Music Hall
Why: Maybe it’s because Jordan Dreyer was a writer before ever making music. Maybe it’s because La Dispute’s take on post-hardcore and emo isn’t tied to the usual sounds and progressions. Sure you can hear bits of the influence of At The Drive-In and Refused but on another level the band’s music sounds like a heavier Bright Eyes or even Slint—that sense of desolation and desperation. Also on this bill/tour are two other bands within the realm of punk that are a bit different yet share some of the same sensibilities with Gouge Away, a band that combines an atmospheric heaviness with eruptive energy and an unexpectedly forceful frontperson in Christina Michelle. Slow Mass is one of the better bands out there that has fused emotionally taut math rock with fluid post-hardcore.

What: Shibui Denver #2 – Victoria Lundy and Blank Human
When: Sunday, 04.28, 7 p.m.
Where: Mutiny Information Café
Why: Denver avant-garde veteran Victoria Lundy may play some of her classical material on Theremin or some of her spookier faire with the same as well as synth. Blank Human is a drone/ambient project from Dan Coleman also of Luxury Hearse.

What: PRF BBQ Day 3
When: Sunday, 04.28, 4 p.m.
Where: The Bakery
Why: Final evening of PRF BBQ including a performance from glam/psych post-punk stars Teacup Gorilla.

400 – 430 – Flowlines
445 – 515 – 50 Miles of Elbow Room
530 – 600 – Little Beards
615 – 645 – Falsetto Boy
Food break
745 -815 – Church Van
830 – 900 – Teacup Gorilla
915 – 945 – Purple Honey
1000 – The Gary

What: Sabroso Taco Fest: The Offspring, Bad Religion, The Vandals, Black Flag, Strung Out, Dwarves
When: Sunday, 04.28, 12 p.m.
Where: Fiddler’s Green
Why: Kind of a craft beer and taco event with some of the more well-known names in punk. One of the few chances to see Greg Ginn perform with the new version of Black Flag. No matter one’s opinion on that matter, Ginn is always startlingly impressive with the material.

Monday | April 29

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Beach Fossils, photo by Evan Tetreault

Who: Beach Fossils w/George Clanton
When: Monday, 04.29, 7 p.m.
Where: Oriental Theater
Why: Beach Fossils is from Brooklyn but capture a more West Coast breeziness in its melancholic surf pop confections. Unlike artists mining similar territory, Beach Fossils’ songwriting in its emotional colorings. That Slowdive’s Rachel Goswell contributed to the group’s 2017 album Somersault gives the direction Beach Fossils have been going some cachet by lending some of her low key yet evocatively powerful vocals to the record. George Clanton brings his lush, IDM-esque, deeply atmospheric electronic pop along for this leg of the tour as well.

Tuesday | April 30

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Bayonne, photo by Jackie Lee Young

Who: Bayonne and Palm Daze
When: Tuesday, 04.30, 7 p.m.
Where: Lost Lake
Why: Roger Sellers as Bayonne uses minimalist layers of texture-as-percussion and simple melodies to craft atmospheric pop that recalls late 2000s chillwave and its capacity to seemingly dispel anxiety and angst. His latest record, 2019’s Drastic Measures, should be on anyone’s short list for summer listening and to save for the winter months when it seems like warmer times are a distant memory.

What: Ambigere (WA), Causer, Paranoid Preacher and Emotional Calcification
When: Tuesday, 04.30, 7:30 p.m.
Where: Thought//Forms
Why: The noise show for the week.

What: Sage Francis & B. Dolan: Epic Beard Men and Vockah Redu and Wheelchair Sports Camp
When: Tuesday, 04.30, 7 p.m.
Where: Cervantes’ Other Side
Why: Sage Francis and B. Dolan, two giants alternative hip-hop and superb lyricists, are touring in their collaborative alternate personas Epic Beard Men. The masterful phrasing won’t be in short supply tonight with Denver’s Wheelchair Sports Camp and its jazz and beats rooted offerings.

What: Santigold w/Naeem 
When: Tuesday, 04.30, 7 p.m.
Where: Fillmore Auditorium

What: The 1975, Pale Waves and No Rome — canceled
When: Tuesday, 04.30, 6 p.m.
Where: Red Rocks

Wednesday | May 1

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Lil Pump, photo by Gabe Shaddow

Who: Interpol w/Car Seat Headrest, Japanese Breakfast and Sunflower Bean
When: Wednesday, 05.01, 5:30 p.m.
Where: Red Rocks
Why: Interpol could just tour on the strength of its fan base and pick some weird music industry management openers (and maybe that is part of this booking) but instead the post-punk stars are having three of the best indie rock bands opening the show. Between Car Seat Headrest’s lo-fi, emotionally raw math rock, Sunflower Bean’s driving, brooding post-punk and Japanese Breakfast’s highly imaginative and powerful guitar rock soundscaping the opening sets alone are worth the price of admission but then you get to see Interpol whose back catalog has held up better than that of many of its peers from the late 90s and early 2000s.

What: Lil Pump w/Lil Skies
When: Wednesday, 05.01, 6 p.m.
Where: Fillmore Auditorium
Why: Lil Pump turned 18 last August so expecting wisdom and thoughtfulness even on his 2019 album Haverd Dropout might be a bit much. He’s got a long way to go before his mumble trap is in the same league as Migos or his raps and performance in the same realm as Vince Staples or anyone in the A$AP crew or Odd Future. But it’s obvious he’s borrowed a lot from all of them. Nevertheless, Lil Pump is likeable enough despite his deficits and as he grows as an artist and as a human hopefully he’ll grow in more interesting and original directions so that the implicit faith that collaborators like Kanye West, Lil Wayne and 2 Chainz put in his sophomore album. It’s clear Pump is a weirdo so with any luck he’ll embrace that side of himself and give us a third album on which he truly lets his freak flag fly.

What: Weird Wednesday: Orbiting Olympia, Elk Minister, Tears to Light
When: Wednesday, 05.01, 9 p.m.
Where: 3 Kings Tavern
Why: Weird Wednesday this month features Orbiting Olympia which is a grand alchemy of Eve Orenstein’s opera training and Sean Faling’s mastery of synthesizers both analog and otherwise. Elk Minister is a multi-instrumentalist, self-styled mystic and songwriter who has been sitting on his material for years. His visual presentation on his social media accounts look like he’s come back from some junkyard holy site with the appropriate twenty-third century raiment.

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Lizzo, photo by Luke Gilford

What: Lizzo w/Tayla Parx
When: Wednesday, 05.01, 7 p.m.
Where: Ogden Theatre
Why: The show is sold out but if you can get in you can catch rising hip-hop/pop star Lizzo before she starts playing much larger venues (like her October date in Denver at the Fillmore) from now on. Her 2019 album Cuz I Love You has the kind of frisson that sounds, at times and certainly the “Juice” single, like something that might have come out of a late 70s-period Studio 54 playlist. Except not dated. And across the record Lizzo shows off her chops as a vocalist of great emotional power and a songwriter with a keen ear for dynamics. Fans of Prince are well-advised to give Lizzo’s new album a deep listen because it’s worth it.

What: Ben Kweller w/Mainman and Modern Love Child
When: Wednesday, 05.01, 7 p.m.
Where: Lost Lake