Erik Hall’s Interpretation of Simeon ten Hold’s “Canto Ostinato Sections 74-87” Adds Soothing Textures to the Entrancing Minimalism and Energy of the Original

Erik Hall, photo courtesy the artist

Erik Hall’s interpretation of Simeon ten Holt’s “Canto Ostinato Sections 74-87” has a very live and spontaneous sound. The original Canto Ostinato was written for four pianos from 1976 to 1979 has a certain lively energy that runs through the marathon composition. It is a fine example of Twentieth Century minimalism with the shifting tonal harmonies but without the the slide into dissonance. Hall captures the easy yet irresistible pace and seemingly over the top of the relaxing sounds of a flowing creek to give what might be an ethereal work of richly details sonics playing out in an ever-evolving manner as per the aesthetics of minimalism. Listen to “Canto Ostinato Sections 74-87” on YouTube and follow Erik Hall at the links below. Hall’s full treatment of Canto Ostinato released on February 24, 2023 on Western Vinyl available on multiple formats on Bandcamp linked below as well.

Erik Hall on Facebook

Erik Hall on Twitter

Erik Hall on Instagram

Advertisement

Author: simianthinker

Editor, primary content provider for this blog. Former contributor to Westword and The Onion.

%d bloggers like this: