Sal Dulu has been producing tracks for sometime that seem informed by a combination of 20th century classical music, ambient and deep house but often organized around creating immersive and entrancing hip-hop beats. His debut album Xompulse puts all of these interests on display and it seem uneven if you’re listening for strict stylistic coherence. But the result is more like what you might get from a J Dilla record with the legendary producer’s own proclivity for putting his experimental impulses forward and forcing the listener to take on his imaginative sonic worlds on their own terms. So here Sal Dulu connects hip-hop tracks with connective, introspective pieces. The title track placed between “Zumo” and “Alien Boy 96” is an introspective piece comprised of impressionistic, lonely piano lines that serves as a complete sonic break near the middle of a set of chill but energetic beats much as later “Just Like Sonnenalle Blues” takes the listener on a detour through streaming guitar blues and processed gleaming sounds that shimmer out in sonic soft focus. The whole albums feels like Sal has absorbed a great slice of bedroom pop programming, chillwave, vaporwave and underground hip-hop and sound design composition to create an album that is a modern emotional equivalent of late night jazz lounge with all the elements vibing masterfully on final track “Buzzcut” which feels like collage pop as much as acid jazz but with the rhythmic breaks so smooth and entrancing that even the relatively abrupt ending isn’t jarring. Listen to Xompulse on Soundcloud.
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